Complete Works of Bram Stoker

by Bram Stoker

  Crinkles turned aside, and, by the twinkle of his eyes, one might premise that the honest little lawyer was much affected.

  “God bless you, sir,” he said; “farewell.”

  “Good day to you.”

  “Good-bye, lawyer,” cried Jack. “Mind how you go. D — n me, if you don’t seem a decent sort of fellow, and, after all, you may give the devil a clear berth, and get into heaven’s straits with a flowing sheet, provided as you don’t, towards the end of the voyage, make any lubberly blunders.”

  The old admiral threw himself into a chair with a deep sigh.

  “Jack,” said he.

  “Aye, aye, sir.”

  “What’s to be done now?”

  Jack opened the window to discharge the superfluous moisture from an enormous quid he had indulged himself with while the lawyer was telling about the vampyre, and then again turning his face towards his master, he said, —

  “Do! What shall we do? Why, go at once and find out Charles, our nevy, and ask him all about it, and see the young lady, too, and lay hold o’ the wamphigher if we can, as well, and go at the whole affair broadside to broadside, till we make a prize of all the particulars, after which we can turn it over in our minds agin, and see what’s to be done.”

  “Jack, you are right. Come along.”

  “I knows I am. Do you know now which way to steer?”

  “Of course not. I never was in this latitude before, and the channel looks intricate. We will hail a pilot, Jack, and then we shall be all right, and if we strike it will be his fault.”

  “Which is a mighty great consolation,” said Jack. “Come along.”

  CHAPTER XVI.

  THE MEETING OF THE LOVERS IN THE GARDEN. — AN AFFECTING SCENE. — THE SUDDEN APPEARANCE OF SIR FRANCIS VARNEY.

  Our readers will recollect that Flora Bannerworth had made an appointment with Charles Holland in the garden of the hall. This meeting was looked forward to by the young man with a variety of conflicting feelings, and he passed the intermediate time in a most painful state of doubt as to what would be its result.

  The thought that he should be much urged by Flora to give up all thoughts of making her his, was a most bitter one to him, who loved her with so much truth and constancy, and that she would say all she could to induce such a resolution in his mind he felt certain. But to him the idea of now abandoning her presented itself in the worst of aspects.

  “Shall I,” he said, “sink so low in my own estimation, as well as in hers, and in that of all honourable-minded persons, as to desert her now in the hour of affliction? Dare I be so base as actually or virtually to say to her, ‘Flora, when your beauty was undimmed by sorrow — when all around you seemed life and joy, I loved you selfishly for the increased happiness which you might bestow upon me; but now the hand of misfortune presses heavily upon you — you are not what you were, and I desert you? Never — never — never!”

  Charles Holland, it will be seen by some of our more philosophic neighbours, felt more acutely than he reasoned; but let his errors of argumentation be what they may, can we do other than admire the nobility of soul which dictated such a self denying generous course as that he was pursuing?

  As for Flora, Heaven only knows if at that precise time her intellect had completely stood the test of the trying events which had nearly overwhelmed it.

  The two grand feelings that seemed to possess her mind were fear of the renewed visit of the vampyre, and an earnest desire to release Charles Holland from his repeated vows of constancy towards her.

  Feeling, generosity, and judgment, all revolted holding a young man to such a destiny as hers. To link him to her fate, would be to make him to a real extent a sharer in it, and the more she heard fall from his lips in the way of generous feelings of continued attachment to her, the more severely did she feel that he would suffer most acutely if united to her.

  And she was right. The very generosity of feeling which would have now prompted Charles Holland to lead Flora Bannerworth to the altar, even with the marks of the vampyre’s teeth upon her throat, gave an assurance of a depth of feeling which would have made him an ample haven in all her miseries, in all her distresses and afflictions.

  What was familiarly in the family at the Hall called the garden, was a semicircular piece of ground shaded in several directions by trees, and which was exclusively devoted to the growth of flowers. The piece of ground was nearly hidden from the view of the house, and in its centre was a summer-house, which at the usual season of the year was covered with all kinds of creeping plants of exquisite perfumes, and rare beauty. All around, too, bloomed the fairest and sweetest of flowers, which a rich soil and a sheltered situation could produce.

  Alas! though, of late many weeds had straggled up among their more estimable floral culture, for the decayed fortunes of the family had prevented them from keeping the necessary servants, to place the Hall and its grounds in a state of neatness, such as it had once been the pride of the inhabitants of the place to see them. It was then in this flower-garden that Charles and Flora used to meet.

  As may be supposed, he was on the spot before the appointed hour, anxiously expecting the appearance of her who was so really and truly dear to him. What to him were the sweet flowers that there grew in such happy luxuriance and heedless beauty? Alas, the flower that to his mind was fairer than them all, was blighted, and in the wan cheek of her whom he loved, he sighed to see the lily usurping the place of the radiant rose.

  “Dear, dear Flora,” he ejaculated, “you must indeed be taken from this place, which is so full of the most painful remembrance; now, I cannot think that Mr. Marchdale somehow is a friend to me, but that conviction, or rather impression, does not paralyze my judgment sufficiently to induce me not to acknowledge that his advice is good. He might have couched it in pleasanter words — words that would not, like daggers, each have brought a deadly pang home to my heart, but still I do think that in his conclusion he was right.”

  A light sound, as of some fairy footstep among the flowers, came upon his ears, and turning instantly to the direction from whence the sound proceeded, he saw what his heart had previously assured him of, namely, that it was his Flora who was coming.

  Yes, it was she; but, ah, how pale, how wan — how languid and full of the evidences of much mental suffering was she. Where now was the elasticity of that youthful step? Where now was that lustrous beaming beauty of mirthfulness, which was wont to dawn in those eyes?

  Alas, all was changed. The exquisite beauty of form was there, but the light of joy which had lent its most transcendent charms to that heavenly face, was gone. Charles was by her side in a moment. He had her hand clasped in his, while his disengaged one was wound tenderly around her taper waist.

  “Flora, dear, dear Flora,” he said, “you are better. Tell me that you feel the gentle air revives you?”

  She could not speak. Her heart was too full of woe.

  “Oh; Flora, my own, my beautiful,” he added, in those tones which come so direct from the heart, and which are so different from any assumption of tenderness. “Speak to me, dear, dear Flora — speak to me if it be but a word.”

  “Charles,” was all she could say, and then she burst into a flood of tears, and leant so heavily upon his arm, that it was evident but for that support she must have fallen.

  Charles Holland welcomed those, although, they grieved him so much that he could have accompanied them with his own, but then he knew that she would be soon now more composed, and that they would relieve the heart whose sorrows called them into existence.

  He forbore to speak to her until he found this sudden gush of feeling was subsiding into sobs, and then in low, soft accents, he again endeavoured to breathe comfort to her afflicted and terrified spirit.

  “My Flora,” he said, “remember that there are warm hearts that love you. Remember that neither time nor circumstance can change such endearing affection as mine. Ah, Flora, what evil is there in the whole world that love may not conque
r, and in the height of its noble feelings laugh to scorn.”

  “Oh, hush, hush, Charles, hush.”

  “Wherefore, Flora, would you still the voice of pure affection? I love you surely, as few have ever loved. Ah, why would you forbid me to give such utterance as I may to those feelings which fill up my whole heart?”

  “No — no — no.”

  “Flora, Flora, wherefore do you say no?”

  “Do not, Charles, now speak to me of affection or love. Do not tell me you love me now.”

  “Not tell you I love you! Ah, Flora, if my tongue, with its poor eloquence to give utterance to such a sentiment, were to do its office, each feature of my face would tell the tale. Each action would show to all the world how much I loved you.”

  “I must not now hear this. Great God of Heaven give me strength to carry out the purpose of my soul.”

  “What purpose is it, Flora, that you have to pray thus fervently for strength to execute? Oh, if it savour aught of treason against love’s majesty, forget it. Love is a gift from Heaven. The greatest and the most glorious gift it ever bestowed upon its creatures. Heaven will not aid you in repudiating that which is the one grand redeeming feature that rescues human nature from a world of reproach.”

  Flora wrung her hands despairingly as she said, —

  “Charles, I know I cannot reason with you. I know I have not power of language, aptitude of illustration, nor depth of thought to hold a mental contention with you.”

  “Flora, for what do I contend?”

  “You, you speak of love.”

  “And I have, ere this, spoken to you of love unchecked.”

  “Yes, yes. Before this.”

  “And now, wherefore not now? Do not tell me you are changed.”

  “I am changed, Charles. Fearfully changed. The curse of God has fallen upon me, I know not why. I know not that in word or in thought I have done evil, except perchance unwittingly, and yet — the vampyre.”

  “Let not that affright you.”

  “Affright me! It has killed me.”

  “Nay, Flora, — you think too much of what I still hope to be susceptible of far more rational explanation.”

  “By your own words, then, Charles, I must convict you. I cannot, I dare not be yours, while such a dreadful circumstance is hanging over me, Charles; if a more rational explanation than the hideous one which my own fancy gives to the form that visits me can be found, find it, and rescue me from despair and from madness.”

  They had now reached the summer-house, and as Flora uttered these words she threw herself on to a seat, and covering her beautiful face with her hands, she sobbed convulsively.

  “You have spoken,” said Charles, dejectedly. “I have heard that which you wished to say to me.”

  “No, no. Not all, Charles.”

  “I will be patient, then, although what more you may have to add should tear my very heart-strings.”

  “I — I have to add, Charles,” she said, in a tremulous voice, “that justice, religion, mercy — every human attribute which bears the name of virtue, calls loudly upon me no longer to hold you to vows made under different auspices.”

  “Go on, Flora.”

  “I then implore you, Charles, finding me what I am, to leave me to the fate which it has pleased Heaven to cast upon me. I do not ask you, Charles, not to love me.”

  “‘Tis well. Go on, Flora.”

  “Because I should like to think that, although I might never see you more, you loved me still. But you must think seldom of me, and you must endeavour to be happy with some other — ”

  “You cannot, Flora, pursue the picture you yourself would draw. These words come not from your heart.”

  “Yes — yes — yes.”

  “Did you ever love me?”

  “Charles, Charles, why will you add another pang to those you know must already rend my heart?”

  “No, Flora, I would tear my own heart from my bosom ere I would add one pang to yours. Well I know that gentle maiden modesty would seal your lips to the soft confession that you loved me. I could not hope the joy of hearing you utter these words. The tender devoted lover is content to see the truthful passion in the speaking eyes of beauty. Content is he to translate it from a thousand acts, which, to eyes that look not so acutely as a lover’s, bear no signification; but when you tell me to seek happiness with another, well may the anxious question burst from my throbbing heart of, ‘Did you ever love me, Flora?’”

  Her senses hung entranced upon his words. Oh, what a witchery is in the tongue of love. Some even of the former colour of her cheek returned as forgetting all for the moment but that she was listening to the voice of him, the thoughts of whom had made up the day dream of her happiness, she gazed upon his face.

  His voice ceased. To her it seemed as if some music had suddenly left off in its most exquisite passage. She clung to his arm — she looked imploringly up to him. Her head sunk upon his breast as she cried,

  “Charles, Charles, I did love you. I do love you now.”

  “Then let sorrow and misfortune shake their grisly locks in vain,” he cried. “Heart to heart — hand to hand with me, defy them.”

  He lifted up his arms towards Heaven as he spoke, and at the moment came such a rattling peal of thunder, that the very earth seemed to shake upon its axis.

  A half scream of terror burst from the lips of Flora, as she cried, —

  “What was that?”

  “Only thunder,” said Charles, calmly.

  “‘Twas an awful sound.”

  “A natural one.”

  “But at such a moment, when you were defying Fate to injure us. Oh! Charles, is it ominous?”

  “Flora, can you really give way to such idle fancies?”

  “The sun is obscured.”

  “Ay, but it will shine all the brighter for its temporary eclipse. The thunder-storm will clear the air of many noxious vapours; the forked lightning has its uses as well as its powers of mischief. Hark! there again!”

  Another peal, of almost equal intensity to the other, shook the firmament. Flora trembled.

  “Charles,” she said, “this is the voice of Heaven. We must part — we must part for ever. I cannot be yours.”

  “Flora, this is madness. Think again, dear Flora. Misfortunes for a time will hover over the best and most fortunate of us; but, like the clouds that now obscure the sweet sunshine, will pass away, and leave no trace behind them. The sunshine of joy will shine on you again.”

  There was a small break in the clouds, like a window looking into Heaven. From it streamed one beam of sunlight, so bright, so dazzling, and so beautiful, that it was a sight of wonder to look upon. It fell upon the face of Flora; it warmed her cheek; it lent lustre to her pale lips and tearful eyes; it illumined that little summer-house as if it had been the shrine of some saint.

  “Behold!” cried Charles, “where is your omen now?”

  “God of Heaven!’” cried Flora; and she stretched out her arms.

  “The clouds that hover over your spirit now,” said Charles, “shall pass away. Accept this beam of sunlight as a promise from God.”

  “I will — I will. It is going.”

  “It has done its office.”

  The clouds closed over the small orifice, and all was gloom again as before.

  “Flora,” said Charles, “you will not ask me now to leave you?”

  She allowed him to clasp her to his heart. It was beating for her, and for her only.

  “You will let me, Flora, love you still?”

  Her voice, as she answered him, was like the murmur of some distant melody the ears can scarcely translate to the heart.

  “Charles we will live, love, and die together.”

  And now there was a wrapt stillness in that summer-house for many minutes — a trance of joy. They did not speak, but now and then she would look into his face with an old familiar smile, and the joy of his heart was near to bursting in tears from his eyes.

  A
shriek burst from Flora’s lips — a shriek so wild and shrill that it awakened echoes far and near. Charles staggered back a step, as if shot, and then in such agonised accents as he was long indeed in banishing the remembrance of, she cried, —

  “The vampyre! the vampyre!”

  CHAPTER XVII.

  THE EXPLANATION. — THE ARRIVAL OF THE ADMIRAL AT THE HOUSE. — A SCENE OF CONFUSION, AND SOME OF ITS RESULTS.

  So sudden and so utterly unexpected a cry of alarm from Flora, at such a time might well have the effect of astounding the nerves of any one, and no wonder that Charles was for a few seconds absolutely petrified and almost unable to think.

  Mechanically, then, he turned his eyes towards the door of the summer-house, and there he saw a tall, thin man, rather elegantly dressed, whose countenance certainly, in its wonderful resemblance to the portrait on the panel, might well appal any one.

  The stranger stood in the irresolute attitude on the threshold of the summer-house of one who did not wish to intrude, but who found it as awkward, if not more so now, to retreat than to advance.

  Before Charles Holland could summon any words to his aid, or think of freeing himself from the clinging grasp of Flora, which was wound around him, the stranger made a very low and courtly bow, after which he said, in winning accents, —

  “I very much fear that I am an intruder here. Allow me to offer my warmest apologies, and to assure you, sir, and you, madam, that I had no idea any one was in the arbour. You perceive the rain is falling smartly, and I made towards here, seeing it was likely to shelter me from the shower.”

  These words were spoken in such a plausible and courtly tone of voice, that they might well have become any drawing-room in the kingdom.

  Flora kept her eyes fixed upon him during the utterance of these words; and as she convulsively clutched the arm of Charles, she kept on whispering, —

  “The vampyre! the vampyre!”

  “I much fear,” added the stranger, in the same bland tones, “that I have been the cause of some alarm to the young lady!”