Nana

by Эмиль Золя

  In Mme Bron's drinking bar downstairs a super, who was charged with the part of Pluto, was drinking in solitude amid the folds of a great red robe diapered with golden flames. The little business plied by the good portress must have been progressing finely, for the cellarlike hole under the stairs was wet with emptied heeltaps and water. Clarisse picked up the tunic of Iris, which was dragging over the greasy steps behind her, but she halted prudently at the turn in the stairs and was content simply to crane forward and peer into the lodge. She certainly had been quick to scent things out! Just fancy! That idiot La Faloise was still there, sitting on the same old chair between the table and the stove! He had made pretense of sneaking off in front of Simonne and had returned after her departure. For the matter of that, the lodge was still full of gentlemen who sat there gloved, elegant, submissive and patient as ever. They were all waiting and viewing each other gravely as they waited. On the table there were now only some dirty plates, Mme Bron having recently distributed the last of the bouquets. A single fallen rose was withering on the floor in the neighborhood of the black cat, who had lain down and curled herself up while the kittens ran wild races and danced fierce gallops among the gentlemen's legs. Clarisse was momentarily inclined to turn La Faloise out. The idiot wasn't fond of animals, and that put the finishing touch to him! He was busy drawing in his legs because the cat was there, and he didn't want to touch her.

  "He'll nip you; take care!" said Pluto, who was a joker, as he went upstairs, wiping his mouth with the back of his hand.

  After that Clarisse gave up the idea of hauling La Faloise over the coals. She had seen Mme Bron giving the letter to Simonne's young man, and he had gone out to read it under the gas light in the lobby. "Impossible tonight, darling--I'm booked." And with that he had peaceably departed, as one who was doubtless used to the formula. He, at any rate, knew how to conduct himself! Not so the others, the fellows who sat there doggedly on Mme Bron's battered straw-bottomed chairs under the great glazed lantern, where the heat was enough to roast you and there was an unpleasant odor. What a lot of men it must have held! Clarisse went upstairs again in disgust, crossed over behind scenes and nimbly mounted three flights of steps which led to the dressing rooms, in order to bring Simonne her reply.

  Downstairs the prince had withdrawn from the rest and stood talking to Nana. He never left her; he stood brooding over her through half-shut eyelids. Nana did not look at him but, smiling, nodded yes. Suddenly, however, Count Muffat obeyed an overmastering impulse, and leaving Bordenave, who was explaining to him the working of the rollers and windlasses, he came up in order to interrupt their confabulations. Nana lifted her eyes and smiled at him as she smiled at His Highness. But she kept her ears open notwithstanding, for she was waiting for her cue.

  "The third act is the shortest, I believe," the prince began saying, for the count's presence embarrassed him.

  She did not answer; her whole expression altered; she was suddenly intent on her business. With a rapid movement of the shoulders she had let her furs slip from her, and Mme Jules, standing behind, had caught them in her arms. And then after passing her two hands to her hair as though to make it fast, she went on the stage in all her nudity.

  "Hush, hush!" whispered Bordenave.

  The count and the prince had been taken by surprise. There was profound silence, and then a deep sigh and the far-off murmur of a multitude became audible. Every evening when Venus entered in her godlike nakedness the same effect was produced. Then Muffat was seized with a desire to see; he put his eye to the peephole. Above and beyond the glowing arc formed by the footlights the dark body of the house seemed full of ruddy vapor, and against this neutral- tinted background, where row upon row of faces struck a pale, uncertain note, Nana stood forth white and vast, so that the boxes from the balcony to the flies were blotted from view. He saw her from behind, noted her swelling hips, her outstretched arms, while down on the floor, on the same level as her feet, the prompter's head--an old man's head with a humble, honest face--stood on the edge of the stage, looking as though it had been severed from the body. At certain points in her opening number an undulating movement seemed to run from her neck to her waist and to die out in the trailing border of her tunic. When amid a tempest of applause she had sung her last note she bowed, and the gauze floated forth round about her limbs, and her hair swept over her waist as she bent sharply backward. And seeing her thus, as with bending form and with exaggerated hips she came backing toward the count's peephole, he stood upright again, and his face was very white. The stage had disappeared, and he now saw only the reverse side of the scenery with its display of old posters pasted up in every direction. On the practicable slope, among the lines of gas jets, the whole of Olympus had rejoined the dozing Mme Drouard. They were waiting for the close of the act. Bosc and Fontan sat on the floor with their knees drawn up to their chins, and Prulliere stretched himself and yawned before going on. Everybody was worn out; their eyes were red, and they were longing to go home to sleep.

  Just then Fauchery, who had been prowling about on the O.P. side ever since Bordenave had forbidden him the other, came and buttonholed the count in order to keep himself in countenance and offered at the same time to show him the dressing rooms. An increasing sense of languor had left Muffat without any power of resistance, and after looking round for the Marquis de Chouard, who had disappeared, he ended by following the journalist. He experienced a mingled feeling of relief and anxiety as he left the wings whence he had been listening to Nana's songs.

  Fauchery had already preceded him up the staircase, which was closed on the first and second floors by low-paneled doors. It was one of those stairways which you find in miserable tenements. Count Muffat had seen many such during his rounds as member of the Benevolent Organization. It was bare and dilapidated: there was a wash of yellow paint on its walls; its steps had been worn by the incessant passage of feet, and its iron balustrade had grown smooth under the friction of many hands. On a level with the floor on every stairhead there was a low window which resembled a deep, square venthole, while in lanterns fastened to the walls flaring gas jets crudely illuminatcd the surrounding squalor and gave out a glowing heat which, as it mounted up the narrow stairwell, grew ever more intense.

  When he reached the foot of the stairs the count once more felt the hot breath upon his neck and shoulders. As of old it was laden with the odor of women, wafted amid floods of light and sound from the dressing rooms above, and now with every upward step he took the musky scent of powders and the tart perfume of toilet vinegars heated and bewildered him more and more. On the first floor two corridors ran backward, branching sharply off and presenting a set of doors to view which were painted yellow and numbered with great white numerals in such a way as to suggest a hotel with a bad reputation. The tiles on the floor had been many of them unbedded, and the old house being in a state of subsidence, they stuck up like hummocks. The count dashed recklessly forward, glanced through a half-open door and saw a very dirty room which resembled a barber's shop in a poor part of the town. In was furnished with two chairs, a mirror and a small table containing a drawer which had been blackened by the grease from brushes and combs. A great perspiring fellow with smoking shoulders was changing his linen there, while in a similar room next door a woman was drawing on her gloves preparatory to departure. Her hair was damp and out of curl, as though she had just had a bath. But Fauchery began calling the count, and the latter was rushing up without delay when a furious "damn!" burst from the corridor on the right. Mathilde, a little drab of a miss, had just broken her washhand basin, the soapy water from which was flowing out to the stairhead. A dressing room door banged noisily. Two women in their stays skipped across the passage, and another, with the hem of her shift in her mouth, appeared and immediately vanished from view. Then followed a sound of laughter, a dispute, the snatch of a song which was suddenly broken off short. All along the passage naked gleams, sudden visions of white skin and wan underlinen were observable throug
h chinks in doorways. Two girls were making very merry, showing each other their birthmarks. One of them, a very young girl, almost a child, had drawn her skirts up over her knees in order to sew up a rent in her drawers, and the dressers, catching sight of the two men, drew some curtains half to for decency's sake. The wild stampede which follows the end of a play had already begun, the grand removal of white paint and rouge, the reassumption amid clouds of rice powder of ordinary attire. The strange animal scent came in whiffs of redoubled intensity through the lines of banging doors. On the third story Muffat abandoned himself to the feeling of intoxication which was overpowering him. For the chorus girls' dressing room was there, and you saw a crowd of twenty women and a wild display of soaps and flasks of lavender water. The place resembled the common room in a slum lodging house. As he passed by he heard fierce sounds of washing behind a closed door and a perfect storm raging in a washhand basin. And as he was mounting up to the topmost story of all, curiosity led him to risk one more little peep through an open loophole. The room was empty, and under the flare of the gas a solitary chamber pot stood forgotten among a heap of petticoats trailing on the floor. This room afforded him his ultimate impression. Upstairs on the fourth floor he was well-nigh suffocated. All the scents, all the blasts of heat, had found their goal there. The yellow ceiling looked as if it had been baked, and a lamp burned amid fumes of russet-colored fog. For some seconds he leaned upon the iron balustrade which felt warm and damp and well- nigh human to the touch. And he shut his eyes and drew a long breath and drank in the sexual atmosphere of the place. Hitherto he had been utterly ignorant of it, but now it beat full in his face.

  "Do come here," shouted Fauchery, who had vanished some moments ago. "You're being asked for."

  At the end of the corridor was the dressing room belonging to Clarisse and Simonne. It was a long, ill-built room under the roof with a garret ceiling and sloping walls. The light penetrated to it from two deep-set openings high up in the wall, but at that hour of the night the dressing room was lit by flaring gas. It was papered with a paper at seven sous a roll with a pattern of roses twining over green trelliswork. Two boards, placed near one another and covered with oilcloth, did duty for dressing tables. They were black with spilled water, and underneath them was a fine medley of dinted zinc jugs, slop pails and coarse yellow earthenware crocks. There was an array of fancy articles in the room--a battered, soiled and well-worn array of chipped basins, of toothless combs, of all those manifold untidy trifles which, in their hurry and carelessness, two women will leave scattered about when they undress and wash together amid purely temporary surroundings, the dirty aspect of which has ceased to concern them.

  "Do come here," Fauchery repeated with the good-humored familiarity which men adopt among their fallen sisters. "Clarisse is wanting to kiss you."

  Muffat entered the room at last. But what was his surprise when he found the Marquis de Chouard snugly enscounced on a chair between the two dressing tables! The marquis had withdrawn thither some time ago. He was spreading his feet apart because a pail was leaking and letting a whitish flood spread over the floor. He was visibly much at his ease, as became a man who knew all the snug corners, and had grown quite merry in the close dressing room, where people might have been bathing, and amid those quietly immodest feminine surroundings which the uncleanness of the little place rendered at once natural and poignant.

  "D'you go with the old boy?" Simonne asked Clarisse in a whisper.

  "Rather!" replied the latter aloud.

  The dresser, a very ugly and extremely familiar young girl, who was helping Simonne into her coat, positively writhed with laughter. The three pushed each other and babbled little phrases which redoubled their merriment.

  "Come, Clarisse, kiss the gentleman," said Fauchery. "You know, he's got the rhino."

  And turning to the count:

  "You'll see, she's very nice! She's going to kiss you!"

  But Clarisse was disgusted by the men. She spoke in violent terms of the dirty lot waiting at the porter's lodge down below. Besides, she was in a hurry to go downstairs again; they were making her miss her last scene. Then as Fauchery blocked up the doorway, she gave Muffat a couple of kisses on the whiskers, remarking as she did so:

  "It's not for you, at any rate! It's for that nuisance Fauchery!"

  And with that she darted off, and the count remained much embarrassed in his father-in-law's presence. The blood had rushed to his face. In Nana's dressing room, amid all the luxury of hangings and mirrors, he had not experienced the sharp physical sensation which the shameful wretchedness of that sorry garret excited within him, redolent as it was of these two girls' self- abandonment. Meanwhile the marquis had hurried in the rear of Simonne, who was making off at the top of her pace, and he kept whispering in her ear while she shook her head in token of refusal. Fauchery followed them, laughing. And with that the count found himself alone with the dresser, who was washing out the basins. Accordingly he took his departure, too, his legs almost failing under him. Once more he put up flights of half-dressed women and caused doors to bang as he advanced. But amid the disorderly, disbanded troops of girls to be found on each of the four stories, he was only distinctly aware of a cat, a great tortoise-shell cat, which went gliding upstairs through the ovenlike place where the air was poisoned with musk, rubbing its back against the banisters and keeping its tail exceedingly erect.

  "Yes, to be sure!" said a woman hoarsely. "I thought they'd keep us back tonight! What a nuisance they are with their calls!"

  The end had come; the curtain had just fallen. There was a veritable stampede on the staircase--its walls rang with exclamations, and everyone was in a savage hurry to dress and be off. As Count Muffat came down the last step or two he saw Nana and the prince passing slowly along the passage. The young woman halted and lowered her voice as she said with a smile:

  "All right then--by and by!"

  The prince returned to the stage, where Bordenave was awaiting him. And left alone with Nana, Muffat gave way to an impulse of anger and desire. He ran up behind her and, as she was on the point of entering her dressing room, imprinted a rough kiss on her neck among little golden hairs curling low down between her shoulders. It was as though he had returned the kiss that had been given him upstairs. Nana was in a fury; she lifted her hand, but when she recognized the count she smiled.

  "Oh, you frightened me," she said simply.

  And her smile was adorable in its embarrassment and submissiveness, as though she had despaired of this kiss and were happy to have received it. But she could do nothing for him either that evening or the day after. It was a case of waiting. Nay, even if it had been in her power she would still have let herself be desired. Her glance said as much. At length she continued:

  "I'm a landowner, you know. Yes, I'm buying a country house near Orleans, in a part of the world to which you sometimes betake yourself. Baby told me you did--little Georges Hugon, I mean. You know him? So come and see me down there."

  The count was a shy man, and the thought of his roughness had frightened him; he was ashamed of what he had done and he bowed ceremoniously, promising at the same time to take advantage of her invitation. Then he walked off as one who dreams.

  He was rejoining the prince when, passing in front of the foyer, he heard Satin screaming out:

  "Oh, the dirty old thing! Just you bloody well leave me alone!"

  It was the Marquis de Chouard who was tumbling down over Satin. The girl had decidedly had enough of the fashionable world! Nana had certainly introduced her to Bordenave, but the necessity of standing with sealed lips for fear of allowing some awkward phrase to escape her had been too much for her feelings, and now she was anxious to regain her freedom, the more so as she had run against an old flame of hers in the wings. This was the super, to whom the task of impersonating Pluto had been entrusted, a pastry cook, who had already treated her to a whole week of love and flagellation. She was waiting for him, much irritated at the things the m
arquis was saying to her, as though she were one of those theatrical ladies! And so at last she assumed a highly respectable expression and jerked out this phrase:

  "My husband's coming! You'll see."

  Meanwhile the worn-looking artistes were dropping off one after the other in their outdoor coats. Groups of men and women were coming down the little winding staircase, and the outlines of battered hats and worn-out shawls were visible in the shadows. They looked colorless and unlovely, as became poor play actors who have got rid of their paint. On the stage, where the side lights and battens were being extinguished, the prince was listening to an anecdote Bordenave was telling him. He was waiting for Nana, and when at length she made her appearance the stage was dark, and the fireman on duty was finishing his round, lantern in hand. Bordenave, in order to save His Highness going about by the Passage des Panoramas, had made them open the corridor which led from the porter's lodge to the entrance hall of the theater. Along this narrow alley little women were racing pell-mell, for they were delighted to escape from the men who were waiting for them in the other passage. They went jostling and elbowing along, casting apprehensive glances behind them and only breathing freely when they got outside. Fontan, Bosc and Prulliere, on the other hand, retired at a leisurely pace, joking at the figure cut by the serious, paying admirers who were striding up and down the Galerie des Varietes at a time when the little dears were escaping along the boulevard with the men of their hearts. But Clarisse was especially sly. She had her suspicions about La Faloise, and, as a matter of fact, he was still in his place in the lodge among the gentlemen obstinately waiting on Mme Bron's chairs. They all stretched forward, and with that she passed brazenly by in the wake of a friend. The gentlemen were blinking in bewilderment over the wild whirl of petticoats eddying at the foot of the narrow stairs. It made them desperate to think they had waited so long, only to see them all flying away like this without being able to recognize a single one. The litter of little black cats were sleeping on the oilcloth, nestled against their mother's belly, and the latter was stretching her paws out in a state of beatitude while the big tortoise-shell cat sat at the other end of the table, her tail stretched out behind her and her yellow eyes solemnly following the flight of the women.