The Year's Best Dark Fantasy & Horror, 2013 Edition

by Paula Guran [editor]

  The third time . . . we’ll get to that.

  11/11/25

  Autumn of 1925 saw my existence in decline. Then I killed some guys and it was downhill in a wagon with no brakes from there.

  Trouble followed after a string of anonymous calls to my home. Heavy breathing and hang-ups. The caller waited until the dead of night when I was drunk and too addled to do more than slur curses into the phone. I figured it was some dame I’d miffed, or a lug I’d thrashed, maybe even somebody with a real grudge—a widow or an orphan. My detractors are many. Whoever it was only spoke once upon the occasion of their final call. Amid crackling as of a bonfire, the male voice said, “I love you son. I love you son. I love you son.”

  I was drunk beyond drunk and I fell on the floor and wept. The calls stopped and I put it out of my mind.

  Toward the end of September I hit a jackpot on a twenty to one pony and collected a cool grand at the window, which I used to pay off three markers in one fell swoop. I squandered the remainder on a trip to Seattle, embarking upon a bender that saw me tour every dance hall and speakeasy from the harbor inland. The ride lasted until I awakened flat broke one morning in a swanky penthouse suite of the Wilsonian Hotel in the embrace of an over-the-hill burlesque dancer named Pearl.

  Pearl was statuesque, going to flab in the middle and the ass. Jesus, what an ass it was, though. We’d known one another for a while—I courted her younger sister Madison before she made for the bright lights of Chi-Town. Last I heard, she was a gangster’s moll. Roy Night, a button man who rubbed out guys for Capone, could afford to keep Maddie in furs and diamonds and steak dinners. Good for her. Pearl wasn’t any Maddie, but she wasn’t half bad. Just slightly beaten down, a little tired, standing at the crossroads where Maddie herself would be in six or seven years. Me, I’d likely be dead by then so no time like the present.

  I was hung-over and broke, and with two of my last ten bucks tipped the kid who pushed the breakfast cart. He handed me the fateful telegram, its envelope smudged and mussed. I must’ve paid the kid off pretty well during my stay, because he pocketed the money and said there were a couple of men downstairs asking what room I was in. They’d come around twice the day before, too. Bruisers, he said. Blood in their eyes, he said.

  My first suspicion was of T-Men or Pinkertons. I asked him to describe the lugs. He did. I said thanks and told him to relay the gentlemen my room number on the sly and pick up some coin for his trouble. These were no lawmen, rather the opposite; a couple of Johnson brothers. Freelance guns, just like me.

  Bobby Dirk and Curtis Bane, The Long and The Short, so-called, and that appellation had nothing to do with their stature, but rather stemmed from an embarrassing incident in a bathhouse.

  I’d seen them around over the years, shared a drink or two in passing. Dirk was stoop-shouldered and sallow; Bane was stocky with watery eyes and a receding chin. Snowbirds and sad sack gamblers, both of them, which accounted for their uneven temperament and willingness to stoop to the foulest of deeds. Anybody could’ve put them on my trail. There were plenty of folks who’d be pleased to pony up the coin if it meant seeing me into a pine box.

  While Pearl dressed I drank coffee and watched rain hit the window. Pearl knew the party was over—she’d fished through my wallet enough times. She was a good sport and rubbed my shoulders while I ate cold eggs. She had the grip of a stonemason. “You’d better get along,” I said.

  “Why’s that?” she said.

  “Because, in a few minutes a couple of men are probably going to break down the door and try to rub me out,” I said, and lighted another cigarette.

  She laughed and kissed my ear. “Day in the life of Johnny Cope. See ya around, doll. I’m hotfooting it outta here.”

  I unsnapped the violin case and leaned it against the closet. I assembled the Thompson on the breakfast table, locking pieces together while I watched the rain and thought about Pearl’s ass. When I’d finished, I wiped away the excess cleaning oil with a monogrammed hotel napkin. I sipped the dregs of the coffee and opened a new deck of Lucky Strike and smoked a couple of them. After half an hour and still no visitors, I knotted my tie, slipped my automatic into its shoulder holster and shrugged on my suit jacket, then the greatcoat. Pacific Northwest gloom and rain has always agreed with me. Eight months out of the year I can comfortably wear bulky clothes to hide my weapons. Dad had always insisted on nice suits for work. He claimed Mr. Arden appreciated we dressed as gentlemen.

  The hall was dim and I moved quickly to the stairwell exit. Elevators are deathtraps. You’d never catch me in one. I could tell you stories about fools who met their untimely ends like rats in a box. I descended briskly, paused at the door, then stepped into the alley. A cold drizzle misted everything, made the concrete slick and treacherous. I lighted a cigarette and stuck it in the corner of my mouth and began to move for the street.

  For a couple of seconds I thought I had it made. Yeah. I always thought that.

  Curtis Bane drifted from the inset threshold of a service door about ten feet to the street side. He raised his hand, palm out to forestall me. I wasn’t buying. I hurled the empty violin case at his head and whipped around. And yes indeed, that rotten cur Bobby Dirk was sneaking up on my flank. I brought the trench broom from under my coat and squeezed off half the drum, rat-a-tat-tat. Oh, that sweet ratcheting burr; spurts of flame lighted the gloomy alley. Some of the bullets blasted brick from the wall, but enough ripped through a shocked and amazed Bobby Dirk to cut him nearly in half in a gout of black blood and smoke. What remained of him danced, baby, danced and flew backward and fell straight down, all ties to the here and now severed.

  Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trashcans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.

  Nobody had stuck their head into the alley to see what all the ruckus was about, nor did I hear sirens yet, so I took a moment to collect the dead men’s wallets and light a fresh cigarette. Then I gathered my Thompson and its case and retreated into the hotel stairwell to pack the gun, scrape the blood from my shoes and comb my hair. Composed, I walked out through the lobby a
nd the front door, winking at a rosy-cheeked lass and her wintery dame escort. A tear formed at the corner of my eye.

  Two cops rolled up and climbed from their Model T. The taller of the pair barely fit into his uniform. He cradled a shotgun. The other pig carried a Billy club. I smiled at the big one as we passed, eyes level, our shoulders almost brushing, the heavy violin case bumping against my leg, the pistol hidden in the sleeve of my coat, already cocked. My hand burned like fire and I was close to vomiting, and surely the pig saw the gory lump of my ear, the snail-trail of blood streaking my cheek. His piggy little eyes were red and dulled, and I recognized him as a brother in inveterate drunkenness. We all kept walking, violent forces drifting along the razor’s edge of an apocalyptic clash. They entered the hotel and I hopped a trolley to the train station. I steamed home to Olympia without incident, except by the time I staggered into the house and fell in a heap on the bed, I was out of my mind with agony and fever.

  I didn’t realize I’d been shot until waking to find myself lying in a pool of blood. There was a neat hole an inch above my hip. I plugged it with my pinky and went to sleep.

  Number three. A banner day. Dad would be so proud.

  Dick found me a day and a half later, blood everywhere, like somebody had slaughtered a cow in my bed. Miraculously, the wound had clotted enough to keep me from bleeding out. He took a long look at me (I was partially naked and had somehow gotten hold of a couple of bottles of the Bushmill’s, which were empty by this point, although I didn’t recall drinking them) and then rang Leroy Bly to come over and help salvage the situation as I was in no condition to assist. I think he was also afraid I might be far enough gone to mistake him for a foe and start shooting or cutting. Later, he explained it was the unpleasant-looking man watching my house from a catbird’s seat down the way that gave him pause. The guy screwed when Dick approached him, so there was no telling what his intentions were.

  The two of them got me into the tub. Good old Dr. Green swung by with his little black bag of goodies and plucked the bullet from my innards, clucking and muttering as he worked. After stitching me inside and out, he put a cast on my hand, bandaged my ear, and shot enough dope into me to pacify a Clydesdale, then gave me another dose for the fever. The boys settled in to watch over me on account of my helpless condition. They fretted that somebody from Seattle was gunning for payback. News of my rubbing out The Long and The Short had gotten around. Two or three of the Seattle bosses were partial to them, so it was reasonable to expect they might take the matter personally.

  Dick’s full name was Richard Stiff and he’d worked for the railroad since he was a boy, just as his father had before him. He was a thick, jowly lug with forearms as round as my calf. Unloading steel off boxcars all day will do that for a man. He was married and had eleven children—a devout Catholic, my comrade Dick. Mr. Arden used him on occasion when a bit of extra muscle was needed. Dick didn’t have the stomach for killing, but was more than happy to give some sorry bugger an oak rubdown if that’s what Mr. Arden wanted.

  The honest money only went so far. The best story I can tell about him is that when the railroad boys gathered for their union hall meetings roll call was done surname first, thus the man reading off the muster would request “Stiff, Dick” to signal his attendance, this to the inevitable jeers and hoots from the rowdy crowd. As for Leroy Bly, he was a short, handsome middle-aged Irishman who kept an eye on a couple of local speakeasies for the Arden family and did a bit of enforcement for Arden’s bookmakers as well. Not a button man by trade, nonetheless I’d heard he’d blipped off at least two men and left their remains in the high timber west of town. Rumor had it one of the poor saps was the boyfriend of a dame Bly had taken a shine to—so he was a jealous bastard as well. Nice to know, as I’d never been above snaking a fella’s chickadee if the mood was right.

  A week passed in a confusion of delirium tremens and plain old delirium. Half dead from blood loss, sure, but it was the withdrawal from life-succoring whiskey and tobacco that threatened to do me in.

  Eventually the fever broke I emerged into the light, growling for breakfast and hooch and a cigarette. Dick said someone from The Broadsword Hotel had called at least a dozen times—wouldn’t leave a message, had to speak with me personal like. Meanwhile, Bly informed me that Mr. Arden was quite worried about the untimely deaths of The Long and The Short. Dick’s suspicions that the powers that be wanted my hide proved accurate. It had come down through the bush telegraph I’d do well to take to the air for a few weeks. Perhaps a holiday in a sunnier clime. Bly set a small butcher paper package on the table. The package contained three hundred dollars of “vacation” money. Bly watched as I stuck the cash into my pocket. He was ostensibly Dick’s chum and to a lesser degree mine, however I suspected he’d cheerfully plant an ice pick between my shoulder blades should I defy Mr. Arden’s wishes. In fact, I figured the old man had sent him to keep tabs on my activities.

  I’d read the name of one Conrad Paxton scribbled on the back of a card in Curtis Bane’s wallet, so it seemed possible this mystery man dispatched the pair to blip me. A few subtle inquiries led me to believe my antagonist resided somewhere in Western Washington beyond the principle cities. Since getting shy of Olympia was the order of the day, I’d decided to track Paxton down and pay him a visit. To this effect, would the boys be willing to accompany me for expenses and a few laughs?

  Both Dick and Bly agreed, Bly with the proviso he could bring along his nephew Vernon. Yeah, I was in Dutch with Mr. Arden, no question—no way Bly would drop his gig here in town unless it was to spy on me, maybe awaiting the word to blip me off. And young master Vernon, he was a sad sack gambler and snowbird known for taking any low deed that presented itself, thus I assumed Bly wanted him to tag along as backup when the moment came to slip me the shiv. Mr. Arden was likely assessing my continued value to his family versus the ire of his colleagues in Seattle. There was nothing for it but to lie low for a while and see what was what after the dust settled.

  I uncapped a bottle and poured myself the first shot of many to come. I stared into the bottom of the glass. The crystal ball hinted this Conrad Paxton fellow was in for a world of pain.

  Later that afternoon I received yet another call from management at the Broadsword Hotel passing along the message that an old friend of my father’s, one Helios Augustus, desired my presence after his evening show. I hung up without committing, poured a drink and turned over the possibilities. In the end, I struggled into my best suit and had Dick drive me to the hotel.

  The boys smuggled me out the back of the house and through a hole in the fence on the off chance sore friends of The Long and The Short might be watching. I wondered who that weird bird lurking down the street represented—a Seattle boss, or Paxton, or even somebody on Arden’s payroll, a gun he’d called from out of town? I hated to worry like this; it gave me acid, had me jumping at shadows. Rattle a man enough he’s going to make a mistake and get himself clipped.

  I came into the performance late and took a seat on the edge of the smoky lounge where I could sag against the wall and ordered a steak sandwich and a glass of milk while the magician did his thing to mild applause.

  Helios Augustus had grown a bit long in the tooth, a portly figure dressed in an elegant suit and a cape of darkest purple silk. However, his white hair and craggy features complemented the melodic and cultured timbre of his voice. He’d honed that voice in Shakespearean theatre and claimed descent from a distinguished lineage of Greek poets and prestidigitators. I’d met him at a nightclub in Seattle a couple of years before the Great War. He’d been slimmer and handsomer, and made doves appear and lovely female assistants disappear in puffs of smoke. Dad took me to watch the show because he’d known Helios Augustus before the magician became famous and was dealing cards on a barge in Port Angeles. Dad told me the fellow wasn’t Greek—his real name was Phillip Wary and he’d come from the Midwest, son of a meat packer.

  I smoked and waited for the magician
to wrap up his routine with a series of elaborate card tricks, all of which required the assistance of a mature lady in a low-cut gown and jade necklace, a real duchess. The hand didn’t need to be quicker than the eye with that much artfully lighted bosom to serve as a distraction. As the audience headed for the exits, he saw me and came over and shook my hand. “Johnny Cope in the flesh,” he said. “You look like you’ve been on the wrong end of a stick. I’m sorry about your father.” He did not add, he was a good man. I appreciated a little honesty, so far as it went. Goodness was not among Dad’s virtues. He hadn’t even liked to talk about it.

  We adjourned to his dressing room where the old fellow produced a bottle of sherry and poured a couple of glasses. His quarters were plush, albeit cramped with his makeup desk and gold-framed mirror, steamer trunks plastered with stamps from exotic ports, a walnut armoire that scraped the ceiling, and shelves of arcane trinkets—bleached skulls and beakers, thick black books and cold braziers. A waxen, emaciated hand, gray as mud and severed at the wrist, jutted from an urn decorated with weird scrollwork like chains of teeny death’s heads. The severed hand clutched a black candle. A brass kaleidoscope of particularly ornate make caught my attention. I squinted through the aperture and turned the dial. The metal felt damnably cold. Jigsaw pieces of painted crystal rattled around inside, revealing tantalizing glimpses of naked thighs and breasts, black corsets and red, pouty smiles. The image fell into place and it was no longer a burlesque dancer primping for my pleasure. Instead I beheld a horrid portrait of some rugose beast—all trunk and tentacle and squirming maw. I dropped the kaleidoscope like it was hot.