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Works of Sax Rohmer

Page 637

by Sax Rohmer


  “I must ask for silence now, sir,” Inspector Haredale said. “Elkin, our guide, has managed to open a section of this skylight.”

  Elkin hauled a rope-ladder-from its hiding place, raised part of the skylight, hooked the ladder to the frame and climbed down. From below he flashed a light. “I’m holding the ladder fast,” he whispered. “Would you come next, Mr Garfield, and hang on to Miss Merton?”

  The ladder was successfully negotiated, and the members of the party found themselves in a stuffy loft impregnated with stifling exotic odours. The warehouse had belonged to a firm of spice importers.

  Stairs led down to a series of galleries surrounding a lofty, echoing place where even their cautious footsteps sounded like the tramp of a platoon.

  “No use going tiptoe,” snapped Nayland Smith. “If there’s anyone here, he knows we’re here, too. The room you were in was on the ground floor, Pat. So let’s get a move on. A little more light, Sergeant.”

  They descended from gallery to gallery until they reached the bottom. Then they stood still, listening. There was no sound. The place had the odour of a perfume bazaar.

  “It was your mention of incense, miss,” Inspector Haredale told Pat, “that convinced me you had been here. Now, Elkin, what’s the lay of the land?”

  “There’s an inner office, and a main office beyond which opens right on to the street.”

  “Stand by for anything,” Nayland Smith directed. “If we’re lucky, Fu-Manchu will be in there. If the door is locked, we’ll break it down.”

  The door was not locked. As it swung open, they saw a lighted room.

  “Stay with Pat for a moment, Garfield,” Nayland Smith said tersely. “I want to make sure what’s ahead.”

  He stepped in, followed by Haredale and Elkin. There was no one in the room. But as Pat strained forward to peer in, she saw a long couch illuminated by a tall pedestal lamp which shed a peculiar green light. “This is the room I was in!” she cried out.

  She and Bruce joined Nayland Smith and, “Good God!” Bruce spoke almost in a whisper. “Can it be true?”

  On a table beside the couch a curious object lay gleaming in the rays of the lamp. It was composed of some silver-like metal moulded in the form of two saucers, one inverted above the other and upheld by four squat columns apparently of vulcanite.

  “My model!” Bruce shouted, and sprang forward.

  “One moment, sir!” Inspector Haredale grasped his arm. “It may be booby-trapped. Elkin, make sure there’s no wiring under the table.”

  As the detective dropped to his knees and began searching, Nayland Smith stepped to the door of the main office. It was locked.

  “No wires, sir,” Elkin reported. “All clear.”

  And almost before he had got to his feet Bruce had snatched up the model and was examining it.

  “Bruce!” Pat spoke breathless. “Has it been tampered with?”

  “I assure you, Miss Merton, it has not!” a sibilant, mocking voice replied.

  “Fu-Manchu!” Nayland Smith snapped. “He’s in the next room. Come on, Haredale. We have him!” He fired three revolver shots in quick order. It was the signal for the raid.

  There came a quiet laugh. “Ah, there you are Sir Denis Nayland Smith. Before you start the raiding party, I have a few words to say. I assume that you are there, Mr Garfield? I could not resist the temptation of telling you myself that you have far to go in the field of gravity. After inspecting your model, I saw no harm in sharing a few facts. So I laid a trail, with the assistance of your charming friend, Miss Merton, which I felt sure you could easily follow.”

  Bruce, feeling like a man in a dream, said, “Very good of you!”

  The wail of police whistles sounded, the roar of a racing engine, the screech as brakes were jammed on in the near-by street.

  “Your model, Mr Garfield, is elementary,” the strangely sinister voice went on. “But I was interested to examine it. You have advanced only a short way in the science of anti-gravity. But you are on the right route. Listen.” The sibilant voice droned on as Dr Fu-Manchu became more explicit. Bruce listened, fascinated and rapidly made notes. Finally the voice concluded with this astonishing revelation.

  “You may recall the sensation once created by the appearance of so-called flying saucers? Some of these — but not all — were test flights of my anti-gravity machine, which I have since perfected. The others, I assume, were from distant planets.”

  The door of the outer office was being battered down. A voice shouted, “Inspector Haredale! Are you there?”

  “You may call off your raiders,” the calm voice continued. “As I know you have already realised — I am not in the other office. I am fifty miles away. When you opened the door of the room in which you stand, you connected me with an amplifying device on a shortwave receiver, which, if you are patient, you may find in the main office. I installed it some time ago to enable me to give orders to subordinates assembled there.”

  A crash announced the collapse of the street door. Men could be heard running down the stairs from the entrance on the roof. Pat was trembling. There were tears in her voice when she turned to Bruce, who was holding the model. “Bruce, darling, is it true? Have you failed?”

  Bruce put the model down, hugged Pat — and laughed. “This is the first model I ever made, and I should have hated to lose it. I suppose I feel about it the way a sculptor feels about a rough clay study for a statue. But it doesn’t tell Fu-Manchu a thing. What’s more, his boastfulness has made him tell me more than I think he meant to. But no one — not even you Pat — knows how far I have gone since that first model. Dr Fu-Manchu isn’t the only man who has solved the riddle of gravity. The other saucers he mentioned don’t come from outer space. And so he’s in for a surprise. One of the greatest firms in the world has financed, and is now flight-testing, my own anti-gravity machine. That is the real secret of the flying saucers!”

  The Short Stories

  Little Tich, the English music hall comedian and dancer, whose biography Rohmer ghost wrote.

  LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER

  THE YASHMAK OF PEARLS

  THE DEATH-RING OF SNEFERU

  THE LADY OF THE LATTICE

  OMAR OF ISPAHAN

  BREATH OF ALLAH

  THE WHISPERING MUMMY

  LORD OF THE JACKALS

  LURE OF SOULS

  THE SECRET OF ISMAIL

  HARÛN PASHA

  IN THE VALLEY OF THE SORCERESS

  POMEGRANATE FLOWER

  FIRST EPISODE. CASE OF THE TRAGEDIES IN THE GREEK ROOM

  SECOND EPISODE. CASE OF THE POTSHERD OF ANUBIS

  MR. CLIFFORD’S STORY OF THE EGYPTIAN POTSHERD

  THIRD EPISODE. CASE OF THE CRUSADER’S AXE

  THE MURDER AT CRESPIE HALL

  FOURTH EPISODE. CASE OF THE IVORY STATUE

  FIFTH EPISODE. CASE OF THE BLUE RAJAH

  SIXTH EPISODE. CASE OF THE WHISPERING POPLARS

  SEVENTH EPISODE. CASE OF THE HEADLESS MUMMIES

  EIGHTH EPISODE. CASE OF THE HAUNTING OF GRANGE

  EPISODE IX

  CASE OF THE VEIL OF ISIS

  THE HAUNTING OF LOW FENNEL

  THE VALLEY OF THE JUST

  THE BLUE MONKEY

  THE RIDDLE OF RAGSTAFF

  THE MASTER OF HOLLOW GRANGE

  THE CURSE OF A THOUSAND KISSES

  THE TURQUOISE NECKLACE

  THE DAUGHTER OF HUANG CHOW

  KERRY’S KID

  THE PIGTAIL OF HI WING HO

  MAN WITH THE SHAVEN SKULL

  THE WHITE HAT

  TCHERIAPIN

  THE DANCE OF THE VEILS

  THE HAND OF THE MANDARIN QUONG

  THE WRATH OF FU-MANCHU

  THE EYES OF FU-MANCHU

  THE WORD OF FU-MANCHU

  THE MIND OF FU-MANCHU

  LIST OF SHORT STORIES IN ALPHABETICAL ORDER

  BREATH OF ALLAH

  CASE OF THE VEIL OF ISIS

 
EIGHTH EPISODE. CASE OF THE HAUNTING OF GRANGE

  EPISODE IX

  FIFTH EPISODE. CASE OF THE BLUE RAJAH

  FIRST EPISODE. CASE OF THE TRAGEDIES IN THE GREEK ROOM

  FOURTH EPISODE. CASE OF THE IVORY STATUE

  HARÛN PASHA

  IN THE VALLEY OF THE SORCERESS

  KERRY’S KID

  LORD OF THE JACKALS

  LURE OF SOULS

  MAN WITH THE SHAVEN SKULL

  MR. CLIFFORD’S STORY OF THE EGYPTIAN POTSHERD

  OMAR OF ISPAHAN

  POMEGRANATE FLOWER

  SECOND EPISODE. CASE OF THE POTSHERD OF ANUBIS

  SEVENTH EPISODE. CASE OF THE HEADLESS MUMMIES

  SIXTH EPISODE. CASE OF THE WHISPERING POPLARS

  TCHERIAPIN

  THE BLUE MONKEY

  THE CURSE OF A THOUSAND KISSES

  THE DANCE OF THE VEILS

  THE DAUGHTER OF HUANG CHOW

  THE DEATH-RING OF SNEFERU

  THE EYES OF FU-MANCHU

  THE HAND OF THE MANDARIN QUONG

  THE HAUNTING OF LOW FENNEL

  THE LADY OF THE LATTICE

  THE MASTER OF HOLLOW GRANGE

  THE MIND OF FU-MANCHU

  THE MURDER AT CRESPIE HALL

  THE PIGTAIL OF HI WING HO

  THE RIDDLE OF RAGSTAFF

  THE SECRET OF ISMAIL

  THE TURQUOISE NECKLACE

  THE VALLEY OF THE JUST

  THE WHISPERING MUMMY

  THE WHITE HAT

  THE WORD OF FU-MANCHU

  THE WRATH OF FU-MANCHU

  THE YASHMAK OF PEARLS

  THIRD EPISODE. CASE OF THE CRUSADER’S AXE

  The Non-Fiction

  One of the many popular magazines in which Rohmer’s tales were published: the 1948 issue of Avon Fantasy Reader

  THE ROMANCE OF SORCERY

  At the age of thirty Rohmer wrote this work of non fiction, published by Methuen in 1914. Rohmer uses a broad sweep with his subject matter, taking in many ideas, historical events, well known people and diverse theories and weaving them all together to suit his own point of view. The theory is this: that sorcery, the occult and witchcraft are simply magic by another name and should be seen as encompassing:

  “all those doctrines concerning the nature and power of angels and spirits ; the methods of evoking shades of departed persons ; the conjuration of elementary spirits and of demons ; the production of any kind of supernormal phenomena ; the making of talismans, potions, wands, etc.; divination and crystallomancy; and Cabalistic and ceremonial rites”.

  In other words, anything of the esoteric that is not addressed in “traditional” religions (but sometimes actually including some of their practices too) is magic. Rohmer also argues that many of the magical practices we are familiar with as originating in the East did in fact start in ancient Egypt, a culture which of course Rohmer refers to in the Fu Manchu books and also brought centre stage in Brood of a Witch Queen.

  Rohmer’s theories are not as far-fetched as one may think. For example, when looking today at the European witch hunts of the early modern period, academics make the point that many of the so-called “witches”, where they practised anything at all that could be vaguely seen as the occult, were more than likely merely acting out local customs and superstitions that had been embedded in their communities for centuries — the “old magic” of healing, charms, potions and curses. Seen as a threat to the Christian church and social order, they had to be eliminated simply because this “magic” gave people (especially women) an autonomy that could not be tolerated. There are strong similarities between Rohmer’s description of the old practices, above, and the sweeping definition of old magic that is used to define historic witchcraft or sorcery today. Rohmer goes further – he writes in a matter of fact way about ginns or familiars, and quotes spells that are a bizarre mix of Christianity and the old magic:

  “On a Wednesday after the Vesper prayer, and when your shadow measures twenty paces, write the following formula (chatim) with rose-water and sesame water on paper or parchment. Roll this up and throw it on the ground. Then write the formula on the palm of the left hand and fumigate with mastic, benzoin, and coriander. Say over the chapters Amran and Ichlas while your hand is held above the smoke, and then pick up the talisman from the ground. Touch your body with it, and that of the person on whom you have designs. Hang it to . . . your right side, and you will see something wonderful. God’s protection is with thee. But use the talisman only for what is lawful!”

  The above is a typically eclectic mix of the Judaeo-Christian and local custom; the Lancashire Witches that were tried in 1612 also mixed snippets of the Christian creed and liturgy, and their own “magical” gibberish, in their spells and curses – more than likely, a case of using whatever sounded impressive to the impressionable.

  However, it is the sheer scope of the work that is almost overwhelming. A dizzying array of demons, ginns, maji, spells and charms, the sphinx, demons, astrology, witches and more are here, plus every conceivable associated book from the Egyptian Book of the Dead to the Koran and the Cabalistic writings of Judaism. Famous names such as John Dee, Nostradamus and Apollonius are mentioned too.

  It is difficult to judge how seriously Rohmer took the subject he writes about here. Certainly it was in his own interests to research the occult, as it features so strongly in many of his stories, and he writes with the confidence of an expert (indeed, the escape artist Harry Houdini even wrote to Rohmer to congratulate him on the work, and they became friends as a result). Rohmer also regarded the magic he wrote about as wholly benevolent and a way of benefiting not only the individual, but society as a whole, if only humankind would return to this old ways with respect and an open mind. Whatever his motivation, it is a comprehensive and interesting overview of the subject and despite being over a century old, remains remarkably modern in some of its interpretations.

  The first edition’s frontispiece

  CONTENTS

  PREFACE

  SORCERY AND SORCERERS

  APOLLONIUS OF TYANA

  MICHEL DE NOTRE DAME, CALLED NOSTRADAMUS

  DR. JOHN DEE

  RUDOLFUS II

  CAGLIOSTRO

  MADAME BLAVATSKY

  SORCERY AND THE LAW

  CONCLUSION: SORCERY AND SCIENCE

  PREFACE

  ALTHOUGH would-be explorers of the occult continent may be numbered only by the employment of seven figures, it is notable as a curious fact that the world’s master Magi have been neglected by popular biographers. Lives of all the great sorcerers there are, certainly, from Zarathustra to Éliphas Lévi, but without exception, so far as I am aware, these are designed for the use of the student: they are not for every man.

  Fictionists have dipped into the magical pages, but lightly and warily. If we except some of the novels of Lord Lytton (who was an initiate, deeply versed) and the stories of Mr. Algernon Blackwood, to whom we are indebted for an account of a “Witches’ Sabbath” little short of clairvoyant, I believe there is no piece of purely imaginative writing which can be regarded as the work of an Adept, or even of a serious student.

  In the following pages, then, I have endeavoured to bring out the red blood of the subject, and have treated the various episodes with which I have had to deal in the same manner that I should treat the episodes of an ordinary romance. Whilst those curious to learn more of the arts of sorcery have not been neglected, above all I have placed, and have aimed at satisfying, the reader who opens this book in quest of entertainment.

  The section “Sorcery and Sorcerers” will be found to contain some passages from Francis Barrett and from Dr. Wynn Westcott’s valuable translation of one of Lévi’s most extraordinary works. Neither of these authors will be familiar to the general reader, and I have borrowed freely in both directions. Their writings are illuminative, and should be considered, if only in brief, by any one who hopes to comprehend the aims of the sorcerers, as set forth in The Romance of Sorcery.r />
  It may be asked of me why certain characters have been included here and others omitted. I can only say that I have sought for variety. To my decision to include a life of Nostradamus I was guided, in some degree, by the existence of a very general misapprehension regarding this great and wonderful man; also by the fact that hitherto no complete life has appeared in the English language. Madame H. P. Blavatsky I have introduced, after much consideration, because certain phenomena associated with her activities come legitimately within the scope and limit of sorcery. I have dealt with these phenomena, but have not attempted, in so limited a space, even to outline her whole career.

  At the time that I was engaged upon the section “Apollonius of Tyana,” an admirable edition of Philostratus’s work, translated by Mr. F. C. Conybeare, M.A., was added to the Loeb Classical Library. This lightened my labours, for the only other English version is that of E. Berwick, published in 1809. The freshness and freedom of Mr. Conybeare’s rendering make quite delightful reading, compared with the severely staid manner of the former writer.

  I have to acknowledge the generous assistance offered to me by M. Homolle of the Bibliothèque Nationale, and the untiring labours of M. Lejay Jean, of the same institution. Not only has M. Lejay aided me in my quest of material, but he has completed those inquiries regarding Cagliostro’s house in the Rue Saint Claude and other matters which lack of time forced me to abandon.

  A portion of the chapter “The Elementals” (“Sorcery and Sorcerers”) is included by courtesy of the Globe, and at this place I must also acknowledge indebtedness to my friend Dr. R. Watson Councell for the freedom of his library. Of inestimable assistance, too, has been the exact knowledge of old French, and of old French history, which Mr. Fred W. Winter has placed at my disposal. The sections “Nostradamus” and “Sorcery and the Law,” in particular, owe much to his scholarly attainments.

  Finally, the adept guidance of Mr. Arthur N. Milne has been as that of a pharos in a night-storm, lacking which I could scarce have hoped to make safe harbourage.

 

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