Collected Ghost Stories

by M. R. James

  Both continued to play well during the afternoon, or, at least, well enough to make them forget everything else until the light began to fail them. Not until then did Parkins remember that he had meant to do some more investigating at the preceptory; but it was of no great importance, he reflected. One day was as good as another; he might as well go home with the Colonel.

  As they turned the corner of the house, the Colonel was almost knocked down by a boy who rushed into him at the very top of his speed, and then, instead of running away, remained hanging on to him and panting. The first words of the warrior were naturally those of reproof and objurgation, but he very quickly discerned that the boy was almost speechless with fright. Inquiries were useless at first. When the boy got his breath he began to howl, and still clung to the Colonel’s legs. He was at last detached, but continued to howl.

  ‘What in the world is the matter with you? What have you been up to? What have you seen?’ said the two men.

  ‘Ow, I seen it wive at me out of the winder,’ wailed the boy, ‘and I don’t like it.’

  ‘What window?’ said the irritated Colonel. ‘Come, pull yourself together, my boy.’

  ‘The front winder it was, at the’otel,’ said the boy.

  At this point Parkins was in favour of sending the boy home, but the Colonel refused; he wanted to get to the bottom of it, he said; it was most dangerous to give a boy such a fright as this one had had, and if it turned out that people had been playing jokes, they should suffer for it in some way. And by a series of questions he made out this story: The boy had been playing about on the grass in front of the Globe with some others; then they had gone home to their teas, and he was just going, when he happened to look up at the front winder and see it a-wiving at him. It seemed to be a figure of some sort, in white as far as he knew—couldn’t see its face; but it wived at him, and it warn’t a right thing—not to say not a right person. Was there a light in the room? No, he didn’t think to look if there was a light. Which was the window? Was it the top one or the second one? The seckind one it was—the big winder what got two little uns at the sides.

  ‘Very well, my boy,’ said the Colonel, after a few more questions. ‘You run away home now. I expect it was some person trying to give you a start. Another time, like a brave English boy, you just throw a stone—well, no, not that exactly, but you go and speak to the waiter, or to Mr. Simpson, the landlord, and—yes—and say that I advised you to do so.’

  The boy’s face expressed some of the doubt he felt as to the likelihood of Mr. Simpson’s lending a favourable ear to his complaint, but the Colonel did not appear to perceive this, and went on:

  ‘And here’s a sixpence—no, I see it’s a shilling—and you be off home, and don’t think any more about it.’

  The youth hurried off with agitated thanks, and the Colonel and Parkins went round to the front of the Globe and reconnoitred. There was only one window answering to the description they had been hearing.

  ‘Well, that’s curious,’ said Parkins; ‘it’s evidently my window the lad was talking about. Will you come up for a moment, Colonel Wilson? We ought to be able to see if anyone has been taking liberties in my room.’

  They were soon in the passage, and Parkins made as if to open the door. Then he stopped and felt in his pockets.

  ‘This is more serious than I thought,’ was his next remark. ‘I remember now that before I started this morning I locked the door. It is locked now, and, what is more, here is the key.’ And he held it up. ‘Now,’ he went on, ‘if the servants are in the habit of going into one’s room during the day when one is away, I can only say that—well, that I don’t approve of it at all.’ Conscious of a somewhat weak climax, he busied himself in opening the door (which was indeed locked) and in lighting candles. ‘No,’ he said, ‘nothing seems disturbed.’

  ‘Except your bed,’ put in the Colonel.

  ‘Excuse me, that isn’t my bed,’ said Parkins. ‘I don’t use that one. But it does look as if someone had been playing tricks with it.’

  It certainly did: the clothes were bundled up and twisted together in a most tortuous confusion. Parkins pondered.

  ‘That must be it,’ he said at last: ‘I disordered the clothes last night in unpacking, and they haven’t made it since. Perhaps they came in to make it, and that boy saw them through the window; and then they were called away and locked the door after them. Yes, I think that must be it.’

  ‘Well, ring and ask,’ said the Colonel, and this appealed to Parkins as practical.

  The maid appeared, and, to make a long story short, deposed that she had made the bed in the morning when the gentleman was in the room, and hadn’t been there since. No, she hadn’t no other key. Mr. Simpson he kep’ the keys; he’d be able to tell the gentleman if anyone had been up.

  This was a puzzle. Investigation showed that nothing of value had been taken, and Parkins remembered the disposition of the small objects on tables and so forth well enough to be pretty sure that no pranks had been played with them. Mr. and Mrs. Simpson furthermore agreed that neither of them had given the duplicate key of the room to any person whatever during the day. Nor could Parkins, fairminded man as he was, detect anything in the demeanour of master, mistress, or maid that indicated guilt. He was much more inclined to think that the boy had been imposing on the Colonel.

  The latter was unwontedly silent and pensive at dinner and throughout the evening. When he bade good night to Parkins, he murmured in a gruff undertone:

  ‘You know where I am if you want me during the night.’

  ‘Why, yes, thank you, Colonel Wilson, I think I do; but there isn’t much prospect of my disturbing you, I hope. By the way,’ he added, ‘did I show you that old whistle I spoke of? I think not. Well, here it is.’

  The Colonel turned it over gingerly in the light of the candle.

  ‘Can you make anything of the inscription?’ asked Parkins, as he took it back.

  ‘No, not in this light. What do you mean to do with it?’

  ‘Oh, well, when I get back to Cambridge I shall submit it to some of the archæologists there, and see what they think of it; and very likely, if they consider it worth having, I may present it to one of the museums.’

  ‘’M!’ said the Colonel. ‘Well, you may be right. All I know is that, if it were mine, I should chuck it straight into the sea. It’s no use talking, I’m well aware, but I expect that with you it’s a case of live and learn. I hope so, I’m sure, and I wish you a good night.’

  He turned away, leaving Parkins in act to speak at the bottom of the stair, and soon each was in his own bedroom.

  By some unfortunate accident, there were neither blinds nor curtains to the windows of the Professor’s room. The previous night he had thought little of this, but to-night there seemed every prospect of a bright moon rising to shine directly on his bed, and probably wake him later on. When he noticed this he was a good deal annoyed, but, with an ingenuity which I can only envy, he succeeded in rigging up, with the help of a railway-rug, some safety-pins, and a stick and umbrella, a screen which, if it only held together, would completely keep the moonlight off his bed. And shortly afterwards he was comfortably in that bed. When he had read a somewhat solid work long enough to produce a decided wish for sleep, he cast a drowsy glance round the room, blew out the candle, and fell back upon the pillow.

  He must have slept soundly for an hour or more, when a sudden clatter shook him up in a most unwelcome manner. In a moment he realized what had happened: his carefully-constructed screen had given way, and a very bright frosty moon was shining directly on his face. This was highly annoying. Could he possibly get up and reconstruct the screen? or could he manage to sleep if he did not?

  For some minutes he lay and pondered over the possibilities; then he turned over sharply, and with all his eyes open lay breathlessly listening. There had been a movement, he was sure, in the empty bed on the opposite side of the room. To-morrow he would have it moved, for there must be rats
or something playing about in it. It was quiet now. No! the commotion began again. There was a rustling and shaking: surely more than any rat could cause.

  I can figure to myself something of the Professor’s bewilderment and horror, for I have in a dream thirty years back seen the same thing happen; but the reader will hardly, perhaps, imagine how dreadful it was to him to see a figure suddenly sit up in what he had known was an empty bed. He was out of his own bed in one bound, and made a dash towards the window, where lay his only weapon, the stick with which he had propped his screen. This was, as it turned out, the worst thing he could have done, because the personage in the empty bed, with a sudden smooth motion, slipped from the bed and took up a position, with outspread arms, between the two beds, and in front of the door. Parkins watched it in a horrid perplexity. Somehow, the idea of getting past it and escaping through the door was intolerable to him; he could not have borne—he didn’t know why—to touch it; and as for its touching him, he would sooner dash himself through the window than have that happen. It stood for the moment in a band of dark shadow, and he had not seen what its face was like. Now it began to move, in a stooping posture, and all at once the spectator realized, with some horror and some relief, that it must be blind, for it seemed to feel about it with its muffled arms in a groping and random fashion. Turning half away from him, it became suddenly conscious of the bed he had just left, and darted towards it, and bent over and felt the pillows in a way which made Parkins shudder as he had never in his life thought it possible. In a very few moments it seemed to know that the bed was empty, and then, moving forward into the area of light and facing the window, it showed for the first time what manner of thing it was.

  Parkins, who very much dislikes being questioned about it, did once describe something of it in my hearing, and I gathered that what he chiefly remembers about it is a horrible, an intensely horrible, face of crumpled linen. What expression he read upon it he could not or would not tell, but that the fear of it went nigh to maddening him is certain.

  But he was not at leisure to watch it for long. With formidable quickness it moved into the middle of the room, and, as it groped and waved, one corner of its draperies swept across Parkins’s face. He could not—though he knew how perilous a sound was—he could not keep back a cry of disgust, and this gave the searcher an instant clue. It leapt towards him upon the instant, and the next moment he was half-way through the window backwards, uttering cry upon cry at the utmost pitch of his voice, and the linen face was thrust close into his own. At this, almost the last possible second, deliverance came, as you will have guessed: the Colonel burst the door open, and was just in time to see the dreadful group at the window. When he reached the figures only one was left. Parkins sank forward into the room in a faint, and before him on the floor lay a tumbled heap of bed-clothes.

  Colonel Wilson asked no questions, but busied himself in keeping everyone else out of the room and in getting Parkins back to his bed; and himself, wrapped in a rug, occupied the other bed for the rest of the night. Early on the next day Rogers arrived, more welcome than he would have been a day before, and the three of them held a very long consultation in the Professor’s room. At the end of it the Colonel left the hotel door carrying a small object between his finger and thumb, which he cast as far into the sea as a very brawny arm could send it. Later on the smoke of a burning ascended from the back premises of the Globe.

  Exactly what explanation was patched up for the staff and visitors at the hotel I must confess I do not recollect. The Professor was somehow cleared of the ready suspicion of delirium tremens, and the hotel of the reputation of a troubled house.

  There is not much question as to what would have happened to Parkins if the Colonel had not intervened when he did. He would either have fallen out of the window or else lost his wits. But it is not so evident what more the creature that came in answer to the whistle could have done than frighten. There seemed to be absolutely nothing material about it save the bed-clothes of which it had made itself a body. The Colonel, who remembered a not very dissimilar occurrence in India, was of opinion that if Parkins had closed with it it could really have done very little, and that its one power was that of frightening. The whole thing, he said, served to confirm his opinion of the Church of Rome.

  There is really nothing more to tell, but, as you may imagine, the Professor’s views on certain points are less clear cut than they used to be. His nerves, too, have suffered: he cannot even now see a surplice hanging on a door quite unmoved, and the spectacle of a scarecrow in a field late on a winter afternoon has cost him more than one sleepless night.

  1 Mr. Rogers was wrong, vide Dombey and Son, chapter xii.

  THE TREASURE OF ABBOT THOMAS

  I

  ‘VERUM usque in præsentem diem multa garriunt inter se Canonici de abscondito quodam istius Abbatis Thomæ thesauro, quem sæpe, quanquam adhuc incassum, quæsiverunt Steinfeldenses. Ipsum enim Thomam adhuc florida in ætate existentem ingentem auri massam circa monasterium defodisse perhibent; de quo multoties interrogatus ubi esset, cum risu respondere solitus erat: “Job, Johannes, et Zacharias vel vobis vel posteris indicabunt”; idemque aliquando adiicere se inventuris minime invisurum. Inter alia huius Abbatis opera, hoc memoria præcipue dignum iudico quod fenestram magnam in orientali parte alæ australis in ecclesia sua imaginibus optime in vitro depictis impleverit: id quod et ipsius effigies et insignia ibidem posita demonstrant. Domum quoque Abbatialem fere totam restauravit: puteo in atrio ipsius effosso et lapidibus marmoreis pulchre cælatis exornato. Decessit autem, morte aliquantulum subitanea perculsus, ætatis suæ anno lxxiido, incarnationis vero Dominicæ mdxxixo.’

  ‘I suppose I shall have to translate this,’ said the antiquary to himself, as he finished copying the above lines from that rather rare and exceedingly diffuse book, the ‘Sertum Steinfeldense Norbertinum.’*1 ‘Well, it may as well be done first as last,’ and accordingly the following rendering was very quickly produced:

  ‘Up to the present day there is much gossip among the Canons about a certain hidden treasure of this Abbot Thomas, for which those of Steinfeld have often made search, though hitherto in vain. The story is that Thomas, while yet in the vigour of life, concealed a very large quantity of gold somewhere in the monastery. He was often asked where it was, and always answered, with a laugh: “Job, John, and Zechariah* will tell either you or your successors.” He sometimes added that he should feel no grudge against those who might find it. Among other works carried out by this Abbot I may specially mention his filling the great window at the east end of the south aisle of the church with figures admirably painted on glass, as his effigy and arms in the window attest. He also restored almost the whole of the Abbot’s lodging, and dug a well in the court of it, which he adorned with beautiful carvings in marble. He died rather suddenly in the seventy-second year of his age, A.D. 1529.’

  The object which the antiquary had before him at the moment was that of tracing the whereabouts of the painted windows of the Abbey Church of Steinfeld. Shortly after the Revolution, a very large quantity of painted glass made its way from the dissolved abbeys of Germany and Belgium to this country, and may now be seen adorning various of our parish churches, cathedrals, and private chapels. Steinfeld Abbey was among the most considerable of these involuntary contributors to our artistic possessions (I am quoting the somewhat ponderous preamble of the book which the antiquary wrote), and the greater part of the glass from that institution can be identified without much difficulty by the help, either of the numerous inscriptions in which the place is mentioned, or of the subjects of the windows, in which several well-defined cycles or narratives were represented.

  The passage with which I began my story had set the antiquary on the track of another identification. In a private chapel—no matter where—he had seen three large figures, each occupying a whole light in a window, and evidently the work of one artist. Their style made it plain that that artist had been a German of the sixteenth century;
but hitherto the more exact localizing of them had been a puzzle. They represented—will you be surprised to hear it?—JOB PATRIARCHA, JOHANNES EVANGELISTA, ZACHARIAS PROPHETA, and each of them held a book or scroll, inscribed with a sentence from his writings. These, as a matter of course, the antiquary had noted, and had been struck by the curious way in which they differed from any text of the Vulgate* that he had been able to examine. Thus the scroll in Job’s hand was inscribed: ‘Auro est locus in quo absconditur’ (for ‘conflatur’);1 on the book of John was: ‘Habent in vestimentis suis scripturam quam nemo novit’1 (for ‘in vestimento scriptum,’ the following words being taken from another verse); and Zacharias had: ‘Super lapidem unum septem oculi sunt’2 (which alone of the three presents an unaltered text).

  A sad perplexity* it had been to our investigator to think why these three personages should have been placed together in one window. There was no bond of connection between them, either historic, symbolic, or doctrinal, and he could only suppose that they must have formed part of a very large series of Prophets and Apostles, which might have filled, say, all the clerestory* windows of some capacious church. But the passage from the ‘Sertum’ had altered the situation by showing that the names of the actual personages represented in the glass now in Lord D——’s chapel had been constantly on the lips of Abbot Thomas von Eschenhausen* of Steinfeld, and that this Abbot had put up a painted window, probably about the year 1520, in the south aisle of his abbey church. It was no very wild conjecture that the three figures might have formed part of Abbot Thomas’s offering; it was one which, moreover, could probably be confirmed or set aside by another careful examination of the glass. And, as Mr. Somerton was a man of leisure, he set out on pilgrimage to the private chapel with very little delay. His conjecture was confirmed to the full. Not only did the style and technique of the glass suit perfectly with the date and place required, but in another window of the chapel he found some glass, known to have been bought along with the figures, which contained the arms of Abbot Thomas von Eschenhausen.