Delphi Complete Poetical Works of Matthew Arnold

by Matthew Arnold

  1880 is at first less fertile, but gives an amusing account of a semi-royal reception of Cardinal Newman at the Duke of Norfolk’s in May, and a very interesting series of letters from Pontresina in the autumn. Fortunately for us Mrs Arnold was not with him, and we profit by his letters to her. In one of them there is a very pleasing and probably unconscious touch. “Rapallo [the Duchess of Genoa’s husband] smokes the whole evening: but I think he has a good heart. And later still we have the curious and not uncharacteristic information that he is reading David Copperfield for the first time (whence no doubt its undue predominance in a certain essay), and the description of Burns as “a beast with splendid gleams,” a view which has been fully developed since. On February 21, 1881, there is another interview, flattering as ever, with Lord Beaconsfield, and later he tells M. Fontanes, “I never much liked Carlyle,” which indeed we knew. The same correspondent has the only references preserved to Dean Stanley’s death; but the magnificent verses which that death produced make anything else superfluous. They appeared in the first number of the Nineteenth Century for 1882, when New Year’s Day gives us a melancholy prediction. If “I live to be eighty [i.e., in some three years from the present moment], I shall probably be the only person in England who reads anything but newspapers and scientific publications.” Too gloomy a view, let us hope; yet with something in it. And a letter, a very little later, gives us interesting hints of his method in verse composition, which was to hunt a Dictionary (Richardson’s) for good but unusual words — Theophile Gautier’s way also, as it happens, though probably he did not know that.

  These later letters contain so many references to living people that one has to be careful in quoting from them; but as regards himself, there is of course no such need of care. That self-ruthlessness which always prevented him from scamping work is amazingly illustrated in one of October 1882, which tells how he sat up till five in the morning rewriting a lecture he was to deliver in Liverpool, and got up at eight to start for the place of delivery. Let us hope that a champagne luncheon there— “chiefly doctors, but you know I like doctors” — revived him after the night and the journey. And two months later he makes pleasant allusion to “that demon Traill,” in reference to a certain admirable parody of Poor Matthias. He had thought Mr Gladstone “hopelessly prejudiced against” him, and was proportionately surprised when in August 1883 he was offered by that Minister a pension of £250 for service to the poetry and literature of England. Few Civil List pensions have been so well deserved. But Mr Arnold, as most men of his quality would have been, was at once struck with the danger of evil constructions being put by the baser sort on the acceptance of an extra allowance from public funds by a man who already had a fair income from them, and a comfortable pension in the ordinary way to look forward to. Mr John Morley, however, and Lord Lingen, luckily succeeded in quieting his scruples, and only the very basest sort grumbled. The great advantage, of course, was that it enabled him to retire, as soon as his time was up, without too great loss of income.

  A lecturing tour to America was already planned, and October 7, 1883 is the last date from Cobham, “New York” succeeding it without any; for Mr Arnold had the reprehensible and, in official persons, rare habit of very constantly omitting dates, though not places. The St Nicholas Club, “a delightful, poky, dark, exclusive little old club of the Dutch families,” is the only place in which he finds peace. For, as one expected, the interviewers made life terrible. These American letters are interesting reading enough, but naturally tend to be little more than a replica of similar letters from other Englishmen who have done the same thing. As has been quite frankly admitted here, Mr Arnold never made any effort, and seldom seems to have been independently prompted, to write what are called “amusing” letters: he merely tells a plain tale of journeys, lectures, meals, persons, scenery, manners and customs, etc. Chicago seems to have vindicated its character for “character” by hospitably forcing him to eat dinner and supper “on end,” and by describing him in its newspapers as “an elderly bird pecking at grapes on a trellis.” The whole tour, including a visit to Canada, lasted nearly five months, and brought — not the profit which some people expected, but — a good sum, with wrinkles as to more if the experiment were repeated. And when he came back to England, the lectures were collected and printed.

  In February 1885 we have, addressed to his eldest daughter, then married and living in America, a definition of “real civilisation” as the state “when the world does not begin till 8 P.M. and goes on from that till 1 A.M., not later.” This is, though doubtless jestful, really a point de repère for the manners of the later nineteenth century as concerns a busy man who likes society. In the eighteenth, and earlier in the nineteenth, men as busy as Mr Arnold practically abstained from “the world” except quite rarely, while “the world” was not busy. The dachshunds come in for frequent mention.

  On a Sunday in May of this year comes the warning of “a horrid pain across my chest,” which, however, “Andrew Clark thinks [wrongly, alas!] to be not heart” but indigestion. The Discourses in America, for which their author had a great predilection, came out later. In August the pain is mentioned again; and the subsequent remark, “I was a little tired, but the cool champagne at dinner brought me round,” is another ominous hint that it was not indigestion. Two of the most valuable of all the letters come in October, one saying, “I think Oxford is still, on the whole, the place in the world to which I am most attached” [“And so say all of us”]; the other, after some notice of the Corpus plate, telling how “I got out to Hinksey and up the hill to within sight of the Cumnor firs. I cannot describe the effect which this landscape always has upon me: the hillside with its valleys, and Oxford in the great Thames valley below.” And this walk is again referred to later. He was pleased by a requisition that he should stand yet again for the Poetry Professorship, though of course he did not accede to it. And at the beginning of winter he had a foreign mission (his last) to Berlin, to get some information for the Government as to German school fees. He was much lionised, and seems to have enjoyed himself very much during his stay, the Crown Princess being specially gracious to him.

  Nor was he long in England on his return, though long enough to bring another mention of the chest pain, and an excellent definition of education — would there were no worse!— “Reading five pages of the Greek Anthology every day, and looking out all the words I do not know.” In February 1886 he was back again investigating the Swiss and Bavarian school systems; and that amiable animal-worship of his receives a fresh evidence in the mention and mourning of the death of “dear Lola” (not Montès, but another; in short, a pony), with a sigh for “a mèche of her hair.” The journey was finished by way of France towards the end of March. At Hamburg Mr Arnold was “really [and very creditably] glad to have had the opportunity of calling a man Your Magnificence,” that being, it seems, the proper official style in addressing the burgomaster. And May took him back to America, to see his married daughter and divers old friends. He remained there till the beginning of September, improving, as he thought, in health, but meeting towards the close an awkward bathing accident, which involved no risk of drowning, but gave him a shock that was followed by a week or two of troublesome attacks of pain across the chest. There is very much in the letters of the time about the political crisis of 1886. His retirement from official work came in November, and the letters are fuller than ever of delight in the Cobham landscape.

  But the warnings grew more frequent, and we know that long before this he had had no delusions about their nature. Indeed, it is doubtful whether he had ever had any, considering the fact of the malady, which had, as he says in a singularly manly and dignified commentatio mortis dated January 29, 1887, struck down his father and grandfather in middle life long before they came to his present age. He “refuses every invitation to lecture or make addresses.” The letters of 1887, too, are very few, and contain little of interest, except an indication of a visit to Fox How; while much
the same may be said of those, also few, from the early months of 1888. The last of all contains a reference to Robert Elsmere. Five days later, on April 15, a sudden exertion, it seems, brought on the fatal attack, and he died. He had outlived his grand climacteric of sixty-three (which he had thought would be “the end as well as the climax”) by two years and three months.

  Chapter VI. Conclusion.

  The personal matters which usually, and more or less gracefully, fill the beginning of the end of a biography, are perhaps superfluous in the case of a man who died so recently, and who was so well known as Mr Matthew Arnold. Moreover, if given at all, they should be given by some one who knew him more intimately than did the present writer. He was of a singularly agreeable presence, without being in the sense of the painter’s model exactly “handsome”; and in particular he could boast a very pleasant and not in the least artificial smile. Some artificiality of manner was sometimes attributed to him, I think rather unjustly; but he certainly had “tricks and manners” of the kind very natural to men of decided idiosyncrasy, unless they transcend all mere trick, after the fashion which we know in Scott, which we are sure of, without knowing, in Shakespeare. One of these Mr George Russell glances at in the preface to the Letters, a passage which I read with not a little amusement, because I could confirm it from a memory of my only conversation with Mr Arnold. He had been good-humouredly expostulating with me for overvaluing some French poet. I forget at the distance of seventeen or eighteen years who it was, but it was not Gautier. I replied in some such words as, “Well; perhaps he is not very important in himself, but I think he is ‘important for us,’ if I may borrow that.” So he looked at me and said, “I didn’t write that anywhere, did I?” And when I reminded him that he had told us how Sainte-Beuve said it of Lamartine, he declared that he had quite forgotten it. Which might, or might not, be Socratic.

  But I should imagine that the complaints of his affectations in ordinary society were as much exaggerated as I am sure that the opposite complaints of the humdrum character of his letters are. Somebody talks of the “wicked charm” which a popular epithet or nickname possesses, and something of the sort seems to have hung about “The Apostle of Culture,” “The Prophet of Sweetness and Light,” and the rest. He only deserved his finical reputation inasmuch as he was unduly given to the use of these catch-words, not because he in any undue way affected to “look the part” or live up to them. And as for the letters, it must be remembered that he was a very busy man, with clerical work of the official kind enough to disgust a very Scriblerus; that he had, so far as the published letters show us, no very intimate friend, male or (still better) female, outside his own family; and further, that the degeneration of the art of letter-writing is not a mere phrase, it is a fact. Has any of my readers many — or any — correspondents like Scott or like Southey, like Lamb or like FitzGerald, like Madame de Sévigné or like Lady Mary? He is lucky if he has. Indeed, the simplicity of the Letters is the very surest evidence of a real simplicity in the nature. In the so-called best letter-writers it may be shrewdly suspected that this simplicity is, with rare exceptions, absent. Scott had it; but then Scott’s genius as a novelist overflowed into his letters, as did Southey’s talent of universal writing, and Lamb’s unalterable quintessence of quaintness. But though I will allow no one to take precedence of me as a champion of Madame de Sévigné, I do not think that simplicity is exactly the note of that beautiful and gracious person; it is certainly not that of our own Lady Mary, or of Horace Walpole, or of Pope, or of Byron. Some of these, as we know, or suspect with a strength equal to knowledge, write with at least a sidelong glance at possible publication; some with a deliberate intention of it; all, I think, with a sort of unconscious consciousness of “how it will look” on paper. Of this in Mr Arnold’s letters there is absolutely no sign. Even when he writes to comparative strangers, he never lays himself out for a “point” or a phrase, rarely even for a joke. To his family (and it should be remembered that the immense majority of the letters that we possess are family letters) he is naturally more familiar, but the familiarity does not bring with it any quips or gambols. Only in the very early letters, and chiefly in those to Wyndham Slade, is there any appearance of second thought, of “conceit,” in the good sense. Later, he seems to have been too much absorbed in his three functions of official, critic, and poet to do more than shake hands by letter and talk without effort.

  But if he, as the phrase is, “put himself out” little as to letter-writing, it was by no means the same in those other functions which have been just referred to. In later years (it is Mr Humphry Ward, I think, who is our sufficient authority for it) poetry was but occasional amusement and solace to him, prose his regular avocation from task-work; and there is abundant evidence that, willingly or unwillingly, he never allowed either to usurp the place of the vocation which he had accepted. Not everybody, perhaps, is so scrupulous. It is not an absolutely unknown thing to hear men boast of getting through their work somehow or other, that they may devote themselves to parerga which they like, and which they are pleased to consider more dignified, more important, nearer the chief end of man. And from the extremely common assumption that other people, whether they confess this or not, act upon it, one may at least not uncharitably suppose that a much larger number would so act if they dared, or had the opportunity. This was not Mr Arnold’s conception of the relations of the hired labourer and the labour which gains him his hire. Not only does he seem to have performed his actual inspecting duties with that exact punctiliousness which in such cases is much better than zeal, but he did not grudge the expenditure of his art on the requirements, and not the strict requirements only, of his craft. The unfitness of poets for business has been often enough proved to be a mere fond thing vainly invented; but it was never better disproved than in this particular instance.

  Of the manner in which he had discharged these duties, some idea may be formed from the volume of Reports which was edited, the year after his death, by Sir Francis Sandford. It would really be difficult to imagine a better display of that “sweet reasonableness,” the frequency of which phrase on a man’s lips does not invariably imply the presence of the corresponding thing in his conduct. It would be impossible for the most plodding inspector, who never dared commit a sonnet or an essay, to deal with his subject in a way showing better acquaintance with it, more interest in it, or more business-like abstinence from fads, and flights, and flings. Faint and far-off suggestions of the biographer of Arminius may, indeed, by a very sensitive reader, be discovered in the slightly eccentric suggestion that the Latin of the Vulgate (of which Mr Arnold himself was justly fond) should be taught in primary schools, and in the rather perverse coupling of “Scott and Mrs Hemans.” But these are absolutely the only approaches to naughtiness in the whole volume. It is a real misfortune that the nature of the subject should make readers of the book unlikely to be ever numerous; for it supplies a side of its author’s character nowhere else (except in glimpses) provided by his extant work. It may even be doubted, by those who have read it, whether “cutting blocks with a razor” is such a Gothamite proceeding as it is sometimes held to be. For in this case the blocks are chopped as well as the homeliest bill-hook could do it; and we know that the razor was none the blunter. At any rate, the ethical document is one of the highest value, and very fit, indeed, to be recommended to the attention of young gentlemen of genius who think it the business of the State to provide for them, and not to require any dismal drudgery from them in return.

  But the importance of Mr Arnold to English history and English literature has, of course, little or nothing to do with his official work. The faithful performance of that work is important to his character; and the character of the work itself colours very importantly, and, as we have seen, not perhaps always to unmitigated advantage, the nature of his performances as a man of letters. But it is as a man of letters, as a poet, as a critic, and perhaps most of all as both combined, that he ranks for history and for the
world.

  A detailed examination of his poetic performance has been attempted in the earlier pages of this little book, as well as some general remarks upon it; but we may well find room here for something more general still. That the poet is as much above the prose-writer in rank as he is admittedly of an older creation, has always been held; and here, as elsewhere, I am not careful to attempt innovation. In fact, though it may seem unkind to say so, it may be suspected that nobody has ever tried to elevate the function of the prose-writer above that of the poet, unless he thought he could write great prose and knew he could not write great poetry. But in another order of estimate than this, Mr Arnold’s poetic work may seem of greater value than his prose, always admirable and sometimes consummate as the latter is, if we take each at its best.