Incubus Dreams ab-12

by Laurell K. Hamilton

  It blew out toward me, and if it had been a real room in a real house, the house would have exploded outward with the force of its coming. It would have roared outward in a blizzard of wood and glass and metal, and there would have been nothing standing in that metaphysical yard, except ground zero of some mysterious blast.

  It was inside me, so it couldn't slam into me, that was silly, but that's still what it did. It slammed into me, and for a second I was blind, deaf, weightless, nothingness. There was nothing but the rawness of that power.

  I came to, with Graham's voice. "Anita, Anita, can you hear me? Anita!" I felt him holding me, knew we were on top of the grave. I could feel the grave, could feel Edwin Alonzo Herman lying underneath me. All I had to do was call his name.

  "Something's wrong, Requiem."

  "No," he said, and that one word was enough. I opened my eyes and saw the vampire standing over me.

  "She's awake," Graham said, and he tried to cradle me into a sitting position, but I lifted my hand up toward Requiem.

  The vampire reached down for me, and I reached for him. Graham helped, by pushing me upright, but he wasn't there for me in that moment. My business was with the dead, and Graham was too warm for me. The blood I wanted was slow and thick, and holding its hand out to me.

  Requiem's fingers brushed mine, and the power inside me steadied, as if the world had been trembling, and now it was still. I touched his hand in that sudden stillness, and there was no pulse in his palm. No beat of blood to distract the senses. He blinked at me, his lips moved, but he did not breathe. He was still. He was dead. He was mine.

  He pulled me to my feet, and we stood on the foot of the grave, hand in hand. I looked up into that face, met the turquoise flame of his eyes, but it wasn't me that was pulled into his gaze. It was he that fell into mine, and I knew, because I had a glimpse from his mind to mine, that my eyes were solid pools of black with stars glittering in them. It was the way my eyes had looked when Obsidian Butterfly, a vampire that thought she was an Aztec goddess, had shown me some of her power. She was powerful enough that no one argued with her about whether or not she was deity. Some things aren't worth the fight. I'd used the power I'd learned from her only twice, and both times my eyes had filled with stars.

  The night was suddenly less dark. I could see details, colors, things that my own eyes could never have seen. Requiem's shirt was so green it seemed to burn like his eyes. It was a kind of hyperfocus, and it wasn't just sight. His hand in mine felt heavier than it should have, more important than it should have, as if I could feel each whorl of his fingertip like tiny silken lines against my hand. To make love like this would either be the most wondrous experience of your life, or drive you mad.

  I remembered this power, but it wasn't what I needed. I had another flash from Requiem's mind, a tiny flash of fear, quieted almost immediately, because I was touching him and I didn't want him to be afraid. The stars in my eyes drowned in a rush of flame, black flame with a center of brown, as if wood were the flame, and fire what it ate.

  My eyes were, for a moment, what they'd be if I'd been a vampire. They filled with dark, dark brown light, so dark it was almost black. I turned those glowing eyes toward the grave, and Graham saw them.

  "Oh, God," he whispered.

  "Get off the grave, Graham," I said, and my voice was mine, almost.

  He just knelt on the ground and stared up at me.

  "Move, Graham," I said, "you won't want to be there when I'm finished."

  He scrambled to his feet and moved, until I told him, "Good enough." He stayed close, eyes wide, fear like a scent off of his skin, but he didn't run, and he didn't try to distance himself. Brave boy.

  I knelt on the hard ground and drew Requiem down with me, so that he knelt behind me with his hands on my shoulders. He was like some huge solid wall of quiet strength behind me. I'd known that I amplified Jean-Claude's powers when I was near him, but I'd never felt anything like what was happening now. It wasn't a triumvirate of power between Requiem and me, it was that he was one of Jean-Claude's vampires, and that made him mine in a way. Mine to call on, mine to use, mine to reward.

  I bent until my hands touched the ground, until I could feel the dead just below me. It was as if the ground were water, and I knew there was someone drowning just below me, and all I had to do was reach down and save them.

  I whispered, "Edwin Alonzo Herman, hear me." I felt him stir, like a sleeper disturbed by a dream. "Edwin Alonzo Herman, I call you from your grave." I felt his bones grow long and straight, felt his flesh coalesce around him. It was like restuffing a broken doll. He remade himself, and it was so easy, too easy. The power began to spread outward, began to seek another grave, but some small part of me that was still me, knew better. It wouldn't be just one more grave. I knew in that instant that I could raise this cemetery. That I could raise them all. No blood sacrifice. No chickens. No goats. Nothing, but the power blowing through me, and the vampire at my back. Because the power wanted to be used. It wanted to help me, help me caress them all from their graves, pull them to the light of stars, and fill them with... life. It would feel so good to lift them all up, so good.

  I shook my head and fought that helpful power. Fought not to spread like a sweet sickness through the graves. Fought to hold on to what was left of who I'd thought I was. I needed help. I thought about Jean-Claude, but that wasn't it. I needed to remember that I wasn't just the dead. I was alive.

  I reached out to the other third of our triumvirate. I reached out to Richard. He looked up at me as if I hovered in the air above his family's dining room table. I saw his father like an older clone of Richard himself, and most of his brothers, sitting at the table, passing a blue bowl. Charlotte, his mother, came in from the kitchen's swinging door just behind that chair. She was still about my size, with honey-blond hair and a figure that was both petite and full-figured. Except for the hair color and skin tone, Charlotte even reminded me of me. There was a reason that most of the Zeeman brothers had chosen small, tough women. I watched her bring in a big platter, smiling, chatting with her family. I couldn't hear what she was saying, or any noise from the crowded, smiling family scene. They all seemed so happy, so perfect. I didn't want to bring this here.

  I started to pull away, and Richard's voice was in my head. "Wait, wait, Anita, please." He excused himself from the table and walked through the big living room, out onto the sweep of porch, and down the handful of steps until he could gaze up into the same sky that rode above me. By the time he gazed up into the air, gazed at me, he seemed to have sensed some of what was happening, because he said, "Dear God, Anita, what's happened? I've felt your power before, but not like this."

  I didn't have enough control to talk in my head, so Requiem was going to get the out loud version, but I was past caring. "The vampires keep saying that we've hit a new power level."

  He hugged his bare arms in the T-shirt. He hadn't stopped for a jacket. "It's like the night is breathing your power. What can I do?"

  "Remind me that I'm not dead. Remind me that my ties are with things that have a heartbeat."

  "How will that help?"

  I wanted to scream my frustration at him. "God, Richard, just help me, please help. If you don't, I'm afraid of what I'll raise in this cemetery tonight."

  He nodded. "I'm sorry, I'm sorry for so much, Anita." He looked down, and I knew the gesture, he was thinking, or gathering his will for something. Usually something he didn't want to do. But I didn't have time to worry about Richard's hangups tonight. I was too scared of the power that pulsed in the ground underneath me. A cold pulsing, but it promised to spread to all the graves. I knew that tonight I could raise one of those shambling zombie armies that the movies are so fond of portraying, and usually has nothing to do with real necromancy.

  He looked back at the house and said, "I'm fine, Mom. I just need a little privacy. Keep everybody close to the house, okay." He shook his head. "No, Mom, it's not that close to the full moon."

/>   He walked out into the openness of the yard away from the lights of the house and he let down his shields—the metaphysical walls that kept his beast caged and helped him pass for human. The night was suddenly alive in a way that it hadn't been. The still air held a thousand scents: the ripeness of apples from the orchard behind the house; grass like a thick green blanket against our face; trees, the spicy tang of sweet gum, the softer scent of birch, the sweet pungent wood of poplar, and over it all, the dry richness of fallen leaves all around us. Sounds, then. The last crickets of the year chirping their plaintive song. Other insects from the woods, singing their last songs before the cold came. The wind raised, and the trees creaked and groaned around the house. The big oak by the driveway threw its branches against the stars, and Richard raised his head to watch that wild wind. There was barely a breeze on the ground, but up high in the highest trees, the wind ran fast and pulled at the bare limbs at the very top of the trees. Most people don't look up, animals look up, because they know that there is no true safety. They don't worry about it the way we do, but they're aware of it in a way that we aren't.

  Richard walked into the edge of trees that began the woods that bordered the western edge of the family land. He touched a trunk, laid his hands on it, and it was rough and hard, with deep grooves in the bark like tiny tunnels. He laid his face against that roughness, and it was spicy and pungent, and I knew it was sweet gum. He gazed up into the bare branches where the tiny rough balls still hung on to the edges of the tree. He hugged the tree, hugged it so tight that the bark dug into his skin, he rubbed his cheek against the roughness of it, like he was scent marking, then he was off. He was running at an easy lope through the trees, into the woods. He wasn't hunting. He was running for the joy of it.

  He twisted through the underbrush like it wasn't there. And as I'd felt only once before, it was as if the trees and bushes welcomed him, or turned aside for him, or as if green growth could be water, and he dived through it, running, dodging, twisting, giving himself to the brush of twigs and branches and the feel of the living ground underfoot. There was life that didn't run or hide, it was all alive, alive in a way that most humans never understand.

  Richard ran, and he took me with him, as he had one night long ago. Then he'd held my hand, and I'd struggled to keep up, to understand. Now it was effortless, because I was inside his head, inside him. The night was alive for him in a way that it wasn't for Jean-Claude, or for me. I was too human, and Jean-Claude's interest in life was too shallow. Neither of us could feel what Richard's beast could give him.

  Something touched my hand, and I was jerked back to the grave. Requiem was still at my back, dead still, but Graham was on the grave. He looked uncertain, but he was sniffing the air near my skin. "You smell like trees and pack," he said softly.

  Richard looked up at us. "Why is Graham there?"

  "Bodyguard. Jean-Claude was afraid of what would happen if I didn't have someone with me."

  "Tell him he's supposed to guard you, and he can't do that on the grave."

  "You're supposed to guard me, Graham, you can't do that from here." The sharp scent of wolf thickened around me as I said it.

  Graham reacted to it like he'd been struck. He cringed to the ground, doing the wolf grovel. "I'm sorry, you just smelled so good. I forgot myself."

  "Stop groveling and get back to work." Richard said it first, and I echoed it for him.

  Graham did what he was told. He went back to very serious bodyguard mode, looking out into the dark for whatever might come.

  Richard took in a deep breath, and I smelled that thick, sweet scent of deep woods. He'd run miles, effortlessly, not for the same reason that a human will run well, but because the land itself helped him run, gave him strength, welcomed him.

  He stood there in the middle of the woods, his feet anchored into the ground. I realized that Richard was my ground, my center, his joy, his heart pumping in his chest from that joyous run. I kept my tie to him open and full of scents and sounds and things faraway from here. I put my hands on the grave, and even with Requiem at my back, touching me, it wasn't as real as the pounding of Richard's heart miles away.

  "Edwin Alonzo Herman, with will, word, and flesh, I call you from your grave. Come, come now!" It was all wrong, all different from usual, but it was right just the same.

  I felt the corpse shift, solidify, piece itself together like a puzzle, and begin to rise up through the earth as if it were water. I'd watched this happen countless times, but I'd never been kneeling on the ground when it happened. The earth buckled and rolled like an earthquake that was trapped in a few feet of ground. The ground flowed under my hands like it was something else, not water, not mud, but something both less and more solid. I don't know what Requiem thought was happening, but he didn't try to pull away, he stayed solid at my back. He rode it with me and never made a noise. Brave vampire.

  Hands met mine through the shifting earth, cool fingers wrapped around my warmth. Edwin Alonzo Herman's hands wrapped around mine like a swimmer who's given up hope and finally touches a rope. The grave threw him upward like a flower springing free of the earth, but the push of it forced me to pull him upward, to find my feet with Requiem steadying me. If the vampire hadn't been there to hold me standing on the writhing, twisting ground, I would have fallen. But Requiem kept me standing, and I pulled the dead man from his grave, pulled him perfect and whole, until he stood taller than me, with the grave dirt falling away from a perfect black suit that looked as if it had been freshly pressed. His hair was balding with a thick fringe just above the ears and down the collar, and thick sideburns that curved to a walrus thick mustache. He was portly, nearly fat, which had been in style among the rich. When Edwin Alonzo died, only the poor were skinny, only the poor looked starved.

  I felt Richard still standing by the edge of that small stream. The air was cooler by that musical run, and his pulse was beginning to slow from the run, the light sweat starting to cool on his skin. He wasn't afraid, or horrified. He simply stood rooted to the ground, steadying me with the pulse and beat of his body, the thick musk of wolf faint in the autumn air.

  I stared up at the zombie, and even to me, it looked like damn good work. With a big enough blood sacrifice I could raise a zombie that looked alive, close at least, but this, this was perfect. His skin looked full and healthy in the starlight. He had a faint smile on his face, and his clothes looked as if he'd just put them on. Even his shoes were near spotless and gleaming with polish. Polish so shiny I noticed by moonlight. The hands that were pressed to mine were cool, but they didn't feel dead. He wasn't breathing, but he looked, felt, more alive than dead. It was unnerving. I'd known there was a lot of power tonight, and I'd had to force all of it into this one grave, so I guess it was alright that he looked this good, but for a moment when I looked into that plump, smiling face, I was afraid. Afraid that I'd done more than I'd been paid for, but when I reached his eyes, I let out a sigh of relief. The eyes were thick and full and looked, again, perfect, grayish in the starlight, probably would be blue in the brighter light, but there was no one home in those eyes. They were empty and waiting. I knew what they were waiting for, those empty eyes.

  I lifted my left hand away from the zombie's, and he didn't cling to me, his fingers just opened as I moved. I held my hand at shoulder level, toward the vampire at my back. "Undo my bandage."

  Requiem kept one hand on my shoulder, but used the other hand to peel back the tape on my wrist.

  "Take it off," I said.

  He finally ripped the bandage away. I couldn't stop a small jerk of pain.

  Richard called inside my head, "What are you going to do?"

  "He needs blood, so he can speak. I didn't kill an animal. This is all the blood I've got."

  He didn't say anything, but I felt his pulse begin to pick up speed.

  I offered my wrist upward to the slightly taller body in front of me. Something slid through those pale eyes, something I'd seen before in the better prese
rved zombies. It was as if something went through them, something that paused in their eyes, as if there were darker things waiting, waiting for a chance for a body to inhabit. Something, not so much evil, as just very, very not good. But that whiskered face turned toward my wrist, sniffed the air, and the moment it scented the blood, that otherness in its eyes vanished. Driven out by the promise of something that all the dead value, a bit of the living.

  The zombie grabbed my arm with both of its hands and smacked its mouth against my wrist like you'd grab a kiss from your dearest lover. Just the impact hurt the wound, made me gasp. But I knew what was coming, because I'd fed zombies off my own blood before. Not often, but often enough. The mouth locked around the wound, and his mouth was wide enough to take it all in, to set his teeth against the torn edges, and grind. I made a small sound, because I couldn't make no sound. Usually the zombie's mouth felt less real than this one. Except for how cool the flesh was, I couldn't tell the difference between the zombie and a person. It was a very good job, solid all the way through, even in places that only I would feel.

  Richard bounded across the stream, hitting the edge of it with one foot, as if he wasn't quite steady. He began to run up the other bank, began to run with the night and the trees and the smells.