Collected Short Stories

by D. H. Lawrence

  It was not his thoughts that represented him. They spun like straws or the iridescence of oil on a dark stream. He thought of her, sketchily, spending an evening of light amusement with the symbolical Richard. That did not mean much to him. He did not really speculate about Richard. He had the dark, powerful sense of her, how she wanted to get away from him and from the deep, underneath intimacy which had gradually come between them, back to the easy, everyday life where one knows nothing of the underneath, so that it takes its way apart from the consciousness. She did not want to have the deeper part of herself in direct contact with or under the influence of any other intrinsic being. She wanted, in the deepest sense, to be free of him. She could not bear the close, basic intimacy into which she had been drawn. She wanted her life for herself. It was true, her strongest desire had been previously to know the contact through the whole of her being, down to the very bottom. Now it troubled her. She wanted to disengage his roots. Above, in the open, she would live. But she must live perfectly free of herself, and not, at her source, be connected with anybody. She was using this symbolical Richard as a spade to dig him away from her. And he felt like a thing whose roots are all straining on their hold, and whose elemental life, that blind source, surges backwards and forwards darkly, in a chaos, like something which is threatened with spilling out of its own vessel.

  This tremendous swaying of the most elemental part of him continued through the hours, accomplishing his being, whilst superficially he thought of the journey, of the Italian he would speak, how he had left his coat in the train, and the rascally official interpreter had tried to give him twenty lire for a sovereign--how the man in the hat-shop in the Strand had given him the wrong change--of the new shape in hats, and the new felt--and so on. Underneath it all, like the sea under a pleasure pier, his elemental, physical soul was heaving in great waves through his blood and his tissue, the sob, the silent lift, the slightly-washing fall away again. So his blood, out of whose darkness everything rose, being moved to its depth by her revulsion, heaved and swung towards its own rest, surging blindly to its own re-settling.

  Without knowing it, he suffered that night almost more than he had ever suffered during his life. But it was all below his consciousness. It was his life itself at storm, not his mind and his will engaged at all.

  In the morning he got up, thin and quiet, without much movement anywhere, only with some of the clearing afterstorm. His body felt like a clean, empty shell. His mind was limpidly clear. He went through the business of the toilet with a certain accuracy, and at breakfast, in the restaurant, there was about him that air of neutral correctness which makes men seem so unreal.

  At lunch, there was a telegram for him. It was like her to telegraph.

  "Come to tea, my dear love."

  As he read it, there was a great heave of resistance in him. But then he faltered. With his consciousness, he remembered how impulsive and eager she was when she dashed off her telegram, and he relaxed. It went without saying that he would go.

  III

  When he stood in the lift going up to his own flat, he was almost blind with the hurt of it all. They had loved each other so much in his first home. The parlour-maid opened to him, and he smiled at her affectionately. In the golden-brown and cream-coloured hall--Paula would have nothing heavy or sombre about her--a bush of rose-coloured azaleas shone, and a little tub of lilies twinkled naïvely.

  She did not come out to meet him.

  "Tea is in the drawing-room," the maid said, and he went in while she was hanging up his coat. It was a big room, with a sense of space, and a spread of whity carpet almost the colour of unpolished marble--and grey and pink border; of pink roses on big white cushions, pretty Dresden china, and deep chintz-covered chairs and sofas which looked as if they were used freely. It was a room where one could roll in soft, fresh-comfort, a room which had not much breakable in it, and which seemed, in the dusky spring evening, fuller of light than the streets outside.

  Paula rose, looking queenly and rather radiant, as she held out her hand. A young man whom Peter scarcely noticed rose on the other side of the hearth.

  "I expected you an hour ago," she said, looking into her husband's eyes. But though she looked at him, she did not see him. And he sank his head.

  "This is another Moest," she said, presenting the stranger. "He knows Richard, too."

  The young man, a German of about thirty, with a clean-shaven æsthetic face, long black hair brushed back a little wearily or bewildered from his brow, and inclined to fall in an odd loose strand again, so that he nervously put it back with his fine hand, looked at Moest and bowed. He had a finely-cut face, but his dark-blue eyes were strained, as if he did not quite know where he was. He sat down again, and his pleasant figure took a self-conscious attitude, of a man whose business it was to say things that should be listened to. He was not conceited or affected--naturally sensitive and rather naïve; but he could only move in an atmosphere of literature and literary ideas; yet he seemed to know there was something else, vaguely, and he felt rather at a loss. He waited for the conversation to move his way, as, inert, an insect waits for the sun to set it flying.

  "Another Moest," Paula was pronouncing emphatically. "Actually another Moest, of whom we have never heard, and under the same roof with us."

  The stranger laughed, his lips moving nervously over his teeth.

  "You are in this house?" Peter asked, surprised.

  The young man shifted in his chair, dropped his head, looked up again.

  "Yes," he said, meeting Moest's eyes as if he were somewhat dazzled. "I am staying with the Lauriers, on the second floor."

  He spoke English slowly, with a quaint, musical quality in his voice, and a certain rhythmic enunciation.

  "I see; and the telegram was for you?" said the host.

  "Yes," replied the stranger, with a nervous little laugh.

  "My husband," broke in Paula, evidently repeating to the German what she had said before, for Peter's benefit this time, "was quite convinced I had an affaire"--she pronounced it in the French fashion--"with this terrible Richard."

  The German gave his little laugh, and moved, painfully self-conscious, in his chair.

  "Yes," he said, glancing at Moest.

  "Did you spend a night of virtuous indignation?" Paula laughed to her husband, "imagining my perfidy?"

  "I did not," said her husband. "Were you at Madge's?"

  "No," she said. Then, turning to her guest: "Who is Richard, Mr. Moest?"

  "Richard," began the German, word by word, "is my cousin." He glanced quickly at Paula, to see if he were understood. She rustled her skirts, and arranged herself comfortably, lying, or almost squatting, on the sofa by the fire. "He lives in Hampstead."

  "And what is he like?" she asked, with eager interest.

  The German gave his little laugh. Then he moved his fingers across his brow, in his dazed fashion. Then he looked, with his beautiful blue eyes, at his beautiful hostess.

  "I--" He laughed again nervously. "He is a man whose parts--are not very much--very well known to me. You see," he broke forth, and it was evident he was now conversing to an imaginary audience--"I cannot easily express myself in English. I--I never have talked it. I shall speak, because I know nothing of modern England, a kind of Renaissance English."

  "How lovely!" cried Paula. "But if you would rather, speak German. We shall understand sufficiently."

  "I would rather hear some Renaissance English," said Moest.

  Paula was quite happy with the new stranger. She listened to descriptions of Richard, shifting animatedly on her sofa. She wore a new dress, of a rich red-tile colour, glossy and long and soft, and she had threaded daisies, like buttons, in the braided plait of her hair. Her husband hated her for these familiarities. But she was beautiful too, and warm-hearted. Only, through all her warmth and kindliness, lay, he said, at the bottom, an almost feline selfishness, a coldness.

  She was playing to the stranger--nay, she was not play
ing, she was really occupied by him. The young man was the favourite disciple of the most famous present-day German poet and Meister. He himself was occupied in translating Shakespeare. Having been always a poetic disciple, he had never come into touch with life save through literature, and for him, since he was a rather fine-hearted young man, with a human need to live, this was a tragedy. Paula was not long in discovering what ailed him, and she was eager to come to his rescue.

  It pleased her, nevertheless, to have her husband sitting by, watching her. She forgot to give tea to anyone. Moest and the German both helped themselves, and the former attended also to his wife's cup. He sat rather in the background, listening, and waiting. She had made a fool of him with her talk to this stranger of "Richard"; lightly and flippantly she had made a fool of him. He minded, but was used to it. Now she had absorbed herself in this dazed, starved, literature-bewildered young German, who was, moreover, really lovable, evidently a gentleman. And she was seeing in him her mission--"just as", said Moest bitterly to himself, "she saw her mission in me, a year ago. She is no woman. She's got a big heart for everybody, but it must be like a common-room; she's got no private, sacred heart, except perhaps for herself, where there's no room for a man in it."

  At length the stranger rose to go, promising to come again.

  "Isn't he adorable?" cried Paula, as her husband returned to the drawing-room. "I think he is simply adorable."

  "Yes!" said Moest.

  "He called this morning to ask about the telegram. But, poor devil, isn't it a shame what they've done to him?"

  "What who have done to him?" her husband asked coldly, jealous.

  "Those literary creatures. They take a young fellow like that, and stick him up among the literary gods, like a mantelpiece ornament, and there he has to sit, being a minor ornament, while all his youth is gone. It is criminal."

  "He should get off the mantelpiece, then," said Moest.

  But inside him his heart was black with rage against her. What had she, after all, to do with this young man, when he himself was being smashed up by her? He loathed her pity and her kindliness, which was like a charitable institution. There was no core to the woman. She was full of generosity and bigness and kindness, but there was no heart in her, no security, no place for one single man. He began to understand now sirens and sphinxes and the other Greek fabulous female things. They had not been created by fancy, but out of bitter necessity of the man's human heart to express itself.

  "Ha!" she laughed, half contemptuous. "Did you get off your miserable, starved isolation by yourself?--you didn't. You had to be fetched down, and I had to do it."

  "Out of your usual charity," he said.

  "But you can sneer at another man's difficulties," she said.

  "Your name ought to be Panacea, not Paula," he replied.

  He felt furious and dead against her. He could even look at her without the tenderness coming. And he was glad. He hated her. She seemed unaware. Very well; let her be so.

  "Oh, but he makes me so miserable, to see him!" she cried. "Self-conscious, can't get into contact with anybody, living a false literary life like a man who takes poetry as a drug.--One ought to help him."

  She was really earnest and distressed.

  "Out of the frying-pan into the fire," he said.

  "I'd rather be in the fire any day, than in a frying-pan," she said, abstractedly, with a little shudder. She never troubled to see the meaning of her husband's sarcasms.

  They remained silent. The maid came in for the tray, and to ask him if he would be in to dinner. He waited for his wife to answer. She sat with her chin in her hands, brooding over the young German, and did not hear. The rage flashed up in his heart. He would have liked to smash her out of this false absorption.

  "No," he said to the maid. "I think not. Are you at home for dinner, Paula?"

  "Yes," she said.

  And he knew by her tone, easy and abstracted, that she intended him to stay, too. But she did not trouble to say anything.

  At last, after some time, she asked:

  "What did you do?"

  "Nothing--went to bed early," he replied.

  "Did you sleep well?"

  "Yes, thank you."

  And he recognised the ludicrous civilities of married people, and he wanted to go. She was silent for a time. Then she asked, and her voice had gone still and grave:

  "Why don't you ask me what I did?"

  "Because I don't care--you just went to somebody's for dinner."

  "Why don't you care what I do? Isn't it your place to care?"

  "About the things you do to spite me?--no!"

  "Ha!" she mocked. "I did nothing to spite you. I was in deadly earnest."

  "Even with your Richard?"

  "Yes," she cried. "There might have been a Richard. What did you care!"

  "In that case you'd have been a liar and worse, so why should I care about you then?"

  "You don't care about me," she said, sullenly.

  "You say what you please," he answered.

  She was silent for some time.

  "And did you do absolutely nothing last night?" she asked.

  "I had a bath and went to bed."

  Then she pondered.

  "No," she said, "you don't care for me."

  He did not trouble to answer. Softly, a little china clock rang six.

  "I shall go to Italy in the morning," he said.

  "Yes."

  "And," he said, slowly, forcing the words out, "I shall stay at the Aquila Nera at Milan--you know my address."

  "Yes," she answered.

  "I shall be away about a month. Meanwhile you can rest."

  "Yes," she said, in her throat, with a little contempt of him and his stiffness. He, in spite of himself, was breathing heavily. He knew that this parting was the real separation of their souls, marked the point beyond which they could go no farther, but accepted the marriage as a comparative failure. And he had built all his life on his marriage. She accused him of not loving her. He gripped the arms of his chair. Was there something in it? Did he only want the attributes which went along with her, the peace of heart which a man has in living to one woman, even if the love between them be not complete; the singleness and unity in his life that made it easy; the fixed establishment of himself as a married man with a home; the feeling that he belonged somewhere, that one woman existed--not was paid but existed--really to take care of him; was it these things he wanted, and not her? But he wanted her for these purposes--her, and nobody else. But was that not enough for her? Perhaps he wronged her--it was possible. What she said against him was in earnest. And what she said in earnest he had to believe, in the long run, since it was the utterance of her being. He felt miserable and tired.

  When he looked at her, across the gathering twilight of the room, she was staring into the fire and biting her finger-nail, restlessly, restlessly, without knowing. And all his limbs went suddenly weak, as he realised that she suffered too, that something was gnawing at her. Something in the look of her, the crouching, dogged, wondering look made him faint with tenderness for her.

  "Don't bite your finger-nails," he said quietly, and, obediently, she took her hand from her mouth. His heart was beating quickly. He could feel the atmosphere of the room changing. It had stood aloof, the room, like something placed round him, like a great box. Now everything got softer, as if it partook of the atmosphere, of which he partook himself, and they were all one.

  His mind reverted to her accusations, and his heart beat like a caged thing against what he could not understand. She said he did not love her. But he knew that in his way, he did. In his way--but was his way wrong? His way was himself, he thought, struggling. Was there something wrong, something missing in his nature, that he could not love? He struggled, as if he were in a mesh, and could not get out. He did not want to believe that he was deficient in his nature. Wherein was he deficient? It was nothing physical. She said he would not come out of himself, that he was no good to h
er, because he could not get outside himself. What did she mean? Not outside himself! It seemed like some acrobatic feat, some slippery, contortionist trick. No, he could not understand. His heart flashed hot with resentment. She did nothing but find fault with him. What did she care about him, really, when she could taunt him with not being able to take a light woman when he was in Paris? Though his heart, forced to do her justice, knew that for this she loved him, really.

  But it was too complicated and difficult, and already, as they sat thinking, it had gone wrong between them and things felt twisted, horribly twisted, so that he could not breathe. He must go. He could dine at the hotel and go to the theatre.

  "Well," he said casually, "I must go. I think I shall go and see The 'Black Sheep'."

  She did not answer. Then she turned and looked at him with a queer, half-bewildered, half-perverse smile that seemed conscious of pain. Her eyes, shining rather dilated and triumphant, and yet with something heavily yearning behind them, looked at him. He could not understand, and, between her appeal and her defiant triumph, he felt as if his chest was crushed so that he could not breathe.

  "My love," she said, in a little singing, abstract fashion, her lips somehow sipping towards him, her eyes shining dilated; and yet he felt as if he were not in it, himself.

  His heart was a flame that prevented his breathing. He gripped the chair like a man who is going to be put under torture.

  "What?" he said, staring back at her.

  "Oh, my love!" she said softly, with a little, intense laugh on her face, that made him pant. And she slipped from her sofa and came across to him quickly, and put her hand hesitating on his hair. The blood struck like flame across his consciousness, and the hurt was keen like joy, like the releasing of something that hurts as the pressure is relaxed and the movement comes, before the peace. Afraid, his fingers touched her hand, and she sank swiftly between his knees, and put her face on his breast. He held her head hard against his chest, and again and again the flame went down his blood, as he felt her round, small, nut of a head between his hands pressing into his chest where the hurt had been bruised in so deep. His wrists quivered as he pressed her head to him, as he felt the deadness going out of him; the real life released, flowing into his body again. How hard he had shut it off, against her, when she hated him. He was breathing heavily with relief, blindly pressing her head against him. He believed in her again.