Literary Love

by Gabrielle Vigot

  There was a faint touch of sarcasm in the reference to her son, and Archer knew it and had expected it. Even Mrs. Archer, who was seldom unduly pleased with human events, had been altogether glad of her son’s engagement. (“Especially after that silly business with Mrs. Rushworth,” as she had remarked to Janey, alluding to what had once seemed to Newland a tragedy of which his soul would always bear the scar.)

  There was no better match in New York than May Welland, look at the question from whatever point you chose. Of course such a marriage was only what Newland was entitled to; but young men are so foolish and incalculable—and some women so ensnaring and unscrupulous—that it was nothing short of a miracle to see one’s only son safe past the Siren Isle and in the haven of a blameless domesticity.

  All this Mrs. Archer felt, and her son knew she felt; but he knew also that she had been perturbed by the premature announcement of his engagement, or rather by its cause; and it was for that reason—because on the whole he was a tender and indulgent master—that he had stayed at home that evening. “It’s not that I don’t approve of the Mingotts’ esprit de corps; but why Newland’s engagement should be mixed up with that Olenska woman’s comings and goings I don’t see,” Mrs. Archer grumbled to Janey, the only witness of her slight lapses from perfect sweetness.

  She had behaved beautifully—and in beautiful behaviour she was unsurpassed—during the call on Mrs. Welland; but Newland knew (and his betrothed doubtless guessed) that all through the visit she and Janey were nervously on the watch for Madame Olenska’s possible intrusion; and when they left the house together she had permitted herself to say to her son: “I’m thankful that Augusta Welland received us alone.”

  These indications of inward disturbance moved Archer the more that he too felt that the Mingotts had gone a little too far. But, as it was against all the rules of their code that the mother and son should ever allude to what was uppermost in their thoughts, he simply replied: “Oh, well, there’s always a phase of family parties to be gone through when one gets engaged, and the sooner it’s over the better.” At which his mother merely pursed her lips under the lace veil that hung down from her grey velvet bonnet trimmed with frosted grapes.

  Her revenge, he felt—her lawful revenge—would be to “draw” Mr. Jackson that evening on the Countess Olenska; and, having publicly done his duty as a future member of the Mingott clan, the young man had no objection to hearing the lady discussed in private—except that the subject was already beginning to bore him.

  Mr. Jackson had helped himself to a slice of the tepid filet which the mournful butler had handed him with a look as sceptical as his own, and had rejected the mushroom sauce after a scarcely perceptible sniff. He looked baffled and hungry, and Archer reflected that he would probably finish his meal on Ellen Olenska.

  Mr. Jackson leaned back in his chair, and glanced up at the candlelit Archers, Newlands and van der Luydens hanging in dark frames on the dark walls.

  “Ah, how your grandfather Archer loved a good dinner, my dear Newland!” he said, his eyes on the portrait of a plump full-chested young man in a stock and a blue coat, with a view of a white-columned country-house behind him. “Well—well—well … I wonder what he would have said to all these foreign marriages!”

  Mrs. Archer ignored the allusion to the ancestral cuisine and Mr. Jackson continued with deliberation: “No, she was NOT at the ball.”

  “Ah—” Mrs. Archer murmured, in a tone that implied: “She had that decency.”

  “Perhaps the Beauforts don’t know her,” Janey suggested, with her artless malice.

  Mr. Jackson gave a faint sip, as if he had been tasting invisible Madeira. “Mrs. Beaufort may not—but Beaufort certainly does, for she was seen walking up Fifth Avenue this afternoon with him by the whole of New York.”

  “Mercy—” moaned Mrs. Archer, evidently perceiving the uselessness of trying to ascribe the actions of foreigners to a sense of delicacy.

  “I wonder if she wears a round hat or a bonnet in the afternoon,” Janey speculated. “At the Opera I know she had on dark blue velvet, perfectly plain and flat—like a nightgown.”

  “Janey!” said her mother; and Miss Archer blushed and tried to look audacious.

  “It was, at any rate, in better taste not to go to the ball,” Mrs. Archer continued.

  A spirit of perversity moved her son to rejoin: “I don’t think it was a question of taste with her. May said she meant to go, and then decided that the dress in question wasn’t smart enough.”

  Mrs. Archer smiled at this confirmation of her inference. “Poor Ellen,” she simply remarked; adding compassionately: “We must always bear in mind what an eccentric bringing-up Medora Manson gave her. What can you expect of a girl who was allowed to wear black satin at her coming-out ball?”

  “Ah—don’t I remember her in it!” said Mr. Jackson; adding: “Poor girl!” in the tone of one who, while enjoying the memory, had fully understood at the time what the sight portended.

  “It’s odd,” Janey remarked, “that she should have kept such an ugly name as Ellen. I should have changed it to Elaine.” She glanced about the table to see the effect of this.

  Her brother laughed. “Why Elaine?”

  “I don’t know; it sounds more—more Polish,” said Janey, blushing.

  “It sounds more conspicuous; and that can hardly be what she wishes,” said Mrs. Archer distantly.

  “Why not?” broke in her son, growing suddenly argumentative. “Why shouldn’t she be conspicuous if she chooses? Why should she slink about as if it were she who had disgraced herself? She’s `poor Ellen’ certainly, because she had the bad luck to make a wretched marriage; but I don’t see that that’s a reason for hiding her head as if she were the culprit.”

  “That, I suppose,” said Mr. Jackson, speculatively, “is the line the Mingotts mean to take.”

  The young man reddened. “I didn’t have to wait for their cue, if that’s what you mean, sir. Madame Olenska has had an unhappy life: that doesn’t make her an outcast.”

  “There are rumours,” began Mr. Jackson, glancing at Janey.

  “Oh, I know: the secretary,” the young man took him up. “Nonsense, mother; Janey’s grownup. They say, don’t they,” he went on, “that the secretary helped her to get away from her brute of a husband, who kept her practically a prisoner? Well, what if he did? I hope there isn’t a man among us who wouldn’t have done the same in such a case.”

  Mr. Jackson glanced over his shoulder to say to the sad butler: “Perhaps … that sauce … just a little, after all—”; then, having helped himself, he remarked: “I’m told she’s looking for a house. She means to live here.”

  “I hear she means to get a divorce,” said Janey boldly.

  “I hope she will!” Archer exclaimed.

  The word had fallen like a bombshell in the pure and tranquil atmosphere of the Archer dining-room. Mrs. Archer raised her delicate eyebrows in the particular curve that signified: “The butler—” and the young man, himself mindful of the bad taste of discussing such intimate matters in public, hastily branched off into an account of his visit to old Mrs. Mingott.

  After dinner, according to immemorial custom, Mrs. Archer and Janey trailed their long silk draperies up to the drawing-room, where, while the gentlemen smoked below stairs, they sat beside a Carcel lamp with an engraved globe, facing each other across a rosewood work-table with a green silk bag under it, and stitched at the two ends of a tapestry band of field-flowers destined to adorn an “occasional” chair in the drawing-room of young Mrs. Newland Archer.

  While this rite was in progress in the drawing-room, Archer settled Mr. Jackson in an armchair near the fire in the Gothic library and handed him a cigar. Mr. Jackson sank into the armchair with satisfaction, lit his cigar with perfect confidence (it was Newland who bought them), and stretching his thin old ankles to the coals, said: “You say the secretary merely helped her to get away, my dear fellow? Well, he was still helping her a year later
, then; for somebody met ‘em living at Lausanne together.”

  Newland reddened. “Living together? Well, why not? Who had the right to make her life over if she hadn’t? I’m sick of the hypocrisy that would bury alive a woman of her age if her husband prefers to live with harlots.”

  He stopped and turned away angrily to light his cigar. “Women ought to be free—as free as we are,” he declared, making a discovery of which he was too irritated to measure the terrific consequences.

  Newland’s mind began to reel. He wondered if she had been sexually subjugated, forced to participate in orgies and sexual perversions against her will like a common slattern. It seemed likely, given her husband’s reputation, that the Count regarded her as no more than another one of his harlots; a woman to exploit when he so fancied. Was it any wonder the poor woman had escaped with her husband’s secretary? But to live with the secretary as his mistress, that was entirely another matter. That was certainly living freely.

  Newland considered the Countess. The dress she wore at the opera gave her more than a Josephine look; it daringly revealed her feminine lines. And her sultry eyes—they spoke of carnal knowledge, tempted men to lose control. The woman was beguiling.

  Newland began to picture himself with the Countess. His imagination transported him back to the first night he saw her at the Opera House right after she told him that he kissed her when they were children. In his mind’s eye, he saw the Countess unexpectedly rise from her chair.

  “If you will excuse me,” she said, staring at him intensely.

  He got up from his seat to let her pass, nodding his head politely.

  She stopped to speak quietly with May and then turned to leave. He noticed when he sat back down that the Countess had dropped her handkerchief. He dipped a hand to the floor and quickly retrieved the article. Then he turned to May. “Your cousin, will she return?”

  “No, I think she’s not well,” May said.

  “She left her handkerchief.”

  “Be a dear, would you Newland, and return it to her. And see that she finds a Brown Coupe before long.”

  “Yes, of course, dear. I won’t be long.” He stood up and excused himself from the club box. Then he raced down the corridor to find the Countess. But she was nowhere in sight. He continued down a flight of stairs, but there was no sign of her. Just as he was about to give up hope of finding her, he turned and caught a glimpse of her blue dress as she disappeared through a closed door. He hurried to the door, opened it, and saw that it hid a concealed staircase. He rushed down the stairs, and when he circled around, he saw the back of her blue velvet dress.

  “Countess Olenska?”

  She stopped, a frightened expression on her face. “Oh, Mr. Archer.” She brought her hands to her chest. “I must say, you quite startled me.”

  “I’m sorry. It was not my intention to frighten you.”

  She flashed a flirtatious smile. “Have you come to steal another kiss then?”

  “Lest you forget, May and I—”

  “No, of course not I haven’t forgotten. I saw the way you looked at her.”

  He lifted his hand. “Your handkerchief, Countess.”

  She laughed softly. “Surely that cannot be the only reason you have followed me.”

  Newland was dumbfounded. She had divined his intentions. He could easily have turned back when he failed to find her at the first landing, but he did not. He had pursued her with determination.

  The Countess advanced on Newland, stopping perilously close to him. She lifted her head, letting her eyes meet his. “Call me Ellen,” she said softly.

  “Ellen, your …” He lowered his arm when he realized she wasn’t interested in the handkerchief.

  Her lips were pursed and ready to be kissed. She was toying with his affections, testing his loyalty to May. He studied her face and then lowered his gaze to her creamy breasts. Her chest rose and fell quickly, and he felt her breath flowing against his cheeks. The next moment, his head began to spin; the woman was intoxicating, completely hypnotic. He suddenly felt a strong desire to throw his arms around her and make love to her.

  Something snapped. Newland lost all sense of reason. He grasped the Countess’s arms and pulled her near. His mind told him to stop, he admonished himself to release her and return to May, but his manly desires forced him to act impetuously. He lunged forward and kissed her.

  She did not fight him, but joined him with greater enthusiasm, more than he expected. Taking the initiative, she slipped her tongue into his mouth and began to swirl hers around his. She freed her arms and threw them around his neck. Then she pressed her body firmly against his and began to move her hips across his manhood.

  Newland felt a fire surge from his chest to his loins. Her touch aroused him. And when he broke from the kiss, he stared intently into her eyes. She had rendered him speechless.

  “Is that what you really wanted to give me?” she whispered, her voice sultry and expectant.

  Newland did not answer her. He spun her around so that she faced the wall. Disregarding all sense of decency, he lifted her dress and placed it into one of her arms to hold up. He forced her to the wall and placed her free hand against it. Almost viciously, he ripped her undergarment free from her bottom and tossed it aside. Rather than resist, she looked over her shoulder, smiled at him, and then slowly licked her lips. He grasped her firm backside and gave her cheeks a squeeze, and then slid a hand through her intimate folds. She was moist and ready.

  She moaned, moving her hips desirously.

  Newland freed his member, stiffer than it had ever been in his life. He stepped forward and grasped her hips, pulling them toward him. He took a deep breath, inhaling her intimate fragrance, and then plunged his member inside her sheath. She emitted a high-pitched gasp, but moved eagerly to meet his rhythm. Then he slid a hand in front of her and lowered it, finding her inflamed pearl.

  “Yes, there,” she said, and stroked his hand. He compliantly began massaging and stimulating her jewel. The more he massaged, the more impassioned she grew, writhing and undulating to the rhythm of his strokes. When the Countess exhaled a long breath, her loins tightening, he could delay no longer. He was beyond the point of return. When she cried out as she climaxed, he released his seed into her slick vessel. Their timing had been perfect.

  The door opened a flight above them.

  “Quickly,” he whispered in her ear.

  She lowered her dress as he refastened his trousers. Then he grasped her hand, and together they flew down the length of the staircase, exiting a side-door, which led them outside of the Opera House. Without looking back, Newland promptly led her to the line for a Brown Coupe and returned to May’s side.

  And that was how Newland mentally recast the scene the first night he saw the Countess at the Opera House. “Yes, women ought to be free—as free as we are,” he now thought, having considered the wonderful consequences.

  Mr. Sillerton Jackson stretched his ankles nearer the coals and emitted a sardonic whistle.

  “Well,” he said after a pause, “apparently Count Olenska takes your view; for I never heard of his having lifted a finger to get his wife back.”

  Chapter 6

  That evening, after Mr. Jackson had taken himself away, and the ladies had retired to their chintz-curtained bedroom, Newland Archer mounted thoughtfully to his own study. A vigilant hand had, as usual, kept the fire alive and the lamp trimmed; and the room, with its rows and rows of books, its bronze and steel statuettes of “The Fencers” on the mantelpiece and its many photographs of famous pictures, looked singularly homelike and welcoming.

  As he dropped into his armchair near the fire his eyes rested on a large photograph of May Welland, which the young girl had given him in the first days of their romance, and which had now displaced all the other portraits on the table. With a new sense of awe he looked at the frank forehead, serious eyes and gay innocent mouth of the young creature whose soul’s custodian he was to be. That terrifying product
of the social system he belonged to and believed in, the young girl who knew nothing and expected everything, looked back at him like a stranger through May Welland’s familiar features; and once more it was borne in on him that marriage was not the safe anchorage he had been taught to think, but a voyage on uncharted seas. He thought marriage would make him faithful, but now he was uncertain.

  The case of the Countess Olenska had stirred up old settled convictions and set them drifting dangerously through his mind. His own exclamation: “Women should be free—as free as we are,” struck to the root of a problem that it was agreed in his world to regard as nonexistent. “Nice” women, however wronged, would never claim the kind of freedom he meant, and generous-minded men like himself were therefore—in the heat of argument—the more chivalrously ready to concede it to them. Such verbal generosities were in fact only a humbugging disguise of the inexorable conventions that tied things together and bound people down to the old pattern. But here he was pledged to defend, on the part of his betrothed’s cousin, conduct that, on his own wife’s part, would justify him in calling down on her all the thunders of Church and State. Of course the dilemma was purely hypothetical; since he wasn’t a blackguard Polish nobleman, it was absurd to speculate what his wife’s rights would be if he WERE. But Newland Archer was too imaginative not to feel that, in his case and May’s, the tie might gall for reasons far less gross and palpable. What could he and she really know of each other, since it was his duty, as a “decent” fellow, to conceal his past from her, and hers, as a marriageable girl, to have no past to conceal? What if, for some one of the subtler reasons that would tell with both of them, they should tire of each other, misunderstand or irritate each other? He reviewed his friends’ marriages—the supposedly happy ones—and saw none that answered, even remotely, to the passionate and tender comradeship which he pictured as his permanent relation with May Welland. He perceived that such a picture presupposed, on her part, the experience, the versatility, the freedom of judgment, which she had been carefully trained not to possess; and with a shiver of foreboding he saw his marriage becoming what most of the other marriages about him were: a dull association of material and social interests held together by ignorance on the one side and hypocrisy on the other. Lawrence Lefferts occurred to him as the husband who had most completely realised this enviable ideal. As became the high-priest of form, he had formed a wife so completely to his own convenience that, in the most conspicuous moments of his frequent love-affairs with other men’s wives, she went about in smiling unconsciousness, saying that “Lawrence was so frightfully strict”; and had been known to blush indignantly, and avert her gaze, when some one alluded in her presence to the fact that Julius Beaufort (as became a “foreigner” of doubtful origin) had what was known in New York as “another establishment.”