Scaramouche

by Rafael Sabatini

  On the morrow Andre-Louis saw but little of Climene. This was not in itself extraordinary, for he was very hard at work again, with preparations now for "Figaro-Scaramouche" which was to be played on Saturday. Also, in addition to his manifold theatrical occupations, he now devoted an hour every morning to the study of fencing in an academy of arms. This was done not only to repair an omission in his education, but also, and chiefly, to give him added grace and poise upon the stage. He found his mind that morning distracted by thoughts of both Climene and Aline. And oddly enough it was Aline who provided the deeper perturbation. Climene's attitude he regarded as a passing phase which need not seriously engage him. But the thought of Aline's conduct towards him kept rankling, and still more deeply rankled the thought of her possible betrothal to M. de La Tour d'Azyr.

  This it was that brought forcibly to his mind the self-imposed but by now half-forgotten mission that he had made his own. He had boasted that he would make the voice which M. de La Tour d'Azyr had sought to silence ring through the length and breadth of the land. And what had he done of all this that he had boasted? He had incited the mob of Rennes and the mob of Nantes in such terms as poor Philippe might have employed, and then because of a hue and cry he had fled like a cur and taken shelter in the first kennel that offered, there to lie quiet and devote himself to other things—self-seeking things. What a fine contrast between the promise and the fulfilment!

  Thus Andre-Louis to himself in his self-contempt. And whilst he trifled away his time and played Scaramouche, and centred all his hopes in presently becoming the rival of such men as Chenier and Mercier, M. de La Tour d'Azyr went his proud ways unchallenged and wrought his will. It was idle to tell himself that the seed he had sown was bearing fruit. That the demands he had voiced in Nantes for the Third Estate had been granted by M. Necker, thanks largely to the commotion which his anonymous speech had made. That was not his concern or his mission. It was no part of his concern to set about the regeneration of mankind, or even the regeneration of the social structure of France. His concern was to see that M. de La Tour d'Azyr paid to the uttermost liard for the brutal wrong he had done Philippe de Vilmorin. And it did not increase his self-respect to find that the danger in which Aline stood of being married to the Marquis was the real spur to his rancour and to remembrance of his vow. He was—too unjustly, perhaps—disposed to dismiss as mere sophistries his own arguments that there was nothing he could do; that, in fact, he had but to show his head to find himself going to Rennes under arrest and making his final exit from the world's stage by way of the gallows.

  It is impossible to read that part of his "Confessions" without feeling a certain pity for him. You realize what must have been his state of mind. You realize what a prey he was to emotions so conflicting, and if you have the imagination that will enable you to put yourself in his place, you will also realize how impossible was any decision save the one to which he says he came, that he would move, at the first moment that he perceived in what direction it would serve his real aims to move.

  It happened that the first person he saw when he took the stage on that Thursday evening was Aline; the second was the Marquis de La Tour d'Azyr. They occupied a box on the right of, and immediately above, the stage. There were others with them—notably a thin, elderly, resplendent lady whom Andre-Louis supposed to be Madame la Comtesse de Sautron. But at the time he had no eyes for any but those two, who of late had so haunted his thoughts. The sight of either of them would have been sufficiently disconcerting. The sight of both together very nearly made him forget the purpose for which he had come upon the stage. Then he pulled himself together, and played. He played, he says, with an unusual nerve, and never in all that brief but eventful career of his was he more applauded.

  That was the evening's first shock. The next came after the second act. Entering the green-room he found it more thronged than usual, and at the far end with Climene, over whom he was bending from his fine height, his eyes intent upon her face, what time his smiling lips moved in talk, M. de La Tour d'Azyr. He had her entirely to himself, a privilege none of the men of fashion who were in the habit of visiting the coulisse had yet enjoyed. Those lesser gentlemen had all withdrawn before the Marquis, as jackals withdraw before the lion.

  Andre-Louis stared a moment, stricken. Then recovering from his surprise he became critical in his study of the Marquis. He considered the beauty and grace and splendour of him, his courtly air, his complete and unshakable self-possession. But more than all he considered the expression of the dark eyes that were devouring Climene's lovely face, and his own lips tightened.

  M. de La Tour d'Azyr never heeded him or his stare; nor, had he done so, would he have known who it was that looked at him from behind the make-up of Scaramouche; nor, again, had he known, would he have been in the least troubled or concerned.

  Andre-Louis sat down apart, his mind in turmoil. Presently he found a mincing young gentleman addressing him, and made shift to answer as was expected. Climene having been thus sequestered, and Columbine being already thickly besieged by gallants, the lesser visitors had to content themselves with Madame and the male members of the troupe. M. Binet, indeed, was the centre of a gay cluster that shook with laughter at his sallies. He seemed of a sudden to have emerged from the gloom of the last two days into high good-humour, and Scaramouche observed how persistently his eyes kept flickering upon his daughter and her splendid courtier.

  That night there, were high words between Andre-Louis and Climene, the high words proceeding from Climene. When Andre-Louis again, and more insistently, enjoined prudence upon his betrothed, and begged her to beware how far she encouraged the advances of such a man as M. de La Tour d'Azyr, she became roundly abusive. She shocked and stunned him by her virulently shrewish tone, and her still more unexpected force of invective.

  He sought to reason with her, and finally she came to certain terms with him.

  "If you have become betrothed to me simply to stand as an obstacle in my path, the sooner we make an end the better."

  "You do not love me then, Climene?"

  "Love has nothing to do with it. I'll not tolerate your insensate jealousy. A girl in the theatre must make it her business to accept homage from all."

  "Agreed; and there is no harm, provided she gives nothing in exchange."

  White-faced, with flaming eyes she turned on him at that.

  "Now, what exactly do you mean?"

  "My meaning is clear. A girl in your position may receive all the homage that is offered, provided she receives it with a dignified aloofness implying clearly that she has no favours to bestow in return beyond the favour of her smile. If she is wise she will see to it that the homage is always offered collectively by her admirers, and that no single one amongst them shall ever have the privilege of approaching her alone. If she is wise she will give no encouragement, nourish no hopes that it may afterwards be beyond her power to deny realization."

  "How? You dare?"

  "I know my world. And I know M. de La Tour d'Azyr," he answered her. "He is a man without charity, without humanity almost; a man who takes what he wants wherever he finds it and whether it is given willingly or not; a man who reckons nothing of the misery he scatters on his self-indulgent way; a man whose only law is force. Ponder it, Climene, and ask yourself if I do you less than honour in warning you."

  He went out on that, feeling a degradation in continuing the subject.

  The days that followed were unhappy days for him, and for at least one other. That other was Leandre, who was cast into the profoundest dejection by M. de La Tour d'Azyr's assiduous attendance upon Climene. The Marquis was to be seen at every performance; a box was perpetually reserved for him, and invariably he came either alone or else with his cousin M. de Chabrillane.

  On Tuesday of the following week, Andre-Louis went out alone early in the morning. He was out of temper, fretted by an overwhelming sense of humiliation, and he hoped to clear his mind by walking. In turning the corner of the Pla
ce du Bouffay he ran into a slightly built, sallow-complexioned gentleman very neatly dressed in black, wearing a tie-wig under a round hat. The man fell back at sight of him, levelling a spy-glass, then hailed him in a voice that rang with amazement.

  "Moreau! Where the devil have you been hiding your-self these months?"

  It was Le Chapelier, the lawyer, the leader of the Literary Chamber of Rennes.

  "Behind the skirts of Thespis," said Scaramouche.

  "I don't understand."

  "I didn't intend that you should. What of yourself, Isaac? And what of the world which seems to have been standing still of late?"

  "Standing still!" Le Chapelier laughed. "But where have you been, then? Standing still!" He pointed across the square to a café under the shadow of the gloomy prison. "Let us go and drink a bavaroise. You are of all men the man we want, the man we have been seeking everywhere, and—behold!—you drop from the skies into my path."

  They crossed the square and entered the café.

  "So you think the world has been standing still! Dieu de Dieu! I suppose you haven't heard of the royal order for the convocation of the States General, or the terms of them—that we are to have what we demanded, what you demanded for us here in Nantes! You haven't heard that the order has gone forth for the primary elections—the elections of the electors. You haven't heard of the fresh uproar in Rennes, last month. The order was that the three estates should sit together at the States General of the bailliages, but in the bailliage of Rennes the nobles must ever be recalcitrant. They took up arms actually—six hundred of them with their valetaille, headed by your old friend M. de La Tour d'Azyr, and they were for slashing us—the members of the Third Estate—into ribbons so as to put an end to our insolence." He laughed delicately. "But, by God, we showed them that we, too, could take up arms. It was what you yourself advocated here in Nantes, last November. We fought them a pitched battle in the streets, under the leadership of your namesake Moreau, the provost, and we so peppered them that they were glad to take shelter in the Cordelier Convent. That is the end of their resistance to the royal authority and the people's will."

  He ran on at great speed detailing the events that had taken place, and finally came to the matter which had, he announced, been causing him to hunt for Andre-Louis until he had all but despaired of finding him.

  Nantes was sending fifty delegates to the assembly of Rennes which was to select the deputies to the Third Estate and edit their cahier of grievances. Rennes itself was being as fully represented, whilst such villages as Gavrillac were sending two delegates for every two hundred hearths or less. Each of these three had clamoured that Andre-Louis Moreau should be one of its delegates. Gavrillac wanted him because he belonged to the village, and it was known there what sacrifices he had made in the popular cause; Rennes wanted him because it had heard his spirited address on the day of the shooting of the students; and Nantes—to whom his identity was unknown—asked for him as the speaker who had addressed them under the name of Omnes Omnibus and who had framed for them the memorial that was believed so largely to have influenced M. Necker in formulating the terms of the convocation.

  Since he could not be found, the delegations had been made up without him. But now it happened that one or two vacancies had occurred in the Nantes representation; and it was the business of filling these vacancies that had brought Le Chapelier to Nantes.

  Andre-Louis firmly shook his head in answer to Le Chapelier's proposal.

  "You refuse?" the other cried. "Are you mad? Refuse, when you are demanded from so many sides? Do you realize that it is more than probable you will be elected one of the deputies, that you will be sent to the States General at Versailles to represent us in this work of saving France?"

  But Andre-Louis, we know, was not concerned to save France. At the moment he was concerned to save two women, both of whom he loved, though in vastly different ways, from a man he had vowed to ruin. He stood firm in his refusal until Le Chapelier dejectedly abandoned the attempt to persuade him.

  "It is odd," said Andre-Louis, "that I should have been so deeply immersed in trifles as never to have perceived that Nantes is being politically active."

  "Active! My friend, it is a seething cauldron of political emotions. It is kept quiet on the surface only by the persuasion that all goes well. At a hint to the contrary it would boil over."

  "Would it so?" said Scaramouche, thoughtfully. "The knowledge may be useful." And then he changed the subject. "You know that La Tour d'Azyr is here?"

  "In Nantes? He has courage if he shows himself. They are not a docile people, these Nantais, and they know his record and the part he played in the rising at Rennes. I marvel they haven't stoned him. But they will, sooner or later. It only needs that some one should suggest it."

  "That is very likely," said Andre-Louis, and smiled. "He doesn't show himself much; not in the streets, at least. So that he has not the courage you suppose; nor any kind of courage, as I told him once. He has only insolence."

  At parting Le Chapelier again exhorted him to give thought to what he proposed. "Send me word if you change your mind. I am lodged at the Cerf, and I shall be here until the day after to-morrow. If you have ambition, this is your moment."

  "I have no ambition, I suppose," said Andre-Louis, and went his way.

  That night at the theatre he had a mischievous impulse to test what Le Chapelier had told him of the state of public feeling in the city. They were playing "The Terrible Captain," in the last act of which the empty cowardice of the bullying braggart Rhodomont is revealed by Scaramouche.

  After the laughter which the exposure of the roaring captain invariably produced, it remained for Scaramouche contemptuously to dismiss him in a phrase that varied nightly, according to the inspiration of the moment. This time he chose to give his phrase a political complexion:

  "Thus, O thrasonical coward, is your emptiness exposed. Because of your long length and the great sword you carry and the angle at which you cock your hat, people have gone in fear of you, have believed in you, have imagined you to be as terrible and as formidable as you insolently make yourself appear. But at the first touch of true spirit you crumple up, you tremble, you whine pitifully, and the great sword remains in your scabbard. You remind me of the Privileged Orders when confronted by the Third Estate."

  It was audacious of him, and he was prepared for anything—a laugh, applause, indignation, or all together. But he was not prepared for what came. And it came so suddenly and spontaneously from the groundlings and the body of those in the amphitheatre that he was almost scared by it—as a boy may be scared who has held a match to a sun-scorched hayrick. It was a hurricane of furious applause. Men leapt to their feet, sprang up on to the benches, waving their hats in the air, deafening him with the terrific uproar of their acclamations. And it rolled on and on, nor ceased until the curtain fell.

  Scaramouche stood meditatively smiling with tight lips. At the last moment he had caught a glimpse of M. de La Tour d'Azyr's face thrust farther forward than usual from the shadows of his box, and it was a face set in anger, with eyes on fire.

  "Mon Dieu!" laughed Rhodomont, recovering from the real scare that had succeeded his histrionic terror, "but you have a great trick of tickling them in the right place, Scaramouche."

  Scaramouche looked up at him and smiled. "It can be useful upon occasion," said he, and went off to his dressing-room to change.

  But a reprimand awaited him. He was delayed at the theatre by matters concerned with the scenery of the new piece they were to mount upon the morrow. By the time he was rid of the business the rest of the company had long since left. He called a chair and had himself carried back to the inn in solitary state. It was one of many minor luxuries his comparatively affluent present circumstances permitted.

  Coming into that upstairs room that was common to all the troupe, he found M. Binet talking loudly and vehemently. He had caught sounds of his voice whilst yet upon the stairs. As he entered Binet broke off
short, and wheeled to face him.

  "You are here at last!" It was so odd a greeting that Andre-Louis did no more than look his mild surprise. "I await your explanations of the disgraceful scene you provoked to-night."

  "Disgraceful? Is it disgraceful that the public should applaud me?"

  "The public? The rabble, you mean. Do you want to deprive us of the patronage of all gentlefolk by vulgar appeals to the low passions of the mob?"

  Andre-Louis stepped past M. Binet and forward to the table. He shrugged contemptuously. The man offended him, after all.

  "You exaggerate grossly—as usual."

  "I do not exaggerate. And I am the master in my own theatre. This is the Binet Troupe, and it shall be conducted in the Binet way."

  "Who are the gentlefolk the loss of whose patronage to the Feydau will be so poignantly felt?" asked Andre-Louis.

  "You imply that there are none? See how wrong you are. After the play to-night M. le Marquis de La Tour d'Azyr came to me, and spoke to me in the severest terms about your scandalous outburst. I was forced to apologize, and..."

  "The more fool you," said Andre-Louis. "A man who respected himself would have shown that gentleman the door." M. Binet's face began to empurple. "You call yourself the head of the Binet Troupe, you boast that you will be master in your own theatre, and you stand like a lackey to take the orders of the first insolent fellow who comes to your green-room to tell you that he does not like a line spoken by one of your company! I say again that had you really respected yourself you would have turned him out."

  There was a murmur of approval from several members of the company, who, having heard the arrogant tone assumed by the Marquis, were filled with resentment against the slur cast upon them all.

  "And I say further," Andre-Louis went on, "that a man who respects himself, on quite other grounds, would have been only too glad to have seized this pretext to show M. de La Tour d'Azyr the door."