Sepulchre

by Kate Mosse

  All in all, it was not the life Léonie had imagined for herself. She would have wished for love, for a chance to see more of the world, to be herself. But she loved her nephew and pitied Isolde and, determined to keep her word to Anatole, did not waver in her duty.

  Copper autumns gave way to chill white winters, when the snow lay thick upon the tomb of Marguerite Vernier in Paris. Green springs gave way to blazing golden skies and scorched pasture, and the briars grew tangled around the more modest grave of Anatole overlooking the lake at the Domaine de la Cade.

  Earth, wind, water and fire, the unchanging pattern of the natural world.

  Their peaceful existence was not to last for much longer. Between Christmas and the New Year of 1897, there was a succession of signs - omens, warnings even - that things were not right.

  In Quillan, a chimneysweep’s boy fell and broke his neck. In Espéraza, fire broke out in the hat factory, killing four of the Spanish female workers. In the atelier of the Bousquet family, an apprentice became trapped in the hot metal printing press and lost all four fingers on his right hand.

  For Léonie, the general disquiet became specific when Monsieur Baillard came to give her the unwelcome news that he was obliged to quit Rennes-les-Bains. It was the time of local winter fairs - in Brenac on 19th January, Campagne-sur-Aude on the 20th and Belvianes on the 22nd. He was to pay his visits to those outlying villages, then make his way higher into the mountains. His eyes veiled with concern, he explained that there were obligations, older and more binding than his unofficial guardianship of Louis-Anatole, which he could delay no longer. Léonie regretted his decision, but knew better than to question him. He gave his word that he would return before the feast day of St Martin in November, when the rents were collected.

  She was dismayed that his séjour was to be of so many months’ duration, but she had learned long ago that Monsieur Baillard would never be deflected from any purpose once a decision had been made.

  His imminent departure - and the unexplained reasons for it - reminded Léonie once more of how little she knew of her friend and protector. She did not even know for certain how old he was, although Louis-Anatole had declared that he must be at least seven hundred years old to have so many stories to tell.

  Mere days after Audric Baillard’s departure, scandal erupted in Rennes-le-Château. The Abbé Saunière’s restoration of his church was all but completed. In the early cold months of 1897, the statuary ordered from a specialist supplier in Toulouse was delivered. Among them was a bénitier - a stoup for holy water - resting on the shoulders of a twisted demon. Voices were raised in objection, vociferous, insisting that this and many other of the statues were unsuitable for a house of worship. Letters of protest were sent to the Mairie and to the Bishop, some anonymous, demanding that Saunière be brought to account. Demanding, too, that the priest be no longer permitted to dig in the graveyard.

  Léonie had not known about the night-time excavations around the church, nor that Saunière was said to spend the hours between dusk and dawn walking the nearby mountainside, looking for treasure, or so it was rumoured. She did not involve herself in the debate nor in the growing tide of complaint against a priest she had considered devoted to his parish. Her unease came from the fact that certain of the statues were so precisely a match for those within the sepulchre. It was as if someone was guiding Abbé Saunière’s hand and, at the same time, working to cause trouble against him.

  Léonie knew that he had seen the statues in her late uncle’s time. Why, some twelve years after the event, he should choose to replicate images that had caused such harm before, she did not understand. With her friend and guide Audric Baillard absent, there was no one with whom she could discuss her fears.

  The discontent spread down the mountain to the valley and Rennes-les-Bains. Suddenly there were whisperings that the troubles that had beset the town some years back had returned. There were rumours of secret tunnels running between Rennes-le-Château and Rennes-les-Bains, of Visigoth burial chambers. Allegations that, as before, the Domaine de la Cade was the refuge of a wild beast started to gather force. Dogs, goats, even oxen were attacked, by wolves or mountain cats that appeared to be afraid neither of the traps nor the hunters’ guns. It was an unnatural creature, or so the rumours spread, not one governed by the normal laws of nature.

  Although Pascal and Marieta tried hard to keep the gossip from reaching Léonie’s ears, some of the more malicious stories pierced her consciousness all the same. The campaign was subtle, no allegations were made out loud, so it was not possible for Léonie to answer the mounting drizzle of complaint directed against the Domaine de la Cade and the household.

  There was no way of identifying the source of the spiteful rumours, only that they were intensifying. As winter went out and a cold and wet spring arrived, the allegations of supernatural occurrences at the Domaine de la Cade grew more frequent. Sightings of ghosts and demons, it was said, even of satanic rituals conducted under cover of night in the sepulchre. It was a return to the dark days of Jules Lascombe’s time as master of the house. The bitter and the jealous pointed to the events of Hallowe’en 1891 and claimed the ground was restless. Seeking retribution for past sins.

  Old spells, ancient words in the traditional language, were scratched on rocks at the roadside to ward off the demon that now, as before, stalked the valley. Pentagrams were daubed in black tar on stones at the roadside. Votive offerings of flowers and ribbon were left at unmarked shrines.

  One afternoon, when Léonie was sitting with Louis-Anatole in his favourite spot beneath the platanes in the Place du Pérou, a phrase sharply uttered caught her attention.

  ‘Lou Diable se ris.’

  When she returned to the Domaine de la Cade, she asked Marieta what the words meant.

  ‘The devil is laughing,’ she reluctantly translated.

  Had Léonie not known that such a thing was impossible, she would have suspected the hand of Victor Constant in the rumours and gossip. She chastised herself for such thoughts.

  Constant was dead. The police thought so. He had to be dead. Otherwise why would he have let them be for nearly five years, only to return now?

  CHAPTER 90

  CARCASSONNE

  When the heat of July had turned the green pastures between Rennes-le-Château and Rennes-les-Bains to brown, Léonie could bear her confinement no longer. She stood in need of a change of scene.

  The stories about the Domaine de la Cade had intensified. Indeed, the atmosphere on the last occasion she and Louis-Anatole went down into Rennes-les-Bains had been so unpleasant that she had resolved not to visit for the foreseeable future. Silence or suspicious glances, where once there had been greetings and smiles. She did not wish Louis-Anatole to witness such unpleasantness.

  The occasion Léonie chose for the excursion was the fête nationale. As part of the celebrations of the anniversary of the storming of the Bastille more than one hundred years before, there was to be a display of fireworks in the medieval citadel of Carcassonne on the 14th day of July. Léonie had not set foot in the city since the short-lived and painful visit with Anatole and Isolde, but for her nephew’s sake - it was a belated treat for his fifth birthday - she put her misgivings to one side.

  She was determined to persuade Isolde to accompany them. Her aunt’s nerves had been worse of late. She had taken to insisting that there were people following her, watching her from the far side of the lake, that there were faces under the water. She saw smoke in the woods even when no fires were set. Léonie did not wish to leave her, even in Marieta’s capable hands, for so many days unaccompanied.

  ‘Please, Isolde,’ she whispered, stroking her hand. ‘It would do you good to be away from here for a while. To feel the sun on your face.’ She squeezed her fingers. ‘It would mean so much to me. And for Louis-Anatole. It would be the best birthday gift you could give him. Come with us, please.’

  Isolde looked up at her with her deep grey eyes, that seemed both to carry gr
eat wisdom and, yet, to see nothing.

  ‘If you wish it,’ she said in her silvery voice, ‘I will come.’ Léonie was so astonished that she flung her arms around Isolde, startling her. She could feel how thin Isolde was beneath her clothes and corset, but she put it out of her mind. She had never expected Isolde to acquiesce and so was delighted. Perhaps it was a sign that her aunt was, at last, ready to look to the future. That she would start to get to know her beautiful son.

  It was a small party that set out by train to Carcassonne.

  Marieta was watchful of her mistress. It fell to Pascal to occupy Louis-Anatole with military tales, the current exploits of the French army in western Africa, Dahomey and the Cote d’Ivoire. Pascal talked with such relish of the deserts and the roaring waterfalls and a lost world hidden on a secret plateau that Léonie suspected he had borrowed his descriptions from the writings of Monsieur Jules Verne rather than from the pages of the newspapers. Louis-Anatole, for his part, entertained the carriage with Monsieur Baillard’s tales of the medieval knights of old. A thoroughly satisfying and bloodthirsty journey was passed by both.

  They arrived at lunchtime on the 14th July and found themselves in lodgings in the lower Bastide, hard by the cathédrale Saint-Michel, far distant from the hotel where Isolde, Léonie and Anatole had stayed six years previously. Léonie passed the remainder of the afternoon sightseeing with her excited, wide-eyed nephew and permitted him to eat too much ice cream.

  They returned to their rooms at five o’clock to rest. Léonie found Isolde lying on a couch at the window, looking out over the gardens of the Boulevard Barbès. With a sinking feeling in the pit of her stomach, she immediately realised that Isolde did not intend to come with them to view the fireworks.

  Léonie said nothing, hoping she was wrong, but when the time came to venture out for the evening spectacle, Isolde claimed she did not feel equal to the crowds. Louis-Anatole was not disappointed, for, in truth, he had not expected his mother’s company. But Léonie allowed herself an uncharacteristic stab of irritation that even on this one special occasion, Isolde could not rouse herself for her son.

  Leaving Marieta to tend to her mistress’ needs, Léonie and Louis-Anatole set out with Pascal. The spectacle had been planned and paid for by a local industrialist, Monsieur Sabatier, the inventor of L’Or-Kina aperitif and the Micheline liqueur known as ‘La Reine des Liqueurs’. The display was as an experiment, but with the promise that the event would be bigger and better the following year should it be deemed a success. Sabatier’s presence was everywhere, in the promotional leaflets that Louis-Anatole collected in his small fists, souvenirs of their outing, and on posters affixed to the walls of buildings.

  As daylight started to retreat, crowds began to mass on the right bank of the Aude in the quartier Trivalle, gazing up at the restored ramparts of the Cité. Children, gardeners and maids from the big houses, shop girls and boot boys all swarmed to the church of Saint-Gimer, where once Léonie had sheltered with Victor Constant. She pushed the memory from her mind.

  On the left bank, they gathered outside the Hôpital des Malades, every handhold and foothold occupied. Children balanced on the wall beside the chapelle de Saint-Vincent-de-Paul. In the Bastide, they gathered at the Porte des Jacobins and along the riverbank. No one knew quite what to expect.

  ‘Up you come, pichon,’ said Pascal, swinging the boy on to his shoulders.

  Léonie, Pascal and Louis-Anatole took a position on the Pont Vieux, squeezing into one of the pointed becs - the alcoves - that overlooked the water. Léonie whispered loudly up into Louis-Anatole’s ear, as if confiding a great secret, that it was even said that the Bishop of Carcassonne had ventured from his palace to witness this great celebration of Republicanism.

  As darkness fell, diners from the nearby restaurants swelled the numbers on the old bridge. The crowd became a crush. Léonie glanced up at her nephew, worrying perhaps that it was too late for him to be out and that the noise and the smell of gunpowder would be alarming, but she was delighted to see the same look of intense concentration on Louis-Anatole’s face as she remembered seeing on Achille’s when he sat at his piano composing.

  Léonie smiled and realised she was increasingly able to enjoy her memories, without being overtaken by the sense of loss.

  At that moment, the embrassement de la Cité began. The medieval walls were enveloped in a fury of orange and red flames, sparks and smoke of all colours. Rockets shot up into the night sky and exploded.

  Clouds of acrid vapours rolled down from the hill and over the river, stinging the watchers’ eyes, but the magnificence of the spectacle more than compensated for the discomfort. The blue sky was purple, now, glowing with green and white and red fireworks as the citadel was enveloped in flame and fury and brilliant light.

  Léonie felt Louis-Anatole’s small, hot hand creep on to her shoulder. She covered it with her own. Perhaps this would be a new beginning? Perhaps the grief that had dominated her life for so long now, too long, would loosen its grip and allow thoughts of a brighter future.

  ‘A l’avenir,’ she said under her breath, remembering Anatole.

  His son heard her. ‘A l’avenir, Tante Léonie,’ he said, returning the toast. He paused, then added, ‘If I am good, may we come again next year?’

  When the display was over and the crowds dispersed, Pascal carried the sleepy boy back to their boarding house.

  Léonie put him to bed. Promising they would have such an adventure again, she kissed him good night and retired, leaving a candle burning, as always, to keep away the ghosts and evil spirits and monsters of the night. She was bone tired, exhausted by the excitements of the day and her emotions. Thoughts of her brother - and her guilt at the part she had played in leading Victor Constant to him - had pecked at her memory all day.

  Wishing to be certain of rest, Léonie mixed herself a sleeping draught, watching while the white powder dissolved in a glass of hot brandy. She drank it slowly, then slipped between the sheets and fell into a deep and dreamless sleep.

  A misty dawn crept over the waters of the Aude as the pale morning light gave shape back to the world.

  The banks of the river and the pavements and cobbles of the Bastide were littered with pamphlets and paper. The broken tip of a boxwood walking cane, a few sheets of music trampled underfoot by the crowds, a cap detached from its owner. And everywhere Monsieur Sabatier’s leaflets.

  The waters of the Aude were as flat as a looking glass, barely moving in the quiet of the dawn. The old boatman, Baptistin Cros - known to all Carcassonne as Tistou - was steering his heavy, flat barge across the still river towards the Païchérou weir. This far upriver there was little evidence of the celebrations for the fête nationale. No spent cases, no streamers or advertisements, no lingering smell of gunpowder or singed paper. His steady gaze took in the purple light that shimmered over the Montagne Noire to the north as the sky turned from black, to blue to the white of morning.

  Tistou’s barge pole caught on something in the water. He turned to see what it could be, adjusting his balance with practised ease.

  It was a corpse.

  Slowly, the old riverman turned his barge. The water lapped close to the wooden rim of the boat, but did not spill over. He stopped momentarily. The overhead wires that linked one side of his river crossing to the other seemed to sing in the soft morning air, even though there was not a whisper of a wind.

  Anchoring the craft by plunging his wooden pole deep into the mud, Tistou knelt down and peered into the water. Beneath the green surface, he could just make out the shape of a woman. She was half floating, face down. Tistou was glad. The glazed dead eyes of the drowned were hard to forget, the blue-rimmed lips and the look of surprise etched on skin as yellow as tallow. Not long in the water, Tistou thought. Her body had not yet had time to change.

  The woman looked strangely peaceful, her long blond hair swaying back and forth, back and forth, like weeds. Tistou’s slow thoughts were mesmerised by the motion.
Her back was arched; her arms and legs trailing gracefully down beneath her skirts, as if she was somehow attached to the river bed.

  Another suicide, he thought.

  Tistou braced his legs and leant forward, locking his bent knees against the thwarts. He stretched over and grabbed a fistful of the woman’s grey morning dress. Even sodden and made slimy by the river, he could feel the quality of the cloth. He pulled. The barge rocked dangerously, but Tistou had done this countless times and knew where the tipping point lay. He took a deep breath, then pulled again, clutching at the collar of the woman’s dress to get better purchase.