The Wives
Page 26
How did your feminism inform the writing of this story?
There’s definite allegory in Thursday’s story. I’m showing you a woman breastfed into the patriarchal model. That’s all of us, isn’t it? Just now we’re starting to make noise about it. But in order to collectively gather our female voices we had to be pushed to a breaking point. I wanted to write about a woman who was pushed too far, because we’ve been pushed too far.
That ending is such a shock! Did that come to you right away, or was it something that developed organically as you wrote the story?
It developed with Thursday. She was one thing at the start of the book and another by the end. Situations change us, push us into uncomfortable realities. The more I pushed Thursday, the more reckless she became.
The Wives is set in Seattle and Portland. You also live in the Pacific Northwest, though you grew up in Florida. What drew you to such a different climate?
Heat and sunlight make me miserable. I’m my best in moody weather. Washington State is very expressive: the people, the landscape, the weather. I’m always inspired here.
What books are on your nightstand?
All the Ugly and Wonderful Things by Bryn Greenwood, Followers by Megan Angelo, Angela’s Ashes by Frank McCourt.
What are you working on next?
It’s called Crawlspace, and I’ll leave it at that!
ISBN-13: 9781488054358
The Wives
Copyright © 2019 by Tarryn Fisher
All rights reserved. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of the publisher, Harlequin Enterprises Limited, 22 Adelaide St. West, 40th Floor, Toronto, Ontario M5H 4E3, Canada.
This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental. This edition published by arrangement with Harlequin Books S.A.
® and ™ are trademarks of the publisher. Trademarks indicated with ® are registered in the United States Patent and Trademark Office, the Canadian Intellectual Property Office and in other countries.
www.Harlequin.com