Delphi Complete Works of Ann Radcliffe (Illustrated)

by Ann Radcliffe

  When the hymn had ceased, she rose from her knees, and Ellena, soon after, observing her throw back her veil, discovered, by the lamp, which shed its full light upon her features, a countenance, that instantly confirmed her conjecture. It was touched with a melancholy kind of resignation; yet grief seemed still to occasion the paleness, and the air of languor, that prevailed over it, and which disappeared only when the momentary energy of devotion seemed to lift her spirit above this world, and to impart to it somewhat of a seraphic grandeur. At those moments her blue eyes were raised towards Heaven, with such meek, yet servent love, such sublime enthusiasm as the heads of Guido sometimes display, and which renewed, with Ellena, all the enchanting effects of the voice she had just heard.

  While she regarded the nun with a degree of interest which rendered her insensible to every other object in the chapel, she fancied she could perceive the calmness in her countenance to be that of despair, rather than of resignation; for, when her thoughts were not elevated in prayer, there was frequently a fixedness in her look, too energetic for common suffering, or for the temper of mind, which may lead to perfect resignation. It had, however, much that attached the sympathy of Ellena, and much that seemed to speak a similarity of feeling. Ellena was not only soothed, but in some degree comforted, while she gazed upon her; a selfishness which may, perhaps, be pardoned, when it is considered, that she thus knew there was one human being, at least, in the convent, who must be capable of feeling pity, and willing to administer consolation. Ellena endeavoured to meet her eye, that she might inform her of the regard she had inspired, and express her own unhappiness; but the nun was so entirely engaged by devotion, that she did not succeed.

  As they left the chapel, however, the nun passed close by Ellena, who threw back her veil, and fixed upon her a look so supplicating and expressive, that the nun paused, and in her turn regarded the novice, not with surprize only, but with a mixture of curiosity and compassion. A faint blush crossed her cheek, her spirits seemed to faulter, and she was unwilling to withdraw her eyes from Ellena: but it was necessary that she should continue in the procession, and, bidding her farewel by a smile of ineffable pity, she passed on to the court, while Ellena followed with attention still fixed upon the sister, who soon disappeared beyond the doorway of the Abbess’s apartment, and Ellena had nearly reached her own, before her thoughts were sufficiently disengaged to permit her to enquire the name of the stranger.

  “It is sister Olivia whom you mean, perhaps,” said her conductress.

  “She is very handsome,” said Ellena.

  “Many of the sisters are so,” replied Margaritone, with an air of pique.

  “Undoubtedly,” said Ellena; “but she, whom I mean, has a most touching countenance; frank, noble, full of sensibility; and there is a gentle melancholy in her eye, which cannot but interest all who observe her.”

  Ellena was so fascinated by this interesting nun, that she forgot she was describing her to a person, whose callous heart rendered her insensible to the influence of any countenance, except, perhaps, the commanding one of the lady abbess; and to whom, therefore, a description of the fine traits, which Ellena felt, was as unintelligible as would have been an Arabic inscription.

  “She is passed the bloom of youth,” continued Ellena, still anxious to be understood; “but she retains all its interesting graces, and adds to them the dignity of.” —

  “If you mean that she is of middle age,” interrupted Margaritone, peevishly, “it is sister Olivia you mention, for we are all younger than she is.”

  Ellena, raising her eyes almost unconsciously, as the nun spoke this, fixed them upon a face fallow, meagre, seemingly near fifty years an inhabitant of this world; and she could scarcely suppress the surprize she felt, on perceiving such wretched vanity lingering among the chilled passions of so repulsive a frame, and within the sequestered shade of a cloister. Margaritone, still jealous of the praise bestowed on Olivia, repelled all further enquiry, and, having attended Ellena to her cell, locked her up for the night.

  On the following evening Ellena was again permitted to attend vespers, and, on the way to the chapel, the hope of seeing her interesting favourite reanimated her spirits. In the same part of the gallery; as on the preceding night, she again appeared, and kneeling, as before, beneath the lamp, in private orison, for the service was not begun.

  Ellena endeavoured to subdue the impatience she felt to express her regard, and to be noticed by the holy sister, till she should have finished. When the nun rose, and observed Ellena, she lifted her veil, and, fixing on her the same enquiring eye, her countenance brightened into a smile so full of compassion and intelligence, that Ellena, forgetting the decorums of the place, left her seat to approach her; it seemed as if the soul, which beamed forth in that smile, had long been acquainted with hers. As she advanced, the nun dropped her veil, a reproof which she immediately understood, and she withdrew to her seat; but her attention remained fixed on the nun during the whole service.

  At the conclusion, when they left the chapel, and she saw Olivia pass without noticing her, Ellena could scarcely restrain her tears; she returned in deep dejection to her room. The regard of this nun was not only delightful, but seemed necessary to her heart, and she dwelt, with fond perseverance, on the smile that had expressed so much, and which threw one gleam of comfort, even through the bars of her prison.

  Her reverie was soon interrupted by a light step, that approached her cell, and in the next moment the door was unlocked, and Olivia herself appeared. Ellena rose with emotion to meet her; the nun held forth her hand to receive hers.

  “You are unused to confinement,” said she, curtsying mournfully, and placing on the table a little basket containing refreshment, “and our hard fare” —

  “I understand you,” said Ellena, with a look expressive of her gratitude; “you have a heart that can pity, though you inhabit these walls; — you have suffered too, and know the delicate generosity of softening the sorrows of others, by any attention that may tell them your sympathy. O! if I could express how much the sense of this affects me!”

  Tears interrupted her. Olivia pressed her hand, looked steadily upon her face, and was somewhat agitated, but she soon recovered apparent tranquillity, and said, with a serious smile, “You judge rightly, my sister, respecting my sentiments, however you may do concerning my sufferings. My heart is not insensible to pity, nor to you, my child. You were designed for happier days than you can hope to find within these cloisters!”

  She checked herself as if she had allowed too much, and then added, “But you may, perhaps, be peaceful; and since it consoles you to know that you have a friend near you, believe me that friend — but believe it in silence. I will visit you when I am permitted — but do not enquire for me; and if my visits are short, do not press me to lengthen them.”

  “How good this is!” said Ellena, in a faultering voice. “How sweet too it is! you will visit me, and I am pitied by you!”

  “Hush!” said the nun, expressively; “no more; I may be observed. Good night, my sister; may your slumbers be light!”

  Ellena’s heart sunk. She had not spirits to say, “Good night!” but her eyes, covered with tears, said more. The nun turned her own away suddenly, and, pressing her hand in silence, left the cell. Ellena, firm and tranquil under the insults of the abbess, was now melted into tears by the kindness of a friend. These gentle tears were refreshing to her long-oppressed spirits, and she indulged them. Of Vivaldi she thought with more composure than she had done since she left the villa Altieri; and something like hope began to revive in her heart, though reflection offered nothing to support it.

  On the following morning, she perceived that the door of her cell had not been closed. She rose impatiently, and, not without a hope of liberty, immediately passed it. The cell, opening upon a short passage, which communicated with the main building, and which was shut up by a door, was secluded, and almost insulated from every other chamber; and this door being now secured, Ell
ena was as truly a prisoner as before. It appeared then, that the nun had omitted to fasten the cell only for the purpose of allowing her more space to walk in the passage, and she was grateful for the attention. Still more she was so, when, having traversed it, she perceived one extremity terminate in a narrow stair case, that appeared to lead to other chambers.

  She ascended the winding steps hastily, and found they led only to a door, opening into a small room, where nothing remarkable appeared, till she approached the windows, and beheld thence an horizon, and a landscape spread below, whose grandeur awakened all her heart. The consciousness of her prison was lost, while her eyes ranged over the wide and freely-sublime scene without. She perceived that this chamber was within a small turret, projecting from an angle of the convent over the walls, and suspended, as in air, above the vast precipices of granite, that formed part of the mountain. These precipices were broken into cliffs, which, in some places, impended far above their base, and, in others, rose, in nearly-perpendicular lines, to the walls of the monastery, which they supported. Ellena, with a dreadful pleasure, looked down them, shagged as they were with larch, and frequently darkened by lines of gigantic pine bending along the rocky ledges, till her eye rested on the thick chesnut woods that extended over their winding base, and which, softening to the plains, seemed to form a gradation between the variegated cultivation there, and the awful wildness of the rocks above. Round these extensive plains were tumbled the mountains, of various shape and altitude, which Ellena had admired on her approach to San Stefano; some shaded with forests of olive and almond trees, but the greater part abandoned to the flocks, which, in summer, feed on their aromatic herbage, and on the approach of winter, descend to the sheltered plains of the Tavogliere di Puglia.

  On the left opened the dreadful pass which she had traversed, and the thunder of whose waters now murmured at a distance. The accumulation of overtopping points, which the mountains of this dark perspective exhibited, presented an image of grandeur superior to any thing she had seen while within the pass itself.

  To Ellena, whose mind was capable of being highly elevated, or sweetly soothed, by scenes of nature, the discovery of this little turret was an important circumstance. Hither she could come, and her soul, refreshed by the views it afforded, would acquire strength to bear her, with equanimity, thro’ the persecutions that might await her. Here, gazing upon the stupendous imagery around her, looking, as it were, beyond the awful veil which obscures the features of the Deity, and conceals Him from the eyes of his creatures, dwelling as with a present God in the midst of his sublime works; with a mind thus elevated, how insignificant would appear to her the transactions, and the sufferings of this world! How poor the boasted power of man, when the fall of a single cliff from these mountains would with ease destroy thousands of his race assembled on the plains below! How would it avail them, that they were accoutred for battle, armed with all the instruments of destruction that human invention ever fashioned? Thus man, the giant who now held her in captivity, would shrink to the diminutiveness of a fairy; and she would experience, that his utmost force was unable to enchain her soul, or compel her to fear him, while he was destitute of virtue.

  Ellena’s attention was recalled from the scene without by a sound from within the gallery, and she then heard a key turning in the door of the passage. Fearing that it was sister Margaritone who approached, and who, informed by her absence of the consolatory turret she had discovered, would perhaps debar her from ever returning to it, Ellena descended with a palpitating heart, and found that nun in the cell. Surprize and severity were in her countenance, when she enquired by what means Ellena had unclosed the door, and whither she had been.

  Ellena answered without any prevarication, that she had found the door unfastened, and that she had visited the turret above; but she forbore to express a wish to return thither, judging that such an expression would certainly exclude her in future. Margaritone, after sharply rebuking her for prying beyond the passage, and setting down the breakfast she had brought, left the room, the door of which she did not forget to secure. Thus Ellena was at once deprived of so innocent a means of consolation as her pleasant turret had afforded.

  During several days, she saw only the austere nun, except when she attended vespers; where, however, she was so vigilantly observed, that she feared to speak with Olivia, even by her eyes. Olivia’s were often fixed upon her face, and with a kind of expression which Ellena, when she did venture to look at her, could not perfectly interpret. It was not only of pity, but of anxious curiosity, and of something also like fear. A blush would sometimes wander over her cheek, which was succeeded by an extreme paleness, and by an air of such universal languor as precedes a fainting fit; but the exercises of devotion seemed frequently to recal her fleeting spirits, and to elevate them with hope and courage.

  When she left the chapel, Ellena saw Olivia no more that night; but on the following morning she came with breakfast to the cell. A character of peculiar sadness was on her brow.

  “O! how glad I am to see you!” said Ellena; “and how much I have regretted your long absence! I was obliged to remember constantly what you had enjoined, to forbear enquiring after you.”

  The nun replied with a melancholy smile, “I come in obedience to our lady abbess,” said she, as she seated herself on Ellena’s mattress.

  “And did you not wish to come?” said Ellena, mournfully.

  “I did wish it,” replied Olivia; “but” — and she hesitated.

  “Whence then this reluctance?” enquired Ellena.

  Olivia was silent a moment.

  “You are a messenger of evil news:!” said Ellena; “you are only reluctant to afflict me.”

  “It is as you say,” replied Olivia; “I am only reluctant to afflict you; and I fear you have too many attachments to the world, to allow you to receive, without sorrow, what I have to communicate. I am ordered to prepare you for the vows, and to say, that, since you have rejected the husband which was proposed to you, you are to accept the veil; that many of the customary forms are to be dispensed with; and that the ceremony of taking the black veil, will follow without delay that of receiving the white one.”

  The nun paused; and Ellena said, “You are an unwilling bearer of this cruel message; and I reply only to the lady abbess, when I declare, that I never will accept either; that force may send me to the altar, but that it never shall compel me to utter vows which my heart abhors; and if I am constrained to appear there, it shall be only to protest against her tyranny, and against the form intended to sanction it:”

  To Olivia this answer was so far from being displeasing, that it appeared to give her satisfaction.

  “I dare not applaud you resolution,” said she; “but I will not condemn it. You have, no doubt, connections in the world which would render a seclusion from it afflicting. You have relations, friends, from whom it would be dreadful to part?”

  “I have neither,” said Ellena, sighing.

  “No! Can that be possible? and yet you are so unwilling to retire!”

  “I have only one friend,” replied Ellena, “and it is of him they would deprive me!”

  “Pardon, my love, the abruptness of these enquiries,” said Olivia; “yet, while I entreat your forgiveness, I am inclined to offend again, and to ask your name.”

  “That is a question I will readily answer, My name is Ellena di Rosalba.”

  “How?” said Olivia, with an air of deliberation; “Ellena di” —

  “Di Rofalba,” repeated her companion; “and permit me to ask your motive for the enquiry: do you know any person of my name?”

  “No,” replied the nun, mournfully; “but your features have some resemblance to those of a friend I once had.”

  As she said this, her agitation was apparent, and she rose to go. “I must not lengthen my visit, left I should be forbidden to repeat it,” said she. “What answer shall I give to the abbess? If you are determined to reject the veil, allow me to advise you to soften
your refusal as much as possible. I am, perhaps, better acquainted with her character than you are; and O, my sister! I would not see you pining away your existence in this solitary cell.”

  “How much I am obliged by the interest you express for my welfare,” said Ellena, “and by the advice you offer! I will yield my judgment in this instance to yours; you shall modulate my refusal as you think proper: but remember that it must be absolute; and beware, lest the abbess should mistake gentleness for irresolution.”

  “Trust me, I will be cautious in all that relates to you,” said Olivia. “Farewell! I will visit you, if possible, in the evening. In the mean time the door shall be left open, that you may have more air and prospect than this cell affords. That staircase leads to a pleasant chamber.”

  “I have visited it already,” replied Ellena, “and have to thank you for the goodness, which permitted me to do so. To go thither will greatly soothe my spirits; if I had some book, and my drawing-instruments, I could almost forget my sorrows there.”

  “Could you so?” said the nun, with an affectionate smile. “Adieu! I will endeavour to see you in the evening. If sister Margaritone returns, be careful not to enquire for me; nor once ask her for the little indulgence I give you.”

  Olivia withdrew, and Ellena retired to the chamber above, where she lost for a while all sense of sorrow amidst the great scenery, which its windows exhibited.