The Left Hand Of Darkness (SF Masterworks)

by Ursula K. Le Guin

  My mother, Guyr Thade Tage em Ereb, was impatient, warm-hearted, and impartial, not exerting much control over us three wombchildren, but keeping watch. The Thades were all tradespeople working in Ereb shops and masteries, with little or no cash to spend; but when I was ten Guyr bought me a radio, a new one, and said where my sibs could hear, ‘You don’t have to share it.’ I treasured it for years and finally shared it with my own wombchild.

  So the years went along and I went along in the warmth and density and certainty of a family and a Hearth embedded in tradition, threads on the quick ever-repeating shuttle weaving the timeless web of custom and act and work and relationship, and at this distance I can hardly tell one year from the other or myself from the other children: until I turned fourteen.

  The reason most people in my Hearth would remember that year is for the big party known as Dory’s Somer-Forever Celebration. My mothersib Dory had stopped going into kemmer that winter. Some people didn’t do anything when they stopped going into kemmer; others went to the Fastness for a ritual; some stayed on at the Fastness for months after, or even moved there. Dory, who wasn’t spiritually inclined, said, ‘If I can’t have kids and can’t have sex any more and have to get old and die, at least I can have a party.’

  I have already had some trouble trying to tell this story in a language that has no somer pronouns, only gendered pronouns. In their last years of kemmer, as the hormone balance changes, most people mostly go into kemmer as men. Dory’s kemmers had been male for over a year, so I’ll call Dory ‘he’, although of course the point was that he would never be either he or she again.

  In any event, his party was tremendous. He invited everyone in our Hearth and the two neighboring Ereb Hearths, and it went on for three days. It had been a long winter and the spring was late and cold; people were ready for something new, something hot to happen. We cooked for a week, and a whole storeroom was packed full of beerkegs. A lot of people who were in the middle of going out of kemmer, or had already and hadn’t done anything about it, came and joined in the ritual. That’s what I remember vividly. in the fire-lit three-story centerhall of our Hearth, a circle of thirty or forty people, all middle-aged or old, singing and dancing, stamping the drumbeats. There was a fierce energy in them, their grey hair was loose and wild, they stamped as if their feet would go through the floor, their voices were deep and strong, they were laughing. The younger people watching them seemed pallid and shadowy. I looked at the dancers and wondered, why are they happy? Aren’t they old? Why do they act like they’d got free? What’s it like, then, kemmer?

  No, I hadn’t thought much about kemmer before. What would be the use? Until we come of age we have no gender and no sexuality, our hormones don’t give us any trouble at all. And in a city Hearth we never see adults in kemmer. They kiss and go. Where’s Maba? In the kemmerhouse, love, now eat your porridge. When’s Maba coming back? Soon, love. – And in a couple of days Maba comes back, looking sleepy and shiny and refreshed and exhausted. Is it like having a bath, Maba? Yes, a bit, love, and what have you been up to while I was away?

  Of course we played kemmer, when we were seven or eight. This here’s the kemmerhouse and I get to be the woman. No, I do. No, I do, I thought of it! – And we rubbed our bodies together and rolled around laughing, and then maybe we stuffed a ball under our shirt and were pregnant, and then we gave birth, and then we played catch with the ball. Children will play whatever adults do; but the kemmer game wasn’t much of a game. It often ended in a tickling match. And most children aren’t even very ticklish, till they come of age.

  After Dory’s party, I was on duty in the Hearth creche all through Tuwa, the last month of spring; come summer I began my first apprenticeship, in a furniture workshop in the Third Ward. I loved getting up early and running across the city on the wayroofs and up on the curbs of the open ways; after the late Thaw some of the ways were still full of water, deep enough for kayaks and pole-boats. The air would be still and cold and clear; the sun would come up behind the old towers of the Unpalace, red as blood, and all the waters and the windows of the city would flash scarlet and gold. In the workshop there was the piercing sweet smell of fresh-cut wood and the company of grown people, hard-working, patient, and demanding, taking me seriously. I wasn’t a child any more, I said to myself I was an adult, a working person.

  But why did I want to cry all the time? Why did I want to sleep all the time? Why did I get angry at Sether? Why did Sether keep bumping into me and saying ‘Oh sorry’ in that stupid husky voice? Why was I so clumsy with the big electric lathe that I ruined six chair-legs one after the other? ‘Get that kid off the lathe,’ shouted old Marth, and I slunk away in a fury of humiliation. I would never be a carpenter, I would never be adult, who gave a shit for chair-legs anyway?

  ‘I want to work in the gardens,’ I told my mother and grandmother. ‘Finish your training and you can work in the gardens next summer,’ Grand said, and Mother nodded. This sensible counsel appeared to me as a heartless injustice, a failure of love, a condemnation to despair. I sulked. I raged.

  ‘What’s wrong with the furniture shop?’ my elders asked after several days of sulk and rage.

  ‘Why does stupid Sether have to be there!’ I shouted. Dory, who was Sether’s mother, raised an eyebrow and smiled.

  ‘Are you all right?’ my mother asked me as I slouched into the balcony after work, and I snarled, ‘I’m fine,’ and rushed to the privies and vomited.

  I was sick. My back ached all the time. My head ached and got dizzy and heavy. Something I could not locate anywhere, some part of my soul, hurt with a keen, desolate, ceaseless pain. I was afraid of myself: of my tears, my rage, my sickness, my clumsy body. It did not feel like my body, like me. It felt like something else, an ill-fitting garment, a smelly, heavy overcoat that belonged to some old person, some dead person. It wasn’t mine, it wasn’t me. Tiny needles of agony shot through my nipples, hot as fire. When I winced and held my arms across my chest, I knew that everybody could see what was happening. Anybody could smell me. I smelled sour, strong, like blood, like raw pelts of animals. My clitopenis was swollen hugely and stuck out from between my labia, and then shrank nearly to nothing, so that it hurt to piss. My labia itched and reddened as with loathsome insect-bites. Deep in my belly something moved, some monstrous growth. I was utterly ashamed. I was dying.

  ‘Sov,’ my mother said, sitting down beside me on my bed, with a curious, tender, complicitous smile, ‘shall we choose your kemmerday?’

  ‘I’m not in kemmer,’ I said passionately.

  ‘No,’ Guyr said. ‘But next month I think you will be.’

  ‘I won’t!’

  My mother stroked my hair and face and arm. We shape each other to be human, old people used to say as they stroked babies or children or one another with those long, slow, soft caresses.

  After a while my mother said, ‘Sether’s coming in, too. But a month or so later than you, I think. Dory said let’s have a double kemmerday, but I think you should have your own day in your own time.’

  I burst into tears and cried, ‘I don’t want one, I don’t want to, I just want, I just want to go away …’

  ‘Sov,’ my mother said, ‘if you want to, you can go to the kemmerhouse at Gerodda Ereb, where you won’t know anybody. But I think it would be better here, where people do know you. They’d like it. They’ll be so glad for you. Oh, your Grand’s so proud of you! “Have you seen that grandchild of mine, Sov, have you seen what a beauty, what a mahad!” Everybody’s bored to tears hearing about you …’

  Mahad is a dialect word, a Rer word; it means a strong, handsome, generous, upright person, a reliable person. My mother’s stern mother, who commanded and thanked but never praised, said I was a mahad? A terrifying idea that dried my tears.

  ‘All right,’ I said desperately. ‘Here. But not next month! It isn’t. I’m not.’

  ‘Let me see,’ my mother said. Fiercely embarrassed yet relieved to obey, I stood up and undid m
y trousers.

  My mother took a very brief and delicate look, hugged me, and said, ‘Next month, yes, I’m sure. You’ll feel much better in a day or two. And next month it’ll be different. It really will.’

  Sure enough, the next day the headache and the hot itching were gone, and though I was still tired and sleepy a lot of the time, I wasn’t quite so stupid and clumsy at work. After a few more days I felt pretty much myself, light and easy in my limbs. Only if I thought about it there was still that queer feeling that wasn’t quite in any part of my body, and that was sometimes very painful and sometimes only strange, almost something I wanted to feel again.

  My cousin Sether and I had been apprenticed together at the furniture shop. We didn’t go to work together because Sether was still slightly lame from that rope trick a couple of years earlier, and got a lift to work in a poleboat so long as there was water in the streets. When they closed the Arre Watergate and the ways went dry, Sether had to walk. So we walked together. The first couple of days we didn’t talk much. I still felt angry at Sether. Because I couldn’t run through the dawn any more but had to walk at a lame-leg pace. And because Sether was always around. Always there. Taller than me, and quicker at the lathe, and with that long, heavy, shining hair. Why did anybody want to wear their hair so long, anyhow? I felt as if Sether’s hair was in front of my own eyes.

  We were walking home, tired, on a hot evening of Ockre, the first month of summer. I could see that Sether was limping and trying to hide or ignore it, trying to swing right along at my quick pace, very erect, scowling. A great wave of pity and admiration overwhelmed me, and that thing, that growth, that new being, whatever it was in my bowels and in the ground of my soul moved and turned again, turned towards Sether, aching, yearning.

  ‘Are you coming into kemmer?’ I said in a hoarse, husky voice I had never heard come out of my mouth.

  ‘In a couple of months,’ Sether said in a mumble, not looking at me, still very stiff and frowning.

  ‘I guess I have to have this, do this, you know, this stuff, pretty soon.’

  ‘I wish I could,’ Sether said. ‘Get it over with.’

  We did not look at each other. Very gradually, unnoticeably, I was slowing my pace till we were going along side by side at an easy walk.

  ‘Sometimes do you feel like your tits are on fire?’ I asked without knowing that I was going to say anything.

  Sether nodded.

  After a while, Sether said, ‘Listen, does your pisser get …’

  I nodded.

  ‘It must be what the Aliens look like,’ Sether said with revulsion. ‘This, this thing sticking out, it gets so big … it gets in the way.’

  We exchanged and compared symptoms for a mile or so. It was a relief to talk about it, to find company in misery, but it was also frightening to hear our misery confirmed by the other. Sether burst out, ‘I’ll tell you what I hate, what I really hate about it – it’s dehumanising. To get jerked around like that by your own body, to lose control, I can’t stand the idea. Of being just a sex machine. And everybody just turns into something to have sex with. You know that people in kemmer go crazy and die if there isn’t anybody else in kemmer? That they’ll even attack people in somer? Their own mothers?’

  ‘They can’t,’ I said, shocked.

  ‘Yes they can. Tharry told me. This truck driver up in the High Kargav went into kemmer as a male while their caravan was stuck in the snow, and he was big and strong, and he went crazy and he, he did it to his cabmate, and his cabmate was in somer and got hurt, really hurt, trying to fight him off. And then the driver came out of kemmer and committed suicide.’

  This horrible story brought the sickness back up from the pit of my stomach, and I could say nothing.

  Sether went on, ‘People in kemmer aren’t even human any more! And we have to do that – to be that way!’

  Now that awful, desolate fear was out in the open. But it was not a relief to speak it. It was even larger and more terrible, spoken.

  ‘It’s stupid,’ Sether said. ‘It’s a primitive device for continuing the species. There’s no need for civilised people to undergo it. People who want to get pregnant could do it with injections. It would be genetically sound. You could choose your child’s getter. There wouldn’t be all this inbreeding, people fucking with their sibs, like animals. Why do we have to be animals?’

  Sether’s rage stirred me. I shared it. I also felt shocked and excited by the word ‘fucking’, which I had never heard spoken. I looked again at my cousin, the thin, ruddy face, the heavy, long, shining hair. My age, Sether looked older. A half year in pain from a shattered leg had darkened and matured the adventurous, mischievous child, teaching anger, pride, endurance. ‘Sether,’ I said, ‘listen, it doesn’t matter, you’re human, even if you have to do that stuff, that fucking. You’re a mahad.’

  ‘Getheny Kus,’ Grand said: the first day of the month of Kus, midsummer day.

  ‘I won’t be ready,’ I said.

  ‘You’ll be ready.’

  ‘I want to go into kemmer with Sether.’

  ‘Sether’s got a month or two yet to go. Soon enough. It looks like you might be on the same moontime, though. Dark-of-the-mooners, eh? That’s what I used to be. So, just stay on the same wavelength, you and Sether …’ Grand had never grinned at me this way, an inclusive grin, as if I were an equal.

  My mother’s mother was sixty years old, short, brawny, broad-hipped, with keen clear eyes, a stonemason by trade, an unquestioned autocrat in the Hearth. I, equal to this formidable person? It was my first intimation that I might be becoming more, rather than less, human.

  ‘I’d like it,’ said Grand, ‘if you spent this halfmonth at the Fastness. But it’s up to you.’

  ‘At the Fastness?’ I said, taken by surprise. We Thades were all Handdara, but very inert Handdara, keeping only the great festivals, muttering the grace all in one garbled word, practising none of the disciplines. None of my older hearthsibs had been sent off to the Fastness before their kemmerday. Was there something wrong with me?

  ‘You’ve got a good brain,’ said Grand. ‘You and Sether. I’d like to see some of you lot casting some shadows, some day. We Thades sit here in our Hearth and breed like pesthry. Is that enough? It’d be a good thing if some of you got your heads out of the bedding.’

  ‘What do they do in the Fastness?’ I asked, and Grand answered frankly, ‘I don’t know. Go find out. They teach you. They can teach you how to control kemmer.’

  ‘All right,’ I said promptly. I would tell Sether that the Indwellers could control kemmer. Maybe I could learn how to do it and come home and teach it to Sether.

  Grand looked at me with approval. I had taken up the challenge.

  Of course I didn’t learn how to control kemmer, in a halfmonth in the Fastness. The first couple of days there, I thought I wouldn’t even be able to control my homesickness. From our warm, dark warren of rooms full of people talking, sleeping, eating, cooking, washing, playing remma, playing music, kids running around, noise, family, I went across the city to a huge, clean, cold, quiet house of strangers. They were courteous, they treated me with respect. I was terrified. Why should a person of forty, who knew magic disciplines of superhuman strength and fortitude, who could walk barefoot through blizzards, who could Foretell, whose eyes were the wisest and calmest I had ever seen, why should an Adept of the Handdara respect me?

  ‘Because you are so ignorant,’ Ranharrer the Adept said, smiling, with great tenderness.

  Having me only for a halfmonth, they didn’t try to influence the nature of my ignorance very much. I practised the Untrance several hours a day, and came to like it: that was quite enough for them, and they praised me. ‘At fourteen, most people go crazy moving slowly,’ my teacher said.

  During my last six or seven days in the Fastness certain symptoms began to show up again, the headache, the swellings and shooting pains, the irritability. One morning the sheet of my cot in my bare, peaceful little ro
om was bloodstained. I looked at the smear with horror and loathing. I thought I had scratched my itching labia to bleeding in my sleep, but I knew also what the blood was. I began to cry. I had to wash the sheet somehow. I had fouled, defiled this place where everything was clean, austere, and beautiful.

  An old Indweller, finding me scrubbing desperately at the sheet in the washrooms, said nothing, but brought me some soap that bleached away the stain. I went back to my room, which I had come to love with the passion of one who had never before known any actual privacy, and crouched on the sheetless bed, miserable, checking every few minutes to be sure I was not bleeding again. I missed my Untrance practice time. The immense house was very quiet. Its peace sank into me. Again I felt that strangeness in my soul, but it was not pain now; it was a desolation like the air at evening, like the peaks of the Kargav seen far in the west in the clarity of winter. It was an immense enlargement.

  Ranharrer the Adept knocked and entered at my word, looked at me for a minute, and asked gently, ‘What is it?’

  ‘Everything is strange,’ I said.

  The Adept smiled radiantly and said, ‘Yes.’

  I know now how Ranharrer cherished and honored my ignorance, in the Handdara sense. Then I knew only that somehow or other I had said the right thing and so pleased a person I wanted very much to please.

  ‘We’re doing some singing,’ Ranharrer said, ‘you might like to hear it.’

  They were in fact singing the Midsummer Chant, which goes on for the four days before Getheny Kus, night and day. Singers and drummers drop in and out at will, most of them singing on certain syllables in an endless group improvisation guided only by the drums and by melodic cues in the Chantbook, and falling into harmony with the soloist if one is present. At first I heard only a pleasantly thick-textured, droning sound over a quiet and subtle beat. I listened till I got bored and decided I could do it too. So I opened my mouth and sang ‘Aah’ and heard all the other voices singing ‘Aah’ above and with and below mine until I lost mine and heard only all the voices, and then only the music itself, and then suddenly the startling silvery rush of a single voice running across the weaving, against the current, and sinking into it and vanishing, and rising out of it again … Ranharrer touched my arm. It was time for dinner, I had been singing since Third Hour. I went back to the chantry after dinner, and after supper. I spent the next three days there. I would have spent the nights there if they had let me. I wasn’t sleepy at all any more. I had sudden, endless energy, and couldn’t sleep. In my little room I sang to myself, or read the strange Handdara poetry which was the only book they had given me, and practised the Untrance, trying to ignore the heat and cold, the fire and ice in my body, till dawn came and I could go sing again.