Size 12 Is Not Fat hwm-1

by Meg Cabot

  Still, when Cooper comes out of his office a second later and asks, “What exactly is going on with you and Jordan?” I nearly have a heart attack.

  “Wh-what do you mean?” I stammer.

  “Well, what was he doing outside Fischer Hall today, anyway?”

  “Oh,” I say, relaxing. “That. Nothing. Just talking.”

  “I see.” Cooper leans against the door frame, his blue eyes brighter than normal. “So you wouldn’t happen to know anything about that blond he was photographed by the Post kissing on my doorstep?”

  I almost swallow my tongue.

  I can’t believe he’s seen it! Are thing sever going to go my way? Or had I used up all my luck already? You know, those ten years of good luck I once read that everybody gets—one magical decade where nothing goes wrong… or at least, nothing major.

  Had my decade of luck already gone by? And if so, can I have a do-over? Because if someone had asked me, “Hey, Heather, do you want your decade of luck between ages fourteen and twenty-four or twenty-four and thirty-four?” I’d have chosen the latter. I really would have.

  Because who wants the best years of their life to be the ones they spent in high school?

  I guess my extreme consternation must show on my face, since a second later Cooper has straightened and is going, “What’s the matter?” in a voice that—almost—sounds like he actually cares.

  Which just makes me want to start sobbing, right then and there.

  “It’s nothing,” I say. “Really.”

  It isn’t nothing, though. I mean, everyone else can deny it, but I know—I know — someone is trying to kill me. I had sex with my ex, who is engaged to someone with a way better career—and much smaller butt—than mine. And, worst of all, Cooper’s seen the photographic evidence of my indiscretion… or at least, of what led up to it.

  “Something’s wrong,” Cooper says, coming to stand beside me in front of the mirror. “Don’t deny it. I’m a trained observer, remember? There’s this little line you get between your eyebrows when you’re upset—” He points at my reflection. “See it?”

  God. He’s right. I have a little worry line between my eyebrows. My God, if I keep this up, I’ll have wrinkles by the time I’m thirty.

  With an effort, I force my face to relax.

  “It’s nothing,” I say, quickly, averting my gaze from my reflection. “Really. That thing with Jordan last night—it was just a good-bye kiss.”

  Cooper looks at me. Skeptically.

  “A good-bye kiss,” he says.

  “Yeah. Because it’s, you know, really over between us. Jordan and me.” I clear my throat. “You know. Really,really over.”

  Cooper nods, though he still looks dubious.

  “Right,” he says. “Well, if you say—”

  “We’re both ready to move on,” I interrupt, warming to my story, “at last. You know, we needed to have some closure, because the way things ended—with me storming out like that, and all—well, it wasn’t healthy. Things are good now between us. We both know it’s really… over.”

  “So if things are really, really over between the two of you,” Cooper asks, “what was Jordan doing in front of Fischer Hall this morning when that planter fell on him?”

  Dang! I forgot about that!

  But it’s okay. I have the situation under control.

  “Oh, that?” I say, with a breezy laugh. Yes! I even manage a breezy laugh. Maybe I, like Britney and Mandy, have a film career in my future. Maybe I should be a theater major, like Marnie. Maybe someday I’ll have an Oscar to put on the shelf next to my Nobel Prize. Wait. Is a Nobel Prize a statue or a medal? I can’t remember.

  “Yeah,” I say. Still breezy. “He was just returning a, um, CD that I’d left at our place. You know, when I moved out.”

  “A CD,” Cooper says.

  “Uh-huh,” I say. “My, um,Tank Girl soundtrack. You can’t find it anymore. It’s very rare.”

  “I see,” Cooper says. I try not to notice how, now that he’s taken off his leather jacket, his biceps—barely visible beneath the short sleeves of his plain gray T-shirt—are just as defined as his brother’s….

  Only from actual work, not working out, I know. It’s not all sneaking around with a camera when you’re a PI. I imagine Cooper has to… you know. Lift things. And stuff. I wonder if maybe he ever gets sweaty doing it and has to take his shirt off completely, you know, because he’s so hot…

  Whoa. I so need to go back to work.

  But all this detective stuff has reminded me of something.

  “Yeah,” I say. Now that the danger of tears has been averted, I’m feeling a little more daring. “In fact, now that Jordan and I have everything settled, I feel, you know, like celebrating.”

  “Celebrating,” Cooper echoes tonelessly.

  “Yeah. You know. I never go out anymore. So I thought, Hey, why not go to the, um, Pansy Ball tonight.”

  “The Pansy Ball?” Cooper’s gaze doesn’t stray from my face. I hope he isn’t checking to see if I’m lying. I really do want to go to the Pansy Ball. Just not, you know, for the reasons I’m telling him.

  “Yeah,” I say. “It’s a ball to honor the trustees and people who’ve been given Pansys. You know, for service to the college. Rachel’s getting one.”

  It isn’t my imagination. At the sound of my boss’s name, Cooper abruptly loses interest in the conversation. In fact, he walks over to the mail that has just slid through the drop slot—to Lucy’s intent interest—and, after wrestling it from her, starts sorting through it.

  “Rachel, huh?” he says.

  “Yeah,” I say. “The tickets are like two hundred bucks, though. To the ball. And God knows I can’t afford one. But I was thinking, your grandfather was an alumnus, right? So I bet you have access to some free ones. Tickets, I mean.”

  “Probably,” Cooper says, giving Lucy, who is whining piteously, a J. Crew catalog to chew on.

  “So could I, maybe, have one?” I ask. Subtle. That’s me. Miss Subtle.

  “So you can spy on Christopher Allington?” Cooper doesn’t even look up from the mail. “Not a chance.”

  My jaw drops.

  “But—”

  “Heather, didn’t you hear a word that detective said? He’s going to look into it. Subtly. In the meantime, stay out of it. At best, the only thing you’re going to get for your efforts is sued.”

  “I swear I’m not gonna talk to him,” I insist, raising my right hand and making the Girl Scout’s honor symbol with three fingers. Except, of course, I never was a Girl Scout, so it doesn’t count. “I won’t go near him.”

  “Correct me if I’m mistaken,” Cooper says, “but aren’t you convinced he tried to kill you today?”

  “Well, that’s what I’m trying to find out,” I say. “C’mon, Cooper, what could possibly happen at the Pansy Ball, for God’s sake? He’s not going to try to do anything to me there, in front of everybody… ”

  “No, he isn’t,” Cooper says. “Because I’m not letting you out of my sight.”

  I blink. Wait. What did he just say?

  “You—you want to go with me?”

  “Only because if I don’t keep an eye on you, who knows what’ll fall on your head next time.” Cooper puts down the mail. His blue-eyed gaze bores into me like a pair of headlights. “And because I can see by the look in your eyes that you’re going to get your hands on a ticket somehow, even if it means seducing some unsuspecting rube in the geology department.”

  I’m stunned. Cooper is taking me to the Pansy Ball! Cooper Cartwright is taking me out! It was almost like a…

  Well, a date.

  “Oh, Cooper!” I breathe. “Thank you so much! You don’t know how much this means to me—”

  Cooper is already moving back toward his office, shaking his head. He keeps his thoughts to himself, but I have a pretty good idea that he isn’t, as I am, frantically trying to figure out what he’s going to wear.

  Guys have it so easy. />
  20

  Misconstrued

  Everything I say to you is

  Misconstrued

  Why else do you do

  The things you do?

  Misconstrued

  You think that I lie to you

  Misconstrued

  Truth is that it’s

  Really you

  That’s

  Misconstrued

  “Misconstrued”

  Performed by Heather Wells

  Composed by Dietz/Ryder

  From the album Summer

  Cartwright Records

  I can’t get through the remainder of the workday fast enough.

  Everyone asks after Jordan’s health, causing me to realize guiltily that I don’t even know how he’s doing, since I’ve been slightly distracted since leaving the hospital, what with meeting with detectives and getting asked out (sort of) by the man of my dreams, and having to figure out what I’m going to wear on our date to the Pansy Ball, and all.

  So I call St. Vincent’s and after being transferred about a half-dozen times because of privacy concerns, Jordan being a big star and all, finally get someone who tells me, after I assure them I am not a member of the press and even sing a few bars of “Sugar Rush” to convince them that I’m really me, that Jordan is currently listed as being in good condition, and that doctors expect him to make a full recovery.

  When I relay this news to Rachel, she goes, “Oh, good! I was so worried. It’s so lucky, Heather, that the planter hit him and not you. You might so easily have been injured yourself.”

  Magda is less pleased with Jordan’s prognosis.

  “Too bad,” she says baldly. “I was hoping he’d die.”

  “Magda!” I cry, horrified.

  “Look at my byootiful movie stars,” Magda says to a group of students who’ve shown up for an early dinner, waving their dining cards. Taking the cards and running them through the scanner, Magda says, to me, “Well, he deserves a whack on the head, after the way he treated you.”

  Magda’s so lucky. To her, everything is black and white. America is great, no matter what anybody else might say, and members of boy bands who cheat on their girlfriends? Well, they deserve to have planters dropped on their heads. No questions asked.

  Patty is relieved to hear from me when I call her. I guess when she’d crossed the park and seen all the blood on the sidewalk in front of Fischer Hall, she’d gotten really freaked out. She’d been convinced something had happened to me. She’d had to sit down in the cafeteria with her head between her knees for twenty minutes—and eat two DoveBars Magda pressed on her—before she finally felt well enough to flag down a cab and go home.

  “Are you really sure about this college degree thing, Heather?” she asks now, worriedly. “Because I’m sure Frank could set up an appointment for you with people from his label—”

  “That’d be nice,” I say. “Except, you know, I’m not sure how impressed Frank’s label would really be about the fact that most of my past performances took place in malls—”

  “They wouldn’t care about that,” Patty cries. Which is really sweet of her, and all, but that’s exactly the kind of thing record labels do care about, I’ve discovered.

  “Maybe we can get you a part in a musical, you know, like on Broadway,” Patty says. “Debbie Gibson’s doing it. Lot’s of stars are—”

  “Operative word being star,” I point out. “Which I am not.”

  “I just don’t think you should work in that dorm anymore, Heather,” Patty says worriedly. “It’s too dangerous. Girls dying. Flower pots falling down on people—”

  “Oh, Patty,” I say, touched by her concern. “I’ll be all right.”

  “I’m serious, Heather. Cooper and I discussed it, and we both feel—”

  “You and Cooper discussed me?” I hope I don’t sound too eager. What had they talked about? I wonder. Had Cooper revealed to Patty that he has a deep and abiding love for me that he dares not show, since I’m his brother’s ex and sort of an employee of his?

  But if he had, wouldn’t she have told me right away?

  “Cooper and I just feel—and Frank agrees—that if—well, if it turns out this whole murder thing is true, you might be putting yourself in some kind of danger—”

  This doesn’t sound to me like Cooper had said anything at all about harboring a deep and abiding love for me. No wonder Patty hadn’t called me right away to dish.

  “Patty,” I say, “I’m fine. Really. I’ve got the best bodyguard in the world.” Then I tell her about the Pansy Ball, and Cooper’s escorting me there.

  Patty doesn’t sound as excited about it as I expect her to, though. Oh, she says I can borrow her dress—the red Armani she’d worn to the Grammys when she’d been seven months’ pregnant with Indy, and which I hope will consequently fit me—and all, but she isn’t exactly shrieking, “Ooooh he asked you out!”

  Because I guess he hasn’t, really. Maybe it isn’t areal date when the guy is just going out with you to make sure no one kills you.

  God. When did Patty get so mature?

  “Well, just promise me to be careful, okay, Heather?” Patty still sounds worried. “Cooper says he thinks the whole murder thing is kind of… unlikely. But I’m not so sure. And I don’t want you to be next.”

  I do my best to reassure Patty that my safety is hardly in jeopardy—even though, of course, I’m pretty sure the exact opposite is true. Someone in Fischer Hall wants me dead.

  Which means I am definitely on to something with my Elizabeth-Kellogg-and-Roberta-Pace-were-murdered theory.

  It isn’t until I’ve hung up with Patty that I feel someone’s gaze on me. I look up and see that Sarah is sitting at her desk, stuffing Tootsie Rolls into little plastic bags as a surprise for each of the RAs, all of whom she feels need a pick-me-up after the rocky start their semester had gotten off to, given the dead girls and all.

  Only I can’t help noticing that Sarah has stopped stuffing, and is instead staring at me owlishly through her thick glasses—she only wears her contacts on special occasions, such as check-in (potential to meet cute single dads) or poetry readings at St. Mark’s Church (potential to meet cute penniless poets).

  “I didn’t mean to listen in on your conversation,” Sarah says, “but did I just hear you say you think someone’s trying to kill you?”

  “Um,” I say. How can I put this so as not to cause her undue alarm? After all, I get to go home every night, but Sarah has to live here. How comfortable is she going to feel knowing there’s a dangerous psychopath stalking the floors of Fischer Hall?

  Then again, Sarah lost her virginity on an Israeli kibbutz the summer of her freshman year—or so she’d told me—so it isn’t like she’s a potential victim.

  So I shrug and say, “Yes.”

  Then—because Rachel is upstairs in her apartment getting ready for the ball (she’d managed to find something to wear, but wouldn’t show it to us on account of “not wanting to ruin the surprise”)—I tell her my theory about Chris Allington and the deaths of Elizabeth Kellogg and Roberta Pace.

  “Have you told any of this to Rachel?” Sarah asks me, when I’m done.

  “No,” I say. “Rachel has enough to worry about, don’t you think?” Besides—I don’t mention this part to Sarah—if it turns out I’m wrong, it won’t look so good at my six months’ employment review… you know, my suspecting the son of the president of the college of a double homicide.

  “Good,” Sarah says. “Don’t. Because has it occurred to you that this whole thing—you know, with your thinking that Elizabeth and Roberta were murdered—might be a manifestation of your own insecurities over having been betrayed and abandoned by your mother?”

  I just blink at her. “What?”

  “Well,” Sarah says, pushing up her glasses. “Your mother stole all your money and fled the country with your manager. That had to have been the most traumatic event in your life. I mean, you lost everything—all your savings, as
well as the people on whom you thought you could most depend, your father having been absent most of your life to begin with due to his long-term incarceration for passing bad checks. And yet whenever anyone brings it up, you dismiss the whole thing as if it were nothing.”

  “No, I don’t,” I say. Because I don’t. Or at least, I don’t think I do.

  “Yes, you do,” Sarah says. “You even still speak to your mother. I heard you on the phone with her the other day. You were chatting with her about what to get your dad for his birthday. In jail. The woman who stole all your money and fled to Argentina!”

  “Well,” I say, a little defensively. “She’s still my mother, no matter what she’s done.”

  I’m never sure how to explain about my mom. Yes, when the going got tough—when I let Cartwright Records know I was only interested in singing my own lyrics, and Jordan’s dad, in response, unceremoniously dropped me from the label—not that my sales had been going gangbusters anymore anyway—my mom got going.

  But that’s just how she is. I was mad at her for a while, of course.

  But being mad at my mom is kind of like being mad because it’s raining out. She can’t help what she does, any more than clouds can.

  But I suppose Sarah, if she heard that, would just say I’m in denial, or worse.

  “Isn’t it possible that you’re displacing the hostility you feel about what your mother did to you onto poor Chris Allington?” Sarah wants to know.

  “Excuse me,” I say. I’m getting kind of tired of repeating myself. “But that planter didn’t just fall out of the sky, you know. Well, okay, it did, but not by itself.”

  “And could it be that you miss the attention you used to receive from your fans so much that you’ve latched on to any excuse to make yourself feel important by inventing this big important mystery for you to solve, where none actually exists?”

  I remember, with a pang, what Cooper had said outside the service elevator. Hadn’t it been something along these same lines? About me wanting to relive the thrill of my glory days back at the Mall of America?