The Arrow of Gold

by Joseph Conrad

  And there was no one from whom I could hear, to whom I could speak, with whom I could evoke the image of Rita. Of course I could utter that word of four letters to Therese; but Therese for some reason took it into her head to avoid all topics connected with her sister. I felt as if I could pull out great handfuls of her hair hidden modestly under the black handkerchief of which the ends were sometimes tied under her chin. But, really, I could not have given her any intelligible excuse for that outrage. Moreover, she was very busy from the very top to the very bottom of the house, which she persisted in running alone because she couldn’t make up her mind to part with a few francs every month to a servant. It seemed to me that I was no longer such a favourite with her as I used to be. That, strange to say, was exasperating, too. It was as if some idea, some fruitful notion had killed in her all the softer and more humane emotions. She went about with brooms and dusters wearing an air of sanctimonious thoughtfulness.

  The man who to a certain extent took my place in Therese’s favour was the old father of the dancing girls inhabiting the ground floor. In a tall hat and a well-to-do dark blue overcoat he allowed himself to be button-holed in the hall by Therese who would talk to him interminably with downcast eyes. He smiled gravely down at her, and meanwhile tried to edge towards the front door. I imagine he didn’t put a great value on Therese’s favour. Our stay in harbour was prolonged this time and I kept indoors like an invalid. One evening I asked that old man to come in and drink and smoke with me in the studio. He made no difficulties to accept, brought his wooden pipe with him, and was very entertaining in a pleasant voice. One couldn’t tell whether he was an uncommon person or simply a ruffian, but in any case with his white beard he looked quite venerable. Naturally he couldn’t give me much of his company as he had to look closely after his girls and their admirers; not that the girls were unduly frivolous, but of course being very young they had no experience. They were friendly creatures with pleasant, merry voices and he was very much devoted to them. He was a muscular man with a high colour and silvery locks curling round his bald pate and over his ears, like a barocco apostle. I had an idea that he had had a lurid past and had seen some fighting in his youth. The admirers of the two girls stood in great awe of him, from instinct no doubt, because his behaviour to them was friendly and even somewhat obsequious, yet always with a certain truculent glint in his eye that made them pause in everything but their generosity—which was encouraged. I sometimes wondered whether those two careless, merry hard-working creatures understood the secret moral beauty of the situation.

  My real company was the dummy in the studio and I can’t say it was exactly satisfying. After taking possession of the studio I had raised it tenderly, dusted its mangled limbs and insensible, hard-wood bosom, and then had propped it up in a corner where it seemed to take on, of itself, a shy attitude. I knew its history. It was not an ordinary dummy. One day, talking with Doña Rita about her sister, I had told her that I thought Therese used to knock it down on purpose with a broom, and Doña Rita had laughed very much. This, she had said, was an instance of dislike from mere instinct. That dummy had been made to measure years before. It had to wear for days and days the Imperial Byzantine robes in which Doña Rita sat only once or twice herself; but of course the folds and bends of the stuff had to be preserved as in the first sketch. Doña Rita described amusingly how she had to stand in the middle of her room while Rose walked around her with a tape measure noting the figures down on a small piece of paper which was then sent to the maker, who presently returned it with an angry letter stating that those proportions were altogether impossible in any woman. Apparently Rose had muddled them all up; and it was a long time before the figure was finished and sent to the Pavilion in a long basket to take on itself the robes and the hieratic pose of the Empress. Later, it wore with the same patience the marvellous hat of the “Girl in the Hat.” But Doña Rita couldn’t understand how the poor thing ever found its way to Marseilles minus its turnip head. Probably it came down with the robes and a quantity of precious brocades which she herself had sent down from Paris. The knowledge of its origin, the contempt of Captain Blunt’s references to it, with Therese’s shocked dislike of the dummy, invested that summary reproduction with a sort of charm, gave me a faint and miserable illusion of the original, less artificial than a photograph, less precise, too. . . . But it can’t be explained. I felt positively friendly to it as if it had been Rita’s trusted personal attendant. I even went so far as to discover that it had a sort of grace of its own. But I never went so far as to address set speeches to it where it lurked shyly in its corner, or drag it out from there for contemplation. I left it in peace. I wasn’t mad. I was only convinced that I soon would be.

  CHAPTER II

  Notwithstanding my misanthropy I had to see a few people on account of all these Royalist affairs which I couldn’t very well drop, and in truth did not wish to drop. They were my excuse for remaining in Europe, which somehow I had not the strength of mind to leave for the West Indies, or elsewhere. On the other hand, my adventurous pursuit kept me in contact with the sea where I found occupation, protection, consolation, the mental relief of grappling with concrete problems, the sanity one acquires from close contact with simple mankind, a little self-confidence born from the dealings with the elemental powers of nature. I couldn’t give all that up. And besides all this was related to Doña Rita. I had, as it were, received it all from her own hand, from that hand the clasp of which was as frank as a man’s and yet conveyed a unique sensation. The very memory of it would go through me like a wave of heat. It was over that hand that we first got into the habit of quarrelling, with the irritability of sufferers from some obscure pain and yet half unconscious of their disease. Rita’s own spirit hovered over the troubled waters of Legitimity. But as to the sound of the four magic letters of her name I was not very likely to hear it fall sweetly on my ear. For instance, the distinguished personality in the world of finance with whom I had to confer several times, alluded to the irresistible seduction of the power which reigned over my heart and my mind; which had a mysterious and unforgettable face, the brilliance of sunshine together with the unfathomable splendour of the night as—Madame de Lastaola. That’s how that steel-grey man called the greatest mystery of the universe. When uttering that assumed name he would make for himself a guardedly solemn and reserved face as though he were afraid lest I should presume to smile, lest he himself should venture to smile, and the sacred formality of our relations should be outraged beyond mending.

  He would refer in a studiously grave tone to Madame de Lastaola’s wishes, plans, activities, instructions, movements; or picking up a letter from the usual litter of paper found on such men’s desks, glance at it to refresh his memory; and, while the very sight of the handwriting would make my lips go dry, would ask me in a bloodless voice whether perchance I had “a direct communication from—er—Paris lately.” And there would be other maddening circumstances connected with those visits. He would treat me as a serious person having a clear view of certain eventualities, while at the very moment my vision could see nothing but streaming across the wall at his back, abundant and misty, unearthly and adorable, a mass of tawny hair that seemed to have hot sparks tangled in it. Another nuisance was the atmosphere of Royalism, of Legitimacy, that pervaded the room, thin as air, intangible, as though no Legitimist of flesh and blood had ever existed to the man’s mind except perhaps myself. He, of course, was just simply a banker, a very distinguished, a very influential, and a very impeccable banker. He persisted also in deferring to my judgment and sense with an over-emphasis called out by his perpetual surprise at my youth. Though he had seen me many times (I even knew his wife) he could never get over my immature age. He himself was born about fifty years old, all complete, with his iron-grey whiskers and his bilious eyes, which he had the habit of frequently closing during a conversation. On one occasion he said to me. “By the by, the Marquis of Villarel is here for a time. He inquired after you the last
time he called on me. May I let him know that you are in town?”

  I didn’t say anything to that. The Marquis of Villarel was the Don Rafael of Rita’s own story. What had I to do with Spanish grandees? And for that matter what had she, the woman of all time, to do with all the villainous or splendid disguises human dust takes upon itself? All this was in the past, and I was acutely aware that for me there was no present, no future, nothing but a hollow pain, a vain passion of such magnitude that being locked up within my breast it gave me an illusion of lonely greatness with my miserable head uplifted amongst the stars. But when I made up my mind (which I did quickly, to be done with it) to call on the banker’s wife, almost the first thing she said to me was that the Marquis de Villarel was “amongst us.” She said it joyously. If in her husband’s room at the bank legitimism was a mere unpopulated principle, in her salon Legitimacy was nothing but persons. “Il m’a causé beaucoup de vous,” she said as if there had been a joke in it of which I ought to be proud. I slunk away from her. I couldn’t believe that the grandee had talked to her about me. I had never felt myself part of the great Royalist enterprise. I confess that I was so indifferent to everything, so profoundly demoralized, that having once got into that drawing-room I hadn’t the strength to get away; though I could see perfectly well my volatile hostess going from one to another of her acquaintances in order to tell them with a little gesture, “Look! Over there—in that corner. That’s the notorious Monsieur George.” At last she herself drove me out by coming to sit by me vivaciously and going into ecstasies over “ce cher Monsieur Mills” and that magnificent Lord X; and ultimately, with a perfectly odious snap in the eyes and drop in the voice, dragging in the name of Madame de Lastaola and asking me whether I was really so much in the confidence of that astonishing person. “Vous devez bien regretter son départ pour Paris,” she cooed, looking with affected bashfulness at her fan. . . . How I got out of the room I really don’t know. There was also a staircase. I did not fall down it head first—that much I am certain of; and I also remember that I wandered for a long time about the seashore and went home very late, by the way of the Prado, giving in passing a fearful glance at the Villa. It showed not a gleam of light through the thin foliage of its trees.

  I spent the next day with Dominic on board the little craft watching the shipwrights at work on her deck. From the way they went about their business those men must have been perfectly sane; and I felt greatly refreshed by my company during the day. Dominic, too, devoted himself to his business, but his taciturnity was sardonic. Then I dropped in at the café and Madame Léonore’s loud “Eh, Signorino, here you are at last!” pleased me by its resonant friendliness. But I found the sparkle of her black eyes as she sat down for a moment opposite me while I was having my drink rather difficult to bear. That man and that woman seemed to know something. What did they know? At parting she pressed my hand significantly. What did she mean? But I didn’t feel offended by these manifestations. The souls within these people’s breasts were not volatile in the manner of slightly scented and inflated bladders. Neither had they the impervious skins which seem the rule in the fine world that wants only to get on. Somehow they had sensed that there was something wrong; and whatever impression they might have formed for themselves I had the certitude that it would not be for them a matter of grins at my expense.

  That day on returning home I found Therese looking out for me, a very unusual occurrence of late. She handed me a card bearing the name of the Marquis de Villarel.

  “How did you come by this?” I asked. She turned on at once the tap of her volubility and I was not surprised to learn that the grandee had not done such an extraordinary thing as to call upon me in person. A young gentleman had brought it. Such a nice young gentleman, she interjected with her piously ghoulish expression. He was not very tall. He had a very smooth complexion (that woman was incorrigible) and a nice, tiny black moustache. Therese was sure that he must have been an officer en las filas legitimas. With that notion in her head she had asked him about the welfare of that other model of charm and elegance, Captain Blunt. To her extreme surprise the charming young gentleman with beautiful eyes had apparently never heard of Blunt. But he seemed very much interested in his surroundings, looked all round the hall, noted the costly wood of the door panels, paid some attention to the silver statuette holding up the defective gas burner at the foot of the stairs, and, finally, asked whether this was in very truth the house of the most excellent Señora Doña Rita de Lastaola. The question staggered Therese, but with great presence of mind she answered the young gentleman that she didn’t know what excellence there was about it, but that the house was her property, having been given to her by her own sister. At this the young gentleman looked both puzzled and angry, turned on his heel, and got back into his fiacre. Why should people be angry with a poor girl who had never done a single reprehensible thing in her whole life?

  “I suppose our Rita does tell people awful lies about her poor sister.” She sighed deeply (she had several kinds of sighs and this was the hopeless kind) and added reflectively, “Sin on sin, wickedness on wickedness! And the longer she lives the worse it will be. It would be better for our Rita to be dead.”

  I told “Mademoiselle Therese” that it was really impossible to tell whether she was more stupid or atrocious; but I wasn’t really very much shocked. These outbursts did not signify anything in Therese. One got used to them. They were merely the expression of her rapacity and her righteousness; so that our conversation ended by my asking her whether she had any dinner ready for me that evening.

  “What’s the good of getting you anything to eat, my dear young Monsieur,” she quizzed me tenderly. “You just only peck like a little bird. Much better let me save the money for you.” It will show the super-terrestrial nature of my misery when I say that I was quite surprised at Therese’s view of my appetite. Perhaps she was right. I certainly did not know. I stared hard at her and in the end she admitted that the dinner was in fact ready that very moment.

  The new young gentleman within Therese’s horizon didn’t surprise me very much. Villarel would travel with some sort of suite, a couple of secretaries at least. I had heard enough of Carlist headquarters to know that the man had been (very likely was still) Captain General of the Royal Bodyguard and was a person of great political (and domestic) influence at Court. The card was, under its social form, a mere command to present myself before the grandee. No Royalist devoted by conviction, as I must have appeared to him, could have mistaken the meaning. I put the card in my pocket and after dining or not dining—I really don’t remember—spent the evening smoking in the studio, pursuing thoughts of tenderness and grief, visions exalting and cruel. From time to time I looked at the dummy. I even got up once from the couch on which I had been writhing like a worm and walked towards it as if to touch it, but refrained, not from sudden shame but from sheer despair. By and by Therese drifted in. It was then late and, I imagine, she was on her way to bed. She looked the picture of cheerful, rustic innocence and started propounding to me a conundrum which began with the words:

  “If our Rita were to die before long . . .”

  She didn’t get any further because I had jumped up and frightened her by shouting: “Is she ill? What has happened? Have you had a letter?”

  She had had a letter. I didn’t ask her to show it to me, though I daresay she would have done so. I had an idea that there was no meaning in anything, at least no meaning that mattered. But the interruption had made Therese apparently forget her sinister conundrum. She observed me with her shrewd, unintelligent eyes for a bit, and then with the fatuous remark about the Law being just she left me to the horrors of the studio. I believe I went to sleep there from sheer exhaustion. Some time during the night I woke up chilled to the bone and in the dark. These were horrors and no mistake. I dragged myself upstairs to bed past the indefatigable statuette holding up the ever-miserable light. The black-and-white hall was like an ice-house.

  The mai
n consideration which induced me to call on the Marquis of Villarel was the fact that after all I was a discovery of Doña Rita’s, her own recruit. My fidelity and steadfastness had been guaranteed by her and no one else. I couldn’t bear the idea of her being criticized by every empty-headed chatterer belonging to the Cause. And as, apart from that, nothing mattered much, why, then—I would get this over.

  But it appeared that I had not reflected sufficiently on all the consequences of that step. First of all the sight of the Villa looking shabbily cheerful in the sunshine (but not containing her any longer) was so perturbing that I very nearly went away from the gate. Then when I got in after much hesitation—being admitted by the man in the green baize apron who recognized me—the thought of entering that room, out of which she was gone as completely as if she had been dead, gave me such an emotion that I had to steady myself against the table till the faintness was past. Yet I was irritated as at a treason when the man in the baize apron instead of letting me into the Pompeiian dining-room crossed the hall to another door not at all in the Pompeiian style (more Louis XV rather—that Villa was like a Salade Russe of styles) and introduced me into a big, light room full of very modern furniture. The portrait en pied of an officer in a sky-blue uniform hung on the end wall. The officer had a small head, a black beard cut square, a robust body, and leaned with gauntleted hands on the simple hilt of a straight sword. That striking picture dominated a massive mahogany desk, and, in front of this desk, a very roomy, tall-backed armchair of dark green velvet. I thought I had been announced into an empty room till glancing along the extremely loud carpet I detected a pair of feet under the armchair.