May pour for thee this yellow wine, brim-high,
Till round the glass thy fingers glow like gold.
We’ll drown all hours: thy song, while hours toil’d,
Shall leap, as fountains veil the changing sky.
Now kiss, and think that there are really those,
My own high-bosomed beauty, who increase
Vain gold, vain lore, and yet might choose our way
Through many days they toil; then comes a day
They die not, — never having lived, — but cease;
And round their narrow lips the mould falls close.
II
Watch thou and fear; to-morrow thou shalt die.
Or art thou sure thou shalt have time for death?
Is not the day which God’s word promiseth
To come man knows not when? In yonder sky,
Now while we speak, the sun speeds forth: can I
Or thou assure him of his goal? God’s breath
Even at the moment haply quickeneth
The air to a flame; till spirits, always nigh
Though screened and hid, shall walk the daylight here.
And dost thou prate of all that man shall do?
Canst thou, who hast but plagues, presume to be
Glad in his gladness that comes after thee?
Will his strength slay thy worm in Hell? Go to:
Cover thy countenance, and watch, and fear.
Think thou and act; to-morrow thou shalt die.
Outstretched in the sun’s warmth upon the shore,
Thou say’st: ‘Man’s measured path is all gone o’er:
Up all his years, steeply, with strain and sigh,
Man clomb* until he touched the truth; and I,
Even I, am he whom it was destined for.’
How should this be? Art thou then so much more
Than they who sowed, that thou shouldst reap thereby?
Nay, come up hither. From this wave-washed mound
Unto the furthest flood-brim look with me;
Then reach on with thy thought till it be drown’d.
Miles and miles distant though the grey line be,
And though thy soul sail leagues and leagues beyond, —
Still, leagues beyond those leagues there is more sea.
*[sic]
OLD AND NEW ART
I. ST. LUKE THE PAINTER
Give honour unto Luke Evangelist;
For he it was (the aged legends say)
Who first taught Art to fold her hands and pray.
Scarcely at once she dared to rend the mist
Of devious symbols: but soon having wist
How sky-breadth and field-silence and this day
Are symbols also in some deeper way,
She looked through these to God and was God’s priest.
And if, past noon, her toil began to irk,
And she sought talismans, and turned in vain
To soulless self-reflections of man’s skill,
Yet now, in this the twilight, she might still
Kneel in the latter grass to pray again,
Ere the night cometh and she may not work.
II. NOT AS THESE
’I am not as these are,’ the poet saith
In youth’s pride, and the painter, among men
At bay, where never pencil comes nor pen,
And shut about with his own frozen breath.
To others, for whom only rhyme wins faith
As poets, — only paint as painters, — then
He turns in the cold silence; and again
Shrinking, ‘I am not as these are,’ he saith.
And say that this is so, what follows it?
For were thine eyes set backwards in thine head,
Such words were well; but they see on, and far.
Unto the lights of the great Past, new-lit
Fair for the Future’s track, look thou instead, —
Say thou instead ‘I am not as these are.’
III. THE HUSBANDMEN
Though God, as one that is an householder,
Called these to labour in his vine-yard first,
Before the husk of darkness was well burst
Bidding them grope their way out and bestir,
(Who, questioned of their wages, answered, ‘Sir,
Unto each man a penny:’) though the worst
Burthen of heat was theirs and the dry thirst:
Though God hath since found none such as these were
To do their work like them: — Because of this
Stand not ye idle in the market-place.
Which of ye knoweth he is not that last
Who may be first by faith and will? — yea, his
The hand which after the appointed days
And hours shall give a Future to their Past?
SOUL’S BEAUTY
Under the arch of Life, where love and death,
Terror and mystery, guard her shrine, I saw
Beauty enthroned; and though her gaze struck awe,
I drew it in as simply as my breath.
Hers are the eyes which, over and beneath,
The sky and sea bend on thee, — which can draw,
By sea or sky or woman, to one law,
The allotted bondman of her palm and wreath.
This is that Lady Beauty, in whose praise
Thy voice and hand shake still, — long known to thee
By flying hair and fluttering hem, — the beat
Following her daily of thy heart and feet,
How passionately and irretrievably,
In what fond flight, how many ways and days!
BODY’S BEAUTY
Of Adam’s first wife, Lilith, it is told
(The witch he loved before the gift of Eve,)
That, ere the snake’s, her sweet tongue could deceive,
And her enchanted hair was the first gold.
And still she sits, young while the earth is old,
And, subtly of herself contemplative,
Draws men to watch the bright web she can weave,
Till heart and body and life are in its hold.
The rose and poppy are her flowers; for where
Is he not found, O Lilith, whom shed scent
And soft-shed kisses and soft sleep shall snare?
Lo! as that youth’s eyes burned at thine, so went
Thy spell through him, and left his straight neck bent
And round his heart one strangling golden hair.
THE MONOCHORD
Is it this sky’s vast vault or ocean’s sound
That is Life’s self and draws my life from me,
And by instinct ineffable decree
Holds my breath quailing on the bitter bound?
Nay, is it Life or Death, thus thunder-crown’d,
That ‘mid the tide of all emergency
Now notes my separate wave, and to what sea
Its difficult eddies labour in the ground?
Oh! what is this that knows the road I came,
The flame turned cloud, the cloud returned to flame,
The lifted shifted steeps and all the way? —
That draws round me at last this wind-warm space,
And in regenerate rapture turns my face
Upon the devious coverts of dismay?
FROM DAWN TO NOON
As the child knows not if his mother’s face
Be fair; nor of his elders yet can deem
What each most is; but as of hill or stream
At dawn, all glimmering life surrounds his place:
Who yet, tow’rd noon of his half-weary race,
Pausing awhile beneath the high sun-beam
And gazing steadily back, — as through a dream,
In things long past new features now can trace: —
Even so the thought that is at length fullgrown
Turns back to note the sun-smit paths, all grey
And marvellous once, where first it wal
ked alone;
And haply doubts, amid the unblenching day,
Which most or least impelled its onward way, —
Those unknown things or these things overknown.
MEMORIAL THRESHOLDS
What place so strange, — though unrevealed snow
With unimaginable fires arise
At the earth’s end, — what passion of surprise
Like frost-bound fire-girt scenes of long ago?
Lo! this is none but I this hour; and lo!
This is the very place which to mine eyes
Those mortal hours in vain immortalize,
’Mid hurrying crowds, with what alone I know.
City, of thine a single simple door,
By some new Power reduplicate, must be
Even yet my life-porch in eternity,
Even with one presence filled, as once of yore
Or mocking winds whirl round a chaff-strown floor
Thee and thy years and these my words and me.
HOARDED JOY
I said: ‘Nay, pluck not, — let the first fruit be:
Even as thou sayest, it is sweet and red,
But let it ripen still. The tree’s bent head
Sees in the stream its own fecundity
And bides the day of fulness. Shall not we
At the sun’s hour that day possess the shade,
And claim our fruit before its ripeness fade,
And eat it from the branch and praise the tree?’
I say: ‘Alas! our fruit hath wooed the sun
Too long,— ’tis fallen and floats adown the stream.
Lo, the last clusters! Pluck them every one,
And let us sup with summer; ere the gleam
Of autumn set the year’s pent sorrow free,
And the woods wail like echoes from the sea.’
BARREN SPRING
So now the changed year’s turning wheel returns
And as a girl sails balanced in the wind,
And now before and now again behind
Stoops as it swoops, with cheek that laughs and burns, —
So Spring comes merry towards me now, but earns
No answering smile from me, whose life is twin’d
With the dead boughs that winter still must bind,
And whom to-day the Spring no more concerns.
Behold, this crocus is a withering flame;
This snowdrop, snow; this apple-blossom’s part
To breed the fruit that breeds the serpent’s art.
Nay, for these Spring-flowers, turn thy face from them,
Nor gaze till on the year’s last lily-stem
The white cup shrivels round the golden heart.
FAREWELL TO THE GLEN
Sweet stream-fed glen, why say ‘farewell’ to thee
Who far’st so well and find’st for ever smooth
The brow of Time where man may read no ruth?
Nay, do thou rather say ‘farewell’ to me,
Who now fare forth in bitterer fantasy
Than erst was mine where other shade might soothe
By other streams, what while in fragrant youth
The bliss of being sad made melancholy.
And yet, farewell! For better shalt thou fare
When children bathe sweet faces in thy flow
And happy lovers blend sweet shadows there
In hours to come, than when an hour ago
Thine echoes had but one man’s sighs to bear
And thy trees whispered what he feared to know.
VAIN VIRTUES
What is the sorriest thing that enters Hell?
None of the sins, — but this and that fair deed
Which a soul’s sin at length could supersede.
These yet are virgins, whom death’s timely knell
Might once have sainted; whom the fiends compel
Together now, in snake-bound shuddering sheaves
Of anguish, while the scorching bridegroom leaves
Their refuse maidenhood abominable.
Night sucks them down, the garbage of the pit,
Whose names, half entered in the book of Life,
Were God’s desire at noon. And as their hair
And eyes sink last, the Torturer deigns no whit
To gaze, but, yearning, waits his worthier wife,
The Sin still blithe on earth that sent them there.
LOST DAYS
The lost days of my life until to-day,
What were they, could I see them on the street
Lie as they fell? Would they be ears of wheat
Sown once for food but trodden into clay?
Or golden coins squandered and still to pay?
Or drops of blood dabbling the guilty feet?
Or such spilt water as in dreams must cheat
The throats of men in Hell, who thirst alway?
I do not see them here; but after death
God knows I know the faces I shall see,
Each one a murdered self, with low last breath.
’I am thyself, — what hast thou done to me?’
’And I — and I — thyself,’ (lo! each one saith,)
’And thou thyself to all eternity!’
DEATH’S SONGSTERS
When first that horse, within whose populous womb
The birth was death, o’ershadowed Troy with fate,
Her elders, dubious of its Grecian freight,
Brought Helen there to sing the songs of home:
She whispered, ‘Friends, I am alone; come, come!’
Then, crouched within, Ulysses waxed afraid,
And on his comrades’ quivering mouths he laid
His hands, and held them till the voice was dumb.
The same was he who, lashed to his own mast,
There where the sea-flowers screen the charnel-caves,
Beside the sirens’ singing island pass’d,
Till sweetness failed along the inveterate waves…
Say, soul, — are songs of Death no heaven to thee,
Nor shames her lip the cheek of Victory?
HERO’S LAMP*
That lamp thou fill’st in Eros name to-night,
O Hero, shall the Sestian augurs take
To-morrow, and for drowned Leander’s sake
To Anteros its fireless lip shall plight.
Aye, waft the unspoken vow: yet dawn’s first light
On ebbing storm and life twice ebb’d must break;
While ‘neath no sunrise, by the Avernian Lake,
Lo where Love walks, Death’s pallid neophyte.
That lamp within Anteros’ shadowy shrine
Shall stand unlit (for so the gods decree)
Till some one man the happy issue see
Of a life’s love, and bid its flame to shine:
Which still may rest unfir’d; for, theirs or thine,
O brother, what brought love to them or thee?
*After the deaths of Leander and Hero, the signal-lamp was dedicated to Anteros, with the edict that no man should light it unless his love had proved fortunate.
THE TREES OF THE GARDEN
Ye who have passed Death’s haggard hills; and ye
Whom trees that knew your sires shall cease to know
And still stand silent: — is it all a show,
A wisp that laughs upon the wall? — decree
Of some inexorable supremacy
Which ever, as man strains his blind surmise
From depth to ominous depth, looks past his eyes,
Sphinx-faced with unabashed augury?
Nay, rather question the Earth’s self. Invoke
The storm-felled forest-trees moss-grown to-day
Whose roots are hillocks where the children play;
Or ask the silver sapling ‘neath what yoke
Those stars, his spray-crown’s clustering gems, shall wage
Their journey still when his boughs shrink with age.
RETRO ME, SATHANA!
Get thee behind me. Even as, heavy-curled,
Stooping against the wind, a charioteer
Is snatched from out his chariot by the hair,
So shall Time be; and as the void car, hurled
Abroad by reinless steeds, even so the world:
Yea, even as chariot-dust upon the air,
It shall be sought and not found anywhere.
Get thee behind me, Satan. Oft unfurled,
Thy perilous wings can beat and break like lath
Much mightiness of men to win thee praise.
Leave these weak feet to tread in narrow ways.
Thou still, upon the broad vine-sheltered path,
Mayst wait the turning of the phials of wrath
For certain years, for certain months and days.
LOST ON BOTH SIDES
As when two men have loved a woman well,
Each hating each, through Love’s and Death’s deceit;
Since not for either this stark marriage-sheet
And the long pauses of this wedding bell;
Yet o’er her grave the night and day dispel
At last their feud forlorn, with cold and heat;
Nor other than dear friends to death may fleet
The two lives left that most of her can tell: —
So separate hopes, which in a soul had wooed
The one same Peace, strove with each other long,
And Peace before their faces perished since:
So through that soul, in restless brotherhood,
They roam together now, and wind among
Its bye-streets, knocking at the dusty inns.
THE SUN’S SHAME
I
Beholding youth and hope in mockery caught
From life; and mocking pulses that remain
When the soul’s death of bodily death is fain;
Honour unknown, and honour known unsought;
And penury’s sedulous self-torturing thought
On gold, whose master therewith buys his bane;
And longed-for woman longing all in vain
For lonely man with love’s desire distraught;
And wealth, and strength, and power, and pleasantness,
Complete Poetical Works of Dante Gabriel Rossetti Page 31
