Ring Road

by Ian Sansom

  These were not words that any self-respecting teenage boy could sing in a school assembly without blushing or laughter. Nathan Hatchmore Perkins McAuley – a minister, apparently, who had lived in the old manse on Moira Avenue, which had gone with the ring road and which was now the site of eighteen starter homes – was inadvertently responsible for more detentions than any other single individual in the whole history of Central School.

  One former pupil at Central, Tom Boal – stage name, Big Tom Tyrone, even though he wasn’t actually from Tyrone – had obviously enjoyed and remembered the Reverend Mr McAuley’s deep apprehendings and had somehow ended up on the folk circuit in Greenwich Village in the 1960s, singing about longings of his own. Turning to Country, he had recorded several albums in Nashville in the 1970s and he toured occasionally and had returned one year to town, for his mother’s funeral, and had come in to school as a special favour to an old friend, our history teacher, the notorious motorbike-riding and leather-jacket-wearing Gerry Malone, a man who’d been known to do tapes of the Grateful Dead and the Band for favoured boys in the sixth form. Mr Malone introduced Big Tom Tyrone as a contemporary of Bob Dylan and Joan Baez, people we all thought were dead, or hippies, or myths, like the Greeks and the Romans, and certainly it was a surprise for us to meet someone so obviously old and yet so utterly unlike our parents: he might as well have been Odysseus, or Elvis Presley. None of us who were there will ever forget Big Tom Tyrone’s long, thinning hair and his cowboy boots and his acoustic version of Nathan Hatchmore Perkins McAuley’s ‘Fill thou our life, Lord’, which he turned into a sleazy twelve-bar blues with a bottleneck middle section whose effect of longing and moaning came about the closest that most of us had ever heard to the sound of a woman in the act of lovemaking. The school’s headmaster, a Brylcreemed man, a Mr Crawford, the predecessor of the current incumbent, Mr Swallow, was furious and ended assembly early. Girls hung around after the assembly for autographs – some of the better-looking girls too – and Big Tom Tyrone happily signed, in exchange for a kiss, and he must have been in his fifties at the time, I suppose, the age of our own fathers. We couldn’t believe it. Billy and Bob and me had decided by that lunch break that we would form a band. We lasted about six months before we split, suffering from the usual musical differences and the lack of a drummer, and it was then that Billy turned seriously to poetry.

  Billy’s book was being published by a firm who had advertised in the Impartial Recorder, which Billy had foolishly taken to be a recommendation. The Impartial Recorder also carries advertisements for psychics, money trees, life coaches, ‘The Truth about Israel – the Key to World History’ booklets, and ‘Hard-To-Believe-But-It’s-True-We’re-Giving-It-Away-Today-And-Today-Only-Its-An-Unbelievable-And-Unrepeatable-Bargain-But-All-Stock-Must-Go!!!’ furniture stores, cut-price supermarkets and wood flooring specialists. Billy had submitted his work by post, enclosing a small fee, and he had received a letter in reply just a week later, much different from the replies he usually received from publishers: it described his work as ‘original’, ‘extraordinary’ and it went on to use the kind of adjectives which Billy had secretly known for many years might properly be applied to his work, but at which he had blushed on reading and rereading. As well as its obvious literary merits the book, he was told, in the opinion of the publishers, could be a major commercial success. The publishers believed that they could guarantee reviews in national newspapers, magazines and literary journals, and prominent displays in all the major bookshops. Because of the extra distribution and publicity costs that this would involve, they wondered if they could possibly ask Billy to contribute about £1000? Out of this sum Billy would receive two free copies and he had an option to buy another 500 at a greatly reduced rate. The publishers said the initial print run was going to be about 1000: an enormous number for a first book by an unknown author.

  Billy had inherited some money from the sale of the butcher’s shop and its fittings after Hugh’s death, so he gladly paid up, sat back and waited, and he believed for a long time that he was actually going to see the book.*

  But after the humiliation of the bookless book launch, days turned to weeks and then to months, and there were still no books received, and Billy’s letters and telephone calls went unanswered, and in the end Billy decided he was going to have to go and see his publishers personally. He wore a suit and tie, as for a business meeting, asked for a day’s leave from the dump and took the train.

  * We were renowned at one time, of course, for our annual Bicycle Polo tournament, held out on the fields that people called the Bleaches, which were used many years ago for bleaching linen, but which have long since been buried under the Frank Gilbey roundabout on the ring road. The tournament had been founded by Field Marshal Sir John Hillock in 1933. Like Tolstoy, the Field Marshal took to cycling in old age and became an enthusiastic advocate of the sport. His bicycle polo team, the Rovers, sponsored by Raleigh, had achieved some small national fame, and the tournament had brought crowds to the town every May Day until 1947, when tragedy struck: a young man, Elvin Thomas, just twenty-one years old, who had survived Tobruk, died from a punctured lung sustained from an injury caused by a loose spoke during the tournament finals. The Field Marshal disbanded the team and bicycle polo has never been played again in town.

  The highlight of Frank Gilbey’s inaugural and one-and-only week-long jazz festival, meanwhile, a few years ago, was a performance on the Saturday night by Chris Barber and his band, the keepers of the flame of British trad jazz. No one at all had turned up to hear them play and they went home without even opening their instrument cases. Frank had had to bail out the festival from his own pocket.

  † Tiberio Scarpetti and his family lasted here for nearly ten years, which is not a bad innings, actually, for incomers, but unfortunately they were ten years too late for the worldwide craze for espresso bars, which had orginally sent the older Scarpetti brothers out into the world to make their fortunes – Domenico to Australia, Bartolo to Los Angeles – and twenty years too early for the coffee shop revival, which meant that in the end Tiberio, the youngest of three brothers, who had a lot to prove but who had drawn the historical and geographical short straw, returned to his home town of Termoli in Italy with nothing except his Gaggia machine and a lot of unsold stock of fizzy mineral water and canned ravioli. Tiberio had worked like a dog for years, turning what was once Thomas Bell’s dank, dark little hardware shop, ‘Whistle and Bells: All Your Hardware Requirements’, on Market Street into our own local little Italy, all black-and-white tiled floors, indoor plants and mirrored walls, with a state-of-the-art red Formica counter. He held out for a long time against offering chips with everything and all-day frys, but in the end he gave in and lost heart. He’d kept a bowl on the counter for tips and when a decade had passed without a single person ever placing so much as a penny in the bowl he knew it was time to pack up and leave: this was not a place Tiberio intended to grow old. His daughter Francesca remains, of course, married to Tommy Kahan, but Tiberio has never been back to visit, has never even been tempted; he has sworn never to return. The sign above the door of the café still says Scarpetti’s, but apart from the Parmesan and the Nescafé espressos there remains no other indication that this was ever the town’s Italian quarter: Pukka Pies™ have long since replaced the ravioli. Mr Hemon’s only improvement on Tiberio’s original decor has been to put up tourist board posters on the walls showing scenic sights in Bosnia, but all meals come with chips.

  * Actually, there was one that he let slip, when he was on a camping holiday with the children in the south of France, many years ago, and he’d got into conversation one evening with an expat at a bar near the campsite, and somewhere into the second shared bottle of the local red he confessed that he was a solicitor and started complaining to the stranger that the worst thing about his job was always being asked to pad people’s insurance claims and become party to petty frauds, and he happened to mention to the expat the name of a client, Trevor Dow
ns, from up there on the Longfields Estate, whom Martin believed to be faking his own whiplash injuries. Some time later the expat happened to mention this story on the telephone to his brother, who happened to be a minicab driver in Glasgow, who then happened to mention it in turn to someone in the back of his cab who turned out to be Trevor Downs’s wife, Tara, in Glasgow on a shopping spree funded by her husband’s considerable personal injury income. It may be a small world, but it’s also a messy one, thank goodness: in the retelling of the story the name Trevor had been translated into Terry and the Downs had disappeared, which is the only thing that kept Martin Phillips from being sued and out of hospital. These days compensation claim racketeering is so widespread and so common, even in our town, where everyone seems to have slipped and fallen, that Martin no longer even bothers to mention it, even when abroad.

  * It exists still only in typescript, the book. The only two poems of Billy’s ever to have seen the light of day were published in the first edition of the magazine The Enthusiast (PO Box 239, Bangor, BT20 5YB, www.theenthusiast.co.uk). The first of these poems, ‘To the Reader’, seems to be some kind of uncompromising envoi:

  Listen: you don’t like it, then leave.

  My aim has only ever been to be popular

  with the less sophisticated type of audience,

  especially in the suburbs and provinces.

  The second poem, ‘I’m Nobody, Who Are You?’, runs to over a hundred lines and considerations of space obviously preclude us from reprinting it here, but readers who have attended Robert McCrudden’s popular Creative Writing class (Poetry) I or II at the Institute, or similar, might be able to detect throughout this longer work the influences of Arthur Rimbaud, George Herbert, C. P. Cavafy, Geoffrey Chaucer, Hart Crane, Bertolt Brecht, John Berryman, Emily Dickinson, the Gawain Poet, William Blake, A. E. Housman, Francis Ponge, Marianne Moore, Thomas Hardy, Robert Frost, or Pam Ayres.

  5

  Fellowship

  A Good Friday Carvery and Gospel Night (Featuring the Preaching of the Word by Francie McGinn, Country Gospel Music by Bobbie Dylan and All-You-Can-Eat Barbecued Meats)

  The sun finally came out on Friday, breaking through after what seemed like months of gloom, what seemed like years of low grey cloud and drizzle, what seemed, in fact, to some of us here like the new Dark Ages, the return of the famous ‘black springs’ of the 1950s when there wasn’t a green vegetable till August and the only thing you could buy in the market throughout the summer was potatoes. When the cloud lifted, Francie McGinn turned his face to the big blurred halo in the sky and thanked the Lord.

  ‘Altostratus,’ he said.

  Francie has always been interested in the weather and he had gone into the ministry, the two things being somehow connected in his mind, something to do with storms and rainbows and the supernumerary. Francie would not have been your obvious choice as a minister, what with his lack of any obvious social skills, his terror of public speaking and his terrible psoriasis, which always tended to flare up when Francie had to address a congregation, but God does seem to have a sense of humour and so, when He called Francie, in His infinite wisdom He did not call him to a nice quiet life working in an office, as a filing clerk perhaps, or an assistant administrative officer in the local council – recently relocated, of course, from its fine old five-storey stucco building overlooking the People’s Park, with a girdled and globe-breasted Queen Victoria standing guard outside on a plinth, to a new purpose-built place on the ring road. No, God works in mysterious ways and He seems curiously uninterested in the workings and decisions of local councils, so when He called Francie – a sweet, shy, nervous man – He called him not to a life of pleasant quietness but to a life which involved a lot of standing up in front of large and not always sympathetic crowds speaking to them enthusiastically about Jesus. It was a calling which required certain skills of exposition and expostulation, and a certain amount of necessary hand-waving, which Francie, who had always been a little stiff in his manner, had never quite mastered. His sermons were examples of free association, in which he grappled with, and was often floored by, complex passages of Scripture and the use of the microphone. Just watching him up there at the front of his congregation was enough to break your heart. It was enough to bring you to tears, or to your knees.

  As if both to identify and to defy his own native lack of ability, Francie had had an alphabet painted around what in other churches would have been called a nave, but which in Francie’s church, the People’s Fellowship – a place on South Street, which used to be the old Johnson Hosiery Factory, round the back of the Quality Hotel – was just a blank back wall lit by halogen spots and uplighters. The alphabet read, in thick black letters three and four feet tall:

  ALL unsaved people are sinners. You must BELIEVE and CONFESS your sins to God. Christ DIED to save sinners. The Lord knows EVERY secret thing. We are saved through FAITH in Christ. GOOD Works alone will not save. Punishment and HELL await sinners. IMAGINE the darkness that will fall from on high when all men will be JUDGED by the Lord. You shall KNOW and LOVE the Lord, who in His MERCY is willing to save sinners. NOTHING can separate us from the love of God, and the Lord Jesus Christ is the ONLY way of salvation. The Lord will PARDON backsliders, but you must REPENT of your wrongdoing in order to be SAVED. There is joy in TESTIFYING to the Lord. WHOSOEVER WILL may be saved.

  The sign painter, Colin Crawford, who was a friend of a friend of a member of the congregation, and who had learnt his trade years ago in the Tech’s once renowned sign-writing classes, seems to have run into problems with some of the more difficult consonants – what good things does God do that begin with the letters Q and Z? – but the effect was impressive nonetheless.* When Francie stood up to preach, sweating into the microphone, at the front of that hall, you had the impression of a performing flea caught up in the pages of a vast Bible.

  From an early age, certainly from when I first knew him, Francie had described himself as a Bible-believing Christian. The Bible, to Francie, was a bit like God is to most other Christians: something to be relied upon and worshipped, but which nonetheless remains utterly inscrutable and not necessarily something you’d ever be able to understand.*

  Francie was naturally a quiet and modest man, but he was ambitious for Jesus, and was always coming up with exciting new schemes for promoting God’s Word in and around town. He would sometimes take a full-page advertisement in the local paper announcing forthcoming events and in the summer he held evening meetings in the car park in the centre of town, out in front of the Quality Hotel, near the new faux bandstand, with its brick podium and tarpaulin-effect sheet-steel covering, where every night he erected a large sign announcing an ‘Open Air Gospel Meeting’, just in case anyone was in doubt as to exactly what a group of twenty or thirty adults wearing Bermuda shorts and big grins and sunhats were doing, shaking their tambourines and playing guitars and handing out tracts to amused skateboarders and passers-by. Everyone knew it had to be something to do with Jesus – where we live, there’s no other excuse or explanation for such behaviour. This is not Miami Beach, or Brighton. In the winter Francie tried Fish-and-Chip Biblical Quiz Nights and Line Dancing, Ladies’ Pool Nights and Indoor Carpet Bowls for the over-sixties, and there were, of course, all the usual weekly Parenting Classes and Toddlers’ Groups and Bible Studies, but the highlight of every year was undoubtedly his Good Friday Carvery and Gospel Night, an evening which included the Preaching of the Word, Country Gospel Music by Bobbie Dylan and all-you-could-eat barbecued meats, provided by Tom Hines, who is a brother of a member of the congregation, all for a very reasonable £5 per head.

  A couple of years back Francie’s wife, Cherith, was on a detox diet, which meant she couldn’t eat dairy products, bread, pasta, oranges and half a dozen other foodstuffs, including red meat, and in order to display solidarity with his wife Francie was doing the diet too, so they were both going to have to miss out on the Good Friday Carvery, something they usually looked forward to: the closest
they usually got to meat was supermarket mince, which is at best an approximation. It was for her liver, Cherith said, the detox diet, but to be honest she could probably have done to lose some weight, as could their teenage daughter, Bethany, who had not been tempted by the diet, and who had also secretly started smoking cigarettes and going out with boys who were non-Christians, and who wore black eyeliner to church, and who, during her father’s sermons, sometimes sat sending text messages of a sexual nature to her friends.

  That Easter, the year of the diet, Francie and Cherith were also having a new kitchen put into their house on the estate – nothing too expensive, nothing too flash, but, as all the elders of the church agreed, it did need updating – and whether it was the stress of the kitchen, or the lack of protein and carbohydrates and the smell of the barbecued meats, or perhaps the manifold charms of Bobbie Dylan herself that did for Francie I do not know.

  Bobbie Dylan was christened Roberta and was not a fan of Bob Dylan until she heard the Saved album, and then it was but a short leap into the whole world – the admittedly small but pleasantly cosy world – of Christian rock, a world which the leather-trousered Roberta now bestrode like the proverbial colossus.

  Roberta had been converted at the age of twenty. There is probably no good or bad age to become a born-again Christian, but twenty is perhaps one of the worst. It meant that Roberta had enjoyed a few years of tasting the fruits of this world and now, as she emerged into her mid-thirties, she could still taste the many, the complex flavours on her tongue: the terrible sweetness of all those things that as a born-again Christian she knew it was right to deny herself. She tried not to think about it too much and it was not something she liked to admit, but sometimes she had a hankering after the world and its ways. Sometimes, for instance, at night, in her one-bedroom flat on Kilmore Avenue – with its lovely en suite, tiled and decorated by her own fair hand, with a nice fish motif and a power shower – she would drink several glasses of Chardonnay while watching American television programmes in which strong women with beautiful hair and clavicles and good upper-body strength boasted to each other of their sexual conquests, and their ability to please and to dominate men. Just watching them Roberta would feel ashamed and excited. Watching ER had the same effect, and also Sebastian Faulks’s novel Birdsong.