We Others

by Steven Millhauser

  “Do you think it’s safe?” Maureen whispered, leaning toward me and jerking her head toward the ceiling. Without waiting for an answer she told me that despite Andrea’s hard work, another girl had just been promoted to a position Andrea had every right to expect, it wasn’t fair the way things seemed to go against her, and on top of all that her landlord had said something rude to her, something inappropriate, Andrea hadn’t told her the exact words but it was the sort of thing that happened to women who lived alone, she’d have to look for another place, though that was easier said than done, what with rents being what they were, to say nothing of the expense and aggravation of moving, and of course Andrea didn’t make things any easier for herself by her attitude, which wasn’t hostile exactly but wasn’t what you’d call friendly either, though who could blame her after an upbringing like that, and it didn’t really help that she wouldn’t listen to a word of advice, all of which she tended to interpret as flat-out criticism, even well-meaning advice from her Auntie Maur, who only had her best interests at heart. But good heavens, listen to her! The last thing she wanted to do was bore me to death with family troubles, in the precious time we had together, though one thing she did feel she wanted to say about her niece was that Andrea could be a little, what was the best way to put it, a little on the self-absorbed side, which was understandable enough, what with her problems growing up in that family, but still, it wasn’t all that hard to imagine the needs of other people, who just might want a little time for themselves to unwind at the end of the day. Here Maureen took a deep breath and burst into tears. She immediately stopped herself and continued talking, as if her fit of weeping had been no more than a clearing of the throat.

  As I listened to this rush of words, which came flying out of her like maddened bees, I contemplated my own relation to Maureen’s niece. My whole existence had been thrown into an uproar by the presence of this shuffling stranger in the house. I was irritated by the ease with which my composure could be shattered. We become used to things, we unhappy ones—we resent the slightest change. I think it’s because any modification of our precarious routine flings us up against ourselves, makes us glare at ourselves with a terrible clarity. At the same time we’re helplessly curious about newcomers, who, even as they oppress us with the weight of the unfamiliar, attract our unwilling attention. I was curious about Andrea as a dangerous phenomenon in the house, as I might be curious about a flooded cellar.

  When our sitting time was over I went out into the night. Far from experiencing a sense of release from the confusion of the house, I felt only that the night was a larger form of disorder. Those wild-looking trees with their billions of branches, that wobbly moon like a child’s drawing … Back in the attic I could hear Andrea’s mattress creaking like an old floorboard. She was a restless sleeper. I imagined her continually reaching out for something that wasn’t there.

  I heard her all the next day, moving slowly about the house while her aunt was at work. More than once she went up to her room and lay down. By the time Maureen returned home I’d begun to feel banished—driven into exile by those alien footsteps. I had also begun to feel a deprivation, as if I’d been condemned to experience Maureen’s niece solely through the act of hearing. I felt—the word sprang up in me—haunted. Yes, I was haunted by this unseen creature who dragged her way through the house like an invisible monster in a tale for children. By dinnertime I could no longer stand it and had contrived a plan.

  Andrea, as I’ve said, had a restless habit of climbing up to her room. My plan was quite simple: I would catch a glimpse of her in the upstairs hall. With that in mind I descended the stairs and positioned myself on the step just behind the attic door. I knew that she always turned the hall light on when she reached the top of the carpeted stairs and turned it off on the way back down. I listened for her slowly climbing footsteps, heard the click of the switch, saw the line of light under the attic door. The footsteps passed directly before me and down the hall to her room. She did something in her closet. The footsteps returned to the hall. For all I knew, Maureen’s niece was a pair of ambulating feet without a body. The footsteps passed me and moved in the direction of the landing. The moment the light clicked off, I emerged from behind the door.

  The hall was dark at one end and illuminated at the other by the light over the landing. I came out in time to see Maureen’s niece standing at the head of the four carpeted stairs that led to the landing and the larger stairway below. She was wearing a loose-fitting long dark skirt and a dark sweater buttoned over a blouse. What struck me was the slope of her shoulders. It suggested a terrible weariness, the weariness of defeat—there was in it a whole history of disappointments, of failed expectations. She seemed to pause there, at the top of the stairs, her head slightly bowed, as if readying herself for the difficulties of descent. She reached out a hand to the wooden rail, stood motionless for a moment, and stepped out of sight.

  I returned to the attic with the sense that I hadn’t satisfied but only stimulated my curiosity. The glimpse I’d had of her was so brief that I would not have been able to recognize her in a photograph. Of her face I’d seen only a narrow pale streak, next to a broad dark streak of hair. She looked like a dashed-off sketch in an artist’s notebook. I had planned to listen for her final return to her room and then go down to Maureen for my nightly visit. Now I decided to wait for her; to watch.

  It is never clear to us how visible we are to you. I thought it best to keep out of sight, like the victim of a disfiguring accident. Not far from her room was a linen closet with shelves of sheets, pillowcases, and folded towels. I entered that closet and waited for her return.

  She spent a long time with her aunt that night. Wisps of conversation drifted up to me like cigarette smoke. I was trying to decipher a sound that suggested a piece of wood tapping against glass when I heard her footsteps on the stairs. She climbed slowly, as if at the end of a long hard day that had drained her of energy, even though she’d gotten up only a few hours before her aunt returned from work. I heard the click of the hall light at the top of the stairs. I listened to her steps approach the linen closet and pass by. I heard her turn the doorknob and click off the light switch at her end of the hall. At that moment I emerged.

  She stood with her hand raised against the partially open door to her room. I was much closer to her than I had imagined—some half-dozen steps away. Although the light from the landing was on, the hall was nearly dark where she stood. I could see her face in three-quarter profile: the tired anxious eyes, the mouth turned down at the corners, the fleshiness under her small chin. There was a heaviness about her—like her aunt, she had the look of an overgrown schoolgirl, with something mournful thrown in. Her hair was thick and heavy, and fell into a tangle of curls at her shoulders. She had so much hair that I wondered whether she liked to hide behind it. All this in an instant—she had already pushed open the door and was halfway through.

  But now she stopped—abruptly—and glanced back into the hall, as if she’d sensed something behind her. Her gaze swept down the hall, toward the well-lit landing. Then she entered her room quickly and closed the door.

  “At last!” Maureen whispered, as I settled into my chair. “I thought she’d never go!”

  12

  The next day, a Saturday, Andrea rose late and went off with her aunt for a drive in the country, to look at the turning leaves. I’d grown used to hearing her shuffle about the house all day in what sounded like very soft slippers, and the silence and emptiness irritated me—filled me with a devouring impatience. We are not good at whiling away the time, we others. We don’t know how to take it easy. Loafing is not for us. Anxiety’s our pastime, desperation our sport. For a long time I zigzagged back and forth across the attic like a bored beetle. At some point I discovered that I was moving down the stairs and out into the second-floor hall. For a moment I stood before Andrea’s door, telling myself to go back, go back. Do not enter. Mistake. Go back. Sunlight filled the room like an angry
crowd. At first I could barely see. Brightness lay over objects like a sheet. Then details began to emerge—a patch of pink, a swirl of blue. The curtains were pink and flouncy, drawn back with tasseled curtain ties. On the ruffled white quilt with its pattern of gigantic blue blossoms lay a big brown pocketbook and a roll of mints. On top of a chest of drawers I saw a white porcelain angel who rested one hand on the shoulder of a blue-eyed porcelain girl. A wooden clock shaped like an apple with a stem hung on one wall. On another I saw a framed painting of a girl with blond pigtails sitting on a swing and eating a pear. A dark blue suitcase sat in one corner.

  From this bright and happy world I retreated into the black night of the closet. Two long skirts hung beside a fleece bathrobe. Wooden and wire hangers stretched away. A pair of fuzzy pink slippers sat on the floor.

  A fine picture!—the stalker in the closet, waiting for the unsuspecting young woman to enter her bedroom. But that isn’t at all what it struck me as being, at the time. At the time I felt curious, dissatisfied—I wanted to know more about her. That was all. For us, hiddenness holds no pleasure. It’s nearness we crave—nearness and revelation.

  I heard everything: the car pulling up, the footsteps leading to the back porch, the slamming of the screen door. Voices, a sneeze. A thump on a table. On the carpeted stairs her footsteps were heavy and slow. The sharp turn of the knob came a moment before I’d expected it. She was—as if suddenly—in the room. The bed creaked. I was puzzled by the next sounds, followed by a familiar thunk that explained things in reverse: she had untied a shoe and dropped it on the floor. People in rooms move around more than one might think. They pick things up, they put things down, they stride up and down like madmen, they look out of windows, they glance into mirrors, they push on. They never stop. A drawer slid open, changed its mind, slid back. A knock—a scrape—a creak of the bed. Many creaks of the bed. Had she picked up a book? Her breathing grew slow. I heard no turning of a page. I waited a little longer before I emerged from the closet.

  The sunlight—the horrible sunlight—how can I explain? It was like a fistful of sand flung in my face. Even as I struggled against the glare I realized that it was softer than before—she had turned up the slats of the two blinds. Gradually I made out her form on the bed. I had expected to find her fast asleep, but she lay on her back with her eyes open. A book lay facedown on her stomach; it rose and fell slowly. She wore a long black skirt and a dark brown blouse. Her large bare pale feet were crossed at the ankles. I could see her broad face clearly: the somewhat petulant mouth, the heavy-lidded eyes, the large space between the bottom lip and the jaw. She wasn’t what anyone would call an attractive woman. I cared nothing about that. I took her in gratefully, hungrily. We are greedy, we others. We can never have enough.

  I’d been observing her eagerly, in a kind of daze of concentration, when I was startled into alertness. Andrea had sat up. She had sat up swiftly, violently, with a hand clutching the V of her blouse. She looked around the room in a series of quick sharp motions of her head, with startled pauses between. Even I looked about for a moment, in search of an intruder. She swung her legs over the side of the bed and sat suddenly motionless. She was leaning forward a little, as if preparing for a leap. Her immobility unnerved me more than her fierce movements. She turned her head—another abrupt motion. She sat there. She listened. She sprang up and was at the door. With her hand on the knob she looked back into the room—at the closet, at the window—and vanished.

  I laughed: the short, bitter laugh that gives no relief. Then, without thinking, I stepped over to the bed, bent over, and inhaled deeply. Some claim that we have no sense of smell, we others, but I can tell you that I was penetrated by the odors curling up from that bed: the laundered, lemony smell of the white-and-blue quilt itself, the darker aroma of her clothes, the sting of a hand lotion, and the fresh-acrid scent of her body, which made me think of rye-bread toast and salted boiling water.

  Behold the creature of bitter laughter!—bent over the bed in a posture of abasement. I glanced over my shoulder, as if to catch someone spying on me. But wasn’t the whole point that she hadn’t seen me at all?

  I returned to the attic, where I roamed among cast-off things—my comrades, my companions in exile. Impatiently I awaited the sound of her footsteps on the carpeted stairs. That day she remained below. I waited through dinner, listened for the move into the living room. What did the two of them have to talk about? Hadn’t they talked enough for one day? For a whole lifetime? I restrained myself, I crushed down my impulse to be a secret witness. Her footsteps climbed the stairs. She entered the room. After a suitable time, I went down to Maureen.

  She was standing in the dark, smoking a cigarette. I had never seen her smoke before. “She suspects something,” she said, in a conspiratorial whisper, and began to walk melodramatically up and down before the couch. As she paced, she held one forearm pressed across her stomach, with the hand cupping the elbow of the upright arm. She whirled and looked at me. “She knows.”

  13

  What she actually knew was less clear than that she didn’t want to know too much. Andrea had apparently told her aunt that she’d sensed something—something in the hall, something in her room—and had thought at first it might be an intruder before she’d realized that her mind was playing tricks on her. So much at least I gathered through the sharp bursts of cigarette smoke that erupted from Maureen like hisses of steam. At one point she turned to me and said in a fierce whisper: “We’ve got to be careful. She knows, she knows. Oh, she doesn’t know she knows, but she knows. Hssst!” Here she held up a hand, turned her head sharply, listened. She shrugged. “I thought—” She listened again. “Do you think she’s listening?” She waved at the smoke with swift short strokes of her hand, as if someone might be hiding in there.

  Later, on my way to the attic, I lingered in the upstairs hall. Maureen had a habit of going to the refrigerator for a drink of bottled water and a bite of whatever lay at hand before she climbed the stairs to get ready for bed. In the unlit hall I stood before Andrea’s door. A line of light showed under it. I could hear the turning of a page, the creak of bedsprings. My desire to enter the room was so powerful that I could feel it penetrating the door and coming out on the other side. But already I could hear Maureen’s footstep on the carpeted stairs. Back in the attic I listened to her enter her room, across from Andrea’s.

  Please understand: it had been scarcely five weeks since I’d fled from my house through the dark dawn. I knew some things, but not many, about the conditions of my new existence. Even so, I recognized that my behavior had taken a turn toward the—well, toward the bizarre. I had always been a quiet man; a man of regular habits; a conventional man, if I may put it that way without the sneer that usually accompanies such a description. My relations with Maureen, peculiar though they might seem to an outsider, made entire sense to me. What didn’t make sense was my behavior toward Andrea. I was no bender and sniffer, no lurker in ladies’ closets. What had come over me?

  Let me speak for a moment about the nature of our desire. We do not understand it, we others. Our relation to the world in which we find ourselves is murky at best. We possess the faculty of sight, though we see best in the dark. We hear, but the sound of our own voices is always disturbing to us. We are entirely without the sense of taste. Some of us are without the sense of smell, though I am not one of them. Many of us claim that we are without the sense of touch, though it’s well known that we can adapt our shapes to the shapes of the world—we can sit on couches, stand on floors, climb steps. I would argue that we have a memory of touch, a shadow-touch that permits us to conform to your world. What then of desire? Our desire resembles yours in certain respects, with this difference: it expects nothing, it believes in nothing. Above all, it does not believe in itself. Why should it? We know who we are, we others. We are not-you. We have nothing to do with you. Which is to say, we have only to do with you—for without you, we are even less than ourselves, we are less tha
n absences. Is this clear? Nothing is clear. A murky business, as I’ve said.

  As for Andrea, I knew only that I craved to be near her—to be as near her as possible. I did not crave to see her naked body. Such desires have nothing to do with us. But the desire to be near, to be as near as possible, to be nearer than is possible, to mingle, to merge, to lose ourselves in the substance of a living creature—that is what we desire, when we desire.

  After Maureen was safely in her room, I found myself in the upstairs hall before Andrea’s door. I say “found myself” because I became aware of standing there without any memory of having descended the attic stairs. A moment later I was inside the room. It was entirely dark—she had closed and lowered the blinds and drawn the curtains—and it was only now, in that room, that I realized how very well I was able to see in the dark. She lay on her back with her head turned to one side and one arm lying across her stomach. The sleeve of her pajama top had been pulled back to the middle of her large forearm. I sat down on the end of the bed, next to the place where her feet pushed up under the covers. I felt gratified to be near her. I felt more than gratified, I felt soothed, as if my existence were a bleeding sore for which she—but this is a horrible metaphor. I leave it here as evidence of my agitation.

  Andrea was a restless sleeper—I had known this before. What I hadn’t known was how much, in sleep, she remained in motion. She moved each of her shoulders; her hands shifted position; her head turned until she was facing straight up. Then her whole body began to roll over. I had the impression that her body was a train traveling through the night, while she lay fast asleep on a berth somewhere inside. Now she lay on her outstretched arm. Now she turned again, onto her stomach. She took a deep breath, and was still—then rolled onto her back. She said, very distinctly, the syllable “nong.” She sighed. She opened her eyes.