The Shorter Poems

by Edmund Spenser

Shore, D. R., Spenser and the Poetics of Pastoral: A Study of the World of Colin Clout (Kingston, Ont., 1985).

  Sinfield, A., Literature in Protestant England, 1560–1660 (London, 1983).

  Sjøgren, G., ‘Helena, Marchioness of Northampton’, History Today, 28 (1978), 596–604.

  Smith, B. R., ‘On Reading The Shepheardes Calender’, SSt, 1 (1980), 69–93.

  —— Homosexual Desire in Shakespeare’s England (Chicago, 1991).

  Smith, C. G., Spenser’s Proverb Lore: with Special Reference to his Use of the ‘Sententiae’ of Leonard Culman and Publilius Syrus (Cambridge, Mass., 1970).

  Smith, H., ‘The Use of Conventions in Spenser’s Minor Poems’, in W. Nelson, ed., Form and Convention in the Poetry of Edmund Spenser (1961), 122–45.

  Smith, J. N., ‘Spenser’s Prothalamion: A New Genre’, RES, n.s. 10 (1959), 173–8.

  Smith, R. M., ‘Spenser’s Irish River Stories’, PMLA, 50 (1935), 1047–56.

  Snare, G., ‘The Muses on Poetry: Spenser’s The Teares of the Muses’, Tulane Studies in English, 17 (1969), 31–52.

  Sowton, I., ‘Hidden Persuaders as a Means of Literary Grace: Sixteenth-Century Poetics and Rhetoric in England’, UTQ, 32 (1962), 55–69.

  Spiller, M. R. G., The Development of the Sonnet: An Introduction (London, 1992).

  Spitzer, L., ‘Spenser, Shepheardes Calender, March, II. 61–114, and the Variorum Edition’, SP, 47 (1950), 494–505.

  Stapleton, M. L., ‘Spenser, the Antiquitez de Rome, and the Development of the English Sonnet Form’, Comparative Literary Studies, 27 (1990), 259–74.

  Starnes, De Witt T. and E. W. Talbert, Classical Myth and Legend in Renaissance Dictionaries: A Study of Renaissance Dictionaries in their Relation to the Classical Learning of Contemporary English Writers (Chapel Hill, 1955).

  Steen, J., ‘On Spenser’s Epithalamion’, Spectrum, 5 (1961), 31–7.

  Stein, H., Studies in Spenser’s ‘Complaints’ (New York, 1934).

  Steinberg, T. L., ‘Spenser, Sidney and the Myth of Astrophel’, SSt, 9, 11 (1990), 187–202.

  Stern, V. F., Gabriel Harvey: A Study of his Life, Marginalia, and Library (Oxford, 1979).

  Stewart, J. T., ‘Renaissance Psychology and the Ladder of Love in Castiglione and Spenser’, JEGP, 56 (1957), 225–30.

  Stewart, S., ‘Spenser and the Judgement of Paris’, SSt, 9 (1988), 161–209.

  Strickland, R., ‘Not So Idle Tears: Re-reading the Renaissance Funeral Elegy’, Review, 14 (1992), 57–72.

  Strong, R. C., The Cult of Elizabeth: Elizabethan Portraiture and Pageantry (London, 1977).

  ——Gloriana: The Portraits of Queen Elizabeth I (London, 1987).

  Stubbs, John, John Stubbs’s ‘Gaping Gulf’ with Letters and Other Relevant Documents, edited by L. E. Berry (Charlottesville, 1968).

  Tasso, Torquato, Le Rime di Torquato Tasso, edited by A. Solerti (4 vols.; Bologna, 1898–1902).

  Thompson, C., ‘Love in an Orderly Universe: A Unification of Spenser’s Amoretti, “Anacreontics”, and Epithalamion’, Viator, 16 (1985), 277–335.

  Thornton, B., ‘Rural Dialectic: Pastoral, Georgic, and The Shepheardes Calender’ SSt, 9 (1988), 1–20.

  Tribble, E., ‘Glozing the Gap: Authority, Glossing Traditions and The Shepheardes Calender’, Criticism, 34 (1992), 155–72.

  ——Margins and Marginality: The Printed Page in Early Modern England (Charlottesville, Va., 1993).

  Tromly, F. B., ‘Lodowick Bryskett’s Elegies on Sidney in Spenser’s Astrophel Volume’, RES, n.s. 37 (1986), 384–8.

  Tucker, G. H., The Poet’s Odyssey: Joachim Du Bellay and the ‘Antiquitez De Rome’ (Oxford, 1990).

  Tufte, V. J., The Poetry of Marriage: The Epithalamium in Europe and its Development in England (Los Angeles, 1970).

  Turner, M., ‘The Imagery of Spenser’s Amoretti’, Neophilologus, 72 (1988), 284–99.

  Tuve, R., Allegorical Imagery: Some Mediaeval Books and their Posterity (Princeton, 1966).

  Tylus, J., ‘Spenser, Virgil and the Politics of Poetic Labour’, ELH, 55 (1988), 53–77.

  Van der Berg, K., ‘The Counterfeit in Personation: Spenser’s Prosopopoia’, in L. Martz and A. Williams, eds., The Author in his Work: Essays on a Problem in Criticism (New Haven, Conn., 1978), 85–102.

  Van Dorsten, J. A., The Radical Arts: First Decade of an Elizabethan Renaissance (Leiden, 1970).

  ——‘Literary Patronage in Elizabethan England: The Early Phase’, in G. F. Lytle and S. Orgel, eds., Patronage in the Renaissance (Princeton, 1981), 191–206.

  Villeponteaux, M. A., ‘ “With her own will beguyld”: The Captive Lady in Spenser’s Amoretti’, Explorations in Renaissance Culture, 14 (1988), 29–39.

  Vink, J., ‘A Concealed Figure in the Woodcut to the Januarye Eclogue’, SSt, 7 (1986), 297–8.

  Waldman, L., ‘Spenser’s Pseudonym “E. K.” and Humanist Self-Naming’, SSt, 9 (1988), 21–31.

  Waller, M. R., Petrarch’s Poetics and Literary History (Amherst, Mass., 1980).

  Wallerstein, R. C., Studies in Seventeenth-Century Poetic (Madison, Wis., 1950).

  Warkentin, G., ‘Spenser at the Still Point: A Schematic Device in Epithalamion’, in H. B. de Groot and A. Leggatt, eds., Craft and Tradition: Essays in Honour of William Blissett (Calgary, 1990), 47–57.

  Warton, Thomas, Observations on the Faerie Queene of Spenser (London, 1754).

  Waters, D. D., ‘Spenser and Symbolic Witchcraft in The Shepheardes Calender’, SEL, 14 (1974), 3–15.

  Watkins, J., The Specter of Dido: Spenser and Virgilian Epic (New Haven, 1995).

  Watson, E. L., ‘ “Sylvanus” Tree Emblems at Kenilworth and Spenser’s Februarie Eclogue’, Explorations in Renaissance Culture, 19 (1993), 115–33.

  Webster, J., ‘ “The Methode of a Poete”: An Inquiry into Tudor Conceptions of Poetic Sequence’, ELR, 11 (1981), 22–43.

  Weiner, A. D., ‘Spenser’s Muiopotmos and the Fates of Butterflies and Men’, JEGP, 84 (1985), 203–20.

  ——‘Spenser and the Myth of Pastoral’, SP, 85 (1988), 390–406.

  Weiner, S., ‘Spenser’s Study of English Syllables and its Completion by Thomas Campion’, SSt, 3 (1982), 3–56.

  Wells, R. H., ‘Poetic Decorum in Spenser’s Amoretti’, Cahiers Elisabéthains, 25 (1984), 9–21.

  Wells, W., ‘ “To Make a Mild Construction”: The Significance of the Opening Stanzas of Muiopotmos’, SP, 42 (1945), 544–54.

  ——ed., Spenser Allusions in the Sixteenth and Seventeenth Centuries, SP, Texts and Studies, 68–9 (1971–2).

  Welsford, E., Spenser’s ‘Fowre Hymnes’, ‘Epithalamion’: A Study of Edmund Spenser’s Doctrine of Love (Oxford, 1967).

  West, M., ‘Prothalamia in Propertius and Spenser’, CL, 26 (1974), 346–53.

  Whidden, M. B., ‘Method and Value in Amoretti 15’, Explicator, 51 (1993), 73–5.

  Whipp, L. T., ‘Spenser’s November Eclogue’, SSt, 11 (1990), 17–30.

  Whitaker, V. K., The Religious Basis of Spenser’s Thought (Stanford, 1950).

  Wickert, M. A., ‘Structure and Ceremony in Spenser’s Epithalamion’, ELH, 35 (1968), 135–57.

  Wilkin, G., ‘Spenser’s Rehabilitation of the Templars’, SSt, 11 (1990), 89–100.

  Wind, E., Pagan Mysteries in the Renaissance (2nd edn; London, 1967).

  Wine, M., ‘Spenser’s “Sweete Themmes”: Of Time and the River’, SEL, 2 (1962), 111–17.

  Woodward, D. H., ‘Some Themes in Spenser’s Prothalamion’, ELH, 29 (1962), 34–46.

  Yates, F., Astraea: The Imperial Theme in the Sixteenth Century (London, 1975).

 

 

 
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