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Masters of Art - Albrecht Dürer

Page 56

by Dürer, Albrecht


  The principal extant paintings of Dürer, with the places where they are to be found, have been mentioned above. Of his drawings, which for students are the most vitally interesting part of his works, the richest collections are in the Albertina at Vienna, the Berlin Museum and the British Museum. The Louvre also possesses some good examples, and many others are dispersed in various public collections, as in the Musée Bonnat at Bayonne, at Munich, Hamburg, Bremen, Frankfort, Dresden, Basel, Milan, Florence and Oxford, as well as in private hands all over Europe.

  The principal editions of Dürer’s theoretical writings are these: —

  Geometry and Perspective. — Underweysung der Messung mit dem Zirckel und Richtscheyt, in Linien, Ebnen und ganzen Corporen (Nuremberg, 1525, 1533, 1538). A Latin translation of the same, with a long title (Paris, Weichel, 1532) and another ed. in 1535. Again in Latin, with the title Institutionum geometricarum libri quatuor (Arnheim, 1605).

  Fortification. — Etliche Underricht zu Befestigung der Stett, Schloss und Flecken (Nuremberg, 1527), and other editions in 1530, 1538 and 1603 (Arnheim). A Latin translation, with the title De urbibus, arcibus, castellisque muniendis ac condendis (Paris, Weichel, 1535). See the article Fortification.

  Human Proportion. — Hierinnen sind begriffen vier Bücher von menschlicher Proportion (Nuremberg, 1582, and Arnheim, 1603). Latin translation: De symetria partium in rectis formis humanorum corporum libri in latinum conversi, de varietate figurarum, &c. libri ii. (Nuremberg, 1528, 1532 and 1534); (Paris, 1535, 1537, 1557). French translation (Paris, 1557, Arnheim, 1613, 1614). Italian translation (Venice, 1591, 1594); Portuguese translation (1599); Dutch translation (Arnheim, 1622, 1662).

  The private literary remains of Dürer, his diary, letters, &c., were first published, partially in Von Murr’s Journal zur Kunstgeschichte (Nuremberg, 1785-1787); afterwards in Campe’s Reliquien von A. Dürer (Nuremberg, 1827); again edited by Thausing, in the Quellenschriften für Kunstgeschichte und Kunsttechnik (Vienna, 1872), but most completely in Lange and Fuhse’s Dürers schriftlicher Nachlass (Halle, 1893); W. M. Conway’s Literary Remains of A. Dürer (London, 1889) contains extensive transcripts from the MSS. in the British Museum.

  The principal remaining literature of the subject will be found in the following books and treatises — Johann Neudörfer, Schreib- und Rechenmeister zu Nürnberg, Nachrichten über Künstlern und Werkleuten daselbst (Nuremberg, 1547); republished in the Vienna Quellenschrift (1875); C. Scheurl, Vita Antonii Kressen (1515, reprinted in the collection of Pirkheimer’s works, Frankfort 1610); Wimpheling, Epitome rerum Germanicarum, ch. 68 (Strassburg, 1565); Joachim von Sandrart, Deutsche Academie (Nuremberg, 1675); Doppelmayr, Historische Nachricht von den nürnbergischen Mathematicis und Künstlern (Nuremberg, 1730); C. G. von Murr, Journal zur Kunstgeschichte, as above; Adam Bartsch, Le Peintre-Graveur, vol. vii. (Vienna, 1808); J. P. Passavant, Le Peintre-Graveur, vol. iii. (Leipzig, 1842); J. F. Roth, Leben Albrecht Dürers (Leipzig, 1791); Heller, Das Leben und die Werke Albrecht Dürers, vol. ii. (Bamberg, 1827-1831); B. Hausmann, Dürers Kupferstiche, Radirungen, Holzschnitte und Zeichnungen (Hanover, 1861); R. von Rettberg, Dürers Kupferstiche und Holzschnitte (Munich, 1876); M. Thausing, Dürer, Geschichte seines Lebens und seiner Kunst (Leipzig, 1876, 2nd ed., 1884), English translation (from the 1st ed. by F. A. Eaton, London, 1882); W. Schmidt in Dohme’s Kunst und Künstler des Mittelalters und der Neuzeit (Leipzig, 1877); Œuvre de Albert Dürer reproduit et publié par Amand-Durand, texte par Georges Duplessis (Paris, 1877); C. Ephrussi, A. Dürer et ses dessins (Paris, 1882); F. Lippmann, Zeichnungen von A. Dürer in Nachbildungen (5 vols. Berlin, 1883-1905); A. Springer, Albrecht Dürer (Berlin, 1892); D. Burckhardt, Dürers Aufenthalt in Basel, 1492-1494 (Munich, 1892); G. von Terey, A Dürers venezianischer Aufenthalt, 1494-1495 (Strassburg, 1892); S. R. Koehler, A Chronological Catalogue of the Engravings, Dry Points and Etchings of A. Dürer (New York, 1894); L. Cust, A. Dürer, a Study of his Life and Works (London, 1897); Dürer Society’s Publications (10 vols., 1898-1907), edited by C. Dodgson and S. M. Peartree; H. Knackfuss, Dürer (Bielefeld and Leipzig, 6th ed., 1899), English translation, 1900; B. Haendcke, Die Chronologie der Landschaften A. Dürers (Strassburg, 1899); M. Zucker, Albrecht Dürer (Halle, 1899-1900); L. Justi, Konstruierte Figuren und Köpfe unter den Werken Albrecht Dürers (Leipzig, 1902); A. Pelzer, A. Dürer und Friedrich II. von der Pfalz (Strassburg, 1905); H. Wölfflin, Die Kunst A. Dürers (Munich, 1905); W. Weisbach, Der junge Dürer (Leipzig, 1906); V. Scherer, A. Dürer (Klassiker der Kunst, iv.), (2nd ed., Stuttgart, 1906).

  Apart from books, a large and important amount of the literature on Dürer is contained in articles scattered through the leading art periodicals of Germany, such as the Jahrbücher of the Berlin and Vienna museums, Repertorium für Kunstwissenschaft, Zeitschrift für bildende Kunst, &c. A comprehensive survey of this literature is afforded by Prof. H. W. Singer’s Versuch einer Dürer-Bibliographie (Strassburg, 1903); articles published more recently will be found completely enumerated in A. Jellinek’s Internationale Bibliographie der Kunstwissenschaft (Berlin). (S. C. )

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