Without another word, she walked off into the back hallway. While she was absent I exchanged glances with several of the people behind the counter who periodically looked up from their work.
“There you are,” she said when she returned, handing me a piece of paper that looked like the product of a cheap copy machine. Please Come to the Fun, it said in large letters. Parades, it went on, Street Masquerade, Bands, The Winter Raffle, and The Coronation of the Winter Queen. The page continued with the mention of a number of miscellaneous festivities. I read the words again. There was something about that imploring little “please” at the top of the announcement that made the whole affair seem like a charity function.
“When is it held? It doesn’t say when the festival takes place.”
“Most people already know that.” She abruptly snatched the page from my hands and wrote something at the bottom. When she gave it back to me, I saw “Dec. 19-21” written in blue-green ink. I was immediately struck by an odd sense of scheduling on the part of the festival committee. There was, of course, solid anthropological and historical precedent for holding festivities around the winter solstice, but the timing of this particular event did not seem entirely practical.
“If you don’t mind my asking, don’t these days somewhat conflict with the regular holiday season? I mean, most people have enough going on at that time.”
“It’s just tradition,” she said, as if invoking some venerable ancestry behind her words.
“That’s very interesting,” I said as much to myself as to her.
“Is there anything else?” she asked.
“Yes. Could you tell me if this festival has anything to do with clowns? I see there’s something about a masquerade.”
“Yes, of course there are some people in…costumes. I’ve never been in that position myself…that is, yes, there are clowns of a sort.”
At that point my interest was definitely aroused, but I was not sure how much further I wanted to pursue it. I thanked the woman for her help and asked the best means of access to the highway, not anxious to retrace the labyrinthine route by which I had entered the town. I walked back to my car with a whole flurry of half-formed questions, and as many vague and conflicting answers, cluttering my mind.
The directions the woman gave me necessitated passing through the south end of Mirocaw. There were not many people moving about in this section of town. Those that I did see, shuffling lethargically down a block of battered storefronts, exhibited the same sort of forlorn expression and manner as the old man from whom I had asked directions earlier. I must have been traversing a central artery of this area, for on either side stretched street after street of poorly tended yards and houses bowed with age and indifference. When I came to a stop at a streetcorner, one of the citizens of this slum passed in front of my car. This lean, morose, and epicene person turned my way and sneered outrageously with a taut little mouth, yet seemed to be looking at no one in particular. After progressing a few streets farther, I came to a road that led back to the highway. I felt delectably more comfortable as soon as I found myself traveling once again through the expanses of sun-drenched farmlands.
I reached the library with more than enough time for my research, and so I decided to make a scholarly detour to see what material I could find that might illuminate the winter festival held in Mirocaw. The library, one of the oldest in the state, included in its holdings the entire run of the Mirocaw Courier. I thought this would be an excellent place to start. I soon found, however, that there was no handy way to research information from this newspaper, and I did not want to engage in a blind search for articles concerning a specific subject.
I next turned to the more organized resources of the newspapers for the larger cities located in the same county, which incidentally shares its name with Mirocaw. I uncovered very little about the town, and almost nothing concerning its festival, except in one general article on annual events in the area that erroneously attributed to Mirocaw a “large Middle-Eastern community” which every spring hosted a kind of ethnic jamboree. From what I had already observed, and from what I subsequently learned, the citizens of Mirocaw were solidly midwestern-American, the probable descendants in a direct line from some enterprising pack of New Englanders of the last century. There was one brief item devoted to a Mirocavian event, but this merely turned out to be an obituary notice for an old woman who had quietly taken her life around Christmastime. Thus, I returned home that day all but empty-handed on the subject of Mirocaw.
However, it was not long afterward that I received another letter from the former colleague of mine who had first led me to seek out Mirocaw and its festival. As it happened, he rediscovered the article that caused him to stir my interest in a local “Fool’s Feast.” This article had its sole appearance in an obscure festschrift of anthropology studies published in Amsterdam twenty years ago. Most of these papers were in Dutch, a few in German, and only one was in English: “The Last Feast of Harlequin: Preliminary Notes on a Local Festival.” It was exciting, of course, finally to be able to read this study, but even more exciting was the name of its author: Dr. Raymond Thoss.
2.
Before proceeding any further, I should mention something about Thoss, and inevitably about myself. Over two decades ago, at my alma mater in Cambridge, Mass., Thoss was a professor of mine. Long before playing a role in the events I am about to describe, he was already one of the most important figures in my life. A striking personality, he inevitably influenced everyone who came in contact with him. I remember his lectures on social anthropology, how he turned that dim room into a brilliant and profound circus of learning. He moved in an uncannily brisk manner. When he swept his arm around to indicate some common term on the blackboard behind him, one felt he was presenting nothing less than an item of fantastic qualities and secret value. When he replaced his hand in the pocket of his old jacket this fleeting magic was once again stored away in its well-worn pouch, to be retrieved at the sorcerer’s discretion. We sensed he was teaching us more than we could possibly learn, and that he himself was in possession of greater and deeper knowledge than he could possibly impart. On one occasion I summoned up the audacity to offer an interpretation—which was somewhat opposed to his own—regarding the tribal clowns of the Hopi Indians. I implied that personal experience as an amateur clown and special devotion to this study provided me with an insight possibly more valuable than his own. It was then he disclosed, casually and very obiter dicta, that he had actually acted in the role of one of these masked tribal fools and had celebrated with them the dance of the kachinas. In revealing these facts, however, he somehow managed not to add to the humiliation I had already inflicted upon myself. And for this I was grateful to him.
Thoss’s activities were such that he sometimes became the object of gossip or romanticized speculation. He was a field worker par excellence, and his ability to insinuate himself into exotic cultures and situations, thereby gaining insights where other anthropologists merely collected data, was renowned. At various times in his career there had been rumors of his having “gone native” à la the Frank Hamilton Cushing legend. There were hints, which were not always irresponsible or cheaply glamorized, that he was involved in projects of a freakish sort, many of which focused on New England. It is a fact that he spent six months posing as a mental patient at an institution in western Massachusetts, gathering information on the “culture” of the psychically disturbed. When his book Winter Solstice: The Longest Night of a Society was published, the general opinion was that it was disappointingly subjective and impressionistic, and that, aside from a few moving but “poetically obscure” observations, there was nothing at all to give it value. Those who defended Thoss claimed he was a kind of super-anthropologist: while much of his work emphasized his own mind and feelings, his experience had in fact penetrated to a rich core of hard data which he had yet to disclose in objective discourse. As a student of Thoss, I tended to support this latter estimation of him. For a
variety of tenable and untenable reasons, I believed Thoss capable of unearthing hitherto inaccessible strata of human existence. So it was gratifying at first that this article entitled “The Last Feast of Harlequin” seemed to uphold the Thoss mystique, and in an area I personally found captivating.
Much of the content of the article I did not immediately comprehend, given its author’s characteristic and often strategic obscurities. On first reading, the most interesting aspect of this brief study—the “notes” encompassed only twenty pages—was the general mood of the piece. Thoss’s eccentricities were definitely present in these pages, but only as a struggling inner force which was definitely contained—incarcerated, I might say—by the somber rhythmic movements of his prose and by some gloomy references he occasionally called upon. Two references in particular shared a common theme. One was a quotation from Poe’s “The Conqueror Worm,” which Thoss employed as a rather sensational epigraph. The point of the epigraph, however, was nowhere echoed in the text of the article save in another passing reference. Thoss brought up the well-known genesis of the modern Christmas celebration, which of course descends from the Roman Saturnalia. Then, making it clear he had not yet observed the Mirocaw festival and had only gathered its nature from various informants, he established that it too contained many, even more overt, elements of the Saturnalia. Next he made what seemed to me a trivial and purely linguistic observation, one that had less to do with his main course of argument than it did with the equally peripheral Poe epigraph. He briefly mentioned that an early sect of the Syrian Gnostics called themselves “Saturnians” and believed, among other religious heresies, that mankind was created by angels who were in turn created by the Supreme Unknown. The angels, however, did not possess the power to make their creation an erect being and for a time he crawled upon the earth like a worm. Eventually, the Creator remedied this grotesque state of affairs. At the time I supposed that the symbolic correspondences of mankind’s origins and ultimate condition being associated with worms, combined with a year-end festival recognizing the winter death of the earth, was the gist of this Thossian “insight,” a poetic but scientifically valueless observation.
Other observations he made on the Mirocaw festival were also strictly etic; in other words, they were based on second-hand sources, hearsay testimony. Even at that juncture, however, I felt Thoss knew more than he disclosed; and, as I later discovered, he had indeed included information on certain aspects of Mirocaw suggesting he was already in possession of several keys which for the moment he was keeping securely in his own pocket. By then I myself possessed a most revealing morsel of knowledge. A note to the “Harlequin” article apprised the reader that the piece was only a fragment in rude form of a more wide-ranging work in preparation. This work was never seen by the world. My former professor had not published anything since his withdrawal from academic circulation some twenty years ago. Now I suspected where he had gone.
For the man I had stopped on the streets of Mirocaw and from whom I tried to obtain directions, the man with the disconcertingly lethargic gaze, had very much resembled a superannuated version of Dr. Raymond Thoss.
3.
And now I have a confession to make. Despite my reasons for being enthusiastic about Mirocaw and its mysteries, especially its relationship to both Thoss and my own deepest concerns as a scholar—I contemplated the days ahead of me with no more than a feeling of frigid numbness and often with a sense of profound depression. Yet I had no reason to be surprised at this emotional state, which had little relevance to the outward events in my life but was determined by inward conditions that worked according to their own, quite enigmatic, seasons and cycles. For many years, at least since my university days, I have suffered from this dark malady, this recurrent despondency in which I would become buried when it came time for the earth to grow cold and bare and the skies heavy with shadows. Nevertheless, I pursued my plans, though somewhat mechanically, to visit Mirocaw during its festival days, for I superstitiously hoped that this activity might diminish the weight of my seasonal despair. In Mirocaw would be parades and parties and the opportunity to play the clown once again.
For weeks in advance I practiced my art, even perfecting a new feat of juggling magic, which was my special forte in foolery. I had my costumes cleaned, purchased fresh makeup, and was ready. I received permission from the university to cancel some of my classes prior to the holiday, explaining the nature of my project and the necessity of arriving in the town a few days before the festival began, in order to do some preliminary research, establish informants, and so on. Actually, my plan was to postpone any formal inquiry until after the festival and to involve myself beforehand as much as possible in its activities. I would, of course, keep a journal during this time.
There was one resource I did want to consult, however. Specifically, I returned to that outstate library to examine those issues of the Mirocaw Courier dating from December two decades ago. One story in particular confirmed a point Thoss made in the “Harlequin” article, though the event it chronicled must have taken place after Thoss had written his study.
The Courier story appeared two weeks after the festival had ended for that year and was concerned with the disappearance of a woman named Elizabeth Beadle, the wife of Samuel Beadle, a hotel owner in Mirocaw. The county authorities speculated that this was another instance of the “holiday suicides” which seemed to occur with inordinate seasonal regularity in the Mirocaw region. Thoss documented this phenomenon in his “Harlequin” article, though I suspect that today these deaths would be neatly categorized under the heading “seasonal affective disorder”. In any case, the authorities searched a half-frozen lake near the outskirts of Mirocaw where they had found many successful suicides in years past. This year, however, no body was discovered. Alongside the article was a picture of Elizabeth Beadle. Even in the grainy microfilm reproduction one could detect a certain vibrancy and vitality in Mrs. Beadle’s face. That an hypothesis of “holiday suicide” should be so readily posited to explain her disappearance seemed strange and in some way unjust.
Thoss, in his brief article, wrote that every year there occurred changes of a moral or spiritual cast which seemed to affect Mirocaw along with the usual winter metamorphosis. He was not precise about its origin or nature but stated, in typically mystifying fashion, that the effect of this “subseason” on the town was conspicuously negative. In addition to the number of suicides actually accomplished during this time, there was also a rise in treatment of “hypochondriacal” conditions, which was how the medical men of twenty years past characterized these cases in discussions with Thoss. This state of affairs would gradually worsen and finally reach a climax during the days scheduled for the Mirocaw festival. Thoss speculated that given the secretive nature of small towns, the situation was probably even more intensely pronounced than casual investigation could reveal.
The connection between the festival and this insidious subseasonal climate in Mirocaw was a point on which Thoss did not come to any rigid conclusions. He did write, nevertheless, that these two “climatic aspects” had had a parallel existence in the town’s history as far back as available records could document. A late nineteenth-century history of Mirocaw County speaks of the town by its original name of New Colstead, and castigates the townspeople for holding a “ribald and soulless feast” to the exclusion of normal Christmas observances. (Thoss comments that the historian had mistakenly fused two distinct aspects of the season, their actual relationship being essentially antagonistic.) The “Harlequin” article did not trace the festival to its earliest appearance (this may not have been possible), though Thoss emphasized the New England origins of Mirocaw’s founders. The festival, therefore, was one imported from this region and could reasonably be extended at least a century; that is, if it had not been brought over from the Old World, in which case its roots would become indefinite until further research could be done. Surely Thoss’s allusion to the Syrian Gnostics suggested the latter possibilit
y could not entirely be ruled out.
But it seemed to be the festival’s link to New England that nourished Thoss’s speculations. He wrote of this patch of geography as if it were an acceptable place to end the search. For him, the very words “New England” seemed to be stripped of all traditional connotations and had come to imply nothing less than a gateway to all lands, both known and suspected, and even to ages beyond the civilized history of the region. Having been educated partly in New England, I could somewhat understand this sentimental exaggeration, for indeed there are places that seem archaic beyond chronological measure, appearing to transcend relative standards of time and achieving a kind of absolute antiquity which cannot be logically fathomed. But how this vague suggestion related to a small town in the Midwest I could not imagine. Thoss himself observed that the residents of Mirocaw did not betray any mysteriously primitive consciousness. On the contrary, they appeared superficially unaware of the genesis of their winter merrymaking. That such a tradition had endured through the years, however, even eclipsing the conventional Christmas holiday, revealed a profound awareness of the festival’s meaning and function.
I cannot deny that what I had learned about the Mirocaw festival did inspire a trite sense of fate, especially given the involvement of such an important figure from my past as Thoss. It was the first time in my academic career that I knew myself to be better suited than anyone else to discern the true meaning of scattered data, even if I could only attribute this special authority to chance circumstances.
Nevertheless, as I sat in that library on a morning in mid-December I doubted for a moment the wisdom of setting out for Mirocaw rather than returning home, where the more familiar rite de passage of winter depression awaited me. My original scheme was to avoid the cyclical blues the season held for me, but it seemed this was also a part of the history of Mirocaw, only on a much larger scale. My emotional instability, however, was exactly what qualified me most for the particular fieldwork ahead, though I did not take pride or consolation in the fact. And to retreat would have been to deny myself an opportunity that might never offer itself again. In retrospect, there seems to have been no fortuitous resolution to the decision I had to make. As it happened, I went ahead to the town.
The Nightmare Factory Page 27
