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A Terrible Beauty

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by Graham Masterton




  A Terrible Beauty

  Graham Masterton

  On a farm in southern Ireland, the dismembered bones of eleven women are found in a common grave, buried eight decades ago. Detective Superintendent Katie Maguire is used to bloodshed, but this ivory litter of human remains is unimaginable butchery.

  "Of other worlds apart from this..."

  In isolated darkness not far away, an American tourist is at the mercy of a serial killer. His tools are a boning knife, twine, and a doll fashioned from nails and fishhooks. The murder of his victims is second only to the pleasure of their pain.

  "Darker places inhabited by evil monstrosities..."

  As an eighty-year-old mystery unfolds, so does a modern-day ritual that's marked Katie Maguire as its next victim. For what happened once in this small picturesque village is happening again. It's more than a series of horrifying crimes. It's tradition.

  Graham Masterton

  For Wiescka, with all my love.

  For Roland and Kirsty; for Dan and Sarah; and for Luke. With thanks to An Garda Síochána for their good-humored help; and with deep appreciation to all of those people inCork who made us welcome.

  "Ar scáth a chéile a mhaireas na daoine."

  "People live in one another's shadow."

  Irish proverb

  Author's Note

  The Cunard liner Lusitania set sail from New York on May 1, 1915, bound for Liverpool, England, even though the German authorities had published warnings in U.S. newspapers on the very morning of her departure. By this stage of the war, a considerable number of British merchant ships had already been sunk by German submarines, but it was thought that the Lusitania's superior speed would enable her to outrun any U-boat attack.

  On May 7, as she approached southern Ireland, Captain William Turner was warned that there was U-boat activity in the area and that three British ships had already been sunk in the waters through which he intended to sail. However, he maintained his course and even-inexplicably-slowed down.

  As the Lusitania approached Queenstown harbor (now called Cobh) she was sighted by the submarine U-20 under the command of Kapitan leutnant Walther Schwieger. He fired a single torpedo, which penetrated the Lusitania just below the waterline. The first explosion set off a devastating secondary blast, and the huge liner sank in 18 minutes, with the loss of 1,195 of the 1,959 men, women, and children who were on board her, including 123 Americans.

  In a note to her embassy in Washington on May 10, 1915, Germany gave various unsatisfactory explanations about the disaster, and eventually even struck a medal to commemorate U-20's successful action. President Wilson and the American public were outraged, and more than any other single event, the sinking of the Lusitania turned public opinion and led to the United States entering the First World War.

  Many questions still hang over the incident. At the time, it was claimed that the huge secondary explosion was caused by contraband American munitions hidden in the liner's hold. But recent dives on the wreck of the Lusitania showed lumps of coal scattered all over the seabed-suggesting that the most likely cause was a coal-dust explosion in her almost empty bunkers.

  What still remains unanswered is why Captain William Turner slowed down. He claimed that he was worried about fog, but he couldn't explain why he was so close to shore, and why he was taking no evasive action.

  A memorial to all those who died on the Lusitania stands today in the center of Cobh, the figure of a sorrowing angel.

  A Selected Guide to Cork Slang

  Corkonians have a distinctive accent of their own, which sounds very different from the Dublin brogue which is usually presented as "Irish" in movies and television. They also have their own local slang vocabulary, although many of their expressions are used throughout the Republic. Some phrases date back to the days of Elizabeth I, and are a living memory that Sir Walter Raleigh and other Tudor sailors used to dock in Cork , which is the second deepest harbor in the world.

  Men and women of any age commonly address each other as "boy" and "girl." Even a temporary departure will elicit the remark "Are ye going away?" followed by the reassurance that "I'll see ye after."

  Acting the maggot: behaving foolishly or annoyingly.

  Bags: making a mess of a job-"he made a bags of it."

  Banjaxed: broken.

  Bazzer: a haircut.

  Bodice: spare ribs.

  Bold: naughty-"you're a very bold boy."

  Claim: fight-"I claim ya."

  Codding: teasing or fooling-"I'm only codding."

  Craic: good fun and stimulating conversation.

  Craw sick: hung over.

  Culchies: hayseeds or country people.

  Cute hoor: sly, untrustworthy man.

  Desperate: in a bad state.

  Eat the head off: snap at, attack verbally.

  Fair play: approval of somebody's actions-"fair play to him, mind."

  Feck: slightly less offensive version of the other word.

  Fierce: extreme-"there was a fierce crowd in there."

  Fine half: nice-looking girl.

  Flah: to have sex with.

  Flah'd out: exhausted.

  Full shilling (not the): mentally challenged.

  Funt: kick.

  Ganky: unpleasant (of a person's looks).

  Gawk: stare at, or vomit.

  Gob: mouth.

  Gobdaw: fool.

  Gom: thickhead.

  Gowl: idiot.

  Grand: good, fine, okay.

  Header: mentally unstable person.

  High babies: grade school.

  Holliers: holidays.

  Holy show: spectacle-"you made a holy show of yourself."

  Hop (on the): playing hooky.

  Hump off: go away.

  Hurling: a Gaelic game played with sticks, not unlike hockey.

  Jag: a date.

  Langered/langers: drunk.

  Letting on: pretending.

  Massive: lovely-"your dress is only massive."

  Me Daza: very nice.

  Mebs: testicles.

  Messages: shopping-"I have to get the messages."

  Mighty: very good-"that was mighty."

  Monkey's (don't give a): don't give a damn.

  Mooching: sponging for money.

  One: woman-"some oul one."

  Rubber dollies: sneakers.

  Sconce: look-"have a sconce at that."

  Scratcher: bed.

  Septic: vain (of a girl).

  Show: movie.

  Shelityhorn: snail.

  Slagging: making good-natured fun, teasing.

  Soften his cough: teach him a lesson.

  Soot: satisfaction-"I wouldn't give you the soot."

  Twisted: drunk.

  Twigged: understood, caught on.

  1

  John had never seen so many hooded crows circling around the farm as he did that wet November morning. His father always used to say that whenever you saw more than seven hooded crows gathered together, they had come to gloat over a human tragedy.

  It was tragedy weather, too. Curtains of rain had been trailing across the Nagle Mountains since well before dawn, and the northwest field was so heavy that it had taken him more than three hours to plow it. He was turning the tractor around by the top corner, close to the copse called Iollan's Wood, when he saw Gabriel frantically waving from the gate.

  John waved back. Jesus, what did the idiot want now? If you gave Gabriel a job to do, you might just as well do it yourself, because he was always asking what to do next, and was it screws or nails you wanted, and what sort of wood were you after having this made from? John kept on steadily plowing, with big lumps of sticky mud pattering off the wheels, but Gabriel came struggling up the field toward him, still
waving, with crows irritably flapping all around him. He was obviously shouting, too, although John couldn't hear him.

  As Gabriel came puffing up to him in his raggedy old brown tweeds and gum boots, John switched off the tractor's engine and took off his ear protectors.

  "What's wrong now, Gabe? Did you forget which end of the shovel you're supposed to be digging with?"

  "There's bones, John!Bones!So many fecking bones you can't even count them!"

  John wiped the rain off his face with the back of his hand. "Bones? Where? What kind of bones?"

  "Under the floor, John! People's bones! Come and see for yourself! The whole place looks like a fecking graveyard!"

  John climbed down from the tractor and ankle-deep into the mud. Close up, Gabriel smelled strongly of stale beer, but John was quite aware that he drank while he worked, even though he went to considerable pains to conceal his cans of Murphy's under a heap of sacking at the back of the barn.

  "We was digging the foundations close to the house when the boy says there's something in the ground here, and he digs away with his fingers and out comes this human skull with its eyes full of dirt. Then we were after digging some more and there was four more skulls and bones like you never seen the like of, leg bones and arm bones and finger bones and rib bones."

  John strode long-legged down toward the gate. He was tall and dark, with thick black hair and almost Spanish good looks. He had only been back in Ireland for just over a year, and he was still finding it difficult to cope with running a farm. One sunny May morning he had been about to close the door of his apartment on Jones Street in San Francisco when the telephone had rung, and it had been his mother, telling him that his father had suffered a massive stroke. And then, two days later, that his father was dead.

  He hadn't intended to come back toIreland , let alone take over the farm. But his mother had simply assumed that he would, him being the eldest boy, and all his uncles and aunts and cousins had greeted him as if he were head of the Meagher family now. He had flown back toSan Francisco to sell his dot.com alternative medicine business and say good-bye to his friends, and here he was, walking through the gate of Meagher's Farm in a steady drizzle, with a beery-breathed Gabriel following close behind him.

  "I'd say it was a mass murder," Gabriel panted.

  "Well, we'll see."

  The farmhouse was a wide green-painted building with a gray slate roof, with six or seven leafless elms standing at its southeastern side like an embarrassed crowd of naked bathers. A sharply sloping driveway led down to the road to Ballyhooly, to the north, and Cork City , eleven miles to the south. John crossed the muddy tarmac courtyard and went around to the north side of the house, where Gabriel and a boy called Finbar had already knocked down a rotten old feed store and were now excavating the foundations for a modernized boiler house.

  They had cleared an area twelve feet by twenty. The earth was black and raw and had the sour, distinctive smell of peat. Finbar was standing on the far side of the excavation, mournfully holding a shovel. He was a thin, pasty-faced lad with a closely cropped head, protruding ears, and a soggy gray jumper.

  On the ground in front of him, like a scene from Pol Pot's Cambodia, lay four human skulls. Nearer to the damp, cement-rendered wall of the farmhouse, there was a hole which was crowded with muddy human bones.

  John hunkered down and stared at the skulls as if he were expecting them to explain themselves.

  "God Almighty. These must have been here for a pretty long time. There isn't a scrap of flesh left on any of them."

  "An unmarked grave, I'd say," put in Gabriel. "A bunch of fellows who got on the wrong side of the IRA."

  "Scared the shite out of me," said Finbar, wiping his nose on his sleeve. "I was digging away and all of a sudden there was this skull grinning up at me like my old uncle Billy."

  John picked up a long iron spike and prodded among the bones. He saw a jawbone, and part of a rib cage, and another skull. That made at least five bodies. There was only one thing to do, and that was to call the Garda.

  "You don't think your dad knew about this?" asked Gabriel, as John walked back to the house.

  "What do you mean? Of course he didn't know."

  "Well, he was a great republican, your dad."

  John stopped and stared at him. "What are you trying to say?"

  "I'm not trying to say nothing, but if certain people wanted a place to hide certain remains that they didn't want nobody to find, your dad might have possibly obliged them, if you see what I mean."

  "Oh, come on, Gabriel. My dad wouldn't have allowed bodies to be buried on his property."

  "I wouldn't be too sure, John. There was certain stuff buried here once, under the cowshed, for a while."

  "You mean guns?"

  "I'm just saying that it might be better for all concerned if we forgot what we found here. They're dead and buried already, these fellows, why disturb them? Your dad's dead and buried, too. You don't want people raking over his reputation now, do you?"

  John said, "Gabe, these are human beings, for Christ's sake. If we just cover them up, there are going to be five families who will never know where their sons or their husbands went. Can you imagine anything worse than that?"

  "Well, I suppose you're right. But it still strikes me as stirring up trouble when there's no particular call to."

  John went into the house. It was gloomy inside, and it always smelled of damp at this time of year. He took off his boots and washed his hands in the small cloakroom at the side of the hall. Then he went into the large quarry tiled kitchen where his mother was baking. She seemed so small these days, with her white hair and her stooped back and her eyes as pale as milk. She was sieving out flour for tea brack.

  "Did you finish the plowing, John?" she asked him.

  "Not quite. I have to use the telephone."

  He hesitated. She looked up and frowned at him. "Is everything all right?"

  "Of course, Mam. I have to make a phone call, that's all."

  "You were going to ask me something." Oh, she was cute, his mother.

  "Ask you something? No. Don't worry about it." If his father really had allowed the IRA to bury bodies on his land, he very much doubted that he would have confided in his mother. What you don't know can't knock on your door in the middle of the night.

  He went into the living room with its tapestry-covered furniture and its big redbrick fireplace, where three huge logs were crackling and Lucifer the black Labrador was stretched out on the rug with his legs indecently wide apart. He picked up the old-fashioned black telephone and dialed 112.

  "Hallo? I want the Garda. I need to speak to somebody in charge. Yes. Well, this is John Meagher up at Meagher's Farm in Knocknadeenly. We've dug up some bodies."

  2

  It was raining even harder by the time Katie Maguire arrived at Meagher's Farm in her muddy silver Mondeo. She could see that Detective Inspector Liam Fennessy was already there, as well as two other detectives and three or four uniformed gardaí who were struggling against the gusty wind to erect bright blue plastic screens.

  She climbed out of the car and walked across the farmyard with her raincoat collar turned up. Liam was standing by the open grave with his hands in the pockets of his long brown herringbone overcoat, undeterred by the rain, smoking a cigarette. Detective Garda Patrick O'Sullivan was hunkered down in his windcheater, frowning at the bones with a studious expression on his face, while Detective Sergeant Jimmy O'Rourke was standing under the shelter of the farmhouse roof, talking to John Meagher.

  "Afternoon, Superintendent," said Liam. He was thin and hollow-cheeked, with fair, greased-back hair and circular wire-rimmed spectacles, which were spotted with rain. He looked more like a young James Joyce than a Garda inspector. "Seems as if we've got a few bones to pick, doesn't it?"

  "God Almighty." She had never seen anything like this in her entire career. "How long before the team from the technical bureau get here?"

  "Half an hour, I'd
say. And the venerable Dr. Owen Reidy is coming down first thing tomorrow morning. Reidy the Ripper. He'd have your duodenum for a fancy necktie before you even breathed your last gasp."

  Katie gave him the faintest of smiles. "Did you talk to Superintendent O'Connell in Naas?"

  Jerry O'Connell was in charge of Operation Trace, which had spent the last nine years looking for eight young women who had disappeared without trace in the eastern counties ofIreland .

 

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