Department 19, The Rising, and Battle Lines

by Will Hill

  “Your son,” replied Alexandru, with obvious relish. “Your precious son. Tell me; does he look like his father?”

  Marie didn’t respond. She was disorientated by the smooth, velvety voice issuing from the hateful thing’s mouth.

  Alexandru’s eyes flared red and his arm unwrapped from his knees with the speed of a striking cobra. The long, pale hand at the end of it grabbed her by the forehead, pulled her forward, then sent her crashing back into the wall. Her head hit the bricks with a meaty thump and she saw stars. She felt something warm and wet slide down the back of her head and on to her neck, and she stared blankly at Alexandru, lost in a nightmare she could not wake up from.

  “I asked you a question!” he roared, and slammed her head into the wall a second time. “Does he look like his father?”

  The back of her head collided with the wall a third time and panic overcame her terror.

  He’s going to beat my brains out against this wall unless I answer him. Oh God, what is this creature?

  “Yes, yes, he does! Please stop hurting me!” she shrieked.

  Alexandru let go of her forehead, his eyes reverting back to their usual dark green, and he sighed, as though mildly inconvenienced.

  “I know he does,” he said. “I should have killed him myself. It might have been satisfying.”

  A great vacuum opened in the middle of Marie’s chest, a hole where her heart should be.

  “He’s dead?”

  Alexandru stared at her with great solemnity, then burst into peals of giddy, childlike laughter. Above them, the second man broke into a slow, plodding laugh of his own, a sound like a braying donkey.

  “No, he’s alive,” Alexandru replied. “He shouldn’t be, but he is. But that’s what you get for delegating. It’s like I’ve always said; if you want someone murdered right, do it yourself. Haven’t I always said that, Anderson?”

  He looked up, pointedly. Hesitation flashed across the small round face of the man standing above them, who was still laughing his metronomic laugh. He stopped, and appeared to disappear deep into thought.

  “Yes,” he eventually said, carefully.

  “Yes what?”

  “Yes, that’s what you always say,” replied Anderson, a small smile of satisfaction playing across the childish features.

  “What do I always say?”

  This time the look on the swollen figure’s face was pure panic. “I don’t know,” he said.

  With a thud, Alexandru flopped back down next to her, and she opened her eyes. She didn’t want to, but she wanted to provoke this monstrous creature even less. He was smiling at her, then he flicked his left hand and something red flew away into the shadows. His tongue, she thought. He pulled out his tongue. My God. She looked up at Anderson. Blood was pouring out of the man’s mouth, and running freely down the front of black jacket he was wearing. His eyes were wide, and his whole body was visibly trembling, in pain, or fear, or both, but he was standing where he had been before the attack, looking straight ahead, at the wall above her.

  He didn’t run. Or try to defend himself. He didn’t do anything.

  For a moment she felt pity for this pathetic, downtrodden creature, but then the image of his expression as he watched her cry appeared in her head, and she shoved it quickly away.

  “Don’t worry,” said Alexandru. “It’ll grow back.”

  Marie’s gut twisted with disgust.

  “What do you want from me?” she snarled, and Alexandru jerked his head back, an expression of admiration on his pale, feminine face. “What do you want with my family?”

  The vampire threw back his head and laughed, the wavering howl of a wolf, deafeningly loud in the basement.

  “You don’t know, do you?” he said. “You really don’t. Oh, how wonderful. I have so much to tell you.”

  He sprang to his feet, dusted himself down, and looked at her with immense enjoyment.

  “There are many things that require my attention,” he said, gravely. “But I will make sure that you and I speak again soon. I will be genuinely looking forward to it.”

  Then he turned, and strode away from her. He barked at Anderson to follow him as he passed the huge man, who tore his gaze away from Marie with obvious difficulty, and did as his master ordered. They clattered up the wooden staircase and threw open the trapdoor, letting in a brief square of tantalisingly warm light, then the wooden hatch slammed shut, she heard the blot slide into place, and she was alone in the basement again.

  I’m sorry, Jamie, she thought, as she slipped back into unconsciousness.

  I love you.

  I’m sorry.

  Chapter 19

  BLOOD AND LETTERS

  Jamie didn’t think he had ever felt so low. Every inch of him was in pain, from his throat to his feet, and his head was heavy with tiredness and sickly remorse. His mother was still missing, and it was up to him to find her and rescue her. He had demanded to look for her, had threatened to defy Admiral Seward and anyone else who tried to stop him; now he was free to begin the search, and he was terrified.

  What if I can’t do this? What if I never see her again? What happens to me?

  Jamie limped into the shower block at the end of the dormitory, washed himself as carefully as he was able, gasping when his fingers touched a particularly sensitive area of bruising, towelled himself dry, then dressed in the Blacklight uniform he had been given by the instructor. It no longer looked as enticing as it had the previous day; in the cool of the morning it looked violent and ugly, and he shuddered slightly as he slid it over his body.

  There was a knock on the door at the other end of the dormitory. Jamie didn’t answer, and after a couple of seconds the door swung open. Frankenstein stepped through, ducking his head slightly, and walked towards Jamie. He stopped in front of him, the thick thatch of black hair atop his huge misshapen head brushing lightly against the whitewashed ceiling, and looked down at him.

  “You need to see something,” said Frankenstein. “Are you ready?”

  Jamie shrugged.

  “Since you can’t be bothered to answer me, I’ll assume you are,” continued the monster, and strode back across the dormitory. Jamie watched him until he was almost at the door, then let out a long petulant sigh, stood up, and followed him.

  Frankenstein walked quickly through the corridors and Jamie struggled to keep up, realising how much the huge man usually slowed down to accommodate him. He followed him into a lift, down two levels, along a wide central corridor and into the infirmary where he had spent the night he arrived at the Loop. His stomach clenched as he stepped through the swinging doors, the memory of Larissa’s attack leaping into his mind, the feeling of terrible powerlessness as her fingers cut his air supply, the warm patter of her blood on his face.

  In the middle of the infirmary was a metal trolley, and clustered around it were three men he recognised; Paul Turner, Thomas Morris and the doctor who had treated him. They looked round as Frankenstein and Jamie approached, and moved aside so they could join them. A small metal table covered in medical implements stood next to the trolley, on which lay a large shape covered in a white sheet.

  Mum?

  His legs were suddenly made of lead. He couldn’t move them, couldn’t even begin to try. Acid spilled into his stomach and he thought he was going to be sick.

  “It’s not your mother,” said Frankenstein in a low voice. Jamie looked up at him, his face sick with fear, and Frankenstein repeated himself.

  “It’s not your mother. I promise.”

  The bile in his throat retreated, and he forced his legs back to life, one after the other, and made it to the trolley.

  If it’s not Mum, then who is it? There’s someone under there.

  His skin broke out with gooseflesh as Morris clapped him on the back and said, “Good morning.”

  “Morning,” he replied, his voice shaking.

  Morris flashed an enquiring look at Frankenstein, who shook his head. Paul Turner watched the excha
nge, his grey eyes cold and calm.

  “Shall we get on with it?” he suggested.

  “We should,” agreed the doctor. “Jamie, this might be upsetting for you to see, but Colonel Frankenstein believes it is necessary. Do you need a glass of water?”

  He shook his head.

  “Very well,” said the doctor, and pulled back the sheet.

  Jamie looked down at the figure on the trolley, then turned away and retched. His hands went to his knees and he swayed, his head lowered, his eyes squeezed shut, saliva flooding his mouth. Above and behind him he heard the doctor apologise, and Morris let out a low whistle. Frankenstein and Turner didn’t appear to respond at all.

  On the trolley was the naked body of a man in his mid-forties. His skin was pale, his eyes were closed, and he might have looked peaceful were it not for the terrible damage that had been inflicted to his chest and stomach.

  The man’s torso looked like it had been through an abattoir; it was covered in dark, glistening blood, rivers of which had run down his abdomen towards his groin and over his ribcage towards his back. Cut into the flesh were five words.

  TELL

  THE BOY

  TO

  COME

  Jamie felt a hand placed cautiously on his shoulder and shrugged it off.

  “I’m all right,” he croaked. “Just give me a minute, OK?”

  He had only seen the corpse for a split second before he turned away, but the sheer violence of the man’s injuries had taken his breath away.

  How could you do that to someone? How could you take a knife and do something like that to another human being? My God, what am I up against here?

  Steadying himself, he took a deep breath and stood upright. His head swam for a moment, but it passed, and he turned slowly back to the trolley. It was worse than he had first thought, much worse, but with the element of surprise gone he was able to step forward and take his place next to his colleagues. He was gratified to see that both Morris and the doctor were taking ragged, shallow breaths, their eyes wide, their faces tinged with grey. Frankenstein and Paul Turner looked perfectly composed, and Jamie wondered at the things the two men must have seen.

  “This is a good thing,” Frankenstein said, eventually. “Very good.” Jamie flinched. “How can this possibly be good?”

  Frankenstein looked at him, and some of the usual kindness had returned to the monster’s eyes. “Because it means Alexandru wants you,” he replied, carefully. “It shows that you’re important to him.”

  “And why is that good?”

  Paul Turner answered in his smooth, empty voice. “Because he won’t hurt your mother until he gets what he wants. He knows she’s the only thing that can make you come to him, and he knows that if he kills her we’ll make sure he never gets within fifty miles of you.”

  “How do we know she isn’t dead already?”

  The doctor stepped forward with something in his hand. “Because this was in his mouth,” he said, softly, and held a crumpled ball of paper out to Jamie. He took it from the doctor’s fingers, unfolded it, took one look at it, and then his world seemed to fall out from beneath him.

  He couldn’t breathe. He couldn’t think. All he could do was stare.

  In his hand was a bloody Polaroid photograph of his mother, clearly terrified but equally clearly alive, lying on a concrete floor with a brick wall behind her, staring up at the camera with a look of hopeless misery on her face.

  Fury exploded through him, burning everything in its path, flooding him to the tips of his fingertips. He grabbed the metal table, let loose a primal scream of pure anger, and flung it against the wall with all his strength.

  Morris yelled and covered his eyes as wickedly sharp instruments flew in every direction. The doctor leapt away from the impact, turning his back and dropping into a crouch with his hands laced behind his head. Frankenstein lunged forward and wrapped the bellowing teenager up, pinning his arms to his sides and lifting him off the ground. Paul Turner didn’t even flinch; he just watched, the ghost of a smile playing across his lips as the table hit the wall.

  “Where is she?” Jamie yelled, the cords in his neck straining as he struggled in the monster’s grip. “Where is my mother?”

  “We don’t know,” Frankenstein answered, his mouth close to the boy’s ear. “We don’t know, I’m sorry. Calm down, Jamie, we’ll find her. I promise we’ll find her.”

  His voice had lowered to a whisper and he was rocking Jamie from side to side, holding him like an infant. Gently, he set him down on the tiled floor and slowly released his grip. Jamie pushed himself free immediately and spun round to face Frankenstein, his face red, his eyes blazing. But there was no second explosion.

  “The lab is analysing the photo now,” said Morris. “But the preliminary results are that there are no clues to a location. I’m sorry.”

  “She’s my mother,” said Jamie, his eyes fixed on Frankenstein. “Do you understand?”

  “No,” said Frankenstein, simply. “I don’t. I can’t. I never had one. But there was a man who I have come to think of as my father. So I can imagine.”

  “I don’t know if you can,” said Jamie. He regretted it instantly, although the giant man showed no offence; he just looked down at Jamie with his huge, asymmetrical grey eyes, his face expressionless. Morris broke the tension.

  “Where was he found?” he asked, nodding towards the man on the trolley.

  “On the road,” answered Turner. “About three miles from the gate, hung in one of the trees. A patrol found him at 0600. Says he wasn’t there at 0550.”

  A shiver ran through Jamie.

  Three miles. There were vampires three miles from here, maybe the ones who did that to his chest. While I was asleep.

  He pushed the thought aside.

  “We need to find my mother,” he said, as calmly as he was able. “This won’t happen to anyone else if we do.”

  He looked up at Frankenstein.

  “Where do we start?”

  Chapter 20

  THE CITY THAT NEVER SLEEPS, PART I

  NEW YORK, USA

  30TH DECEMBER 1928

  John Carpenter stood on the prow of the RMS Majestic as the great liner steamed slowly into Upper New York Bay. It was just after nine o’clock, and dark; a pale covering of cloud hung low in the night sky, from which heavy flakes of snow were steadily falling.

  To the starboard the high walls of Fort Hamilton were lined with soldiers, who clapped and cheered and waved their caps in the air as the Majestic passed. She was the largest ship in the world, more than nine football fields long with eight storeys of blazing light above her enormous hull, and her arrival was an occasion, even in a city as used to the spectacular as New York.

  Carpenter pulled his overcoat tight around his shoulders and lit one of the Turkish cigarettes his wife had packed for him, curling his hand over it to protect it from the snow. It was settling on the damp deck and in his hair, and it was getting cold, the night air crisp and still, punctuated by snatches of music and laughter from below decks. Dinner was being served in the ballroom below the funnels, but Carpenter wasn’t hungry. He was impatient to leave the ship, and he would eat once he had done so.

  He had wanted for nothing on the crossing from Southampton; his state room was almost obscenely opulent, the stewards and staff as attentive as anyone could ask for, the days brimming with agreeable diversions and pastimes. Despite this, he had spent most of his time in the small library at the rear of the quarterdeck, studying the man he was pursuing.

  He’s not a man. Not any more. Remember that.

  Carpenter breathed perfumed smoke into the night. High above him the ship’s horn sounded, deafeningly loud in the still winter air. He looked to the northeast, where the towering lights of Manhattan shone a watery yellow through the falling snow. Checking the watch Olivia had given him before he departed, he saw that the Majestic was going to arrive more than two hours early.

  A good start.

&nbs
p; He pitched the half-smoked cigarette over the rail and walked back along the promenade deck, quickening his pace as the skyscrapers of New York loomed behind him.

  Carpenter was first to leave the ship, having packed his trunk long before the Majestic sighted land. He walked down the gangplank, which had been covered in a rapidly dampening red carpet, nodded curtly to the tuxedo-clad steward, and stepped on to American soil.

  The heels of his boots crunched the settling snow as he walked along Pier 59 towards the White Star terminal. His passport and papers safely stamped, he pushed through the murmuring throng of waiting relatives and photographers and out on to the West Side Highway.

  “John Carpenter?”

  The voice hailed him from the corner of West Thirty-Fourth Street. Through the falling snow he could make out the shape of a man in a dark overcoat and hat, shifting his weight rapidly from one foot to the other, perhaps impatiently, perhaps in an attempt to stave off the rapidly plummeting temperature.

  “Who enquires?” Carpenter replied. As he spoke, he slipped his right hand into his coat pocket and gripped the wooden stake he had placed there before he disembarked.

  The man who stepped from the shadows was a short, rotund fellow in his mid-forties, wearing a brown tweed suit and a red and white polka dot bow tie. Above this garish neckwear was an alcohol-rouged face that beamed with benevolence, eyes twinkling beneath wildly bushy eyebrows, flanking a squat tomato nose that, in turn, nestled above an impressively wide moustache. The man wore a dark brown trilby, and he smiled broadly as Carpenter approached.

  “It is you,” he said, sounding relieved. “John Carpenter. You look exactly like your photograph.”

  “I say again,” Carpenter replied, his voice flat and even, “who enquires?”

  “Why, I’m Willis, Mr Carpenter. Bertrand Willis. I was given to believe you were expecting me, so I must confess I find myself—”