Sons and Lovers

by D. H. Lawrence

  Then the son turned round to his mother.

  “But you look well,” she said proudly, laughing.

  “Well!” he exclaimed. “I should think so—coming home!”

  He was a fine fellow, big, straight, and fearless-looking. He looked round at the evergreens and the kissing bunch, and the little tarts that lay in their tins on the hearth.

  “By jove! mother, it’s not different!” he said, as if in relief.

  Everybody was still for a second. Then he suddenly sprang forward, picked a tart from the hearth, and pushed it whole into his mouth.

  “Well, did iver you see such a parish oven!” the father exclaimed.

  He had brought them endless presents. Every penny he had he had spent on them. There was a sense of luxury overflowing in the house. For his mother there was an umbrella with gold on the pale handle. She kept it to her dying day, and would have lost anything rather than that. Everybody had something gorgeous, and besides, there were pounds of unknown sweets: Turkish delight, crystallised pineapple, and such-like things which, the children thought, only the splendour of London could provide. And Paul boasted of these sweets among his friends.

  “Real pineapple, cut off in slices, and then turned into crystal—fair grand!”

  Everybody was mad with happiness in the family. Home was home, and they loved it with a passion of love, whatever the suffering had been. There were parties, there were rejoicings. People came in to see William, to see what difference London had made to him. And they all found him “such a gentleman, and such a fine fellow, my word”!

  When he went away again the children retired to various places to weep alone. Morel went to bed in misery, and Mrs. Morel felt as if she were numbed by some drug, as if her feelings were paralysed. She loved him passionately.

  He was in the office of a lawyer connected with a large shipping firm, and at the midsummer his chief offered him a trip in the Mediterranean on one of the boats, for quite a small cost. Mrs. Morel wrote: “Go, go, my boy. You may never have a chance again, and I should love to think of you cruising there in the Mediterranean almost better than to have you at home.” But William came home for his fortnight’s holiday. Not even the Mediterranean, which pulled at all his young man’s desire to travel, and at his poor man’s wonder at the glamorous south, could take him away when he might come home. That compensated his mother for much.

  5

  Paul Launches into Life

  MOREL WAS rather a heedless man, careless of danger. So he had endless accidents. Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the wagon, his face grey under his dirt, his body limp and sick with some hurt or other. If it were he, she would run out to help.

  About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door. Crossly he put down his brush to go. At the same moment his mother opened a window upstairs and looked down.

  A pit-lad in his dirt stood on the threshold.

  “Is this Walter Morel’s?” he asked.

  “Yes,” said Mrs. Morel. “What is it?”

  But she had guessed already.

  “Your mester’s got hurt,” he said.

  “Eh, dear me!” she exclaimed. “It’s a wonder if he hadn’t, lad. And what’s he done this time?”

  “I don’t know for sure, but it’s ‘is leg somewhere. They ta’ein’ ‘im ter th”ospital.”

  “Good gracious me!” she exclaimed. “Eh, dear, what a one he is! There’s not five minutes of peace, I’ll be hanged if there is! His thumb’s nearly better, and now—Did you see him?”

  “I seed him at th’ bottom. An’ I seed‘em bring’im up in a tub, an’

  ‘e wor in a dead faint. But he shouted like anythink when Doctor Fraser examined him i’ th’ lamp cabin—an’ cossed an’ swore, an’ said as ’e wor goin’ to be ta‘en whoam—’e worn’t goin’ ter th“ospital.”

  The boy faltered to an end.

  “He would want to come home, so that I can have all the bother. Thank you, my lad. Eh, dear, if I’m not sick—sick and surfeited, I am!”

  She came downstairs. Paul had mechanically resumed his painting.

  “And it must be pretty bad if they’ve taken him to the hospital,” she went on. “But what a careless creature he is! Other men don’t have all these accidents. Yes, he would want to put all the burden on me. Eh, dear, just as we were getting easy a bit at last. Put those things away, there’s no time to be painting now. What time is there a train? I know I s’ll have to go trailing to Keston. I s’ll have to leave that bedroom.”

  “I can finish it,” said Paul.

  “You needn’t. I shall catch the seven o’clock back, I should think. Oh, my blessed heart, the fuss and commotion he’ll make! And those granite settscc at Tinder Hill—he might well call them kidney pebbles—they’ll jolt him almost to bits. I wonder why they can’t mend them, the state they’re in, an’ all the men as go across in that ambulance. You’d think they’d have a hospital here. The men bought the ground, and, my sirs, there’d be accidents enough to keep it going. But no, they must trail them ten miles in a slow ambulance to Nottingham. It’s a crying shame! Oh, and the fuss he’ll make! I know he will! I wonder who’s with him. Barker, I s’d think. Poor beggar, he’ll wish himself anywhere rather. But he’ll look after him, I know. Now there’s no telling how long he’ll be stuck in that hospital—and won’t he hate it! But if it’s only his leg it’s not so bad.”

  All the time she was getting ready. Hurriedly taking off her bodice, she crouched at the boiler while the water ran slowly into her lading-can.

  “I wish this boiler was at the bottom of the sea!” she exclaimed, wriggling the handle impatiently. She had very handsome, strong arms, rather surprising on a smallish woman.

  Paul cleared away, put on the kettle, and set the table.

  “There isn’t a train till four-twenty,” he said. “You’ve time enough.”

  “Oh no, I haven’t!” she cried, blinking at him over the towel as she wiped her face.

  “Yes, you have. You must drink a cup of tea at any rate. Should I come with you to Keston?”

  “Come with me? What for, I should like to know? Now, what have I to take him? Eh, dear! His clean shirt—and it’s a blessing it is clean. But it had better be aired. And stockings—he won’t want them—and a towel, I suppose; and handkerchiefs. Now what else?”

  “A comb, a knife and fork and spoon,” said Paul. His father had been in the hospital before.

  “Goodness knows what sort of state his feet were in,” continued Mrs. Morel, as she combed her long brown hair, that was fine as silk, and was touched now with grey. “He’s very particular to wash himself to the waist, but below he thinks doesn’t matter. But there, I suppose they see plenty like it.”

  Paul had laid the table. He cut his mother one or two pieces of very thin bread and butter.

  “Here you are,” he said, putting her cup of tea in her place.

  “I can’t be bothered!” she exclaimed crossly.

  “Well, you’ve got to, so there, now it’s put out ready,” he insisted.

  So she sat down and sipped her tea, and ate a little, in silence. She was thinking.

  In a few minutes she was gone, to walk the two and a half miles to Keston Station. All the things she was taking him she had in her bulging string bag. Paul watched her go up the road between the hedges—a little, quick-stepping figure, and his heart ached for her, that she was thrust forward again into pain and trouble. And she, tripping so quickly in her anxiety, felt at the back of her her son’s heart waiting on her, felt him bearing what part of the burden he could, even supporting her. And when she was at the hospital, she thought: “It will upset that lad when I tell him how bad it is. I’d better be careful.” And w
hen she was trudging home again, she felt he was coming to share her burden.

  “Is it bad?” asked Paul, as soon as she entered the house.

  “It’s bad enough,” she replied.

  “What?”

  She sighed and sat down, undoing her bonnet-strings. Her son watched her face as it was lifted, and her small, work-hardened hands fingering at the bow under her chin.

  “Well,” she answered, “it’s not really dangerous, but the nurse says it’s a dreadful smash. You see, a great piece of rock fell on his leg—here—and it’s a compound fracture. There are pieces of bone sticking through—”

  “Ugh—how horrid!” exclaimed the children.

  “And,” she continued, “of course he says he’s going to die—it wouldn’t be him if he didn’t. ‘I’m done for, my lass!’ he said, looking at me. ‘Don’t be so silly,’ I said to him. ‘You’re not going to die of a broken leg, however badly it’s smashed.’ ‘I s’ll niver come out of ’ere but in a wooden box,’ he groaned. ‘Well,’ I said, ‘if you want them to carry you into the garden in a wooden box, when you’re better, I’ve no doubt they will.”If we think it’s good for him, said the ’ister. She’s an awfully nice Sister, but rather strict.”

  Mrs. Morel took off her bonnet. The children waited in silence.

  “Of course, he is bad,” she continued, “and he will be. It’s a great shock, and he’s lost a lot of blood; and, of course, it is a very dangerous smash. It’s not at all sure that it will mend so easily. And then there’s the fever and the mortificationcd—if it took bad ways he’d quickly be gone. But there, he’s a clean-blooded man, with wonderful healing flesh, and so I see no reason why it should take bad ways. Of course there’s a wound—”

  She was pale now with emotion and anxiety. The three children realised that it was very bad for their father, and the house was silent, anxious.

  “But he always gets better,” said Paul after a while.

  “That’s what I tell him,” said the mother.

  Everybody moved about in silence.

  “And he really looked nearly done for,” she said. “But the Sister says that is the pain.”

  Annie took away her mother’s coat and bonnet.

  “And he looked at me when I came away! I said: ‘I s’ll have to go now, Walter, because of the train—and the children.’ And he looked at me. It seems hard.”

  Paul took up his brush again and went on painting. Arthur went outside for some coal. Annie sat looking dismal. And Mrs. Morel, in her little rocking-chair that her husband had made for her when the first baby was coming, remained motionless, brooding. She was grieved, and bitterly sorry for the man who was hurt so much. But still, in her heart of hearts, where the love should have burned, there was a blank. Now, when all her woman’s pity was roused to its full extent, when she would have slaved herself to death to nurse him and to save him, when she would have taken the pain herself, if she could, somewhere far away inside her, she felt indifferent to him and to his suffering. It hurt her most of all, this failure to love him, even when he roused her strong emotions. She brooded a while.

  “And there,” she said suddenly, “when I’d got half-way to Keston, I found I’d come out in my working boots—and look at them.” They were an old pair of Paul’s brown and rubbed through at the toes. “I didn’t know what to do with myself, for shame,” she added.

  In the morning, when Annie and Arthur were at school, Mrs. Morel talked again to her son, who was helping her with her housework.

  “I found Barker at the hospital. He did look bad, poor little fellow ! ‘Well,’ I said to him, ‘what sort of a journey did you have with him?”Dunna ax me, missis!’ he said. ‘Ah,’ I said, ‘I know what he’d be.’ ‘But it wor bad for him, Mrs. Morel, it wor that!’ he said. ‘I know,’ I said. ‘At ivry jolt I thought my ‘eart would ha’ flown clean out o’ my mouth,’ he said. ‘An’ the scream ‘e gives sometimes! Missis, not for a fortune would I go through wi’ it again.“I can quite understand it,’ I said. ‘It’s a nasty job, though,’ he said, ‘an’ one as’ll be a long while afore it’s right again.”I’m afraid it will,’ I said. I like Mr. Barker—I do like him. There’s something so manly about him.”

  Paul resumed his task silently.

  “And of course,” Mrs. Morel continued, “for a man like your father, the hospital is hard. He can’t understand rules and regulations. And he won’t let anybody else touch him, not if he can help it. When he smashed the muscles of his thigh, and it had to be dressed four times a day, would he let anybody but me or his mother do it? He wouldn’t. So, of course, he’ll suffer in there with the nurses. And I didn’t like leaving him. I’m sure, when I kissed him an’ came away, it seemed a shame.”

  So she talked to her son, almost as if she were thinking aloud to him, and he took it in as best he could, by sharing her trouble to lighten it. And in the end she shared almost everything with him without knowing.

  Morel had a very bad time. For a week he was in a critical condition. Then he began to mend. And then, knowing he was going to get better, the whole family sighed with relief, and proceeded to live happily.

  They were not badly off whilst Morel was in the hospital. There were fourteen shillings a week from the pit, ten shillings from the sick club, and five shillings from the Disability Fund;1 and then every week the butties had something for Mrs. Morel—five or seven shillings—so that she was quite well to do. And whilst Morel was progressing favourably in the hospital, the family was extraordinarily happy and peaceful. On Saturdays and Wednesdays Mrs. Morel went to Nottingham to see her husband. Then she always brought back some little thing: a small tube of paints for Paul, or some thick paper; a couple of postcards for Annie, that the whole family rejoiced over for days before the girl was allowed to send them away; or a fretsaw for Arthur, or a bit of pretty wood. She described her adventures into the big shops with joy. Soon the folk in the picture-shop knew her, and knew about Paul. The girl in the book-shop took a keen interest in her. Mrs. Morel was full of information when she got home from Nottingham. The three sat round till bedtime, listening, putting in, arguing. Then Paul often raked the fire.

  “I’m the man in the house now,” he used to say to his mother with joy. They learned how perfectly peaceful the home could be. And they almost regretted—though none of them would have owned to such callousness—that their father was soon coming back.

  Paul was now fourteen, and was looking for work. He was a rather small and rather finely-made boy, with dark brown hair and light blue eyes. His face had already lost its youthful chubbiness, and was becoming somewhat like William‘s—rough-featured, almost rugged—and it was extraordinarily mobile. Usually he looked as if he saw things, was full of life, and warm; then his smile, like his mother’s, came suddenly and was very lovable; and then, when there was any clog in his soul’s quick running, his face went stupid and ugly. He was the sort of boy that becomes a clown and a lout as soon as he is not understood, or feels himself held cheap; and, again, is adorable at the first touch of warmth.

  He suffered very much from the first contact with anything. When he was seven, the starting school had been a nightmare and a torture to him. But afterwards he liked it. And now that he felt he had to go out into life, he went through agonies of shrinking self-consciousness. He was quite a clever painter for a boy of his years, and he knew some French and German and mathematics that Mr. Heaton had taught him. But nothing he had was of any commercial value. He was not strong enough for heavy manual work, his mother said. He did not care for making things with his hands, preferred racing about, or making excursions into the country, or reading, or painting.

  “What do you want to be?” his mother asked.

  “Anything.”

  “That is no answer,” said Mrs. Morel.

  But it was quite truthfully the only answer he could give. His ambition, as far as this world’s gear went, was quietly to earn his thirty or thirty-five shillings a week somewhere near home, and then,
when his father died, have a cottage with his mother, paint and go out as he liked, and live happy ever after. That was his programme as far as doing things went. But he was proud within himself, measuring people against himself, and placing them, inexorably. And he thought that perhaps he might also make a painter, the real thing. But that he left alone.

  “Then,” said his mother, “you must look in the paper for the advertisements.”

  He looked at her. It seemed to him a bitter humiliation and an anguish to go through. But he said nothing. When he got up in the morning, his whole being was knotted up over this one thought:

  “I’ve got to go and look for advertisements for a job.”

  It stood in front of the morning, that thought, killing all joy and even life, for him. His heart felt like a tight knot.

  And then, at ten o’clock, he set off. He was supposed to be a queer, quiet child. Going up the sunny street of the little town, he felt as if all the folk he met said to themselves: “He’s going to the Co-op. reading-room to look in the papers for a place. He can’t get a job. I suppose he’s living on his mother.” Then he crept up the stone stairs behind the drapery shop at the Co-op., and peeped in the reading-room. Usually one or two men were there, either old, useless fellows, or colliers “on the club.”ce So he entered, full of shrinking and suffering when they looked up, seated himself at the table, and pretended to scan the news. He knew they would think: “What does a lad of thirteen want in a reading-room with a newspaper?” and he suffered.

  Then he looked wistfully out of the window. Already he was a prisoner of industrialism. Large sunflowers stared over the old red wall of the garden opposite, looking in their jolly way down on the women who were hurrying with something for dinner. The valley was full of corn, brightening in the sun. Two collieries, among the fields, waved their small white plumes of steam. Far off on the hills were the woods of Annesley, dark and fascinating. Already his heart went down. He was being taken into bondage. His freedom in the beloved home valley was going now.