The Way of the Wizard

by John Joseph Adams

  They were far out of town, he realized, all alone in the empty but not desolate countryside. The bank was soft with mosses. Gannin Thidrich recovered his breath almost at once; Halabant took longer, but before long she too was breathing normally. Her face was flushed and mottled with signs of strain, though, and she was biting down on her lip as though trying to hold something back, something which Gannin Thidrich understood, a moment later, to be tears. Abruptly she was furiously sobbing. He held her, tried to comfort her, but she shook him off. She would not or could not look at him.

  “To be so weak—” she muttered. “I was going under. I almost drowned. And to have you see it—you—you—”

  So she was angry with herself for having shown herself, at least in this, to be inferior to him. That was ridiculous, he thought. She might be a master sorcerer and he only a novice, yes, but he was a man, nevertheless, and she a woman, and men tended to be physically stronger than women, on the average, and probably that was true among otters too. If she had displayed weakness during their wild swim, it was a forgivable weakness, which only exacerbated his love for her. He murmured words of comfort to her, and was so bold to put his arm about her shoulders, and then, suddenly, astonishingly, everything changed, she pressed her bare body against him, she clung to him, she sought his lips with a hunger that was almost frightening, she opened her legs to him, she opened everything to him, she drew him down into her body and her soul.

  Afterward, when it seemed appropriate to return to the city, it was necessary to call on her resources of sorcery once more. They both were naked, and many miles downstream from where they needed to be. She seemed not to want to risk returning to the otter form again, but there were other spells of transportation at her command, and she used one that brought them instantly back to West Triggoin, where their clothing and even the rope with which Gannin Thidrich had bound himself were lying in damp heaps near the place where he had thrown himself into the river. They dressed in silence and in silence they made their way, walking several feet apart, back to her flat.

  He had no idea what would happen now. Already she appeared to be retreating behind that wall of untouchability that had surrounded her since the beginning. What had taken place between them on the riverbank was irreversible, but it would not transform their strange relationship unless she permitted it to, Gannin Thidrich knew, and he wondered whether she would. He did not intend to make any new aggressive moves without some sort of guidance from her.

  And indeed it appeared that she intended to pretend that nothing had occurred at all, neither his absurd suicide attempt nor her foiling of it by following him to the river and turning them into otters nor the frenzied, frenetic, almost insane coupling that had been the unexpected climax of their long swim. All was back to normal between them as soon as they were at the flat: she was the master, he was the drudge, they slept in their separate rooms, and when during the following day’s lessons he bungled a spell, as even now he still sometimes did, she berated him in the usual cruel, cutting way that was the verbal equivalent of transforming him once again into a sandroach. What, then, was he left with? The taste of her on his lips, the sound of her passionate outcries in his ears, the feel of the firm ripe swells of her breasts against the palms of his hands?

  On occasions over the next few days, though, he caught sight of her studying him surreptitiously out of the corner of her eye, and he was the recipient of a few not so surreptitious smiles that struck him as having genuine warmth in them, and when he ventured a smile of his own in her direction it was met with another smile instead of a scowl. But he hesitated to try any sort of follow-up maneuver. Matters still struck him as too precariously balanced between them.

  Then, a week later, during their morning lesson, she said briskly, “Take down these words: Psakerba enphnoun orgogorgoniotrian phorbai. Do you recognize them?”

  “No,” said Gannin Thidrich, baffled.

  “They are the opening incantation of the spell known as the Sublime Arcanum,” said Halabant.

  A thrill rocketed down his spine. The Sublime Arcanum at last! So she had decided to trust him with the master spell, finally, the great opener of so many gates! She no longer thought of him as a fool who could not be permitted knowledge of it.

  It was a good sign, he thought. Something was changing.

  Perhaps she was still trying to pretend even now that none of it had ever happened, the event by the riverbank. But it had, it had, and it was having its effect on her, however hard she might be battling against it, and he knew now that he would go on searching, forever if necessary, for the key that would unlock her a second time.

  Wendy N. Wagner’s first novel, Her Dark Depths, is forthcoming from the small press Virtual Tales. Her short fiction has appeared in the anthology 2012 A.D. and in the online magazine Crossed Genres. In addition to her fiction writing, she has conducted interviews for horror-web.com. She shares her Portland, Oregon, home with one painting husband, one brilliant daughter, and no zombies. Her website is winniewoohoo.com.

  When most of us think of dwarves, we think of Snow White’s seven friends, adorable and friendly. Or perhaps the noble lords of the underground that Tolkien portrayed in The Lord of the Rings. But the ancient Norse myths painted an image of a darker, subterranean race, a race firmly linked with stone and greed and evil. Of all the origin-tales, the dwarf in our next story is closest to these ancient dwarves—and yet nothing like them at all.

  Rugel is the last of his kind, a dwarf alone in the world and lost from his moorings. He’s a thief and a trickster, a murderer and an unwilling wizard. Now his wanderings have brought him back to his childhood home, where he must confront himself and the shambles of his life.

  Wagner says that this story is about a man who spends his whole life running away from incredible pain and loss, a man who is afraid to make a life for himself. “But luckily,” she says, “it’s also about the transformative power of love and the ways it can give even the most desperate person courage and power.”

  Now that’s magic.

  The Secret of Calling Rabbits

  Wendy N. Wagner

  The breeze shifted as Rugel ran, and he caught a scent upon it, sweet and strong, a scent that reached into the depths of his memories and twanged them. He lost his footing at the power of it, and he threw himself into a bush beside the path, gasping. He preferred running to hiding, but he couldn’t run with that scent thickening the air.

  His pursuer shouted again. “Wait! Show me how you did that!” Her voice distracted him from the smell of the past; it focused his mind on the pressing problem of survival. He should have never come back to this place.

  She came closer, and Rugel peeked out at the little girl on the path. Her knees, bared by her too-short shift, were scabbed and grass-stained as she spun a slow searching circle. Rugel crouched further down inside the currant bush. He was a dwarf—though “dwarf” was a generous measure of someone his size—and he had a gift for going unseen; perhaps the girl would lose sight of him.

  “Please!” the girl cried. She stopped in front of the bush, picking out his gnarled face from the tangle of undergrowth. “I saw you call the rabbit.”

  Rugel cursed to himself. He should never have summoned the hare, or, having called it, he ought to have killed it. Now he’d go hungry, and this Big creature had seen him. But it was a child Big, he thought with a measure of hope, and children were easily scared.

  “Go away!” he growled.

  She stood solid, brown eyes fierce.

  He tried again. “I’ll kill ya!”

  Her lip trembled at his words, but not much. She had seen him pet the hare. Now she could not imagine him performing violence. He had killed before, both animals and humans—although never children, only grown men bent on harm—but she did not know that. She had only seen a very small man, tiny as herself, running his fingertips over the calm back of a brown rabbit.

  He straightened himself up out of the currant bush. “You’ve got to have
dwarf magic to call animals, girl,” he called. “You don’t have it.”

  “Can’t I learn it?”

  “No.” He barked the word. Two hundred years of running and hiding and sneaking around the edges of the world had given him a voice as leathery and tough as his face. It should have sent her home crying.

  And it did. Or it did start her crying, anyway. Even dripping tears she stood fast, staring at him while her shoulders quaked without sound. He could hardly stand to look at all that mute unhappiness.

  Face half-twisted away, he grumbled: “Why are you crying?”

  “I’m so lonely,” she whispered. “Peter’s sick and Mama’s milk dried up so they had to sent the baby to Auntie Relda’s. And Papa’s farming all day and hunting all night to pay the witching bill. I’m all alone.” The tears grew larger and the quaking grew stronger. A tiny sound came up in her throat, barely audible.

  The sound pained his ears. He didn’t like the sounds children made when they were unhappy, and he didn’t understand her story. But he knew alone. He stepped away from the currant bush. “Who’s Peter?”

  She swiped the snot from her face with her sleeve. “My brother. He stepped on a nail last week and then he couldn’t move his leg. So Eva the Witch put him on a cot in her house and bound his ankles with magic cord and rubbed his whole body with tincture of mandrake root.”

  Mandrake. That was the smell. Rugel shivered.

  He should have never come back to this place.

  The girl had caught her breath and now added, in a pleased voice, “I’m going to be a witch like her when I grow up.”

  He examined her face and could tell by looking that she was right. There was human magic pricking in the back of her eyes. Right now if she put her mind to it, she probably could call that hare out of the bush. But he wasn’t going to tell her that.

  His silence did not discourage her. “Papa says our village is cursed.”

  “Yes?” Feeling a story coming, Rugel sat down to take the weight off his feet. They ached sometimes. He’d like a better pair of boots, but he was only a so-so shoemaker. Maybe he would steal a pair, the next village.

  The girl squatted so she could still see his face. “It rained so much this winter the rye fields washed away. That’s something bad.” She lowered her voice. “And I heard Papa tell Eva he thought there was something in the woods stealing our luck. Maybe something as bad as a hobgoblin.”

  With his wizened brown face, Rugel had been called worse things. And he’d stolen plenty. Once his people had practiced the arts of calling ore from the dark places of the earth, of spinning straw into gold, but this was great earth-magic, and he, the last of the dwarves, did not dare such workings. He made do with safer, minor talents: animal charming, theft, invisibility. But not here. Even those shabby excuses for magic were too risky in this forest that reeked with the stink of mandrake.

  The little girl settled onto her bottom, stretching her legs in front of her with a sound of contentment.

  “I’m Rachel,” she announced.

  He grunted. Her eyes were as round as a hare’s as she stared at him. She expected him to introduce himself, he realized. And for the first time since he was very young, he was tempted to tell someone—this girl—his name. He hadn’t heard his name spoken in another’s voice in so, so long.

  He jumped to his feet. “I’ve got to go.”

  “Will I see you again?” She sounded excited, tangling her legs in her hurry to catch up with him.

  “Maybe, maybe not,” he called over his shoulder, and drawing on all his woods-craft, disappeared into the bracken. An odd piece of him wanted to hide and watch her enjoy his disappearing act. But instinct and habit kept him running. Instinct, and a breeze carrying the graveyard smell of mandrake.

  Rugel didn’t want to see the girl again. He told himself that as he followed the game trails, fouling the wires of any un-sprung rabbit snares he found. It was a tiny revenge undersized for its risk. The men of village were already on-edge. If they caught him, they’d tip to violence.

  He pinched a wire between his fingers, feeling a fading warmth. The trap was freshly sprung, the rabbit twitching when Rugel came across it. He could use magic to melt that wire, heat it until it boiled in the palm of his hand. It would be easy; there was so much power waiting in the rich earth of this place. It called to him and the quiet coals of magical talent hidden within him.

  He struggled to resist the temptation to soak up power and blast every last wire snare in the forest. He was painfully close to the village. If he scaled the boulder beside him, he could see the roofs of the little town. It was smaller than the dwarven village they’d built it over. He refused to look at it. And if he allowed himself to use magic now, he’d never get away from that sight.

  Slipping the rabbit into his pack, he looked at the warren entrance hidden in the lee of the boulder. The trapper had sought it out, placing his snare where the rabbits would pass it going in and out of their burrow. Placing death where an animal expected only the security of home.

  That was humans, all right.

  There was a bitter taste in Rugel’s mouth as he picked his way back to his little camp. He moved every night, caching his gear before setting out for the day’s errands. He’d never stayed so long in one place. But he’d never come back to this place before, never seen Bigs in the forest his people had replanted and nurtured. Stealing their catch and breaking their traps felt too right for him to just move on without doing so.

  Rugel pulled the rabbit’s hind-leg loose of its flop-limbed body and began to gnaw it. Once he had eaten meat cooked well, spiced and sauced by his mother, the best cook in his village. But he’d learned early on not to risk fire. There’d been times men had found him, had taken one look at his lumpy face and tried to capture him.

  They always wanted something. Gold, usually, the famed dwarven gold of all the stories, never mind that his people never had any use for that too-soft stone. And the Bigs that didn’t want gold wanted his luck. His little hands, his little feet, anything tiny and portable was fair game for a trophy, just like the rabbit’s foot he was carefully nibbling around; its claws were sharp.

  He cast the paw deep into the brush. Soon enough something would clean it up. He had no fears humans would connect it to him. In the stories, dwarves never ate rabbit.

  Rugel eyed the other rabbit leg, its lucky foot still hairy and dirty, and couldn’t bring himself to bite into it. He was old. He was sick of the taste of raw meat. And there wasn’t a soul alive who knew his name. He got to his feet. Maybe he’d try tickling trout for a real dinner.

  The creek was cool, shadowed by thickets of willow grown tightly together, made impenetrable with lashings of vine and ivy. Here, where it meandered into a curve, the creek made a pool, deep and dark, overhung by an enormous alder. The alder’s pale trunk was lapped all over by the green tongues of lungwort. Rugel made a note to come back and collect the viridian lichen; it was good for bandaging wounds.

  He was ashamed that such herblore was the extant of his healing practice, but life on the run precluded the use of greater magics. Once as a child, he had assisted his father as he healed a deer, its shoulder singed down to the muscle by the same wildfire that had swallowed the forest. Once he had helped his mother push disease out of an oak tree weakened by lightning strikes. But that was all earth magic, fed by the land itself. Every bit a dwarf used bound him more tightly to the soil he drew it from. When the Elders worked their great works, they became as rooted to the land as the alder with its lungwort.

  He blinked up at the tree, and wondered who had planted it after the wildfires, which dwarf dead and gone. He had tried to keep all of their names fresh in his memory, but they had faded out one by one, till even his little sister’s name eluded him. It was something like Lily, he thought. He wished he could remember.

  He hunkered at the edge of the pool, sharpening an alder stick in readiness as a spear. He was not a good trout tickler, and expected the need to f
all back on the spear to supplement his fish dinner. It would be bloody and ugly, but he was used to that.

  A scream from the willow thickets made him jerk his knife and jab the palm of his hand.

  With a curse, he dropped the stick. He snapped off a strip of lungwort and pressed it against the cut, listening again for the voice in the willows. He didn’t need to hear it a second time to know it was the girl’s voice.

  She was crying. The first sound had been a shriek of pain, but now she was sobbing, whimpering. She sounded badly hurt.

  “Stay away from her,” he whispered to himself. “It’ll just be trouble. Look at all those fish, waiting for you to catch them.” He forced his eyes to the pond. A fish struck; he saw the ripples of it.

  But the girl was still crying.

  He put his knife in his belt pouch and ran into the thicket.

  The willows grew densely, impenetrable for someone without Rugel’s woodcraft, but he barely noticed the branches clawing at his face or the vines twisting around his ankles. A sense of urgency pulled him forward. The image of the girl as he had seen her last rose up in his memory. She had stood there in her homespun shift, as eager and nervous on the forest path as a young hare, with the same dark and liquid eyes. Curiosity had made her brave back there. Curiosity had probably gotten her hurt.

  He felt certain of it as he slipped through the last tangle of willow. He stood in a small bright space, a pocket meadow made when an ancient oak toppled, its body flattening the tender ash saplings around it. He couldn’t help noticing the fire scars on its aged trunk. It was older even than he.