by Dylan Thomas
To veil belladonna and let the dry eyes perceive
Others betray the lamenting lies of their losses
By the curve of the nude mouth or the laugh up the sleeve.
THE SPIRE CRANES
The spire cranes. Its statue is an aviary.
From the stone nest it does not let the feathery
Carved birds blunt their striking throats on the salt gravel,
Pierce the spilt sky with diving wing in weed and heel
An inch in froth. Chimes cheat the prison spire, pelter
In time like outlaw rains on that priest, water,
Time for the swimmers’ hands, music for silver lock
And mouth. Both note and plume plunge from the spire’s hook.
Those craning birds are choice for you, songs that jump back
To the built voice, or fly with winter to the bells,
But do not travel down dumb wind like prodigals.
AFTER THE FUNERAL
(In memory of Ann Jones)
After the funeral, mule praises, brays,
Windshake of sailshaped ears, muffle-toed tap
Tap happily of one peg in the thick
Grave’s foot, blinds down the lids, the teeth in black,
The spittled eyes, the salt ponds in the sleeves,
Morning smack of the spade that wakes up sleep,
Shakes a desolate boy who slits his throat
In the dark of the coffin and sheds dry leaves,
That breaks one bone to light with a judgment clout,
After the feast of tear-stuffed time and thistles
In a room with a stuffed fox and a stale fern,
I stand, for this memorial’s sake, alone
In the snivelling hours with dead, humped Ann
Whose hooded, fountain heart once fell in puddles
Round the parched worlds of Wales and drowned each sun
(Though this for her is a monstrous image blindly
Magnified out of praise; her death was a still drop;
She would not have me sinking in the holy
Flood of her heart’s fame; she would lie dumb and deep
And need no druid of her broken body).
But I, Ann’s bard on a raised hearth, call all
The seas to service that her wood-tongued virtue
Babble like a bellbuoy over the hymning heads,
Bow down the walls of the ferned and foxy woods
That her love sing and swing through a brown chapel,
Bless her bent spirit with four, crossing birds.
Her flesh was meek as milk, but this skyward statue
With the wild breast and blessed and giant skull
Is carved from her in a room with a wet window
In a fiercely mourning house in a crooked year.
I know her scrubbed and sour humble hands
Lie with religion in their cramp, her threadbare
Whisper in a damp word, her wits drilled hollow,
Her fist of a face died clenched on a round pain;
And sculptured Ann is seventy years of stone.
These cloud-sopped, marble hands, this monumental
Argument of the hewn voice, gesture and psalm,
Storm me forever over her grave until
The stuffed lung of the fox twitch and cry Love
And the strutting fern lay seeds on the black sill.
ONCE IT WAS THE COLOUR OF SAYING
Once it was the colour of saying
Soaked my table the uglier side of a hill
With a capsized field where a school sat still
And a black and white patch of girls grew playing;
The gentle seaslides of saying I must undo
That all the charmingly drowned arise to cockcrow and kill.
When I whistled with mitching boys through a reservoir park
Where at night we stoned the cold and cuckoo
Lovers in the dirt of their leafy beds,
The shade of their trees was a word of many shades
And a lamp of lightning for the poor in the dark;
Now my saying shall be my undoing,
And every stone I wind off like a reel.
NOT FROM THIS ANGER
Not from this anger, anticlimax after
Refusal struck her loin and the lame flower
Bent like a beast to lap the singular floods
In a land strapped by hunger
Shall she receive a bellyful of weeds
And bear those tendril hands I touch across
The agonized, two seas.
Behind my head a square of sky sags over
The circular smile tossed from lover to lover
And the golden ball spins out of the skies;
Not from this anger after
Refusal struck like a bell under water
Shall her smile breed that mouth, behind the mirror,
That burns along my eyes.
HOW SHALL MY ANIMAL
How shall my animal
Whose wizard shape I trace in the cavernous skull,
Vessel of abscesses and exultation’s shell,
Endure burial under the spelling wall,
The invoked, shrouding veil at the cap of the face,
Who should be furious,
Drunk as a vineyard snail, flailed like an octopus,
Roaring, crawling, quarrel
With the outside weathers,
The natural circle of the discovered skies
Draw down to its weird eyes?
How shall it magnetize,
Towards the studded male in a bent, midnight blaze
That melts the lionhead’s heel and horseshoe of the heart,
A brute land in the cool top of the country days
To trot with a loud mate the haybeds of a mile,
Love and labour and kill
In quick, sweet, cruel light till the locked ground sprout out,
The black, burst sea rejoice, The bowels turn turtle,
Claw of the crabbed veins squeeze from each red particle
The parched and raging voice?
Fishermen of mermen
Creep and harp on the tide, sinking their charmed, bent pin
With bridebait of gold bread, I with a living skein,
Tongue and ear in the thread, angle the temple-bound
Curl-locked and animal cavepools of spells and bone,
Trace out a tentacle,
Nailed with an open eye, in the bowl of wounds and weed
To clasp my fury on ground
And clap its great blood down;
Never shall beast be born to atlas the few seas
Or poise the day on a horn.
Sigh long, clay cold, lie shorn,
Cast high, stunned on gilled stone; sly scissors ground in frost
Clack through the thicket of strength, love hewn in pillars drops
With carved bird, saint, and sun, the wrackspiked maiden mouth
Lops, as a bush plumed with flames, the rant of the fierce eye,
Clips short the gesture of breath.
Die in red feathers when the flying heaven’s cut,
And roll with the knocked earth:
Lie dry, rest robbed, my beast.
You have kicked from a dark den, leaped up the whinnying light,
And dug your grave in my breast.
THE TOMBSTONE TOLD WHEN SHE DIED
The tombstone told when she died.
Her two surnames stopped me still.
A virgin married at rest.
She married in this pouring place,
That I struck one day by luck,
Before I heard in my mother’s side
Or saw in the looking-glass shell
The rain through her cold heart speak
And the sun killed in her face.
More the thick stone cannot tell.
Before she lay on a stranger’s bed
With a hand plunged through her hair,
Or that rainy tongue b
eat back
Through the devilish years and innocent deaths
To the room of a secret child,
Among men later I heard it said
She cried her white-dressed limbs were bare
And her red lips were kissed black,
She wept in her pain and made mouths,
Talked and tore though her eyes smiled.
I who saw in a hurried film
Death and this mad heroine
Meet once on a mortal wall
Heard her speak through the chipped beak
Of the stone bird guarding her:
I died before bedtime came
But my womb was bellowing
And I felt with my bare fall
A blazing red harsh head tear up
And the dear floods of his hair.
ON NO WORK OF WORDS
On no work of words now for three lean months in the bloody
Belly of the rich year and the big purse of my body
I bitterly take to task my poverty and craft:
To take to give is all, return what is hungrily given
Puffing the pounds of manna up through the dew to heaven,
The lovely gift of the gab bangs back on a blind shaft.
To lift to leave from the treasures of man is pleasing death
That will rake at last all currencies of the marked breath
And count the taken, forsaken mysteries in a bad dark.
To surrender now is to pay the expensive ogre twice.
Ancient woods of my blood, dash down to the nut of the seas
If I take to burn or return this world which is each man’s work.
A SAINT ABOUT TO FALL
A saint about to fall,
The stained flats of heaven hit and razed
To the kissed kite hems of his shawl,
On the last street wave praised
The unwinding, song by rock,
Of the woven wall
Of his father’s house in the sands,
The vanishing of the musical ship-work and the chucked bells,
The wound-down cough of the blood-counting clock
Behind a face of hands,
On the angelic etna of the last whirring featherlands,
Wind-heeled foot in the hole of a fireball,
Hymned his shrivelling flock,
On the last rick’s tip by spilled wine-wells
Sang heaven hungry and the quick
Cut Christbread spitting vinegar and all
The mazes of his praise and envious tongue were worked in flames and shells.
Glory cracked like a flea.
The sun-leaved holy candlewoods
Drivelled down to one singeing tree
With a stub of black buds,
The sweet, fish-gilled boats bringing blood
Lurched through a scuttled sea
With a hold of leeches and straws,
Heaven fell with his fall and one crocked bell beat the left air.
O wake in me in my house in the mud
Of the crotch of the squawking shores,
Flicked from the carbolic city puzzle in a bed of sores
The scudding base of the familiar sky,
The lofty roots of the clouds.
From an odd room in a split house stare,
Milk in your mouth, at the sour floods
That bury the sweet street slowly, see
The skull of the earth is barbed with a war of burning brains and hair.
Strike in the time-bomb town,
Raise the live rafters of the eardrum,
Throw your fear a parcel of stone
Through the dark asylum,
Lapped among herods wail
As their blade marches in
That the eyes are already murdered,
The stocked heart is forced, and agony has another mouth to feed.
O wake to see, after a noble fall,
The old mud hatch again, the horrid
Woe drip from the dishrag hands and the pressed sponge of the forehead,
The breath draw back like a bolt through white oil
And a stranger enter like iron.
Cry joy that this witchlike midwife second
Bullies into rough seas you so gentle
And makes with a flick of the thumb and sun
A thundering bullring of your silent and girl-circled island.
‘IF MY HEAD HURT A HAIR’S FOOT’
‘If my head hurt a hair’s foot
Pack back the downed bone. If the unpricked ball of my breath
Bump on a spout let the bubbles jump out.
Sooner drop with the worm of the ropes round my throat
Than bully ill love in the clouted scene.
‘All game phrases fit your ring of a cockfight:
I’ll comb the snared woods with a glove on a lamp,
Peck, sprint, dance on fountains and duck time
Before I rush in a crouch the ghost with a hammer, air,
Strike light, and bloody a loud room.
‘If my bunched, monkey coming is cruel
Rage me back to the making house. My hand unravel
When you sew the deep door. The bed is a cross place.
Bend, if my journey ache, direction like an arc or make
A limp and riderless shape to leap nine thinning months.’
‘No. Not for Christ’s dazzling bed
Or a nacreous sleep among soft particles and charms
My dear would I change my tears or your iron head.
Thrust, my daughter or son, to escape, there is none, none, none,
Nor when all ponderous heaven’s host of waters breaks.
‘Now to awake husked of gestures and my joy like a cave
To the anguish and carrion, to the infant forever unfree,
O my lost love bounced from a good home;
The grain that hurries this way from the rim of the grave
Has a voice and a house, and there and here you must couch and cry.
‘Rest beyond choice in the dust-appointed grain,
At the breast stored with seas. No return
Through the waves of the fat streets nor the skeleton’s thin ways.
The grave and my calm body are shut to your coming as stone,
And the endless beginning of prodigies suffers open.’
TWENTY-FOUR YEARS
Twenty-four years remind the tears of my eyes.
(Bury the dead for fear that they walk to the grave in labour.)
In the groin of the natural doorway I crouched like a tailor
Sewing a shroud for a journey
By the light of the meat-eating sun.
Dressed to die, the sensual strut begun,
With my red veins full of money,
In the final direction of the elementary town
I advance for as long as forever is.
THE CONVERSATION OF PRAYERS
The conversation of prayers about to be said
By the child going to bed and the man on the stairs
Who climbs to his dying love in her high room,
The one not caring to whom in his sleep he will move
And the other full of tears that she will be dead,
Turns in the dark on the sound they know will arise
Into the answering skies from the green ground,
From the man on the stairs and the child by his bed.
The sound about to be said in the two prayers
For the sleep in a safe land and the love who dies
Will be the same grief flying. Whom shall they calm?
Shall the child sleep unharmed or the man be crying?
The conversation of prayers about to be said
Turns on the quick and the dead, and the man on the stairs
Tonight shall find no dying but alive and warm
In the fire of his care his love in the high room.
And the child not caring to whom he climbs his prayer
Shall drown in a grief as
deep as his true grave,
And mark the dark eyed wave, through the eyes of sleep,
Dragging him up the stairs to one who Mes dead.
A REFUSAL TO MOURN THE DEATH, BY FIRE, OF A CHILD IN LONDON
Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness
And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn
The majesty and burning of the child’s death.
I shall not murder
The mankind of her going with a grave truth
Nor blaspheme down the stations of the breath
With any further Elegy of innocence and youth.
Deep with the first dead lies London’s daughter,
Robed in the long friends,
The grains beyond age, the dark veins of her mother,
Secret by the unmourning water
Of the riding Thames.
After the first death, there is no other.
POEM IN OCTOBER
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill’s shoulder,
Here were fond climates and sweet singers suddenly
