The Human Stain

by Philip Roth

  “As a young guy,” Coleman told me, “I was never involved with ugly women. But in the navy I had a friend, Farriello, and ugly women were his specialty. Down at Norfolk, if we went to a dance at a church, if we went at night to the USO, Farriello made a beeline for the ugliest girl. When I laughed at him, he told me I didn’t know what I was missing. They’re frustrated, he told me. They’re not as beautiful, he told me, as the empresses you choose, so they’ll do whatever you want. Most men are stupid, he said, because they don’t know this. They don’t understand that if only you approach the ugliest woman, she is the one who is the most extraordinary. If you can open her up, that is. But if you succeed? If you succeed in opening her up, you don’t know what to do first, she is vibrating so. And all because she’s ugly. Because she is never chosen. Because she is in the corner when all the other girls dance. And that’s what it’s like to be an old man. To be like that ugly girl. To be in the corner at the dance.”

  “So Faunia’s your Farriello.”

  He smiled. “More or less.”

  “Well, whatever else may be going on,” I told him, “thanks to Viagra you’re no longer suffering the torture of writing that book.”

  “I think that’s so,” Coleman said. “I think that’s true. That stupid book. And did I tell you that Faunia can’t read? I found this out when we drove up to Vermont one night for dinner. Couldn’t read the menu. Tossed it aside. She has a way, when she wants to look properly contemptuous, of lifting just a half of her upper lip, lifting it a hair, and then speaking what’s on her mind. Properly contemptuous, she says to the waitress, ‘Whatever he has, ditto.’”

  “She went to school until she was fourteen. How come she can’t read?”

  “The ability to read seems to have perished right along with the childhood when she learned how. I asked her how this could happen, but all she did was laugh. ‘Easy,’ she says. The good liberals down at Athena are trying to encourage her to enter a literacy program, but Faunia’s not having it. ‘And don’t you try to teach me. Do anything you want with me, anything,’ she told me that night, ‘but don’t pull that shit. Bad enough having to hear people speak. Start teaching me to read, force me into that, push reading on me, and it’ll be you who push me over the edge.’ All the way back from Vermont, I was silent, and so was she. Not until we reached the house did we utter a word to each other. ‘You’re not up to fucking somebody who can’t read,’ she said. ‘You’re going to drop me because I’m not a worthy, legitimate person who reads. You’re going to say to me, ‘Learn to read or go.’ ‘No,’ I told her, ‘I’m going to fuck you all the harder because you can’t read.’ ‘Good,’ she said, ‘we understand each other. I don’t do it like those literate girls and I don’t want to be done to like them.’ ‘I’m going to fuck you,’ I said, ‘for just what you are.’ ‘That’s the ticket,’ she says. We were both laughing by then. Faunia’s got the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble, and so she was laughing that laugh of hers, that scrappy, I’ve-seen-it-all laugh—you know, the coarse, easy laugh of the woman with a past—and by then she’s unzipping my fly. But she was right on the money about my having decided to give her up. All the way back from Vermont I was thinking exactly what she said I was thinking. But I’m not going to do that. I’m not going to impose my wonderful virtue on her. Or on myself. That’s over. I know these things don’t come without a cost. I know that there’s no insurance you can buy on this. I know how the thing that’s restoring you can wind up killing you. I know that every mistake that a man can make usually has a sexual accelerator. But right now I happen not to care. I wake up in the morning, there’s a towel on the floor, there’s baby oil on the bedside table. How did all that get there? Then I remember. Got there because I’m alive again. Because I’m back in the tornado. Because this is what it is with a capital isness. I’m not going to give her up, Nathan. I’ve started to call her Voluptas.”

  As a result of surgery I had several years ago to remove my prostate—cancer surgery that, though successful, was not without the adverse aftereffects almost unavoidable in such operations because of nerve damage and internal scarring—I’ve been left incontinent, and so, the first thing I did when I got home from Coleman’s was to dispose of the absorbent cotton pad that I wear night and day, slipped inside the crotch of my underwear the way a hot dog lies in a roll. Because of the heat that evening, and because I wasn’t going out to a public place or a social gathering, I’d tried to get by with ordinary cotton briefs pulled on over the pad instead of the plastic ones, and the result was that the urine had seeped through to my khaki trousers. I discovered when I got home that the trousers were discolored at the front and that I smelled a little—the pads are treated, but there was, on this occasion, an odor. I’d been so engaged by Coleman and his story that I’d failed to monitor myself. All the while I was there, drinking a beer, dancing with him, attending to the clarity—the predictable rationality and descriptive clarity—with which he worked to make less unsettling to himself this turn that life had taken, I hadn’t gone off to check myself, as ordinarily I do during my waking hours, and so, what from time to time now happens to me happened that night.

  No, a mishap like this one doesn’t throw me as much as it used to when, in the months after the surgery, I was first experimenting with the ways of handling the problem—and when, of course, I was habituated to being a free and easy, dry and odorless adult possessing an adult’s mastery of the body’s elementary functions, someone who for some sixty years had gone about his everyday business un-worried about the status of his underclothes. Yet I do suffer at least a pang of distress when I have to deal with something messier than the ordinary inconvenience that is now a part of my life, and I still despair to think that the contingency that virtually defines the infant state will never be alleviated.

  I was also left impotent by the surgery. The drug therapy that was practically brand-new in the summer of 1998 and that had already, in its short time on the market, proved to be something like a miraculous elixir, restoring functional potency to many otherwise healthy, elderly men like Coleman, was of no use to me because of the extensive nerve damage done by the operation. For conditions like mine Viagra could do nothing, though even had it proved helpful, I don’t believe I would have taken it.

  I want to make clear that it wasn’t impotence that led me into a reclusive existence. To the contrary. I’d already been living and writing for some eighteen months in my two-room cabin up here in the Berkshires when, following a routine physical exam, I received a preliminary diagnosis of prostate cancer and, a month later, after the follow-up tests, went to Boston for the prostatectomy. My point is that by moving here I had altered deliberately my relationship to the sexual caterwaul, and not because the exhortations or, for that matter, my erections had been effectively weakened by time, but because I couldn’t meet the costs of its clamoring anymore, could no longer marshal the wit, the strength, the patience, the illusion, the irony, the ardor, the egoism, the resilience—or the toughness, or the shrewdness, or the falseness, the dissembling, the dual being, the erotic professionalism—to deal with its array of misleading and contradictory meanings. As a result, I was able to lessen a little my postoperative shock at the prospect of permanent impotence by remembering that all the surgery had done was to make me hold to a renunciation to which I had already voluntarily submitted. The operation did no more than to enforce with finality a decision I’d come to on my own, under the pressure of a lifelong experience of entanglements but in a time of full, vigorous, and restless potency, when the venturesome masculine mania to repeat the act—repeat it and repeat it and repeat it—remained undeterred by physiological problems.

  It wasn’t until Coleman told me about himself and his Voluptas that all the comforting delusions about the serenity achieved through enlightened resignation vanished, and I completely lost my equilibrium. Well into the morning I lay awake, powerless as a lunatic to control my thinking, hypnot
ized by the other couple and comparing them to my own washed-out state. I lay awake not even trying to prevent myself from mentally reconstructing the “transgressive audacity” Coleman was refusing to relinquish. And my having danced around like a harmless eunuch with this still vital, potent participant in the frenzy struck me now as anything but charming self-satire.

  How can one say, “No, this isn’t a part of life,” since it always is? The contaminant of sex, the redeeming corruption that de-idealizes the species and keeps us everlastingly mindful of the matter we are.

  In the middle of the next week, Coleman got the anonymous letter, one sentence long, subject, predicate, and pointed modifiers boldly inscribed in a large hand across a single sheet of white typing paper, the twelve-word message, intended as an indictment, filling the sheet from top to bottom:

  Everyone knows you’re

  sexually exploiting an

  abused, illiterate

  woman half your

  age.

  The writing on both the envelope and the letter was in red ballpoint ink. Despite the envelope’s New York City postmark, Coleman recognized the handwriting immediately as that of the young French woman who’d been his department chair when he’d returned to teaching after stepping down from the deanship and who, later, had been among those most eager to have him exposed as a racist and reprimanded for the insult he had leveled at his absent black students.

  In his Spooks files, on several of the documents generated by his case, he found samples of handwriting that confirmed his identification of Professor Delphine Roux, of Languages and Literature, as the anonymous letter writer. Aside from her having printed rather than written in script the first couple of words, she hadn’t made any effort that Coleman could see to put him off the trail by falsifying her hand. She might have begun with that intention but appeared to have abandoned it or forgotten about it after getting no further than “Everyone knows.” On the envelope, the French-born professor hadn’t even bothered to eschew the telltale European sevens in Coleman’s street address and zip code. This laxness, an odd disregard—in an anonymous letter—for concealing the signs of one’s identity, might have been explained by some extreme emotional state she was in that hadn’t allowed her to think through what she was doing before firing off the letter, except that it hadn’t been posted locally—and hastily—but appeared from the postmark to have been transported some hundred and forty miles south before being mailed. Maybe she had figured that there was nothing distinctive or eccentric enough in her handwriting for him to be able to recognize it from his days as dean; maybe she had failed to remember the documents pertaining to his case, the notes of her two interviews with Tracy Cummings that she had passed on to the faculty investigating committee along with the final report that bore her signature. Perhaps she didn’t realize that, at Coleman’s request, the committee had provided him with a photocopy of her original notes and all the other data pertinent to the complaint against him. Or maybe she didn’t care if he did determine who out there had uncovered his secret: maybe she wanted both to taunt him with the menacing aggressiveness of an anonymous indictment and, at the same time, to all but disclose that the indictment had been brought by someone now far from powerless.

  The afternoon Coleman called and asked me to come over to see the anonymous letter, all the samples of Delphine Roux’s handwriting from the Spooks files were neatly laid out on the kitchen table, both the originals and copies of the originals that he’d already run off and on which he’d circled, in red, every stroke of the pen that he saw as replicating the strokes in the anonymous letter. Marked off mainly were letters in isolation—a y, an s, an x, here a word-ending e with a wide loop, here an e looking something like an i when nestled up against an adjacent d but more like a conventionally written e when preceding an r—and, though the similarities in writing between the letter and the Spooks documents were noteworthy, it wasn’t until he showed me where his full name appeared on the envelope and where it appeared in her interview notes with Tracy Cummings that it seemed to me indisputable that he had nailed the culprit who’d set out to nail him.

  Everyone knows you’re

  sexually exploiting an

  abused, illiterate

  woman half your

  age.

  While I held the letter in my hand and as carefully as I could—and as Coleman would have me do—appraised the choice of words and their linear deployment as if they’d been composed not by Delphine Roux but by Emily Dickinson, Coleman explained to me that it was Faunia, out of that savage wisdom of hers, and not he who had sworn them both to the secrecy that Delphine Roux had somehow penetrated and was more or less threatening to expose. “I don’t want anybody butting in my life. All I want is a no-pressure bang once a week, on the sly, with a man who’s been through it all and is nicely cooled out. Otherwise it’s nobody’s fucking business.”

  The nobody Faunia turned out mostly to be referring to was Lester Farley, her ex-husband. Not that she’d been knocked around in her life by this man alone—“How could I be, being out there on my own since I was fourteen?” When she was seventeen, for example, and down in Florida waitressing, the then-boyfriend not only beat her up and trashed her apartment, he stole her vibrator. “That hurt,” Faunia said. And always, the provocation was jealousy. She’d looked at another man the wrong way, she’d invited another man to look at her the wrong way, she hadn’t explained convincingly where she’d been for the previous half hour, she’d spoken the wrong word, used the wrong intonation, signaled, unsubstantially, she thought, that she was an untrustworthy two-timing slut—whatever the reason, whoever he might be would be over her swinging his fists and kicking his boots and Faunia would be screaming for her life.

  Lester Farley had sent her to the hospital twice in the year before their divorce, and as he was still living somewhere in the hills and, since the bankruptcy, working for the town road crew, and as there was no doubting that he was still crazy, she was as frightened for Coleman, she said, as she was for herself, should he ever discover what was going on. She suspected that why Smoky had so precipitously dumped her was because of some sort of run-in or brush he’d had with Les Farley—because Les, a periodic stalker of his ex-wife, had somehow found out about her and her boss, even though Hollenbeck’s trysting places were remarkably well hidden, tucked away in remote corners of old buildings that no one but the boss of the college physical plant could possibly know existed or have access to. Reckless as it might seem for Smoky to be recruiting girlfriends from his own custodial staff and then to be rendezvousing with them right on campus, he was otherwise as meticulous in the management of his sporting life as he was in his work for the college. With the same professional dispatch that could get the campus roads cleared of a blizzard in a matter of hours, he could, if need be, equally expeditiously rid himself of one of his girls.

  “So what do I do?” Coleman asked me. “I wasn’t against keeping this thing concealed even before I’d heard about the violent ex-husband. I knew that something like this was coming. Forget that I was once the dean where she now cleans the toilets. I’m seventy-one and she’s thirty-four. I could count on that alone to do it, I was sure, and so, when she told me that it was nobody’s business, I figured, She’s taken it out of my hands. I don’t even have to broach the subject. Play it like adultery? Fine with me. That’s why we went for dinner up in Vermont. That’s why if our paths cross at the post office, we don’t even bother to say hello.”

  “Maybe somebody saw you in Vermont. Maybe somebody saw you driving together in your car.”

  “True—that’s probably what happened. That’s all that could have happened. It might have been Farley himself who saw us. Christ, Nathan, I hadn’t been on a date in almost fifty years—I thought the restaurant . . . I’m an idiot.”

  “No, it wasn’t idiocy. No, no—you just got claustrophobic. Look,” I said, “Delphine Roux—I won’t pretend I understand why she should care so passionately who you are screwing i
n your retirement, but since we know that other people don’t do well with somebody who fails at being conventional, let’s assume that she is one of these other people. But you’re not. You’re free. A free and independent man. A free and independent old man. You lost plenty quitting that place, but what about what you’ve gained? It’s no longer your job to enlighten anyone—you said as much yourself. Nor is this a test of whether you can or cannot rid yourself of every last social inhibition. You may now be retired but you’re a man who led virtually the whole of life within the bounds of the communal academic society—if I read you right, this is a most unusual thing for you. Perhaps you never wanted Faunia to have happened. You may even believe that you shouldn’t want her to have happened. But the strongest defenses are riddled with weakness, and so in slips the last thing in the world you expected. At seventy-one, there is Faunia; in 1998, there is Viagra; there once again is the all-but-forgotten thing. The enormous comfort. The crude power. The disorienting intensity. Out of nowhere, Coleman Silk’s last great fling. For all we know, the last great last-minute fling. So the particulars of Faunia Farley’s biography form an unlikely contrast to your own. So they don’t conform to decency’s fantasy blueprint for who should be in bed with a man of your years and your position—if anyone should be. Did what resulted from your speaking the word ‘spooks’ conform to decency’s blueprint? Did Iris’s stroke conform to decency’s blueprint? Ignore the inanely stupid letter. Why should you let it deter you?”

  “Anonymous inanely stupid letter,” he said. “Who has ever sent me an anonymous letter? Who capable of rational thought sends anyone an anonymous letter?”