Delphi Complete Works of Ann Radcliffe (Illustrated)

by Ann Radcliffe

  Having reached the watchtower, she seated herself on the broken steps, and, in melancholy dejection, watched the waves, half hid in vapour, as they came rolling towards the shore, and threw up their light spray round the rocks below. Their hollow murmur and the obscuring mists, that came in wreaths up the cliffs, gave a solemnity to the scene, which was in harmony with the temper of her mind, and she sat, given up to the remembrance of past times, till this became too painful, and she abruptly quitted the place. On passing the little gate of the watchtower, she observed letters, engraved on the stone postern, which she paused to examine, and, though they appeared to have been rudely cut with a pen-knife, the characters were familiar to her; at length, recognizing the handwriting of Valancourt, she read, with trembling anxiety the following lines, entitled

  SHIPWRECK

  ‘Til solemn midnight! On this lonely steep,

  Beneath this watchtow’r’s desolated wall,

  Where mystic shapes the wonderer appall,

  I rest; and view below the desert deep,

  As through tempestuous clouds the moon’s cold light

  Gleams on the wave. Viewless, the winds of night

  With loud mysterious force the billows sweep,

  And sullen roar the surges, far below.

  In the still pauses of the gust I hear

  The voice of spirits, rising sweet and slow,

  And oft among the clouds their forms appear.

  But hark! what shriek of death comes in the gale,

  And in the distant ray what glimmering sail

  Bends to the storm? — Now sinks the note of fear!

  Ah! wretched mariners! — no more shall day

  Unclose his cheering eye to light ye on your way!

  From these lines it appeared, that Valancourt had visited the tower; that he had probably been here on the preceding night, for it was such an one as they described, and that he had left the building very lately, since it had not long been light, and without light it was impossible these letters could have been cut. It was thus even probable, that he might be yet in the gardens.

  As these reflections passed rapidly over the mind of Emily, they called up a variety of contending emotions, that almost overcame her spirits; but her first impulse was to avoid him, and, immediately leaving the tower, she returned, with hasty steps, towards the chateau. As she passed along, she remembered the music she had lately heard near the tower, with the figure, which had appeared, and, in this moment of agitation, she was inclined to believe, that she had then heard and seen Valancourt; but other recollections soon convinced her of her error. On turning into a thicker part of the woods, she perceived a person, walking slowly in the gloom at some little distance, and, her mind engaged by the idea of him, she started and paused, imagining this to be Valancourt. The person advanced with quicker steps, and, before she could recover recollection enough to avoid him, he spoke, and she then knew the voice of the Count, who expressed some surprise, on finding her walking at so early an hour, and made a feeble effort to rally her on her love of solitude. But he soon perceived this to be more a subject of concern than of light laughter, and, changing his manner, affectionately expostulated with Emily, on thus indulging unavailing regret; who, though she acknowledged the justness of all he said, could not restrain her tears, while she did so, and he presently quitted the topic. Expressing surprise at not having yet heard from his friend, the Advocate at Avignon, in answer to the questions proposed to him, respecting the estates of the late Madame Montoni, he, with friendly zeal, endeavoured to cheer Emily with hopes of establishing her claim to them; while she felt, that the estates could now contribute little to the happiness of a life, in which Valancourt had no longer an interest.

  When they returned to the chateau, Emily retired to her apartment, and Count De Villefort to the door of the north chambers. This was still fastened, but, being now determined to arouse Ludovico, he renewed his calls more loudly than before, after which a total silence ensued, and the Count, finding all his efforts to be heard ineffectual, at length began to fear, that some accident had befallen Ludovico, whom terror of an imaginary being might have deprived of his senses. He, therefore, left the door with an intention of summoning his servants to force it open, some of whom he now heard moving in the lower part of the chateau.

  To the Count’s enquiries, whether they had seen or heard Ludovico, they replied in affright, that not one of them had ventured on the north side of the chateau, since the preceding night.

  ‘He sleeps soundly then,’ said the Count, ‘and is at such a distance from the outer door, which is fastened, that to gain admittance to the chambers it will be necessary to force it. Bring an instrument, and follow me.’

  The servants stood mute and dejected, and it was not till nearly all the household were assembled, that the Count’s orders were obeyed. In the mean time, Dorothee was telling of a door, that opened from a gallery, leading from the great staircase into the last anti-room of the saloon, and, this being much nearer to the bedchamber, it appeared probable, that Ludovico might be easily awakened by an attempt to open it. Thither, therefore, the Count went, but his voice was as ineffectual at this door as it had proved at the remoter one; and now, seriously interested for Ludovico, he was himself going to strike upon the door with the instrument, when he observed its singular beauty, and withheld the blow. It appeared, on the first glance, to be of ebony, so dark and close was its grain and so high its polish; but it proved to be only of larch wood, of the growth of Provence, then famous for its forests of larch. The beauty of its polished hue and of its delicate carvings determined the Count to spare this door, and he returned to that leading from the back staircase, which being, at length, forced, he entered the first anti-room, followed by Henri and a few of the most courageous of his servants, the rest awaiting the event of the enquiry on the stairs and landing-place.

  All was silent in the chambers, through which the Count passed, and, having reached the saloon, he called loudly upon Ludovico; after which, still receiving no answer, he threw open the door of the bedroom, and entered.

  The profound stillness within confirmed his apprehensions for Ludovico, for not even the breathings of a person in sleep were heard; and his uncertainty was not soon terminated, since the shutters being all closed, the chamber was too dark for any object to be distinguished in it.

  The Count bade a servant open them, who, as he crossed the room to do so, stumbled over something, and fell to the floor, when his cry occasioned such panic among the few of his fellows, who had ventured thus far, that they instantly fled, and the Count and Henri were left to finish the adventure.

  Henri then sprung across the room, and, opening a window-shutter, they perceived, that the man had fallen over a chair near the hearth, in which Ludovico had been sitting; — for he sat there no longer, nor could any where be seen by the imperfect light, that was admitted into the apartment. The Count, seriously alarmed, now opened other shutters, that he might be enabled to examine further, and, Ludovico not yet appearing, he stood for a moment, suspended in astonishment and scarcely trusting his senses, till, his eyes glancing on the bed, he advanced to examine whether he was there asleep. No person, however, was in it, and he proceeded to the oriel, where every thing remained as on the preceding night, but Ludovico was no where to be found.

  The Count now checked his amazement, considering, that Ludovico might have left the chambers, during the night, overcome by the terrors, which their lonely desolation and the recollected reports, concerning them, had inspired. Yet, if this had been the fact, the man would naturally have sought society, and his fellow servants had all declared they had not seen him; the door of the outer room also had been found fastened, with the key on the inside; it was impossible, therefore, for him to have passed through that, and all the outer doors of this suite were found, on examination, to be bolted and locked, with the keys also within them. The Count, being then compelled to believe, that the lad had escaped through the casements, next examin
ed them, but such as opened wide enough to admit the body of a man were found to be carefully secured either by iron bars, or by shutters, and no vestige appeared of any person having attempted to pass them; neither was it probable, that Ludovico would have incurred the risque of breaking his neck, by leaping from a window, when he might have walked safely through a door.

  The Count’s amazement did not admit of words; but he returned once more to examine the bedroom, where was no appearance of disorder, except that occasioned by the late overthrow of the chair, near which had stood a small table, and on this Ludovico’s sword, his lamp, the book he had been reading, and the remnant of his flask of wine still remained. At the foot of the table, too, was the basket with some fragments of provision and wood.

  Henri and the servant now uttered their astonishment without reserve, and, though the Count said little, there was a seriousness in his manner, that expressed much. It appeared, that Ludovico must have quitted these rooms by some concealed passage, for the Count could not believe, that any supernatural means had occasioned this event, yet, if there was any such passage, it seemed inexplicable why he should retreat through it, and it was equally surprising, that not even the smallest vestige should appear, by which his progress could be traced. In the rooms every thing remained as much in order as if he had just walked out by the common way.

  The Count himself assisted in lifting the arras, with which the bedchamber, saloon and one of the anti-rooms were hung, that he might discover if any door had been concealed behind it; but, after a laborious search, none was found, and he, at length, quitted the apartments, having secured the door of the last anti-chamber, the key of which he took into his own possession. He then gave orders, that strict search should be made for Ludovico not only in the chateau, but in the neighbourhood, and, retiring with Henri to his closet, they remained there in conversation for a considerable time, and whatever was the subject of it, Henri from this hour lost much of his vivacity, and his manners were particularly grave and reserved, whenever the topic, which now agitated the Count’s family with wonder and alarm, was introduced.

  On the disappearing of Ludovico, Baron St. Foix seemed strengthened in all his former opinions concerning the probability of apparitions, though it was difficult to discover what connection there could possibly be between the two subjects, or to account for this effect otherwise than by supposing, that the mystery attending Ludovico, by exciting awe and curiosity, reduced the mind to a state of sensibility, which rendered it more liable to the influence of superstition in general. It is, however, certain, that from this period the Baron and his adherents became more bigoted to their own systems than before, while the terrors of the Count’s servants increased to an excess, that occasioned many of them to quit the mansion immediately, and the rest remained only till others could be procured to supply their places.

  The most strenuous search after Ludovico proved unsuccessful, and, after several days of indefatigable enquiry, poor Annette gave herself up to despair, and the other inhabitants of the chateau to amazement.

  Emily, whose mind had been deeply affected by the disastrous fate of the late Marchioness and with the mysterious connection, which she fancied had existed between her and St. Aubert, was particularly impressed by the late extraordinary event, and much concerned for the loss of Ludovico, whose integrity and faithful services claimed both her esteem and gratitude. She was now very desirous to return to the quiet retirement of her convent, but every hint of this was received with real sorrow by the Lady Blanche, and affectionately set aside by the Count, for whom she felt much of the respectful love and admiration of a daughter, and to whom, by Dorothee’s consent, she, at length, mentioned the appearance, which they had witnessed in the chamber of the deceased Marchioness. At any other period, he would have smiled at such a relation, and have believed, that its object had existed only in the distempered fancy of the relater; but he now attended to Emily with seriousness, and, when she concluded, requested of her a promise, that this occurrence should rest in silence. ‘Whatever may be the cause and the import of these extraordinary occurrences,’ added the Count, ‘time only can explain them. I shall keep a wary eye upon all that passes in the chateau, and shall pursue every possible means of discovering the fate of Ludovico. Meanwhile, we must be prudent and be silent. I will myself watch in the north chambers, but of this we will say nothing, till the night arrives, when I purpose doing so.’

  The Count then sent for Dorothee, and required of her also a promise of silence, concerning what she had already, or might in future witness of an extraordinary nature; and this ancient servant now related to him the particulars of the Marchioness de Villeroi’s death, with some of which he appeared to be already acquainted, while by others he was evidently surprised and agitated. After listening to this narrative, the Count retired to his closet, where he remained alone for several hours; and, when he again appeared, the solemnity of his manner surprised and alarmed Emily, but she gave no utterance to her thoughts.

  On the week following the disappearance of Ludovico, all the Count’s guests took leave of him, except the Baron, his son Mons. St. Foix, and Emily; the latter of whom was soon after embarrassed and distressed by the arrival of another visitor, Mons. Du Pont, which made her determine upon withdrawing to her convent immediately. The delight, that appeared in his countenance, when he met her, told that he brought back the same ardour of passion, which had formerly banished him from Chateau-le-Blanc. He was received with reserve by Emily, and with pleasure by the Count, who presented him to her with a smile, that seemed intended to plead his cause, and who did not hope the less for his friend, from the embarrassment she betrayed.

  But M. Du Pont, with truer sympathy, seemed to understand her manner, and his countenance quickly lost its vivacity, and sunk into the languor of despondency.

  On the following day, however, he sought an opportunity of declaring the purport of his visit, and renewed his suit; a declaration, which was received with real concern by Emily, who endeavoured to lessen the pain she might inflict by a second rejection, with assurances of esteem and friendship; yet she left him in a state of mind, that claimed and excited her tenderest compassion; and, being more sensible than ever of the impropriety of remaining longer at the chateau, she immediately sought the Count, and communicated to him her intention of returning to the convent.

  ‘My dear Emily,’ said he ‘I observe, with extreme concern, the illusion you are encouraging — an illusion common to young and sensible minds. Your heart has received a severe shock; you believe you can never entirely recover it, and you will encourage this belief, till the habit of indulging sorrow will subdue the strength of your mind, and discolour your future views with melancholy and regret. Let me dissipate this illusion, and awaken you to a sense of your danger.’

  Emily smiled mournfully, ‘I know what you would say, my dear sir,’ said she, ‘and am prepared to answer you. I feel, that my heart can never know a second affection; and that I must never hope even to recover its tranquillity — if I suffer myself to enter into a second engagement.’

  ‘I know, that you feel all this,’ replied the Count; ‘and I know, also, that time will overcome these feelings, unless you cherish them in solitude, and, pardon me, with romantic tenderness. Then, indeed, time will only confirm habit. I am particularly empowered to speak on this subject, and to sympathize in your sufferings,’ added the Count, with an air of solemnity, ‘for I have known what it is to love, and to lament the object of my love. Yes,’ continued he, while his eyes filled with tears, ‘I have suffered! — but those times have passed away — long passed! and I can now look back upon them without emotion.’

  ‘My dear sir,’ said Emily, timidly, ‘what mean those tears? — they speak, I fear, another language — they plead for me.’

  ‘They are weak tears, for they are useless ones,’ replied the Count, drying them, ‘I would have you superior to such weakness. These, however, are only faint traces of a grief, which, if it had not been
opposed by long continued effort, might have led me to the verge of madness! Judge, then, whether I have not cause to warn you of an indulgence, which may produce so terrible an effect, and which must certainly, if not opposed, overcloud the years, that otherwise might be happy. M. Du Pont is a sensible and amiable man, who has long been tenderly attached to you; his family and fortune are unexceptionable; — after what I have said, it is unnecessary to add, that I should rejoice in your felicity, and that I think M. Du Pont would promote it. Do not weep, Emily,’ continued the Count, taking her hand, ‘there IS happiness reserved for you.’

  He was silent a moment; and then added, in a firmer voice, ‘I do not wish, that you should make a violent effort to overcome your feelings; all I, at present, ask, is, that you will check the thoughts, that would lead you to a remembrance of the past; that you will suffer your mind to be engaged by present objects; that you will allow yourself to believe it possible you may yet be happy; and that you will sometimes think with complacency of poor Du Pont, and not condemn him to the state of despondency, from which, my dear Emily, I am endeavouring to withdraw you.’

  ‘Ah! my dear sir,’ said Emily, while her tears still fell, ‘do not suffer the benevolence of your wishes to mislead Mons. Du Pont with an expectation that I can ever accept his hand. If I understand my own heart, this never can be; your instruction I can obey in almost every other particular, than that of adopting a contrary belief.’

  ‘Leave me to understand your heart,’ replied the Count, with a faint smile. ‘If you pay me the compliment to be guided by my advice in other instances, I will pardon your incredulity, respecting your future conduct towards Mons. Du Pont. I will not even press you to remain longer at the chateau than your own satisfaction will permit; but though I forbear to oppose your present retirement, I shall urge the claims of friendship for your future visits.’