The history of Rome. Book V

by Theodor Mommsen

  As to the poetical value of this dress we are no longer allowed to form any certain judgment; there still occur in our fragments several very charming sketches full of wit and liveliness - thus in the Prometheus Liber the hero after the loosing of his chains opens a manufactory of men, in which Goldshoe the rich (Chrysosandalos) bespeaks for himself a maiden, of milk and finest wax, such as the Milesian bees gather from various flowers, a maiden without bones and sinews, without skin or hair, pure and polished, slim, smooth, tender, charming. The life-breath of this poetry is polemics - not so much the political warfare of party, such as Lucilius and Catullus practised, but the general moral antagonism of the stern elderly man to the unbridled and perverse youth, of the scholar living in the midst of his classics to the loose and slovenly, or at any rate in point of tendency reprobate, modern poetry[24], of the good burgess of the ancient type to the new Rome in which the Forum, to use Varro's language, was a pigsty and Numa, if he turned his eyes towards his city, would see no longer a trace of his wise regulations. In the constitutional struggle Varro did what seemed to him the duty of a citizen; but his heart was not in such party-doings -"why" he complains on one occasion, "do ye call me from my pure life into the filth of your senate-house". He belonged to the good old time, when the talk savoured of onions and garlic, but the heart was sound. His polemic against the hereditary foes of the genuine Roman spirit, the Greek philosophers, was only a single aspect of this old-fashioned opposition to the spirit of the new times; but it resulted both from the nature of the Cynical philosophy and from the temperament of Varro, that the Menippean lash was very specially plied round the cars of the philosophers and put them accordingly into proportional alarm - it was not without palpitation that the philosophic scribes of the time transmitted to the "severe ma", their newly-issued treatises.

  Philosophizing is truly no art. With the tenth part of the trouble with which a master rears his slave to be a professional baker, he trains himself to be a philosopher; no doubt, when the baker and the philosopher both come under the hammer, the artist of pastry goes off a hundred times dearer than the sage. Singular people, these philosophers! One enjoins that corpses be buried in honey - it is a fortunate circumstance that his desire is not complied with, otherwise where would any honey-wine be left? Another thinks that men grow out of the earth like cresses. A third has invented a world-borer (Kosmotorounei) by which the earth will some day be destroyed.

  Postremo, nemo aegrotus quicquam somniat

  Tam infandum, quod non aliquis dicat philosophus.

  It is ludicrous to observe how a Long-beard - by which is meant an etymologizing Stoic - cautiously weighs every word in goldsmith's scales; but there is nothing that surpasses the genuine philosophers' quarrel - a Stoic boxing-match far excels any encounter of athletes. In the satire Marcopolis, peri archeis, when Marcus created for himself a Cloud-Cuckoo-Home after his own heart, matters fared, just as in the Attic comedy, well with the peasant, but ill with the philosopher; the Celer - di'-enos - leimmatos-logos, son of Antipater the Stoic, beats in the skull of his opponent - evidently the philosophic Dilemma - with the mattock.

  With this morally polemic tendency and this talent for embodying it in caustic and picturesque expression, which, as the dress of dialogue given to the books on Husbandry written in his eightieth year shows, never forsook him down to extreme old age, Varro most happily combined an incomparable knowledge of the national manners and language, which is embodied in the philological writings of his old age after the manner of a commonplace-book, but displays itself in his Satires in all its direct fulness and freshness. Varro was in the best and fullest sense of the term a local antiquarian, who from the personal observation of many years knew his nation in its former idiosyncrasy and seclusion as well as in its modern state of transition and dispersion, and had supplemented and deepened his direct knowledge of the national manners and national language by the most comprehensive research in historical and literary archives.

  His partial deficiency in rational judgment and learning - in our sense of the words - was compensated for by his clear intuition and the poetry which lived within him. He sought neither after antiquarian notices nor after rare antiquated or poetical words[25]; but he was himself an old and old-fashioned man and almost a rustic, the classics of his nation were his favourite and long-familiar companions; how could it fail that many details of the manners of his forefathers, which he loved above all and especially knew, should be narrated in his writings, and that his discourse should abound with proverbial Greek and Latin phrases, with good old words preserved in the Sabine conversational language, with reminiscences of Ennius, Lucilius, and above all of Plautus?

  We should not judge as to the prose style of these aesthetic writings of Varro's earlier period by the standard of his work on Language written in his old age and probably published in an unfinished state, in which certainly the clauses of the sentence are arranged on the thread of the relative like thrushes on a string; but we have already observed that Varro rejected on principle the effort after a chaste style and Attic periods, and his aesthetic essays, while destitute of the mean bombast and the spurious tinsel of vulgarism, were yet written after an unclassic and even slovenly fashion, in sentences rather directly joined on to each other than regularly subdivided. The poetical pieces inserted on the other hand show not merely that their author knew how to mould the most varied measures with as much mastery as any of the fashionable poets, but that he had a right to include himself among those to whom a god has granted the gift of "banishing cares from the heart by song and sacred poesy"[26].

  The sketches of Varro no more created a school than the didactic poem of Lucretius; to the more general causes which prevented this there falls to be added their thoroughly individual stamp, which was inseparable from the greater age, from the rusticity, and even from the peculiar erudition of their author. But the grace and humour of the Menippean satires above all, which seem to have been in number and importance far superior to Varro's graver works, captivated his contemporaries as well as those in after times who had any relish for originality and national spirit; and even we, who are no longer permitted to read them, may still from the fragments preserved discern in some measure that the writer "knew how to laugh and how to jest in moderation". And as the last breath of the good spirit of the old burgess-times ere it departed, as the latest fresh growth which the national Latin poetry put forth, the Satires of Varro deserved that the poet in his poetical testament should commend these his Menippean children to every one "who had at heart the prosperity of Rome and of Latium"; and they accordingly retain an honourable place in the literature as in the history of the Italian people[27].

  Historical Composition - Sisenna

  The critical writing of history, after the manner in which the Attic authors wrote the national history in their classic period and in which Polybius wrote the history of the world, was never properly developed in Rome. Even in the field most adapted for it - the representation of contemporary and of recently past events - there was nothing, on the whole, but more or less inadequate attempts; in the epoch especially from Sulla to Caesar the not very important contributions, which the previous epoch had to show in this field - the labours of Antipater and Asellius - were barely even equalled. The only work of note belonging to this field, which arose in the present epoch, was the history of the Social and Civil Wars by Lucius Cornelius Sisenna (praetor in 676). Those who had read it testify that it far excelled in liveliness and readableness the old dry chronicles, but was written withal in a style thoroughly impure and even degenerating into puerility; as indeed the few remaining fragments exhibit a paltry painting of horrible details[28], and a number of words newly coined or derived from the language of conversation. When it is added that the author's model and, so to speak, the only Greek historian familiar to him was Clitarchus, the author of a biography of Alexander the Great oscillating between history and fiction in the manner of the semi-romance which bears the name of Curtius
, we shall not hesitate to recognize in Sisenna's celebrated historical work, not a product of genuine historical criticism and art, but the first Roman essay in that hybrid mixture of history and romance so much a favourite with the Greeks, which desires to make the groundwork of facts life-like and interesting by means of fictitious details and thereby makes it insipid and untrue; and it will no longer excite surprise that we meet with the same Sisenna also as translator of Greek fashionable romances[29].

  Annals of the City

  That the prospect should be still more lamentable in the field of the general annals of the city and even of the world, was implied in the nature of the case. The increasing activity of antiquarian research induced the expectation that the current narrative would be rectified from documents and other trustworthy sources; but this hope was not fulfilled. The more and the deeper men investigated, the more clearly it became apparent what a task it was to write a critical history of Rome. The difficulties even, which opposed themselves to investigation and narration, were immense; but the most dangerous obstacles were not those of a literary kind.

  The conventional early history of Rome, as it had now been narrated and believed for at least ten generations; was most intimately mixed up with the civil life of the nation; and yet in any thorough and honest inquiry not only had details to be modified here and there, but the whole building had to be overturned as much as the Franconian primitive history of king Pharamund or the British of king Arthur. An inquirer of conservative views, such as was Varro for instance, could have no wish to put his hand to such a work; and if a daring freethinker had undertaken it, an outcry would have been raised by all good citizens against this worst of all revolutionaries, who was preparing to deprive the constitutional party even of their past Thus philological and antiquarian research deterred from the writing of history rather than conduced towards it.

  Varro and the more sagacious men in general evidently gave up the task of annals as hopeless; at the most they arranged, as did Titus Pomponius Atticus, the official and gentile lists in unpretending tabular shape - a work by which the synchronistic Graeco-Roman chronology was finally brought into the shape in which it was conventionally fixed for posterity. But the manufacture of city-chronicles of course did not suspend its activity; it continued to supply its contributions both in prose and verse to the great library written by ennui for ennui, while the makers of the books, in part already freedmen, did not trouble themselves at all about research properly so called. Such of these writings as are mentioned to us - not one of them is preserved - seem to have been not only of a wholly secondary character, but in great part even pervaded by interested falsification. It is true that the chronicle of Quintus Claudius Quadrigarius (about 676?) was written in an old-fashioned but good style, and studied at least a commendable brevity in the representation of the fabulous period. Gaius Licinius Macer (d. as late praetor in 688), father of the poet Calvus[30], and a zealous democrat, laid claim more than any other chronicler to documentary research and criticism, but his libri lintei and other matters peculiar to him are in the highest degree suspicious, and an interpolation of the whole annals in the interest of democratic tendencies - an interpolation of a very extensive kind, and which has passed over in part to the later annalists - is probably traceable to him.

  Valerius Antias

  Lastly, Valerius Antias excelled all his predecessors in prolixity as well as in puerile story-telling. The falsification of numbers was here systematically carried out down even to contemporary history, and the primitive history of Rome was elaborated once more from one form of insipidity to another; for instance the narrative of the way in which the wise Numa according to the instructions of the nymph Egeria caught the gods Faunus and Picus; with wine, and the beautiful conversation thereupon held by the same Numa with the god Jupiter, cannot be too urgently recommended to all worshippers of the so-called legendary history of Rome in order that, if possible, they may believe these things - of course, in substance. It would have been a marvel if the Greek novel-writers of this period had allowed such materials, made as if for their use, to escape them. In fact there were not wanting Greek literati, who worked up the Roman history into romances; such a composition, for instance, was the Five Books "Concerning Rome" of the Alexander Polyhistor already mentioned among the Greek literati living in Rome[31], a preposterous mixture of vapid historical tradition and trivial, principally erotic, fiction. He, it may be presumed, took the first steps towards filling up the five hundred years, which were wanting to bring the destruction of Troy and the origin of Rome into the chronological connection required by the fables on either side, with one of those lists of kings without achievements which are unhappily familiar to the Egyptian and Greek chroniclers; for, to all appearance, it was he that launched into the world the kings Aventinus and Tiberinus and the Alban gens of the Silvii, whom the following times accordingly did not neglect to furnish in detail with name, period of reigning, and, for the sake of greater definiteness, also a portrait.

  Thus from various sides the historical romance of the Greeks finds its way into Roman historiography; and it is more than probable that not the least portion of what we are accustomed nowadays to call tradition of the Roman primitive times proceeds from sources of the stamp of Amadis of Gaul and the chivalrous romances of Fouque - an edifying consideration, at least for those who have a relish for the humour of history and who know how to appreciate the comical aspect of the piety still cherished in certain circles of the nineteenth century for king Numa.

  Universal History - Nepos

  A novelty in the Roman literature of this period is the appearance of universal history or, to speak more correctly, of Roman and Greek history conjoined, alongside of the native annals. Cornelius Nepos from Ticinum (c. 650 - c. 725) first supplied an universal chronicle (published before 700) and a general collection of biographies - arranged according to certain categories - of Romans and Greeks distinguished in politics or literature or of men at any rate who exercised influence on the Roman or Greek history. These works are of a kindred nature with the universal histories which the Greeks had for a considerable time been composing; and these very Greek world-chronicles, such as that of Kastor son-in-law of the Galatian king Deiotarus, concluded in 698, now began to include in their range the Roman history which previously they had neglected. These works certainly attempted, just like Polybius, to substitute the history of the Mediterranean world for the more local one; but that which in Polybius was the result of a grand and clear conception and deep historical feeling was in these chronicles rather the product of the practical exigencies of school and self-instruction. These general chronicles, text-books for scholastic instruction or manuals for reference, and the whole literature therewith connected which subsequently became very copious in the Latin language also, can hardly be reckoned as belonging to artistic historical composition; and Nepos himself in particular was a pure compiler distinguished neither by spirit nor even merely by symmetrical plan.

  The historiography of this period is certainly remarkable and in a high degree characteristic, but it is as far from pleasing as the age itself. The interpenetration of Greek and Latin literature is in no field so clearly apparent as in that of history; here the respective literatures become earliest equalized in matter and form, and the conception of Helleno-Italic history as an unity, in which Polybius was so far in advance of his age, was now learned even by Greek and Roman boys at school. But while the Mediterranean state had found a historian before it had become conscious of its own existence, now, when that consciousness had been attained, there did not arise either among the Greeks or among the Romans any man who was able to give to it adequate expression. "There is no such thing", says Cicero, "as Roman historical compositio"; and, so far as we can judge, this is no more than the simple truth. The man of research turns away from writing history, the writer of history turns away from research; historical literature oscillates between the schoolbook and the romance. All the species of pure art -
epos, drama, lyric poetry, history - are worthless in this worthless world; but in no species is the intellectual decay of the Ciceronian age reflected with so terrible a clearness as in its historiography.

  Literature Subsidiary to History - Caesar's Report

  The minor historical literature of this period displays on the other hand, amidst many insignificant and forgotten productions, one treatise of the first rank - the Memoirs of Caesar, or rather the Military Report of the democratic general to the people from whom he had received his commission. The finished section, and that which alone was published by the author himself, describing the Celtic campaigns down to 702, is evidently designed to justify as well as possible before the public the formally unconstitutional enterprise of Caesar in conquering a great country and constantly increasing his army for that object without instructions from the competent authority; it was written and given forth in 703, when the storm broke out against Caesar in Rome and he was summoned to dismiss his army and answer for his conduct[32]. The author of this vindication writes, as he himself says, entirely as an officer and carefully avoids extending his military report to the hazardous departments of political organization and administration.