Songs of Love Lost and Found
Page 17
The black knight rolled to his feet and snatched up his sword again. He rushed at Palo, flailing his blade from side to side. Palo backed up, stumbled, and went to one knee, and the knight raised his sword for the final blow.
The wizard said, “Shall he die, my Io?” He was watching Fioretta, not the fight. Fioretta bit her lip. But the knight, perhaps waiting for the wizard’s command, had paused, and now Palo rolled away across the floor and leaped up, out of reach of his enemy. The black knight yelled, and chased him, but Palo held his ground, and as the other man plunged recklessly toward him, brought his own sword up with both hands and struck the other man’s weapon, sending it flying.
The black knight staggered back, his arms up. “Mercy,” he cried. He went down on one knee.
The wizard stood. “Enough of this. Kill him. As you are my knight, I command it.”
Palo came forward toward the throne. “My lord, grant him mercy.” His handsome new face was solemn. He never looked at Fioretta. “Let him have time to regret his inadequacy.”
The wizard gave a harsh laugh. He shot a quick glance at Fioretta beside him. “I give no mercy here.”
“My lord,” Palo said, “for your greater glory and the glory of your queen.”
The wizard’s teeth showed. When he spoke, it was clearly against his will. “You shall have his life, then. Go.”
The black knight knelt on the floor, his hands raised, imploring. “My lord—”
The wizard jerked his hand up in command and the black knight’s men hauled him off. Palo bowed and backed away into the crowd. The courtiers in their satins and gilt and jewels flooded back onto the floor, dancing and laughing again, as if nothing had happened.
She thought, Nothing did happen, really. He made it all up, to catch me. But somehow Palo had escaped. Had won, against the wizard’s will. He had found the edge of the wizard’s power. She dared not look at him, lost now anyway in the mass of merry, dancing people.
She thought, He has found a place here. Like me.
She looked down at her beautiful clothes. A servant was offering her a fine flaky pie and a cup of wine. The hall filled with laughter and chatter.
Maybe this is good enough, she thought. But something in her had divided, and the pieces didn’t quite match anymore.
Except for the wizard, there was no one to talk to. The other people were only shells, without conversation; they laughed, and said how happy they were, and whirled away from her into the general dance. It all looked the same as yesterday: Maybe it was all the same day. Then, at sundown, when they were all going off to bed, she saw Rosa again.
The fallen favorite had become the lamp beside the door. Her body was thin as a pole, glistening gold, her arms clasped across her middle; her white hair stood straight up, glowing. Only her eyes moved, sleek and hopeless, watching Fioretta. Wanting to be there again, to be what Fioretta was. Fioretta went swiftly up to the bedchamber, and let them undress her and put her to bed, but she lay stiff on the pallet, biting her lips and pinching herself to stay awake, until the others were all asleep.
Then she rose, threw a cloak around her, and went out.
SHE WENT STRAIGHT down into the kitchen, where she found the cook stirring a great cauldron, and the red knight, sitting on the steps.
He gave her a glancing look, his face stern. She sat beside him.
“You did very well,” she said. “I didn’t know you could fight.”
“When it’s your life,” he said, not looking at her, his voice cold, “you learn fast. You should go back. He’ll catch you.”
She said, “He’s already caught me.” She looked at the cook again, beseeching. “Tell us how we can escape.”
The cook was slicing onions, the knife so fast it was a blur. “You came here of your own will. You must stay until the castle falls.”
She groaned. Palo was watching her curiously. “You don’t want to stay—where you are so beautiful and so cherished?”
She put her hand on his arm. “You were so brave. And you were good, when he wanted you to be wicked. You defied him when you did not kill the black knight, and he had to accept it. You gave me some reason to hope I can keep on resisting him.” He had turned toward her, at her touch, and she looked into his eyes. “That was wonderful,” she said, and she kissed him.
He flung his arms around her and kissed her back. She shut her eyes, reveling in the strength of his arms, the sweetness of the kiss. If the wizard destroyed her tomorrow she would have this one real, true moment, this one real, true knight. Palo’s hand stroked her hair and she laid her head on his shoulder.
“I love you,” he said. “I will always love you.”
“You have saved me, so far—without you, I think I would already have given in to him.”
“You haven’t. Thank God you haven’t.”
“I don’t know how long I can fight him off. I’m afraid—”
“Sssh,” he said. “I’ll think of something—hush, my darling one.” He kissed her again.
The cook was watching them, smiling. Fioretta made herself draw back. The memory of Rosa flooded her mind. “That’s not good enough. I don’t know if we have much time.”
He said, “No—stay—” and grabbed for her hand.
She held herself away from him. “At any moment he can ruin us. I saw him—you saw what he did to that other woman. If he finds out—”
She faced him, her heart pounding. She had found a wonderful man to love but she could never have him. She turned and ran up the stair, a sinking feeling in her heart that in fact the wizard already knew.
SHE HAD TO sleep, and when she slept, the demon came on her, whispering. “Kiss him, will you? Want him and not me, will you? After all I’ve done for you, you heartless whore!” It ground itself on her, pinching and tugging at her breasts, poking her between the legs, stirring her to a thick, greedy lust. She struggled against her own body, which longed so for the consummation. Palo, she thought. Palo.
She knew that to give in would doom her and Palo both. But her lecherous body yearned for the coupling, for the demon’s thrust; she could not hold out too much longer. Between her legs was damp and thick with heat, and an evil voice inside whispered, “Let him. He’ll keep me. I will be queen forever. He’ll love me, and I’ll be different from the others.” She thought, Palo. Palo. She made herself see him in her mind—as he had been before, the round untested boy. With a wrench she woke up, and lay there struggling to stay awake until the dawn came.
In the morning, the other women dressed her, and they hurried down to the court, to the senseless merry laughter and the endless wild dancing. When she came in, the wizard rose, as he had before, but this time he was scowling at her.
“Behold, the adulterous one! I name you Helen, queen of treacherous women!” She stopped before his throne, and the court fell silent. The wizard sneered at her. “I ask one act of gratitude, and instead I am traduced. You shall not sit by my side today, slut.” Then Palo stepped up out of the crowd.
“Wizard.” He walked between her and the throne, and his voice rang out, loud and brave. “I challenge you for this woman!”
“Ho ho,” the wizard said. “You do, do you?” He came down from the throne and paced around Palo, the hem of his white gown sweeping on the floor. “You think you can fight me, you fool? Hah!” He flung one hand up. “Go back as you were, Palo!”
Fioretta cried out. Palo seemed to buckle. His red tabard flew off, and he shrank, and grew wider. His handsome face bloated into the plain round pock-marked face of the bailiff’s black sheep son. He gave a yell, and drew his sword, and the blade melted away to nothing.
The court let out a lustful howl. All at once they rushed forward, snatching off their hats and shoes to throw. Fioretta leaped forward toward the wizard, her hands pressed together.
“No. Let him live—I will do what you wish—only, let him go!”
The wizard seemed to grow taller and his eyes blazed. His voice hissed out. “Too late for tha
t, hussy. Too late, Fioretta!”
She staggered. She felt her beautiful clothes fall away, and she stumbled on her bad leg; she put her hands to her face and felt the slick ugly scar. A shoe hit her shoulder. The crowd of the court pressed closer, their eyes glowing, their faces ugly with hate. Palo wheeled, his arms out, trying to shield her.
“Fioretta—”
Her name. She understood, suddenly, in a gust of memory, how the wizard had only spoken her name twice, and each time changed her. Something else hit her on the cheek. Palo jerked his arms up to fend off a hail of missiles. She had heard the wizard’s name, once—what was it—
He stood there, laughing. Palo clutched her, as hard things rained down on both of them, and she flung her arms around him to stay on her feet.
She shouted, “Goodman Greenough, Greengood, Greenman, Greenham, Godham—”
The wizard laughed, disdainful. She sagged under the weight of the attack.
“Greenam, Goodman, Goodgreen—”
The wizard laughed again. But he was slowly turning, spinning around in place. His white robes flew off; what they had covered was not as tall, was lumpy, green, damp, covered with leaves or feathers or scales. It spun faster and faster, and the court besetting Palo and Fioretta let out a screech.
Their target had changed. The walls and columns erupted hands, legs, bodies. The great throne behind the wizard reared up into a scrawny old man and two brawny boys, who hurled themselves on the whirling green demon. The floor burst up into waves of bodies, wild hair like spume, and the arch of shoulders rising. In pieces and as one, the prisoners of the castle flung themselves past Fioretta and Palo and onto their tormentor. Fioretta cried out. Something struck her from above, and she looked up; the roof was sagging down, as legs and hands and heads rained down from it. The floor was rising around her, breaking into a tumble of arms and legs, buttocks, elbows. She clutched Palo’s hand. In the door, through the thickening downpour of the collapsing roof, she saw the cook, laughing.
“Run,” Palo shouted in her ear. “Run!”
She turned and hobbled after him. He caught her hand and held her up. They struggled against the tide of bodies rushing at the wizard. The air was thick with some kind of damp hot green mist and she could see nothing, but she followed blindly where he drew her. Her leg hurt. Palo’s hand in hers dragged her on through the confusion. She could not breathe. The ground under her was falling away.
Then under her feet was the rocky forest floor. Suddenly she could see again. She limped along, gasping for breath, her hand in Palo’s, along the mountain path. Turning, she looked back.
Back there the last of the castle was vanishing into a clump of trees clinging to the mountainside. The screaming and howling faded. She slowed, panting, her bad leg caving in, and he slid his arm around her waist.
He said, “G-g-g-ood enough?”
She turned to him, to his plain, pocky face, smiling at her. Her one true, brave knight. He had always been there, but neither of them had known. A gust of love swept over her, warm and sweet. She still held his hand and she squeezed it tight. “Good enough,” she said, and kissed him.
GEORGE R. R. MARTIN has been called “the American Tolkien,” and his books, including the volumes in his landmark A Song of Ice and Fire fantasy series, have been on bestseller lists around the world. He’s won four Hugo Awards, two Nebula Awards®, the World Fantasy Award, and the Bram Stoker Award. As editor, he’s produced the long-running Wild Cards anthology series as well as the New Voices series and others. He’s also worked for Hollywood and television and was part of the creative team behind such shows as Beauty and the Beast and the revival of The Twilight Zone.
GARDNER DOZOIS has won fifteen Hugo Awards and thirty-four Locus Awards for his editing work, as well as two Nebula Awards® for his own writing. He was the editor of the leading science fiction magazine Asimov’s Science Fiction for eighteen years, and is also the editor of the annual anthology series The Year’s Best Science Fiction, now in its twenty-eighth annual collection. He is the author or editor of more than a hundred books.
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This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
The Marrying Maid copyright 2010 by Jo Beverley
Demon Lover copyright © 2010 by Cecelia Holland
Blue Boots copyright © 2010 by Robin Hobb
You, and You Alone copyright © 2010 by Jacqueline Carey
Under/Above the Water copyright © 2010 by Tanith Lee
These titles were previously published in an anthology titled Songs of Love and Death.
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First Pocket Star Books ebook edition October 2012
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ISBN: 978-1-4767-0875-1
eISBN-13: 978-1-4767-0885-0