Gold Promise

by Ninie Hammon

  Gold Promise

  Through the Canvas: Book Three

  Ninie Hammon

  Copyright © 2020 by Sterling & Stone

  All rights reserved.

  No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review.

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  Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  A Special Request

  The Series Continues…

  Also By Ninie Hammon

  About the Author

  Chapter One

  Like swarms of some winged creature, all her fears wheel around and around in her belly and a great buzzing sound fills her head, the voice of a thousand flies drowning in unison. She is running faster than she has ever run in her life, terror thundering through her, a stampede of monstrous beasts, crushing everything in its path.

  A dark hallway, a maze of shadowed corridors, a rabbit warren.

  Her feet are bare. Shoes make noise and she must be so quiet she passes like a shadow through the hallways, running to—

  She's not running to, she's running from. Here, she will be killed. Out there where the monsters are … maybe she has a chance.

  She can't think about the monsters, though, because if she does, she will lose her courage. The monsters can hear what is only whispered. They watch you everywhere, can see down from the sky, find you where you hide — can see through walls, into cars or buses or airplanes, find you hiding in the woods or a cave or …

  No, she can't think about that. She will find a place to hide where the monsters can't see her, can't hear what she says only to herself. She has to. She will make it through the monsters' kingdom and go back home and warn them about the Others who steal little girls and take them to a world full of terrors where their parents can never find them.

  As the young woman flies past the closed doors, she makes no sound except for her heavy breathing, and she opens her mouth, tries to make her panting softer.

  Her heart hammers in her breast, but it is strong. She is young and strong and she will survive.

  Her heart is young, strong … yes, it is. That's what the monsters want, the ones out there who will rip her beating heart out of her chest. That's what they do, pluck out her eyeballs and leave her blind — the monsters like blue eyes — but keep her alive so they can feast on her insides, taking her heart and then her—

  No! She can't think about that now. She must only run. Escape!

  Another darkened corridor leads off to the right. Should she turn down it? Is it this way? Or straight ahead?

  She doesn't know.

  She can't remember.

  Think! What did it look like? Think!

  She hears a sound behind her.

  No, no, no!

  There are footsteps behind her. Not soft, light footsteps like hers but lumbering, pounding footsteps.

  Clump. Clump. Clump.

  It's one of them!

  Oh, dear God in heaven, please, oh please, no.

  Clump. Clump. Hammering feet behind her. She has to run faster. The pain from the stitch in her side flashes up her body with such force she can feel it in her jaw, but still she runs.

  Dark hallways. Turn here?

  Another hallway. That one?

  So many and she is lost now, running wildly in horrified panic, no destination in mind except away.

  No longer looking for the hallway that leads to the gold archway with words on it — that's where their world begins. On the other side of the archway is where the monsters live. But she's not even looking now.

  Gasping. Can't breathe. Run!

  Suddenly, light blinds her. The dim shadows of the hallway vanish and she can see clearly — walls, doors. She looks back over her shoulder to see who is behind, and slams into something, hits so hard she smashes her lip and her whole body recoils. It's a person, a man, who grabs her by her left wrist, but her forward momentum swings her around him to the side. He doesn't let go, merely yanks her backward with a snapping motion and a bolt of pain shoots up her arm from her wrist that takes the little breath she has. She would scream, shriek from the pain but she has no air in her lungs even to squeak out a cry. She collapses, her knees buckling under her and he lets go of her wrist and lets her tumble to the floor in agony. She writhes there, trying to cradle her broken wrist.

  It hurts so bad. Trying to gasp for breath but she is too frozen by the pain to breathe in. The world begins to gray out at the edges, the pain softens in the fog. Her face settles in slow motion down onto — carpet. It's carpet here, not cold stone. It's soft carpet. She feels it gently tickle her nose. The world grows darker. Darker.

  In the dimming world, a hand reaches down for her, slowly. The stone in the ring on his finger sparkles in the bright light. The tattoo of a skull on the inside of his wrist stares menacingly at her with its black-hole eyes.

  He yanks her off the floor to her knees by her hair. The world brightens. The man holding her upright is …

  It is him. The Beast.

  An enormous man. A beast — broad, square and massive, built like a refrigerator. He shakes her by her hair and she cries out, tries to hold her injured arm but it flops out of her grasp when he shakes her and she screams from the pain, the nauseating pain.

  "Stand up or I'll drag you."

  His voice is a rumbling horror, gruff, as if there is gravel in his throat.

  She tries to get her feet under her, but can't. The man holding her hair yanks hard. She wails as he pulls out a huge handful and drops her honey blonde curls on the floor in front of her.

  When he grabs her hair again, he pulls her all the way up to her feet, continues to pull until she is dangling in front of him, his huge paw tangled in her hair.

  Her world is only pain.

  He sets her feet on the floor.

  "Stand up! I said I'd drag you and I meant i
t."

  She manages to keep her balance this time and stands swaying, cradling her left hand and forearm in her right. Blood drips down her forehead and into her eye.

  "Come on!"

  The Beast grabs her upper arm and marches off with her, yanking her along because she can't keep up. Her broken wrist dangles, her hand flopping at the end of her arm and every movement grates bone against bone and the pain threatens to consume her. But she doesn't have enough air to scream.

  He turns on the lights as he goes and she is barely aware of passing doorways and halls leading off into darkness. When they get to the stairs, she loses her balance and stumbles into him.

  "Stand up!"

  He slams her into the wall face first, smashing her lip, and a new agony stabs through her from her nose. The world is spinning. He holds her up, yanks her forward and she staggers. She can't get her feet under her before he yanks again.

  At the bottom of the steps he turns down a dimly lit hallway.

  Yanking.

  Dragging.

  Blood dripping into her eye and off her lip.

  Her wrist has swollen so quickly that it is like a splint. Movement doesn't grind the bones so fiercely.

  When she trips and falls to her knees, he lets go of her upper arm and makes good on his threat to drag her by her hair. Grabbing a handful of her long, golden curls, he snaps her head sideways as he pulls her body along the floor.

  The pain in her scalp is …

  Her broken wrist drags along the floor, bouncing with each step forward.

  Pain is her whole world. She can no longer tell where the stabbing agony comes from. It comes from everywhere, every part of her.

  Then he drags her over a threshold and tosses her to the room. Her bedroom, clothes in a pile, the closet door ajar. Lying by the bed, the shoes she slipped off so she could run silently. Looking along the floor, she sees … Jeni!

  The Beast kicks her in the hip, the pointed toe of his shoe digging into the scar left by the dog that bit her when she was five. The scar is ugly. It was once the only imperfection on her flawless body.

  "Jeni," she whispers.

  Then he kicks her in the face, breaking off teeth, smashing her nose, the force of the blow knocking her over onto her back. Blood gushes down her throat from her nose and mouth, so much she can't breathe. She manages to roll off her back onto her side, choking, coughing out blood, spitting out pieces of teeth.

  He kicks her in the face again as she lies curled on her side. She actually hears her cheek bone snap.

  "This year, you won't need a mask to go trick-or-treating."

  Everywhere is only pain, such pain that she steps back away from it. Leaves herself and retreats down into some inner darkness, runs as she ran down the dark hallway. Deeper and deeper.

  From a great distance, she feels blows. He is kicking her, but the pain is all one thing now, a blanket covering every inch of her so that she feels the blows like you feel pressure when you get a tooth pulled, but no pain because your mouth is numb. She is not numb, she is the opposite. So much agony that it is a kind of numbness.

  A voice full of pebbles speaks from the place she left when she ran away into herself.

  "I would cut you into little pieces with a chainsaw — a finger, a foot — but this is not the place to make such a mess. Too much noise. You are a lucky girl that I cannot do to you what I would like."

  He laughs, a sound like rocks in a landslide.

  "So I must be merciful."

  He leans over her, grabs her by the neck and lifts her off the floor. With both hands around her neck, he holds her out in front of him. Then he squeezes. She takes a breath, only she doesn't. Nothing happens.

  She struggles to inhale, tries to suck air in, desperate for breath.

  Turning her head, she opens her ruined mouth, squirms, frantic, has to breathe!

  Her eyes bulge as her diaphragm pounds into her neck. Her throat is blocked, closed. Shut.

  Darkness closes in from the outside of her vision, like curtains drawing across a window.

  Blackness takes the world away.

  Chapter Two

  Bailey Donahue lay in the dark nothingness of death.

  All the pain was gone now.

  Her eyes snapped open.

  She screamed! Except she didn't.

  Had to get away.

  Run!

  Nooooo!

  Her heart hammered, the rattle of a snare drum. She made a little grunting sound. That was all she could—

  The man with the shiny ring and the skull tattoo … where was the big man with the gruff voice and the huge hands who had …?

  It hurt so bad!

  She drew in a deep breath. Where … where was she?

  She was in her studio.

  One beat. Two. It took that long to sink in.

  In her studio!

  No.

  Oh, please no.

  Her hands trembled so violently she couldn't hold onto the paintbrushes — brushes! — in her hands and they dropped to the floor, splattering red and blue paint onto her shoes.

  She stared at the splotches of color on her new shoes. New Balance. Running shoes. She'd been about to go run—

  There was a painting on the easel in front of her.

  Seeing it, her heart kicked into another gear altogether, pounding so hard each beat detonated like a bomb, blood exploding through her veins, each pulse bludgeoning her temples from the inside, as if looking for a weak spot where it could burst through and squirt blood, spew blood—

  She turned and raced out of the room without lifting her eyes to the portrait she'd painted there with both hands, and slammed the door shut behind her with such force it must have sounded like the gunshot T.J. and Dobbs heard months ago that she didn't. The concussion of door against jamb was so jarring it shook the shelf on the wall beside the door and a small ceramic London phone booth teetered there, almost regained its footing, then toppled over and kamikaze-dived onto the floor where it burst into shards of glass that spun out across the hardwood floor like figure skaters in competition.

  And she ran.

  Out the front door without closing it, letting the screen bang, across the porch, down the steps, across the yard Dobbs had paid some kid ten dollars to mow and out into the street. Not the sidewalk, the street. She ran down the street as hard as she could go, as fast as she'd ever run, a full-out sprint.

  Run! Get away.

  Obeying the ultimate primal necessity — fight or flight. She'd chosen Door Number Two and was no more in control of her own body than if she'd boarded a bus with a meth-head driver who was bouncing off parked cars and lampposts and mailboxes on a downhill race to a cliff.

  Unlike the girl who had just been savagely beaten and strangled — with Bailey along for the whole ride, every excruciating second — Bailey wasn't running from a brute in a shadowy hallway. She was running from a painting on an easel in her studio. A painting she'd been compelled to paint.

  No!

  Not now. It'd been months since that … that whatever-it-was out there reached through her canvas, hijacked her body and left a vision of the future behind. It had been so long since she'd drowned with Macy Cosgrove, that she'd come to believe maybe it was over. You know, one and done. That the lone dead child would be the total of her contribution to this madness.

  Well, okay, there'd been the horror of the painting she chose to paint, the one that was supposed to help the police find a kidnapped child but didn't. The one that had thrust her into the mind of a monster and that very nearly got the three people closest to her killed.

  But she'd decided to paint that. She volunteered because she thought she could help.

  This was different, this out-of-nowhere BAM! She'd actually begun to believe that maybe she'd never again …

  To quote Rocky the Flying Squirrel, wrongo, moose breath!

  Somewhere, she catalogued the sights that flew by as she ran.

  A car slammed on the breaks and laid on
the horn to keep from running her down at an intersection.

  A dog penned up in a yard chased her from fence line to fence line barking. Not precious Sparky the Wonder Dog but some mutt that appeared to have inherited characteristics from several breeds — not their most pleasing attributes. Its legs were only a couple of inches long, holding up a spotted fat torso on which rested a head with the smushed snout of a boxer but with none of the charm.

  There were children kicking a soccer ball in a yard beside a gigantic blow-up Dracula and assorted ghosts dangling from tree limbs.

  A man sitting on a park bench looking at his cellphone.

  A cat walking the tightrope top railing of a balcony. Not a black cat, though, but there were plenty of those around in the various decorations that also featured witches and zombies. Brice had pointed out the other day that he hadn't seen many spiders in Halloween decorations around town. Shadow Rock had had its fill of spiders, thank you very much.

  Gradually, Bailey began to run out of steam.

  She staggered.

  Stopped.

  Managed to duck her head behind a big oak tree to keep from grossing out the passersby as she heaved, sent flying chunks of breakfast and the bitter bile of too much coffee.

  Then she moved on a few steps, upwind of her vomit, and stood with her hands on her knees, still gasping. She rubbed the mark on her left arm below her elbow — not even really a scar, but she still felt phantom pain there from the tarantula bite two-and-a-half months ago.