The Mysteries of Udolpho

by Ann Radcliffe

  ‘Then the devil has got a key to that apartment,’ said Dorothé, ‘for it could be nobody but he; I locked the door myself!’

  The girl, springing down the stairs and passing up the great stair-case, had run, with a faint scream, till she reached the gallery, where she fell, groaning, at Emily’s door.

  Gently chiding her for the alarm she had occasioned, Emily tried to make her ashamed of her fears; but the girl persisted in saying, that she had seen an apparition, till she went to her own room, whither she was accompanied by all the servants present, except Dorothé, who, at Emily’s request, remained with her during the night. Emily was perplexed, and Dorothé was terrified, and mentioned many occurrences of former times, which had long since confirmed her superstitions; among these, according to her belief, she had once witnessed an appearance, like that just described, and on the very same spot, and it was the remembrance of it, that had made her pause, when she was going to ascend the stairs with Emily, and which had increased her reluctance to open the north apartments. Whatever might be Emily’s opinions, she did not disclose them, but listened attentively to all that Dorothé communicated, which occasioned her much thought and perplexity.

  From this night the terror of the servants increased to such an excess, that several of them determined to leave the chateau, and requested their discharge of the Count, who, if he had any faith in the subject of their alarm, thought proper to dissemble it, and, anxious to avoid the inconvenience that threatened him, employed ridicule and then argument to convince them they had nothing to apprehend from supernatural agency. But fear had rendered their minds inaccessible to reason; and it was now, that Ludovico proved at once his courage and his gratitude for the kindness he had received from the Count, by offering to watch, during a night, in the suite of rooms, reputed to be haunted. He feared, he said, no spirits, and, if any thing of human form appeared – he would prove that he dreaded that as little.

  The Count paused upon the offer, while the servants, who heard it, looked upon one another in doubt and amazement, and Annette, terrified for the safety of Ludovico, employed tears and entreaties to dissuade him from his purpose.

  ‘You are a bold fellow,’ said the Count, smiling, ‘Think well of what you are going to encounter, before you finally determine upon it. However, if you persevere in your resolution, I will accept your offer, and your intrepidity shall not go unrewarded.’

  ‘I desire no reward, your Excellenza,’ replied Ludovico, ‘but your approbation. Your Excellenza has been sufficiently good to me already; but I wish to have arms, that I may be equal to my enemy, if he should appear.’

  ‘Your sword cannot defend you against a ghost,’ replied the Count, throwing a glance of irony upon the other servants, ‘neither can bars, or bolts; for a spirit, you know, can glide through a key-hole, as easily as through a door.’

  ‘Give me a sword, my lord Count,’ said Ludovico, ‘and I will lay all the spirits, that shall attack me, in the red sea.’

  ‘Well,’ said the Count, ‘you shall have a sword, and good cheer, too; and your brave comrades here will, perhaps, have courage enough to remain another night in the chateau, since your boldness will certainly, for this night, at least, confine all the malice of the spectre to yourself.’

  Curiosity now struggled with fear in the minds of several of his fellow servants, and, at length, they resolved to await the event of Ludovico’s rashness.

  Emily was surprised and concerned, when she heard of his intention, and was frequently inclined to mention what she had witnessed in the north apartments to the Count, for she could not entirely divest herself of fears for Ludovico’s safety, though her reason represented these to be absurd. The necessity, however, of concealing the secret, with which Dorothé had entrusted her, and which must have been mentioned, with the late occurrence, in excuse for her having so privately visited the north apartments, kept her entirely silent on the subject of her apprehension; and she tried only to sooth Annette, who held, that Ludovico was certainly to be destroyed; and who was much less affected by Emily’s consolatory efforts, than by the manner of old Dorothé, who often, as she exclaimed Ludovico, sighed, and threw up her eyes to heaven.

  CHAPTER VI

  ‘Ye gods of quiet, and of sleep profound!

  Whose soft dominion o’er this castle sways,

  And all the widely-silent places round,

  Forgive me, if my trembling pen displays

  What never yet was sung in mortal lays.’

  THOMSON [The Castle of Indolence]1

  The Count gave orders for the north apartments to be opened and prepared for the reception of Ludovico; but Dorothé, remembering what she had lately witnessed there, feared to obey, and, not one of the other servants daring to venture thither, the rooms remained shut up till the time when Ludovico was to retire thither for the night, an hour, for which the whole household waited with impatience.

  After supper, Ludovico, by the order of the Count, attended him in his closet, where they remained alone for near half an hour, and, on leaving which, his Lord delivered to him a sword.

  ‘It has seen service in mortal quarrels,’ said the Count, jocosely, ‘you will use it honourably, no doubt, in a spiritual one. To-morrow, let me hear that there is not one ghost remaining in the chateau.’

  Ludovico received it with a respectful bow. ‘You shall be obeyed, my Lord,’ said he; ‘I will engage, that no spectre shall disturb the peace of the chateau after this night.’

  They now returned to the supper-room, where the Count’s guests awaited to accompany him and Ludovico to the door of the north apartments, and Dorothé, being summoned for the keys, delivered them to Ludovico, who then led the way, followed by most of the inhabitants of the chateau. Having reached the back stair-case, several of the servants shrunk back, and refused to go further, but the rest followed him to the top of the stair-case, where a broad landing-place allowed them to flock round him, while he applied the key to the door, during which they watched him with as much eager curiosity as if he had been performing some magical rite.

  Ludovico, unaccustomed to the lock, could not turn it, and Dorothé, who had lingered far behind, was called forward, under whose hand the door opened slowly, and, her eye glancing within the dusky chamber, she uttered a sudden shriek, and retreated. At this signal of alarm, the greater part of the crowd hurried down the stairs, and the Count, Henri and Ludovico were left alone to pursue the enquiry, who instantly rushed into the apartment, Ludovico with a drawn sword, which he had just time to draw from the scabbard, the Count with the lamp in his hand, and Henri carrying a basket, containing provision for the courageous adventurer.

  Having looked hastily round the first room, where nothing appeared to justify alarm, they passed on to the second; and, here too all being quiet, they proceeded to a third in a more tempered step. The Count had now leisure to smile at the discomposure, into which he had been surprised, and to ask Ludovico in which room he designed to pass the night.

  ‘There are several chambers beyond these, your Excellenza,’ said Ludovico, pointing to a door, ‘and in one of them is a bed, they say. I will pass the night there, and when I am weary of watching, I can lie down.’

  ‘Good;’ said the Count, ‘let us go on. You see these rooms shew nothing, but damp walls and decaying furniture. I have been so much engaged since I came to the chateau, that I have not looked into them till now. Remember, Ludovico, to tell the housekeeper, to-morrow, to throw open these windows. The damask hangings are dropping to pieces, I will have them taken down, and this antique furniture removed.’

  ‘Dear sir!’ said Henri, ‘here is an arm-chair so massy with gilding, that it resembles one of the state chairs at the Louvre, more than any thing else.’

  ‘Yes,’ said the Count, stopping a moment to survey it, ‘there is a history belonging to that chair, but I have not time to tell it. – Let us pass on. This suite runs to a greater extent than I had imagined; it is many years since I was in them. But where is th
e bed-room you speak of, Ludovico? – these are only anti-chambers to the great drawing-room. I remember them in their splendour!’

  ‘The bed, my Lord,’ replied Ludovico, ‘they told me, was in a room that opens beyond the saloon, and terminates the suite.’

  ‘O, here is the saloon,’ said the Count, as they entered the spacious apartment, in which Emily and Dorothée had rested. He here stood for a moment, surveying the reliques of faded grandeur, which it exhibited – the sumptuous tapestry – the long and low sophas of velvet, with frames heavily carved and gilded – the floor inlaid with small squares of fine marble, and covered in the centre with a piece of very rich tapestry-work – the casements of painted glass, and the large Venetian mirrors; of a size and quality, such as at that period France could not make, which reflected, on every side, the spacious apartment. These had formerly also reflected a gay and brilliant scene, for this had been the state-room of the chateau, and here the Marchioness had held the assemblies, that made part of the festivities of her nuptials. If the wand of a magician could have recalled the vanished groups, many of them vanished even from the earth! that once had passed over these polished mirrors, what a varied and contrasted picture would they have exhibited with the present! Now, instead of a blaze of lights, and a splendid and busy crowd, they reflected only the rays of the one glimmering lamp, which the Count held up, and which scarcely served to shew the three forlorn figures, that stood surveying the room, and the spacious and dusky walls around them.

  ‘Ah!’ said the Count to Henri, awaking from his deep reverie, ‘how the scene is changed since last I saw it! I was a young man, then, and the Marchioness was alive and in her bloom; many other persons were here, too, who are now no more! There stood the orchestra; here we tripped in many a sprightly maze – the walls echoing to the dance! Now, they resound only one feeble voice – and even that will, ere long, be heard no more! My son, remember, that I was once as young as yourself, and that you must pass away like those, who have preceded you – like those, who, as they sung and danced in this once gay apartment, forgot, that years are made up of moments, and that every step they took carried them nearer to their graves. But such reflections are useless, I had almost said criminal, unless they teach us to prepare for eternity,2 since, otherwise, they cloud our present happiness, without guiding us to a future one. But enough of this; let us go on.’

  Ludovico now opened the door of the bed-room, and the Count, as he entered, was struck with the funereal appearance, which the dark arras gave to it. He approached the bed, with an emotion of solemnity, and, perceiving it to be covered with the pall of black velvet, paused; ‘What can this mean?’ said he, as he gazed upon it.

  ‘I have heard, my Lord,’ said Ludovico, as he stood at the feet, looking within the canopied curtains, ‘that the Lady Marchioness de Villeroi died in this chamber, and remained here till she was removed to be buried; and this, perhaps, Signor, may account for the pall.’

  The Count made no reply, but stood for a few moments engaged in thought, and evidently much affected. Then, turning to Ludovico, he asked him with a serious air, whether he thought his courage would support him through the night? ‘If you doubt this,’ added the Count, ‘do not be ashamed to own it; I will release you from your engagement, without exposing you to the triumphs of your fellow-servants.’

  Ludovico paused; pride, and something very like fear, seemed struggling in his breast; pride, however, was victorious; – he blushed, and his hesitation ceased.

  ‘No, my Lord,’ said he, ‘I will go through with what I have begun; and I am grateful for your consideration. On that hearth I will make a fire, and, with the good cheer in this basket, I doubt not I shall do well.’

  ‘Be it so,’ said the Count; ‘but how will you beguile the tediousness of the night, if you do not sleep?’

  ‘When I am weary, my Lord,’ replied Ludovico, ‘I shall not fear to sleep; in the meanwhile I have a book, that will entertain me.’

  ‘Well,’ said the Count, ‘I hope nothing will disturb you; but if you should be seriously alarmed in the night, come to my apartment. I have too much confidence in your good sense and courage, to believe you will be alarmed on slight grounds; or suffer the gloom of this chamber, or its remote situation, to overcome you with ideal terrors. To-morrow, I shall have to thank you for an important service; these rooms shall then be thrown open, and my people will be convinced of their error. Good night, Ludovico; let me see you early in the morning, and remember what I lately said to you.’

  ‘I will, my Lord; good night to your Excellenza; let me attend you with the light.’

  He lighted the Count and Henri through the chambers to the outer door; on the landing-place stood a lamp, which one of the affrighted servants had left, and Henri, as he took it up, again bade Ludovico good night, who, having respectfully returned the wish, closed the door upon them, and fastened it. Then, as he retired to the bed-chamber, he examined the rooms, through which he passed, with more minuteness than he had done before, for he apprehended, that some person might have concealed himself in them, for the purpose of frightening him. No one, however, but himself, was in these chambers, and, leaving open the doors, through which he passed, he came again to the great drawing-room, whose spaciousness and silent gloom somewhat awed him. For a moment he stood, looking back through the long suite of rooms he had quitted, and, as he turned, perceiving a light and his own figure, reflected in one of the large mirrors, he started. Other objects too were seen obscurely on its dark surface, but he paused not to examine them, and returned hastily into the bed-room, as he surveyed which, he observed the door of the oriel, and opened it. All within was still. On looking round, his eye was arrested by the portrait of the deceased Marchioness, upon which he gazed, for a considerable time, with great attention and some surprise; and then, having examined the closet, he returned into the bed-room, where he kindled a wood fire, the bright blaze of which revived his spirits, which had begun to yield to the gloom and silence of the place, for gusts of wind alone broke at intervals this silence. He now drew a small table and a chair near the fire, took a bottle of wine, and some cold provision out of his basket, and regaled himself. When he had finished his repast, he laid his sword upon the table, and, not feeling disposed to sleep, drew from his pocket the book he had spoken of. – It was a volume of old Provençal tales. Having stirred the fire into a brighter blaze, trimmed his lamp, and drawn his chair upon the hearth, he began to read, and his attention was soon wholly occupied by the scenes, which the page disclosed.

  The Count, meanwhile, had returned to the supper-room, whither those of the party, who had attended him to the north apartment, had retreated, upon hearing Dorothé’s scream, and who were now earnest in their enquiries concerning those chambers. The Count rallied his guests on their precipitate retreat, and on the superstitious inclination which had occasioned it, and this led to the question, Whether the spirit, after it has quitted the body, is ever permitted to revisit the earth; and if it is, whether it was possible for spirits to become visible to the sense.3 The Baron was of opinion, that the first was probable, and the last was possible, and he endeavoured to justify this opinion by respectable authorities, both ancient and modern, which he quoted. The Count, however, was decidedly against him, and a long conversation ensued, in which the usual arguments on these subjects were on both sides brought forward with skill, and discussed with candour, but without converting either party to the opinion of his opponent. The effect of their conversation on their auditors was various. Though the Count had much the superiority of the Baron in point of argument, he had considerably fewer adherents; for that love, so natural to the human mind, of whatever is able to distend its faculties with wonder and astonishment, attached the majority of the company to the side of the Baron; and though many of the Count’s propositions were unanswerable, his opponents were inclined to believe this the consequence of their own want of knowledge, on so abstracted a subject, rather than that arguments did not exist, whic
h were forcible enough to conquer his.

  Blanche was pale with attention, till the ridicule in her father’s glance called a blush upon her countenance, and she then endeavoured to forget the superstitious tales she had been told in her convent. Meanwhile, Emily had been listening with deep attention to the discussion of what was to her a very interesting question, and, remembering the appearance she had witnessed in the apartment of the late Marchioness; she was frequently chilled with awe. Several times she was on the point of mentioning what she had seen, but the fear of giving pain to the Count, and the dread of his ridicule, restrained her; and, awaiting in anxious expectation the event of Ludovico’s intrepidity, she determined that her future silence should depend upon it.

  When the party had separated for the night, and the Count retired to his dressing-room, the remembrance of the desolate scenes he had lately witnessed in his own mansion deeply affected him, but at length he was aroused from his reverie and his silence. ‘What music is that I hear?’ – said he suddenly to his valet, ‘Who plays at this late hour?’

  The man made no reply, and the Count continued to listen, and then added, ‘That is no common musician; he touches the instrument with a delicate hand; who is it, Pierre?’

  ‘My Lord!’ said the man, hesitatingly.

  ‘Who plays that instrument?’ repeated the Count.

  ‘Does not your lordship know, then?’ said the valet.

  ‘What mean you?’ said the Count, somewhat sternly.

  ‘Nothing, my Lord, I meant nothing,’ rejoined the man submissively – ‘Only – that music – goes about the house at midnight often, and I thought your lordship might have heard it before.’

  ‘Music goes about the house at midnight! Poor fellow! – does nobody dance to the music, too?’

  ‘It is not in the chateau, I believe, my Lord; the sounds come from the woods, they say, though they seem so near; – but then a spirit can do any thing!’