The Dressmaker's Dowry
Page 28
I hope you’ll take the time to walk the Barbary Coast Trail, and to think about San Francisco’s wild and forgotten history.
Reading Group Discussion Questions
1. The novel is set in 1876, years before the 1906 San Francisco earthquake and fire. Margaret says, “There’s enough sin in this city for it to burn someday.” Is there anything about this time period in San Francisco’s history that surprised you? Do you think it was more dangerous to be a working-class woman at that time than a woman of society?
2. Hanna’s position as a seamstress allows her to provide an income for her family. What other jobs do you think were available to women in the 1870s? Did Hanna’s education help her?
3. At the wharves, a street child expresses anti-Chinese sentiment to Hanna. She fears the gangs that are opposed to foreigners living in the city. Did immigrants have a more difficult time finding jobs and assimilating into American culture than natives? Can you trace the arrival of your own ancestors to the United States?
4. Sarah is hiding a dark and painful secret from her husband. What was your reaction to finding out Sarah’s secret? Did she have a right to conceal the truth from Hunter? Did it change your opinion of her character?
5. Lucas and Hanna’s relationship crosses a social divide, and is unconventional due to both class and cultural differences. What were your thoughts as their relationship developed?
6. When Hanna discovers that Robert murdered Margaret, she makes the difficult decision to leave Lucas without ever telling him the truth. She believes someone else will hang for the crime—Kieran McClaren or Clive—and Robert will get away with it. Did you agree with Hanna’s heartbreaking choice? How was her decision influenced by her position in society and Lucas’s position?
7. Sarah talks a lot about the wave of change taking over San Francisco: large tech companies moving in, rents rising, and the original residents, such as working-class families, being pushed out. Meanwhile, her husband is passionate about helping the city’s many homeless. How does the San Francisco of today compare to the San Francisco of 1876? Is there still a large gap between the wealthy and the poor?
8. Hanna is steadfast in her devotion to finding Margaret. What did you like about their friendship? Were you surprised that Margaret kept her pregnancy a secret from Hanna? Why do you think she did?
9. Sarah receives threatening e-mails and is blackmailed into keeping the truth about Margaret’s murder a secret. Why does Walter Havensworth want to hide Robert’s crime? Why do appearances matter to him?
10. In the beginning of the novel, Sarah hides the scar on her forehead and takes medication for her anxiety. In the end, she pins her bangs back into her ponytail and is no longer on medication. What caused her character transformation? What does this symbolize?
11. In the epilogue, we learn that Hanna escaped San Francisco and made a new life for herself in Sutter’s Creek under a new name. She remarries, and continues to paint. Do you believe she is happy? How is this life different from the one she would have had with Lucas?
12. In the Victorian era, postmortem photography was common. Do you find this practice creepy? Did it surprise you? Why do you think these photos were taken?
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Praise for The Dressmaker’s Dowry
“With mystery, romance, and a slice of history from San Francisco’s infamous Barbary Coast, Jaeger’s debut, The Dressmaker’s Dowry, is sure to captivate. Comprising both a historical and contemporary story, Jaeger spins a tale of love, loss, and a city divided by social class. Whether you read romance, mysteries, historical or contemporary fiction, there is something in the novel for everyone.”
—Sally Hepworth, author of The Secrets of Midwives and The Things We Keep
“In this deliciously satisfying tale of love and resilience, Meredith Jaeger sweeps us into nineteenth-century San Francisco, painting harrowing images of poverty alongside excesses of wealth, weaving a multi-generational novel impossible to put down.”
—Lori Nelson Spielman, New York Times bestselling author of The Life List and Sweet Forgiveness
“Meredith Jaeger deftly intertwines two tales of love and loyalty and the vast lengths to which some will go to protect those they hold dear. A compelling debut novel that sent me racing to its final, revealing pages.”
—Kristina McMorris, New York Times bestselling author of The Edge of Lost
Credits
Cover design by Elsie Lyons
Cover photographs: © Miguel Sobreira / Arcangel (woman); © Historic Map Works LLC / Getty Images (San Francisco); © Shutterstock (texture)
Copyright
This is a work of fiction. Names, characters, places, and incidents are products of the author’s imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.
P.S.™ is a trademark of HarperCollins Publishers.
THE DRESSMAKER’S DOWRY. Copyright © 2017 by Meredith Jaeger. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins e-books.
FIRST EDITION
Title page illustration © a_bachelorette/Shutterstock, Inc.
EPub Edition February 2017 ISBN 9780062469847
ISBN 978-0-06-246983-0
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