The Night Mark

by Tiffany Reisz

  “You don’t want to find your true love?” he teased. “Or drown trying?”

  “I just got divorced.”

  Ty shrugged. “Nobody wants to be alone.”

  “I do. I’m never getting married again—that’s for sure.”

  “You say that now...”

  Faye shook her head, tried not to smile. Had she been this sure of herself at twenty-two? Probably. She wouldn’t tell him he’d be awash with self-doubt by thirty. Maybe he was one of the lucky ones blessed with eternal certainty of purpose. Once she thought she knew it all, too. All Faye knew now was that she knew nothing except what she’d told Ty—she never wanted to be anyone’s wife ever again.

  While pretty and picturesque, Faye didn’t see anything on the south shore of the island worth photographing. No houses, no landmarks, no rock formations or wildlife. Only sand and grass and trees. Ty started the boat back up, and they made their way around a bend to the north shore of the island.

  And there it was.

  Faye stood up and gripped the gunwale, camera momentarily forgotten.

  The lighthouse appeared like something from a dream or a painting of a dream. Solid white and shimmering wet after a recent rain, it shone like a pillar of pure moonstone. The roof of the lighthouse was black and glinting and below it the widow’s walk around the lantern room was like an iron choker. The glass panels surrounding the lantern room looked intact, and in the evening sunlight they winked and flashed, casting the illusion that the beacon inside still burned. True, the paint was peeling and the stone facade chipped and cracked, but it was magnificent, dignified and elegant, like an English stage actor who’d played Hamlet in his youth and in his later years strode the boards as Lear. Once a mad prince, now a mad king.

  “You like it?” Ty asked.

  “I love it,” she breathed.

  “It’s not bad,” Ty said. “Only one on the East Coast with a solid white day mark.”

  “Day mark?” Faye repeated.

  “Lighthouses have a day mark and a night mark. The day mark is what they call the paint job,” Ty said. “Some lighthouses have wild paint jobs. I’ve seen candy stripes and diamond patterns, red stripes and black stripes.”

  “And the night mark?”

  “The night mark is the pattern the light flashed. Some lighthouses had a steady beam. Some lights flashed. That’s how navigators told lighthouses apart. Every part of a lighthouse had a use. You have electronics and radar and sonar and GPS on boats now. Imagine trying to get from here to Maine without any of that.”

  “I couldn’t get from Columbia to Beaufort without my GPS.”

  “Yeah, I’d last three days if that before I ran into a sandbar or reef. Lighthouses saved a shit ton of lives.” Ty narrowed his eyes at the lighthouse and shook his head. “Probably won’t last much longer before it falls into the ocean.”

  “I’ll make it immortal,” Faye said, pulling her camera out of her bag. She lifted it to her eye and got off a few dozen shots as quickly as she could. Despite sitting on the very edge of the water, the lighthouse looked secure enough to climb if she could find a way to it. It sat on a base of rock four feet or more above the sand. Behind it she saw another line of rock.

  “What’s back there?” Faye asked, pointing at the rocks.

  “Probably where the keeper’s cottage stood,” Ty said, squinting at the shore. “It was a nice job if you could get it. You get a house and you go to work ten feet from your back door. The beach is your front lawn. Of course, you have to climb about a million stairs a day. And there’s nobody else for miles around if you get hurt or get sick. And when the hurricane hits, you got nowhere to go except inside the lighthouse.”

  “That sounds like my dream job,” Faye said. “I’d take pictures of the beach every single day and watch it change through the seasons. And I’d have killer quads climbing those stairs three and four times a day.”

  “Sounds boring as shit to me,” Ty said.

  “Maybe I was a lighthouse keeper in my past life.”

  “Maybe you were boring as shit in your past life.”

  “Distinct possibility,” she said, getting off a couple more shots as they rounded the island’s northern shore.

  “It’s a shame the lighthouse is locked away on a private island. It should be open to the public.”

  “What? You want tourists climbing up and down it every day, putting their gum on the steps and tossing their Coke bottles off the top?”

  “Maybe not. But I want to climb it,” Faye said. She didn’t want to climb it. She needed to climb it.

  “I’m sure there’s a way. Just not from here. You can’t see it from here, but there’s one nasty sandbar under the water by the pier.”

  “It’s okay. I’ll find a way out there. I’ll sweet-talk anyone I need to.”

  Near the base of the lighthouse, Faye noticed the remnants of an old pier, thick, rotting wood pillars poking out of the water like a hundred tiny islands. At the last pillar where the pier had once ended, Faye saw a bird land—a white bird with a long bill and a blue-black head.

  “Ty? Do you know what that is?” She pointed at the bird. Ty narrowed his eyes. She handed him the binoculars and he peered through them. He laughed.

  “Somebody must be having a baby,” he said.

  “What is it?”

  “A stork. A wood stork.”

  “Do you see wood storks around here often?” she asked.

  “Never seen one out here. Not too many of them around anywhere.”

  “I swear to God that very same bird or its identical twin was perched on my balcony at six o’clock this morning. Bizarre.” She didn’t tell Ty about seeing a bird just like it when she’d scattered Will’s ashes. She liked Ty and didn’t want him thinking she was imagining things like birds stalking her.

  “You sure you aren’t pregnant?” Ty asked.

  “If I were, I’d still be married.”

  “Just checking. I mean, you know how storks are.”

  Faye stared across the water at the stork. It turned its large head and seemed to stare back at her.

  “I had this baby book once,” Faye said. “Don’t ask me why, doesn’t matter. But it had a whole chapter on the stork symbol. Supposedly in Egyptian mythology, the stork was the symbol of ‘ba’ or the soul. While a person slept, their soul would fly in the form of a stork and come back to him. They could even carry the souls of the dead back to the body. I think. Read it a long time ago.”

  “That stork is carrying some dead guy’s soul? I like babies better. Long as it’s not my baby.”

  “Can you kill the engine? I don’t want to scare it away.”

  Ty cut the engine and peered through the binoculars again. Faye lifted her camera to her eye but took no pictures. She was waiting. She sensed the second her shutter snapped the bird would fly off, and she would lose the shot. She had to get it right the first time.

  The boat bobbed in the water, drifting ever closer to the pier. The shot lined up the way she wanted—the lighthouse filled the background, the pillar and the stork were left of center and the trees formed a frame on either side.

  One...two...three...

  Faye clicked the shutter and got off as many shots as she could in quick succession. Her instincts had been right. As soon as the clicking reverberated over the water, the bird took off. Faye couldn’t have planned it better. The wood stork soared into the sky, heading straight toward the sun fearless as Icarus, and she captured every last beat of its wings.

  “Perfect,” she said, flipping the camera over. She scrolled through the pictures, creating a sort of flipbook as the bird tensed, stretched its wings and then launched itself into the sky. She scrolled backward and set the stork back down onto the pier like magic.

  “Damn,” Ty said, glancing over Faye’s shoulder. “You’re good.” His shoulder butted against hers, and he seemed genuinely impressed by her work.

  “I’m not bad.”

  “You make much money doin
g this?” he asked.

  “I didn’t become a photographer for the money. Nobody does, I promise.”

  “Why’d you do it, then?”

  “When I was younger, I thought I wanted to be a photojournalist. A modern Dorothea Lange.”

  “Who?”

  “You’ve seen her pictures. She took photographs of migrant workers during the Great Depression. People in bread lines, starving people, people driving across the country to get jobs picking fruit in California. When those pictures were published, it woke the country up. FDR’s New Deal might not have happened without her pictures. Before her the poor were seen as defective, as inferior. She took beautiful pictures of poor people, dignified pictures. People saw themselves in the suffering. They saw the humanity. One photographer, one woman, in the right place and the right time could change the world.”

  “You gonna change the world?”

  “That was the plan. Once upon a time. But every college kid thinks they can save the world.” She grinned at him, and he rolled his eyes. “But it’s a hard gig to get into, the changing-the-world gig. I settled for working at a tiny newspaper in Rhode Island out of college. Newspaper jobs are nearly impossible to get now. Good thing my ex-husband had money or I might have starved. Or worse, had to get a real job.”

  She joked about it, but the truth was, she regretted letting Hagen’s money keep her at home when what she should have done was go back to work doing what she loved. But when they’d gotten married she’d been in no shape to save the world. She could barely get out of bed the morning of their wedding. So what was stopping her now?

  “Dorothea Lange took pictures of people suffering from the Great Depression and the Dust Bowl, and now the Social Security Administration and Medicaid exist. I take pictures of lighthouses for desk calendars. So much for saving the world.”

  “Hey,” Ty said, “your pictures could save that lighthouse. It’s a piece of history. That light saved lives, and you can return the favor. People see that lighthouse and they start to care about it. Out of sight, out of mind, right? So isn’t the reverse in sight, in mind? Maybe if somebody like you took pictures of these islands a hundred years ago, they wouldn’t be in the shape they are now. And even when that lighthouse is gone, when all the islands are gone, we’ll have your pictures. Better than nothing.”

  “Right. Better than nothing.”

  Faye smiled and looked at her pictures again. She couldn’t believe her luck. A dozen gorgeous shots, any one of them could grace the cover of the calendar. A home run on her first at bat. That never happened.

  Ty started the boat’s engine up again. With a relaxed, practiced air, he steered them around the ruins of the pier and back into open water.

  “Where to now?” Faye asked, slipping her camera back into her bag.

  “Dinner. Oysters if you can handle it.”

  “I can handle oysters. You buying?” she teased. She’d never make a college kid buy her dinner.

  “How about this? I’ll give you the oysters in exchange for the clam.”

  Faye stared at him. “That is the grossest thing anyone has ever said to me. I’m almost impressed. No, I am impressed. Good job.” She slapped him on the back.

  “Thank you, baby. I’ll be here all week.”

  Faye was too amused and too happy to be offended. Not that Ty could offend her if he tried. After four years in a bad marriage, one dirty pussy joke couldn’t begin to ding her armor. Oh, but that smile of Ty’s, that sweet, sexy smile could. It wriggled its way through the chinks in her chain mail.

  Tonight she was going to make very bad decisions.

  The rest of the evening passed in a blur. Faye and Ty both had a little to drink at dinner and then a lot to drink back at the Church Street house. So it wasn’t that much of a rude awakening to find Ty still in her bed when she woke up around 3:00 a.m.

  He lay on his stomach, facing away from her, looking so painfully young and terribly sweet. She forced down any guilt she might have felt. This hadn’t been his first time, and it wouldn’t be his last. Might not even be his last time tonight. She’d almost told him during their first round that it was the best sex she’d had since getting married, but she kept that comment to herself. After all, Hagen had set a low bar.

  Faye slipped out of bed, put on her bathrobe and went to the bathroom. Ty stirred as she slid back in next to him.

  “Just me,” she whispered as Ty rolled over to face her.

  “Did I fall asleep? Sorry. Your bed is bigger than mine.”

  “I don’t mind. Just be careful sneaking out. I don’t want to get in trouble with Miss Lizzie. She seems a little on the religious side.”

  “She makes Mother Teresa look like Miley Cyrus.” Ty slid from bed and started gathering his clothes. She rolled over onto her side to watch him dress in the dark. “Luckily she sleeps so hard we could knock the headboard through the wall and she wouldn’t wake up.”

  “That sounds like the voice of experience.”

  “Did you think I was a virgin?” he asked, crawling over the bed to her.

  “No, but I was.”

  He laughed softly and kissed her. “Hope you had fun,” he said.

  “I did.”

  “You sure?” he asked. Faye blushed in the dark. She hadn’t been able to come during the sex. She’d tried, but it was going to take a while before she figured how to use her body for anything other than baby making again. But Ty didn’t need to hear that.

  “I did have fun,” she said. “Don’t take my lack of orgasms personally. I’m a little out of practice.”

  One more kiss and one more smile. “Practice makes perfect.”

  On his way out of her room she stopped him with a whispered question.

  “Hey,” she said. “What’s the name of the island with the lighthouse again? Not Bride Island, the real name? Sea Island?”

  “Seaport Island.”

  “Thanks. I need it for the caption.”

  “I’ll take you out there again anytime you want.”

  “I might take you up on that. How much will you charge me for it?” she asked, smiling.

  “One clam.”

  Ty crept into the hallway and was gone, leaving Faye laughing in bed. She didn’t hear a single footstep creaking on the hardwood.

  Faye tried to go back to sleep, but it eluded her. Her new life had officially begun with a bang and a whimper or two. Sliding out from under the covers, she walked naked to her camera bag sitting on the floor. She enjoyed the breezy tickle of the night air on her breasts as it wafted in under the blinds. It made her tingle in a pleasant way.

  She hadn’t had a chance to upload today’s pictures yet and wanted to see the lighthouse again. She plugged her camera into her computer. Ah, there they were, her beautiful photos. The stork, the trees, the glimmering ivory lighthouse. Faye would get this photo printed out and she’d hang it in her room. It was possibly the best work she’d ever done. Maybe she’d finally found her subject. Man Ray had his nudes. Dorothea Lange had her migrant workers. Ansel Adams had his landscapes. Maybe Faye Barlow would have her lighthouses.

  She typed “Seaport Island Lighthouse” into the spreadsheet she kept to label her photographs. Out of curiosity she entered that phrase into Google image search to see who else had been taking pictures of the lighthouse. She found a few amateur pictures of the island, most of them obvious iPhone pictures posted on Pinterest. As she scrolled through the results she found a few historical pictures. One of the iron skeleton of the lighthouse as it was being built in 1884. Another when it was completed.

  Faye was about to shut her computer down when a tiny thumbprint photograph caught her eye. It was a faded and sepia-toned picture of one of the lighthouse’s keepers who’d been stationed there after World War I, according to the caption.

  Faye narrowed her eyes at the photograph. Her heart raced. She clicked on the link and enlarged the picture until the face of the lighthouse keeper filled up the fifteen-inch screen.

 
“No way...” she breathed, putting the laptop onto the sewing table and leaning in closer, staring at the photograph until her eyes watered. And she stared at it even longer until the watering turned to tears.

  Faye reached out to touch the photograph on her screen.

  She knew the face in the photograph, knew it well.

  It was the face of the only man she’d ever loved.

  Will’s face.