Delphi Complete Works of Ann Radcliffe (Illustrated)

by Ann Radcliffe

  “I hope not,” said Adeline.

  “That’s more than can be said for all that lies buried at the abbey though, and” — Adeline interrupted him; “Hark! surely, I hear a noise;” said she, “Heaven protect us from discovery!” They listened, but all was still, and they went on. Peter opened a low door, and they entered upon a dark passage, frequently obstructed by loose fragments of stone, and along which they moved with caution. “Whither “are we going?” said Adeline— “I scarcely know myself,” said Peter, for I never was so far before; but the place seems quiet enough.” Something obstructed his way; it was a door, which yielded to his hand, and discovered a kind of cell, obscurely seen by the twilight admitted through a grate above. A partial gleam shot athwart the place, leaving the greatest part of it in shadow.

  Adeline sighed as she surveyed it. “This is a frightful spot,” said she, “but if it will afford me a shelter, it is a palace. Remember, Peter, that my peace and honour depend upon your faithfulness; be both discrete and resolute. In the dusk of the evening I can pass from the abbey with least danger of being observed, and in this cell I will wait your arrival. As soon as Monsieur and Madame La Motte are engaged in searching the vaults, you will bring here a horse; three knocks upon the tomb shall inform me of your arrival. For Heaven’s sake be cautious, and be punctual.”

  “I will, Ma’amselle, let come what may.”

  They reascended to the forest, and Adeline, fearful of observation, directed Peter to run first to the abbey, and invent some excuse for his absence, if he had been missed. When she was again alone, she yielded to a flood of tears, and indulged the excess of her distress. She saw herself without friends, without relations, destitute, forlorn, and abandoned to the worst of evils. Betrayed by the very persons, to whose comfort she had so long administered, whom she had loved as her protectors, and revered as her parents! These reflections touched her heart with the most afflicting sensations, and the sense of her immediate danger was for a while absorbed in the grief occasioned by a discovery of such guilt in others.

  At length she roused all her fortitude, and turning towards the abbey, endeavoured to await with patience the hour of evening, and to sustain an appearance of composure in the presence of Monsieur and Madame La Motte. For the present she wished to avoid seeing either of them, doubting her ability to disguise her emotions: having reached the abbey, she, therefore, passed on to her chamber. Here she endeavoured to direct her attention to indifferent subjects, but in vain; the danger of her situation, and the severe disappointment she had received, in the character of those whom she had so much esteemed, and even loved, pressed hard upon her thoughts. To a generous mind few circumstances are more afflicting than a discovery of perfidy in those whom we have trusted, even though it may fail of any absolute inconvenience to ourselves. The behaviour of Madame La Motte in thus, by concealment, conspiring to her destruction, particularly shocked her.

  “How has my imagination deceived me!” said she; “what a picture did “it draw of the goodness of the world! And must I then believe that every body is cruel and deceitful? No — let me still be deceived, and still suffer, rather than be condemned to a state of such wretched suspicion.” She now endeavoured to extenuate the conduct of Madame La Motte, by attributing it to a fear of her husband. “She dare not oppose his will,” said she, “else she would warn me of my danger, and assist me to escape from it. No — I will never believe her capable of conspiring my ruin. Terror alone keeps her silent.”

  Adeline was somewhat comforted by this thought. The benevolence of her heart taught her, in this instance, to sophisticate. She perceived not, that by ascribing the conduct of Madame La Motte to terror, she only softened the degree of her guilt, imputing it to a motive less depraved, but not less selfish. She remained in her chamber till summoned to dinner, when, drying her tears, she descended with faltering steps and a palpitating heart to the parlour. When she saw La Motte, in spite of all her efforts, she trembled and grew pale: she could not behold, even with apparent indifference, the man who she knew had destined her to destruction. He observed her emotion, and inquiring if she was ill, she saw the danger to which her agitation exposed her. Fearful lest La Motte should suspect its true cause, she rallied all her spirits, and, with a look of complacency, answered she was well.

  During dinner she preserved a degree of composure, that effectually concealed the varied anguish of her heart. When she looked at La Motte, terror and indignation were her predominant feelings; but when she regarded Madame La Motte, it was otherwise; gratitude for her former tenderness had long been confirmed into affection, and her heart now swelled with the bitterness of grief and disappointment. Madame La Motte appeared depressed, and said little. La Motte seemed anxious to prevent thought, by assuming a fictitious and unnatural gaiety: he laughed and talked, and threw off frequent bumpers of wine: it was the mirth of desperation. Madame became alarmed, and would have restrained him, but he persisted in his libations to Bacchus till reflection seemed to be almost overcome.

  Madame La Motte, fearful that in the carelessness of the present moment he might betray himself, withdrew with Adeline to another room. Adeline recollected the happy hours she once passed with her, when confidence banished reserve, and sympathy and esteem dictated the sentiments of friendship: now those hours were gone for ever; she could no longer unbosom her griefs to Madame La Motte; no longer even esteem her. Yet, notwithstanding all the danger to which she was exposed by the criminal silence of the latter, she could not converse with her, consciously for the last time, without feeling a degree of sorrow, which wisdom may call weakness, but to which benevolence will allow a softer name.

  Madame La Motte, in her conversation, appeared to labour under an almost equal oppression with Adeline: her thoughts were abstracted from the subject of discourse, and there were long and frequent intervals of silence. Adeline more than once caught her gazing with a look of tenderness upon her, and saw her eyes fill with tears. By this circumstance she was so much affected, that she was several times upon the point of throwing herself at her feet, and imploring her pity and protection. Cooler reflection shewed her the extravagance and danger of this conduct: she suppressed her emotions, but they at length compelled her to withdraw from the presence of Madame La Motte.

  CHAPTER 11

  Thou! to whom the world unknown

  With all its shadowy shapes is shown;

  Who seest appall’d th’ unreal scene,

  While fancy lifts the veil between;

  Ah, Fear! ah, frantic Fear!

  I see, I see thee near!

  I know thy hurry’d step, thy haggard eye!

  Like thee I start, like thee disordered fly!

  COLLINS.

  Adeline anxiously watched from her chamber window the sun set behind the distant hills, and the time of her departure draw nigh: it set with uncommon splendour, and threw a fiery gleam athwart the woods, and upon some scattered fragments of the ruins, which she could not gaze upon with indifference. “Never, probably, again shall I see the sun sink below those hills,” said she, “or illumine this scene! Where shall I be when next it sets — where this time tomorrow? sunk, perhaps, in misery!” She wept to the thought. “A few hours,” resumed Adeline, “and the Marquis will arrive — a few hours, and this abbey will be a scene of confusion and tumult: every eye will be in search of me, every recess will be explored.” These reflections inspired her with new terror, and increased her impatience to be gone.

  Twilight gradually came on, and she now thought it sufficiently dark to venture forth; but, before she went, she kneeled down and addressed herself to Heaven. She implored support and protection, and committed herself to the care of the God of mercies. Having done this, she quitted her chamber, and passed with cautious steps down the winding staircase. No person appeared, and she proceeded through the door of the tower into the forest. She looked around; the gloom of the evening obscured every object.

  With a trembling heart she sought the path pointed out
by Peter, which led to the tomb; having found it, she passed along forlorn and terrified. Often did she start as the breeze shook the light leaves of the trees, or as the bat fli[t]ted by, gamboling in the twilight; and often, as she looked back towards the abbey, thought she distinguished, amid the deepening gloom, the figures of men Having proceeded some way, she suddenly heard the feet of horses, and soon after a sound of voices, among which she distinguished that of the Marquis: they seemed to come from the quarter she was approaching, and evidently advanced. Terror for some minutes arrested her steps; she stood in a state of dreadful hesitation: to proceed was to run into the hands of the Marquis; to return was to fall into the power of La Motte.

  After remaining for some time uncertain whither to fly, the sounds suddenly took a different direction, and wheeled towards the abbey. Adeline had a short cessation of terror. She now understood that the Marquis had passed this spot only in his way to the abbey, and she hastened to secrete herself in the ruin. At length, after much difficulty, she reached it, the deep shades almost concealing it from her search. She paused at the entrance, awed by the solemnity that reigned within, and the utter darkness of the place; at length she determined to watch without till Peter should arrive. “If any person approaches,” said she, “I can hear them before they can see me, and I can then secrete myself in the cell.”

  She leaned against a fragment of the tomb in trembling expectation, and, as she listened, no found broke the silence of the hour. The state of her mind can only be imagined, by considering that upon the present time turned the crisis of her fate. “They have now,” thought she, “discovered my flight; even now they are seeking me in every part of the abbey. I hear their dreadful voices call me; I see their eager looks.” The power of imagination almost overcame her. While she yet looked around, she saw lights moving at a distance; sometimes they glimmered between the trees, and sometimes they totally disappeared.

  They seemed to be in a direction with the abbey; and she now remembered, that in the morning she had seen a part of the fabric through an opening in the forest. She had, therefore, no doubt that the lights she saw proceeded from people in search of her; who, she feared, not finding her at the abbey, might direct their steps towards the tomb. Her place of refuge now seemed too near her enemies to be safe, and she would have fled to a more distant part of the forest, but recollected that Peter would not know where to find her.

  While these thoughts passed over her mind, she heard distant voices in the wind, and was hastening to conceal herself in the cell, when she observed the lights suddenly disappear. All was soon after hushed in silence and darkness, yet she endeavoured to find the way to the cell. She remembered the situation of the outer door and of the passage, and having passed these she unclosed the door of the cell. Within it was utterly dark. She trembled violently, but entered; and, having felt about the walls, at length seated herself on a projection of stone.

  She here again addressed herself to Heaven, and endeavoured to reanimate her spirits till Peter should arrive. Above half an hour elapsed in this gloomy recess, and no sound foretold his approach. Her spirits sunk, she feared some part of their plan was discovered, or interrupted, and that he was detained by La Motte. This conviction operated sometimes so strongly upon her fears, as to urge her to quit the cell alone, and seek in flight her only chance of escape.

  While this design was fluctuating in her mind, she distinguished through the grate above a clattering of hoofs. The noise approached, and at length stopped at the tomb. In the succeeding moment she heard three strokes of a whip; her heart beat, and for some moments her agitation was such, that she made no effort to quit the cell. The strokes were repeated: she now roused her spirits, and, stepping forward, ascended to the forest. She called “Peter;” for the deep gloom would not permit her to distinguish either man or horse. She was quickly answered, “Hush! Ma’amselle, our voices will betray us.”

  They mounted and rode off as fast as the darkness would permit. Adeline’s heart revived at every step they took. She inquired what had passed at the abbey, and how he had contrived to get away. “Speak softly, Ma’amselle; you’ll know all by and bye, but I can’t tell you now.” He had scarcely spoke ere they saw lights move along at a distance; and coming now to a more open part of the forest, he sat off on a full gallop, and continued the pace till the horse could hold it no longer. They looked back, and no lights appearing, Adeline’s terror subsided. She inquired again what had passed at the abbey, when her flight was discovered. “You may speak without fear of being heard,” said she, “we are gone beyond their reach I hope.”

  “Why, Ma’amselle,” said he, “you had not been gone long before the Marquis arrived, and Monsieur La Motte then found out you was fled. Upon this a great rout there was, and he talked a great deal with the Marquis.”

  “Speak louder,” said Adeline, “I cannot hear you.”

  “I will, Ma’amselle.” —

  “Oh! Heavens!” interrupted Adeline, What voice is this? It is not Peter’s. For God’s sake tell me who you are, and whither I am going?”

  “You’ll know that soon enough, young lady,” answered the stranger, for it was indeed not Peter; “I am taking “you where my master ordered.” Adeline, not doubting he was the Marquis’s servant, attempted to leap to the ground, but the man, dismounting, bound her to the horse. One feeble ray of hope at length beamed upon her mind: she endeavoured to soften the man to pity, and pleaded with all the genuine eloquence of distress; but he understood his interest too well to yield even for a moment to the compassion, which, in spite of himself, her artless supplication inspired.

  She now resigned herself to despair, and, in passive silence, submitted to her fate. They continued thus to travel, till a storm of rain, accompanied by thunder and lightning, drove them to the covert of a thick grove. The man believed this a safe situation, and Adeline was now too careless of life to attempt convincing him of his error. The storm was violent and long, but as soon as it abated they set off on full gallop, and having continued to travel for about two hours, they came to the borders of the forest, and, soon after, to a high lonely wall, which Adeline could just distinguish by the moonlight, which now streamed through the parting clouds.

  Here they stopped; the man dismounted, and having opened a small door in the wall, he unbound Adeline, who shrieked, though involuntarily and in vain, as he took her from the horse. The door opened upon a narrow passage, dimly lighted by a lamp, which hung at the farther end. He led her on; they came to another door; it opened and disclosed a magnificent saloon, splendidly illuminated, and fitted up in the most airy and elegant taste.

  The walls were painted in fresco, representing scenes from Ovid, and hung above with silk drawn up in festoons and richly fringed. The sofas were of a silk to suit the hangings. From the centre of the ceiling, which exhibited a scene from the Armida of Tasso, descended a silver lamp of Etruscan form: it diffused a blaze of light, that, reflected from large pier glasses, completely illuminated the saloon. Busts of Horace, Ovid, Anacreon, Tibullus, and Petronius Arbiter, adorned the recesses, and stands of flowers, placed in Etruscan vases, breathed the most delicious perfume. In the middle of the apartment stood a small table, spread with a collation of fruits, ices, and liquors. No person appeared. The whole seemed the works of enchantment, and rather resembled the palace of a fairy than any thing of human conformation.

  Adeline was astonished, and inquired where she was, but the man refused to answer her questions, and, having desired her to take some refreshment, left her. She walked to the windows, from which a gleam of moonlight discovered to her an extensive garden, where groves and lawns, and water glittering in the moonbeam, composed a scenery of varied and romantic beauty. “What can this mean!” said she: “Is this a charm to lure me to destruction?” She endeavoured, with a hope of escaping; to open the windows, but they were all fastened; she next attempted several doors, and found them also secured.

  Perceiving all chance of escape was removed, she rema
ined for some time given up to sorrow and reflection; but was at length drawn from her reverie by the notes of soft music, breathing such dulcet and entrancing sounds, as suspended grief, and waked the soul to tenderness and pensive pleasure. Adeline listened in surprize, and insensibly became soothed and interested; a tender melancholy stole upon her heart, and subdued every harsher feeling: but the moment the strain ceased, the enchantment dissolved, and she returned to a sense of her situation.

  Again the music sounded— “music such as charmeth sleep” — and again she gradually yielded to its sweet magic. A female voice, accompanied by a lute, a hautboy, and a few other instruments, now gradually swelled into a tone so exquisite, as raised attention into ecstacy. It sunk by degrees, and touched a few simple notes with pathetic softness, when the measure was suddenly changed, and in a gay and airy melody Adeline distinguished the following words:

  SONG.

  Life’s a varied, bright illusion, Joy and sorrow — light and shade; Turn from sorrow’s dark suffusion, Catch the pleasures ere they fade.

  Fancy paints with hues unreal, Smile of bliss, and sorrow’s mood; If they both are but ideal, Why reject the seeming good?

  Hence! no more! ‘tis Wisdom calls ye, Bids ye court Time’s present aid; The future trust not — hope enthrals ye, “Catch the pleasures ere they fade.”

  The music ceased, but the sound still vibrated on her imagination, and she was sunk in the pleasing languor they had inspired, when the door opened, and the Marquis de Montalt appeared. He approached the sofa where Adeline sat, and addressed her, but she heard not his voice — she had fainted. He endeavoured to recover her, and at length succeeded; but when she unclosed her eyes, and again beheld him, she relapsed into a state of insensibility, and having in vain tried various methods to restore her, he was obliged to call assistance. Two young women entered, and, when she began to revive, he left them to prepare her for his reappearance. When Adeline perceived that the Marquis was gone, and that she was in the care of women, her spirits gradually returned; she looked at her attendants, and was surprised to see so much elegance and beauty.