Works of Sax Rohmer

by Sax Rohmer

  Urgent affairs of some kind necessitated his leaving England a few weeks before the date fixed for Rita’s wedding, and as Kilfane had already returned to America, Rita recognized with a certain dismay that she would be left to her own resources — handicapped by the presence of a watchful husband. This subtle change in her view of Monte Irvin she was incapable of appreciating, for Rita was no psychologist. But the effect of the drug habit was pointedly illustrated by the fact that in a period of little more than six months, from regarding Monte Irvin as a rock of refuge — a chance of salvation — she had come to regard him in the light of an obstacle to her indulgence. Not that her respect had diminished. She really loved at last, and so well that the idea of discovery by this man whose wholesomeness was the trait of character which most potently attracted her, was too appalling to be contemplated. The chance of discovery would be enhanced, she recognized, by the absence of her friends and accomplices.

  Of course she was acquainted with many other devotees. In fact, she met so many of them that she had grown reconciled to her habits, believing them to be common to all “smart” people — a part of the Bohemian life. The truth of the matter was that she had become a prominent member of a coterie closely knit and associated by a bond of mutual vice — a kind of masonry whereof Kazmah of Bond Street was Grand Master and Mrs. Sin Grand Mistress.

  The relations existing between Kazmah and his clients were of a most peculiar nature, too, and must have piqued the curiosity of anyone but a drug-slave. Having seen him once, in his oracular cave, Rita had been accepted as one of the initiated. Thereafter she had had no occasion to interview the strange, immobile Egyptian, nor had she experienced any desire to do so. The method of obtaining drugs was a simple one. She had merely to present herself at the establishment in Bond Street and to purchase either a flask of perfume or a box of sweetmeats. There were several varieties of perfume, and each corresponded to a particular drug. The sweetmeats corresponded to morphine. Rashid, the attendant, knew all Kazmah’s clients, and with the box or flask he gave them a quantity of the required drug. This scheme was precautionary. For if a visitor should chance to be challenged on leaving the place, there was the legitimate purchase to show in evidence of the purpose of the visit.

  No conversation was necessary, merely the selection of a scent and the exchange of a sum of money. Rashid retired to wrap up the purchase, and with it a second and smaller package was slipped into the customer’s hand. That the prices charged were excessive — nay, ridiculous — did not concern Rita, for, in common with the rest of her kind, she was careless of expenditure.

  Opium, alone, Kazmah did not sell. He sold morphine, tincture of opium, and other preparations; but those who sought the solace of the pipe were compelled to deal with Mrs. Sin. She would arrange parties, or would prepare the “Hundred Raptures” in Limehouse for visitors; but, except in the form of opiated cigarettes, she could rarely be induced to part with any of the precious gum. Thus she cleverly kept a firm hold upon the devotees of the poppy.

  Drug-takers form a kind of brotherhood, and outside the charmed circle they are secretive as members of the Mafia, the Camorra, or the Catouse-Menegant.

  In this secrecy, which, indeed, is a recognized symptom of drug mania, lay Kazmah’s security. Rita experienced no desire to peer behind the veil which, literally and metaphorically, he had placed between himself and the world. At first she had been vaguely curious, and had questioned Sir Lucien and others, but nobody seemed to know the real identity of Kazmah, and nobody seemed to care provided that he continued to supply drugs. They all led secret, veiled lives, these slaves of the laboratory, and that Kazmah should do likewise did not surprise them. He had excellent reasons.

  During this early stage of faint curiosity she had suggested to Sir Lucien that for Kazmah to conduct a dream-reading business seemed to be to add to the likelihood of police interference.

  The baronet had smiled sardonically.

  “It is an additional safeguard,” he had assured her. “It corresponds to the method of a notorious Paris assassin who was very generally regarded by the police as a cunning pickpocket. Kazmah’s business of ‘dreamreading’ does not actually come within the Act. He is clever enough for that. Remember, he does not profess to tell fortunes. It also enables him to balk idle curiosity.”

  At the time of her marriage Rita was hopelessly in the toils, and had been really panic-stricken at the prospect — once so golden — of a protracted sojourn abroad. The war, which rendered travel impossible, she regarded rather in the light of a heaven-sent boon. Irvin, though personally favoring a quiet ceremony, recognized that Rita cherished a desire to quit theatreland in a chariot of fire, and accordingly the wedding was on a scale of magnificence which outshone that of any other celebrated during the season. Even the lugubrious Mr. Esden, who gave his daughter away, was seen to smile twice. Mrs. Esden moved in a rarified atmosphere of gratified ambition and parental pride, which no doubt closely resembled that which the angels breathe.

  It was during the early days of her married life, and while Sir Lucien was still abroad, that Rita began to experience difficulty in obtaining the drugs which she required. She had lost touch to a certain extent with her former associates; but she had retained her maid, Nina, and the girl regularly went to Kazmah’s and returned with the little flasks of perfume. When an accredited representative was sent upon such a mission, Kazmah dispatched the drugs disguised in a scent flask; but on each successive occasion that Nina went to him the prices increased, and finally became so exorbitant that even Rita grew astonished and dismayed.

  She mentioned the matter to another habitue, a lady of title addicted to the use of the hypodermic syringe, and learned that she (Rita) was being charged nearly twice as much as her friend.

  “I should bring the man to his senses, dear,” said her ladyship. “I know a doctor who will be only too glad to supply you. When I say a doctor, he is no longer recognized by the B.M.A., but he’s none the less clever and kind for all that.”

  To the clever and kind medical man Rita repaired on the following day, bearing a written introduction from her friend. The discredited physician supplied her for a short time, charging only moderate fees. Then, suddenly, this second source of supply was closed. The man declared that he was being watched by the police, and that he dared not continue to supply her with cocaine and veronal. His shifty eyes gave the lie to his words, but he was firm in his resolution, whatever may have led him to it, and Rita was driven back to Kazmah. His charges had become more exorbitant than ever, but her need was imperative. Nevertheless, she endeavored to find another drug dealer, and after a time was again successful.

  At a certain supper club she was introduced to a suave little man, quite palpably an uninterned alien, who smilingly offered to provide her with any drug to be found in the British Pharmacopeia, at most moderate charges. With this little German-Jew villain she made a pact, reflecting that, provided that his wares were of good quality, she had triumphed over Kazmah.

  The craving for chandu seized her sometimes and refused to be exorcised by morphia, laudanum, or any other form of opium; but she had not dared to spend a night at the “House of a Hundred Raptures” since her marriage. Her new German friend volunteered to supply the necessary gum, outfit, and to provide an apartment where she might safely indulge in smoking. She declined — at first. But finally, on Mollie Gretna’s return from France, where she had been acting as a nurse, Rita and Mollie accepted the suave alien’s invitation to spend an evening in his private opium divan.

  Many thousands of careers were wrecked by the war, and to the war and the consequent absence of her husband Rita undoubtedly owed her relapse into opium-smoking. That she would have continued secretly to employ cocaine, veronal, and possibly morphine was probable enough; but the constant society of Monte Irvin must have made it extremely difficult for her to indulge the craving for chandu. She began to regret the gaiety of her old life. Loneliness and monotony plunged her into a state o
f suicidal depression, and she grasped eagerly at every promise of excitement.

  It was at about this time that she met Margaret Halley, and between the two, so contrary in disposition, a close friendship arose. The girl doctor ere long discovered Rita’s secret, of course, and the discovery was hastened by an event which occurred shortly after they had become acquainted.

  The suave alien gentleman disappeared.

  That was the entire story in five words — or all of the story that Rita ever learned. His apartments were labelled “To Let,” and the night clubs knew him no more. Rita for a time was deprived of drugs, and the nervous collapse which resulted revealed to Margaret Halley’s trained perceptions the truth respecting her friend.

  Kazmah’s terms proved to be more outrageous than ever, but Rita found herself again compelled to resort to the Egyptian. She went personally to the rooms in old Bond Street and arranged with Rashid to see Kazmah on the following day, Friday, for Kazmah only received visitors by appointment. As it chanced, Sir Lucien Pyne returned to England on Thursday night and called upon Rita at Prince’s Gate. She welcomed him as a friend in need, unfolding the pitiful story, to the truth of which her nervous condition bore eloquent testimony.

  Sir Lucien began to pace up and down the charming little room in which Rita had received him. She watched him, haggard-eyed. Presently:

  “Leave Kazmah to me,” he said. “If you visit him he will merely shield himself behind the mystical business, or assure you that he is making no profit on his sales. Kilfane had similar trouble with him.”

  “Then you will see him?” asked Rita.

  “I will make a point of interviewing him in the morning. Meanwhile, if you will send Nina around to Albemarle Street in about an hour I will see what can be done.”

  “Oh, Lucy,” whispered Rita, “what a pal you are.”

  Sir Lucien smiled in his cold fashion.

  “I try to be,” he said enigmatically; “but I don’t always succeed.” He turned to her. “Have you ever thought of giving up this doping?” he asked. “Have you ever realized that with increasing tolerance the quantities must increase as well, and that a day is sure to come when—”

  Rita repressed a nervous shudder.

  “You are trying to frighten me,” she replied. “You have tried before; I don’t know why. But it’s no good, Lucy. You know I cannot give it up.”

  “You can try.”

  “I don’t want to try!” she cried irritably. “It will be time enough when Monte is back again, and we can really ‘live.’ This wretched existence, with everything restricted and rationed, and all one’s friends in Flanders or Mesopotamia or somewhere, drives me mad! I tell you I should die, Lucy, if I tried to do without it now.”

  The hollow presence of reform contemplated in a hazy future did not deceive Sir Lucien. He suppressed a sigh, and changed the topic of conversation.

  CHAPTER XXI. THE CIGARETTES FROM BUENOS AYRES

  Sir Lucien’s intervention proved successful. Kazmah’s charges became more modest, and Rita no longer found it necessary to deprive herself of hats and dresses in order to obtain drugs. But, nevertheless, these were not the halcyon days of old. She was now surrounded by spies. It was necessary to resort to all kinds of subterfuge in order to cover her expenditures at the establishment in old Bond Street. Her husband never questioned her outlay, but on the other hand it was expedient to be armed against the possibility of his doing so, and Rita’s debts were accumulating formidably.

  Then there was Margaret Halley to consider. Rita had never hitherto given her confidence to anyone who was not addicted to the same practices as herself, and she frequently experienced embarrassment beneath the grave scrutiny of Margaret’s watchful eyes. In another this attitude of gentle disapproval would have been irritating, but Rita loved and admired Margaret, and suffered accordingly.

  As for Sir Lucien, she had ceased to understand him. An impalpable barrier seemed to have arisen between them. The inner man had became inaccessible. Her mind was not subtle enough to grasp the real explanation of this change in her old lover. Being based upon wrong premises, her inferences were necessarily wide of the truth, and she believed that Sir Lucien was jealous of Margaret’s cousin, Quentin Gray.

  Gray met Rita at Margaret Halley’s flat shortly after he had returned home from service in the East, and he immediately conceived a violent infatuation for this pretty friend of his cousin’s. In this respect his conduct was in no way peculiar. Few men were proof against the seductive Mrs. Monte Irvin, not because she designedly encouraged admiration, but because she was one of those fortunately rare characters who inspire it without conscious effort. Her appeal to men was sweetly feminine and quite lacking in that self-assertive and masculine “take me or leave me” attitude which characterizes some of the beauties of today. There was nothing abstract about her delicate loveliness, yet her charm was not wholly physical. Many women disliked her.

  At dance, theatre, and concert Quentin Gray played the doting cavalier; and Rita, who was used to at least one such adoring attendant, accepted his homage without demur. Monte Irvin returned to civil life, but Rita showed no disposition to dispense with her new admirer. Both Gray and Sir Lucien had become frequent visitors at Prince’s Gate, and Irvin, who understood his wife’s character up to a point, made them his friends.

  Shortly after Monte Irvin’s return Sir Lucien taxed Rita again with her increasing subjection to drugs. She was in a particularly gay humor, as the supplies from Kazmah had been regular, and she laughingly fenced with him when he reminded her of her declared intention to reform when her husband should return.

  “You are really as bad as Margaret,” she declared. “There is nothing the matter with me. You talk of ‘curing’ me as though I were ill. Physician, heal thyself.”

  The sardonic smile momentarily showed upon Pyne’s face, and:

  “I know when and where to pull up, Rita,” he said. “A woman never knows this. If I were deprived of opium tomorrow I could get along without it.”

  “I have given up opium,” replied Rita. “It’s too much trouble, and the last time Mollie and I went—”

  She paused, glancing quickly at Sir Lucien.

  “Go on,” he said grimly. “I know you have been to Sin Sin Wa’s. What happened the last time?”

  “Well,” continued Rita hurriedly, “Monte seemed to be vaguely suspicious. Besides, Mrs. Sin charged me most preposterously. I really cannot afford it, Lucy.”

  “I am glad you cannot. But what I was about to say was this: Suppose you were to be deprived, not of ‘chard’, but of cocaine and veronal, do you know what would happen to you?”

  “Oh!” whispered Rita, “why will you persist in trying to frighten me! I am not going to be deprived of them.”

  “I persist, dear, because I want you to try, gradually, to depend less upon drugs, so that if the worst should happen you would have a chance.”

  Rita stood up and faced him, biting her lip.

  “Lucy,” she said, “do you mean that Kazmah—”

  “I mean that anything might happen, Rita. After all, we do possess a police service in London, and one day there might be an accident. Kazmah has certain influence, but it may be withdrawn. Rita, won’t you try?”

  She was watching him closely, and now the pupils of her beautiful eyes became dilated.

  “You know something,” she said slowly, “which you are keeping from me.”

  He laughed and turned aside.

  “I know that I am compelled to leave England again, Rita, for a time; and I should be a happier man if I knew that you were not so utterly dependent upon Kazmah.”

  “Oh, Lucy, are you going away again?”

  “I must. But I shall not be absent long, I hope.”

  Rita sank down upon the settee from which she had risen, and was silent for some time; then:

  “I will try, Lucy,” she promised. “I will go to Margaret Halley, as she is always asking me to do.”

  “Good g
irl,” said Pyne quietly. “It is just a question of making the effort, Rita. You will succeed, with Margaret’s help.”

  A short time later Sir Lucien left England, but throughout the last week that he remained in London Rita spent a great part of every day in his company. She had latterly begun to experience an odd kind of remorse for her treatment of the inscrutably reserved baronet. His earlier intentions she had not forgotten, but she had long ago forgiven them, and now she often felt sorry for this man whom she had deliberately used as a stepping-stone to fortune.

  Gray was quite unable to conceal his jealousy. He seemed to think that he had a proprietary right to Mrs. Monte Irvin’s society, and during the week preceding Sir Lucien’s departure Gray came perilously near to making himself ridiculous on more than one occasion.

  One night, on leaving a theatre, Rita suggested to Pyne that they should proceed to a supper club for an hour. “It will be like old times,” she said.

  “But your husband is expecting you,” protested Sir Lucien.

  “Let’s ring him up and ask him to join us. He won’t, but he cannot very well object then.”

  As a result they presently found themselves descending a broad carpeted stairway. From the rooms below arose the strains of an American melody. Dancing was in progress, or, rather, one of those orgiastic ceremonies which passed for dancing during this pagan period. Just by the foot of the stairs they paused and surveyed the scene.

  “Why,” said Rita, “there is Quentin — glaring insanely, silly boy.”

  “Do you see whom he is with?” asked Sir Lucien.

  “Mollie Gretna.”

  “But I mean the woman sitting down.”

  Rita stood on tiptoe, trying to obtain a view, and suddenly:

  “Oh!” she exclaimed, “Mrs. Sin!”

  The dance at that moment concluding, they crossed the floor and joined the party. Mrs. Sin greeted them with one of her rapid, mirthless smiles. She was wearing a gown noticeable, but not for quantity, even in that semi-draped assembly. Mollie Gretna giggled rapturously. But Gray’s swiftly changing color betrayed a mood which he tried in vain to conceal by his manner. Having exchanged a few words with the new arrivals, he evidently realized that he could not trust himself to remain longer, and: