Broken Arrow ac-8

by Paul Kane

  He can look after himself, David had told her, and she knew deep down he was right.

  That didn't stop her worrying. And none of this would help them get back to how they'd been during those summer and autumn months.

  Mary dried her eyes with the bed sheets, then got out and wrapped her robe around her. She'd go down and drag him back to bed if she had to, talk to him, maybe do more than that. Show him how much she'd missed him, how much she still loved him.

  He'd said he was going for a drink of water, which he often did when he couldn't sleep. She knew she'd find him in the cafe probably looking out through those big windows.

  Mary stopped dead in her tracks when she heard voices from inside. Two voices: one Robert's, the other a woman's. As she drew closer, keeping quiet, she saw them inside. Lit by candles, they were sitting at one of the tables. Mary realised she could have marched past with a brass band and they wouldn't have noticed, they were so wrapped up in conversation. Though try as she might, she couldn't hear what was being said.

  The woman with Robert — her Robert — had her back to Mary. But she knew who it was, even without the short hair as a clue.

  Right, that does it… I'm going to…

  Do what, Moo-Moo, storm in there and make a fool of yourself? They're only talking.

  I know, but-

  But nothing. Leave it, sis.

  David was right. Again. There was no way she could make her presence known that didn't look like she was spying on them. Checking up on Robert. Dammit, right now that's exactly what she was doing.

  Mary watched them for a little while longer, but had to turn away when she heard Adele laughing at something Robert had just said. So happy. Just like Mary had been the night of the fete.

  Feeling the tears coming again, she retreated to their bedroom where she waited. Not for Robert to come back from patrol this time, but for him to return to her. If he ever would.

  Mary tried to stay awake, but eventually sheer exhaustion and all that crying took their toll. Sleep claimed her, and she never heard Robert come in, or felt him climb into bed with her.

  If she had she might also have heard him tell her again softly, as he kissed her shoulder, how very much he loved her.

  CHAPTER FIVE

  The village had been named Hope.

  But that Hope had died along with its founder. Clive Maitland had been killed defending this place against De Falaise's men, murdered by the fat Mexican, Major Javier. The Reverend Tate knew that Gwen had taken her revenge on Javier for that, shooting him just like he'd put a bullet in Clive. Although Tate could forgive her for that — many terrible things had happened in the heat of that final battle — he wasn't altogether sure The Lord would be able to without repentance. It hadn't been her place to take that life, and more than likely there would be a punishment, one way or another.

  Gwen probably thought she'd served her time in purgatory, held prisoner at the castle and made to do unspeakable things at the behest of that mad Frenchman. Tate had to admire her for not going completely stark, staring mad over those months. But she would have killed De Falaise as well, given the opportunity, and was on her way to do so when Tate had been hit in the shoulder by a stray bullet.

  "God will provide his own revenge."

  Tate had shouted this after her, but she'd taken no notice, headstrong as she was. She hadn't succeeded anyway, apart from stabbing De Falaise in the leg and managing to get shot herself by one of Tanek's crossbow bolts. It had been left to Robert Stokes, their leader, to end the Frenchman's reign. Tate had often wondered if The Hooded Man had actually been an unwitting part of The Almighty's plan for revenge, but almost always dismissed these thoughts. Robert was a law unto himself and still continued to be so. That man no more believed in God's overarching design than Tate believed he was the reincarnation of St Francis of Assisi.

  Not that you had to believe in God to be a part of his plans. But you did have to have faith, something Robert was sorely lacking. It was one of the reasons why had Tate left the castle in the first place; the two of them were never going to see eye-to-eye on that. The holy man knew he could do more good out in the fledgling communities, as Clive had told Tate when he'd found him. The man had a vision of what Hope and other villages could be like, how the survivors of the human race might all rise again, Phoenix-like, from the ashes of The Cull. He'd had the necessary leadership qualities to draw together his own community, and if it hadn't been for Javier wrecking it that fateful day — riding in and casually shooting up the place — Clive might just have succeeded.

  Of course, he might yet: through Gwen. She'd inherited a lot of Clive's determination, seemingly channelling his ability to make people listen. (It was a quality, coincidentally, Clive had also shared with Robert.) She was dead set on pursuing his dream, putting Hope back together, making a place to fit to raise their child, Clive Jr.

  "I want him to grow up in a loving atmosphere, away from the city and out of the shadow of that castle," she informed Tate, not long after the birth. The first part was fair enough, what parent doesn't want such an environment for their child? Yet Tate had to question whether the second part had more to do with the question mark hanging over the baby's origins. Did she really want to get away from the castle because some part of her recognised it was where Clive Jr had been conceived?

  Robert, Mary, Jack, even Tate himself. They all suspected the truth of the matter, even if Gwen steadfastly refused to. She didn't want to hear it through the pregnancy and certainly didn't want to talk about it after her son was born. Regardless of the fact there was only a slim chance Clive was the father, Gwen was adamant he be listed as such in the new records system being initiated in Nottingham ("If we start with our own people," Mary had suggested, "then we can add others we find out about as and when."). Tate couldn't blame Gwen for wanting to pretend the boy was Clive's. Who would want to think that their offspring was the product of rape? Especially by a man whose genes, Tate suspected, had been given to him by Satan himself. He'd certainly been put on this Earth to do the Fallen Angel's bidding.

  Tate always felt more than a little responsible for what had happened to Gwen. Perhaps there had been something more the holy man could have done to prevent Javier from taking her back to Nottingham. Or maybe if he hadn't tackled Javier in the first place, struggling with the man as he held the pistol… Was it as much his fault the gun had gone off and shot Clive? No, Javier was about to shoot him anyway, Tate was sure of it, that's why he'd felt compelled to intervene.

  Then later, when he'd joined Robert's band, Tate should have tried harder to convince the man to mount a rescue. There again, they both knew it would have been suicide. Plus there was no way of knowing for sure Gwen was even alive.

  Robert had done it for Mark, though, hadn't he? Tate would say to himself, then feel guilty for such thoughts. Mark was just a child, being held and tortured, then sentenced to execution. There had been other villagers that were going to die as well. It had been that which had forced Robert to move against De Falaise. In any event, Gwen had remained at the castle, subject to the Frenchman's sadistic whims.

  For all these reasons, Tate decided to go with her when she left. It had been a tearful goodbye, but he knew he'd see everyone again. Nottingham wasn't that far from where they were heading, and he'd made the trip a few times, like when the castle had hosted a fete last summer.

  He recalled now the day they left, though, and what each of his friends had said.

  "Thank you for everything," had been Mary's words, giving the Reverend a kiss on the cheek.

  "Gonna miss your words of wisdom. Take it easy," Jack had told him, clasping his hand and shaking it firmly.

  "Are you sure you have to go?" Mark had asked. And when Tate nodded, he saw the boy's eyes moistening. Tate had rubbed his tousled blond hair and Mark had laughed.

  "See you around, I s'pose," Bill had said next — and it wasn't long after that he had made tracks himself, after some disagreement or other with Rob
ert.

  Then came the man himself. The Hooded Man, who Tate had talked into leading these people. They might have had their differences, and Tate might not have agreed on some of his methods, but he knew fundamentally that Robert was a good man. And he knew he was going to miss him.

  "If you ever need anything, even if it's just to talk, my son — "

  "I know where you are," Robert said, fixing him with those intense eyes of his. "You look after yourself, Reverend."

  "You too." He'd leaned in close so the others couldn't hear and added: "Look after them all." It was Robert's turn to nod. "You did a good job, you know," Tate said finally. And he thought then that he'd detected the slightest of smiles playing on Robert's lips.

  They'd driven off in one of the jeeps De Falaise had left behind, packed with enough food and water to last them the journey, in addition to whatever items Robert's men had been able to find for the baby: nappies, bottles, jars of baby food (there were actually plenty of these kinds of stocks still left in shops and warehouses; Tate didn't like to think about why). Neither of them had known what to expect when they finally arrived, having heard nothing of the village since they'd left. When Tate had gone in search of The Hooded Man, there had only been a handful of the original members of Hope still living there. Young Darryl Wade, for example, who'd been helping Clive fix up the village hall the day Javier arrived — turning it into a school for future generations. Graham Leicester, as well, who'd been attempting to grow food in gardens and fields. But most had fled the village, fled the region, once the new Sheriff's stranglehold on the area had taken effect. Tate knew for a fact that former midwife June Taylor had done so with Gwen and Clive's adopted kids, Sally and Luke.

  "They've seen enough of fighting and death," June said to Tate as she was packing up their things. She was referring, of course, to the kids having witnessed Clive's brutal demise — something they'd probably never get over as long as they lived. "After everything they've been through, even before Hope, they need some kind of stability." He'd tried to talk her out of it, saying that one day Gwen would return, he felt it in his bones, but it was a half-hearted protest at best. Deep down Tate realised June was right: Sally and Luke should be away from this place. He hoped they were living a peaceful life somewhere.

  Strangely, Gwen had not asked about them when they'd both recovered after the battle. And when he'd told her anyway, she'd nodded as if taking the information in, but had been more concerned about the baby she was carrying inside her. Tate liked to think she felt the same way as him, that she wished them happiness wherever they were. It was what Clive would have wanted. But there was always that niggling feeling — and again, he hated himself for it — that she was okay with them being somewhere else, because now she had a real child that belonged to Clive. Sally and Luke must have seemed like something from another lifetime, after her trials at the castle.

  They'd driven into the village and it seemed like a ghost town. Nothing much had changed in the time since Tate had been there last. The cottages still had pock-marks on the walls where the bullets had struck, and there were charred sections of road where grenades had gone off.

  Gwen had parked the jeep and climbed out. Unlike Tate, this had been the first time she'd returned since Clive's death. Leaving the Reverend behind for a moment, to look after Clive Jr, she'd wandered down the street as if in a daze. When she reached the bit of the road where Clive had fallen, she'd knelt.

  Maybe this wasn't such a good idea after all, thought Tate. Like the castle, there were too many memories here. They should have sought out another village to start again, dedicated it to Clive — somewhere his ghost wasn't on every street corner.

  There was a clacking sound, and Tate leaned forward in the jeep's front seat. Gwen had heard it too and was rising, pulling something out from under her jumper; something she'd tucked in her jeans without telling Tate. It was an automatic pistol, another parting gift from the previous tenant of Nottingham Castle. Gwen held the weapon like a professional, just like she had the machine gun she'd used during that last battle in the city.

  "Come out, whoever you are," shouted the thin, auburn-haired woman. "I'm not messing around." The more Tate saw of Gwen like this, the more he realised how she'd changed — or rather how circumstances had changed her — and how much he didn't care for it.

  Behind him, Clive Jr began to cry.

  Then, at the side of one cottage, Tate spotted a figure. It was Andy Hobbs, another resident of the old Hope, standing with a hunting rifle — aiming it at Gwen's head. She'd spun on him in a heartbeat, bringing her pistol to bear.

  "Gwen, no!" called Tate. But she'd already spotted who it was… and so had Andy.

  "It can't be," said the man, lowering his gun. "Gwen? Is that really you?"

  She began lowering her pistol, though not letting her guard down quite as quickly as Andy. Gwen approached him, eyes darting left and right. "How have you been, Andy?" Tate heard her ask.

  "Never mind about that, come here." Andy went to give her a big hug, but Gwen pulled back before he could get anywhere near her. This was Andy, who'd once tended the fields, who'd sat and laughed and joked outside the local pub with Clive and Gwen on balmy summer evenings. She recognised him; she'd even said his name. But the trust was gone — maybe Gwen's trust in all men except Tate. It would take time, but she'd need people like Andy if she was really going to fulfil Clive's dream.

  "Andy!" Tate called, in an effort to take the embarrassment out of the situation.

  "Reverend? I can't believe it. I never thought… Well, I didn't think I'd see either of you again to be honest."

  Clive Jr. was crying louder and Gwen returned to the jeep. Andy called the all clear, and other familiar faces appeared: Graham and Darryl, along with a few others Tate had never seen before. They gathered round, old friends swapping hellos, introductions being made.

  "I still can't believe you're really here," Andy said again to Tate. "It's so good to see you."

  "You too, my son," Tate replied, leaning on his stick.

  "We heard snatches about what happened in Nottingham, but nothing concrete."

  "Something about a big fight?" Darryl added.

  "We figured something big must have happened because no more men came to take our food."

  "We were ready for them anyway, even if they did," Andy said, holding up the rifle.

  Tate grimaced. "I wouldn't have thought that was your style."

  "Neither is being hit in the back of the head with a rifle butt."

  "Granted," said Tate.

  "So, you went off to join Hood's men?"

  "Not intentionally," Tate pointed out. "But I suppose I did end up getting dragged along for the ride. That's a story for another time, though."

  Gwen was standing by the jeep, cradling Clive Jr, feeding him a bottle of milk. Darryl came over and smiled at the little one. "So who's this then? He's really cute."

  "This is Clive's son."

  "Clive's…" Darryl frowned. "But I thought-"

  "Darryl, Darryl." Tate interrupted, limping round the side of the jeep. "Enough of your questions. We've been on the road a while and there's still food and drink in the back of the jeep. Enough for a celebratory dinner, I'd suspect."

  So that's how they'd spent their first night back; inside The Red Lion, filling their bellies and swapping stories about what had happened in the time since they'd all last seen each other. The remaining members of what had once been Hope had carried on with their lives, but lived in fear that the soldiers might return. That was one of the reasons why they hadn't cleaned up the place much.

  "It was a reminder of what could happen again," Graham told them. "A reminder not to get taken unawares again."

  "That's why when we heard your jeep… well, you know," said Andy, now feeling slightly foolish.

  "De Falaise is no more," Tate assured them, nursing a brandy. "His men have been defeated, his legacy replaced by a new law in the land."

  Gwen pulled a fa
ce at this and Tate caught it out of the corner of his eye. As far as she was concerned, she'd got herself out of the mess at the castle. Robert Stokes had been far too late to save her, in every sense of the word.

  "Do you really think he can protect us?" asked Darryl, also seeing Gwen's expression.

  Tate nodded. "I think he'll try his best."

  "So what now?" asked Graham, putting his feet up on one of the tables.

  It was Gwen who answered, rocking the baby in her arms. "We start again. We turn this back into the place Clive always wanted it to be. With one or two exceptions."

  Graham frowned. "What do you mean?"

  "It's like you said." Gwen held Clive Jr in the nook of one arm and picked up the pistol that was resting on the table in front of her. Tate raised an eyebrow, which she completely ignored. "We're never going to be taken unawares again. This time, we make sure we can defend ourselves. There are more in the jeep; rifles and pistols, plus ammo."

  "What? Gwen, you stole-"

  "I borrowed them from the caves," she said, cutting Tate off. "Besides, from the sound of things they won't be using them any time soon."

  Many of Clive's ideas had been sound, she went on to explain, but in attempting to start again with a bunch of people skilled in various areas — Graham's knowledge of agriculture, for example; Darryl's handyman ability — he'd left out the very people who could fight off an attack like the one they'd encountered. Now, every single person in New Hope, as Gwen suggested renaming the village, would know how to fight as well. With guns, with their hands. This met with nods of approval from the folk in The Red Lion.

  All except Tate.

  He'd talked to her about it later, asking her if a community based on violence was what Clive would really have wanted. It certainly wasn't the 'loving atmosphere' she'd said she was looking for when they'd left the castle.