The Works of Andre Norton (12 books)

by Andre Norton

  "Oh, I don't know. Only somehow I always thought Rick was younger when he went away. I've always felt sorry for him. Wonder what happened to him afterwards?"

  "According to our rival," Rupert pulled his coffee-cup before him as Letty-Lou took away their plates, "he just went quietly away, married, lived soberly, and brought up a son, who in turn fathered a son, and so on to the present day. A tame enough ending for our wild privateersman."

  "I'll bet it isn't true. Rick wouldn't end like that. He probably went off down south and got mixed up in some of the revolutions they were having at the time," suggested Ricky. "He couldn't just settle down and die in bed. I could imagine him scuttling a ship but not being a quiet business man."

  "He was one of Lafitte's men, wasn't he?" asked Charity. At their answering nods, she went on: "Lafitte was a business man, you know. Oh, I don't mean that forge he ran in town, but his establishment at Grande Terre. He was more smuggler than pirate, that's why he lasted so long. Even the most respected tradesmen had dealings with him. Why, he used to post notices right in town when he held auctions at Barataria, listing what he had to sell, mostly smuggled Negroes and a few cargoes of luxuries from Europe. He was a privateer under the rules of war, but he was never a real pirate. At least, that's the belief held nowadays."

  "We can't turn up our noses at pirates," laughed Ricky. "This house was built by pirate gold. We only wish--"

  From the hall came a dull thump. Ricky's napkin dropped from her hand into her coffee-cup. Rupert laid down his spoon deliberately enough, but there was a certain tension in his movements. Val felt a sudden chill. For Letty-Lou was in the kitchen, the family were in the dining-room. There should be no one in the hall.

  Rupert pushed back his chair. But Val was already half-way to the door when his brother joined him. And Ricky, suddenly sober, was at their heels.

  _Zzzzzrupp!_ The slitting sound was clear as they burst into the hall. On the fur rug by the couch lay the writing-desk. Its lid was thrown back and by it crouched Satan industriously ripping the remnants of lining from its interior. As Rupert came up, the cat drew back, his ears flattened and his lips a-snarl.

  "Cinders! What has he done?" demanded Charity, swooping down upon her pet. At her coming, he fled under the couch out of reach.

  Rupert picked up the desk. "Nothing much," he laughed. "Just torn all that lining loose, as I had planned to do."

  "What is this?" Ricky disentangled a small slip of white from the torn and musty velvet. "Why, it's a piece of paper," she answered her own question. "It must have been under the lining and Satan pulled it out with the cloth."

  "Here," Rupert took it from her, "let me see it."

  He scanned the faded lines of writing. "Val! Ricky!" He looked up, his face flushed with excitement. "Listen!"

  "Gatty has returned from the city. The raiders calling themselves the 'Buck Boys' are headed this way. Gatty tells me that Alexander is with them, having deserted the plantation a week ago. Since his malice towards us is well known, it is easy to believe that he means us open harm. I am making my preparations accordingly. The valuables now under this roof, together with the proceeds from the last voyage of the blockade runner, _Red Bird_, I am putting in that safe place discovered by me in childhood, of which I have sometimes spoken. Remember the hint I once gave you--By Our Luck. Having written this in haste, I shall intrust it to Gatty--"

  "That's the end; the rest is gone." Rupert stared down at the scrap of paper in his hand as if he simply could not believe in its reality.

  "Richard wrote that." Ricky touched the note in awe. "But why didn't Gatty give it to Miles when he came?"

  "Gatty was probably a slave who ran when the raiders appeared," suggested Rupert. "He or she must have hidden this in here before leaving. We'll never know."

  "But we've got our clue!" cried Ricky. "We knew that the hiding-place was in this hall, and now we have the clue."

  "'By our Luck.'" Rupert looked about him thoughtfully. "That's not the most helpful--"

  "Rupert!" Ricky seized him by the arm. "There's only one thing in this room that will answer that. Can't you see? The niche of the Luck!"

  Their gaze followed her pointing finger to the mantel above their heads.

  "I believe she's right! Wait until I get the step-ladder from the kitchen." Rupert was gone almost before he had finished speaking.

  "Oh, if it's only true!" Ricky stared up like one hypnotized. "Then we'll be rich and--"

  "Don't count your chickens before they're hatched," Val reminded her, but he didn't think that she heard him.

  Then Rupert was back with the ladder. He climbed up, leaving the three of them clustered about its foot.

  "Nothing here but two stone studs to hold the Luck in place," he said a moment later.

  "Why not try pressing those?" suggested Charity.

  "All right, here goes." He placed his thumbs in the corners of the niche and threw his weight upon them.

  "Nothing happened." Ricky's voice was deep with disappointment.

  "Look!" Val pointed over her shoulder.

  To the left of the fireplace were five panels of oak, to balance those on the other side about the door of the unused drawing-room. The center one of these now gaped open, showing a dark cavity.

  "It worked!" Ricky was already heading for the opening.

  There behind the paneling was a shallow closet which ran the full length of the five panels. It was filled with a collection of bags and small chests, a collection which appeared much larger when it lay in the gloom within than when they dragged it out. Then, when they had time to examine it carefully, they discovered that their booty consisted of two small wooden boxes or chests, one fancifully carved and evidently intended for jewels, the other plain but locked; a felt bag and another of canvas, and a package hurriedly done up in cloth. Rupert spread it all out on the floor.

  "Well," he hesitated, "where shall we begin?"

  "Charity thought about how to open it, and it was her cat that found us the clue--let her choose," Val suggested.

  "Good," agreed Rupert. "And what's your choice, m'lady?"

  "What woman could resist this?" She laid her hand upon the jewel box.

  "Then that it is." He reached for it.

  It opened readily enough to show a shallow tray divided into compartments, all of them empty.

  "Sold again," Val commented dryly.

  Carefully Rupert lifted out the top tray to disclose another on which rested three small leather bags. He loosened the draw-string of the nearest and shook out into his palm a pair of earrings of a quaint pattern in twisted gold set with dull red stones. Charity pronounced them garnets. Though they were not of great value, they were precious in Ricky's eyes, and even Charity exclaimed over them.

  The second bag yielded a carnelian seal on a wide chain of gold mesh, the sort of ornament a dandy wore dangling from his watch pocket in the days of the Regency. And the third bag contained a cross of silver, blackened by time, set with amethysts. This was accompanied by a chain of the same dull metal.

  Putting these into the girls' hands, Rupert lifted the second tray to lay bare the bottom of the chest. Here again were several small bags. There was another cross, this time of jet inlaid with gold and attached to a short necklace of jet beads; a wide bracelet of coral and turquoise which was crudely made and might have been native work of some sort. Then there was a tiny jewel-set bottle, about which, Ricky declared, there still lingered some faint trace of the fragrance it had once held. And most interesting to Charity was a fan, the sticks carved of ivory so intricately that they resembled lacework stiffened into slender ribs. The covering between them was fashioned of layers of silk painted with a scene of the bayou country, with the moss-grown oaks and encroaching swamp all carefully depicted.

  Charity declared that she had never seen its equal and that some great artist must have decorated the dainty trifle. She closed it carefully and slipped it back into its covering, and Rupert took out the last of the bags.
From its depths rolled a ring.

  It was plain enough, a simple band of gold so deep in shade as to be almost red. Nearly an inch in width, there was no ornamentation of any sort on its broad, smooth surface.

  "Do you know what this is?" Rupert turned the circlet around in his fingers.

  "No." Ricky was still dangling the earrings before her eyes.

  "It is the wedding-ring of the Bride of the Luck."

  "What!" Val leaned forward to look down at the plain circle of gold.

  Even Ricky gave her brother her full attention now. Rupert turned to Charity.

  "You probably know the story of our Luck?" he asked.

  She nodded.

  "When the Luck was brought from Palestine, it was decided that it must be given into the hands of a guardian who would be responsible for it with his or her life. Because the men of the house were always at war during those troublesome times, the guardianship went to the eldest daughter if she were a maiden. By high and solemn ceremony she was married to the Luck in the chapel of Lorne. And she was the Bride of the Luck until death or a unanimous consent from the family released her. Nor could she marry a mortal husband during the time she wore this." He touched the ring he held.

  "This must be very old. It's the red gold which came into Ireland and England before the Romans conquered the land. Perhaps this was found in some old barrow on Lorne lands. But it no longer means anything without the Luck."

  He held it out to Ricky. "By tradition this is yours."

  She shook her head. "I don't think I want that, Rupert. It's too old--too strange. Now these," she held up the earrings, "you can understand. The girls who wore them were like me, and they wore them because they were pretty. But that--" she looked at the Bride's ring with distaste--"that must have been a burden to its wearer. Didn't you tell us once of the Lady Iseult, who killed herself when they would not release her from her vows to the Luck? I don't want to wear that, ever."

  "Very well." He dropped it back into its bag. "We'll send it to LeFleur for safe-keeping. Any scruples about the rest of this stuff?"

  "Of course not! And none of it is worth much. May I keep it?"

  "If you wish. Now let's see what is in here." He drew the second box toward him and forced it open.

  "Money!" Charity was staring at it with wide eyes.

  Within, in neat bundles, lay packages of paper notes. Even Rupert was shaken from his calm as he reached for one. Outside of a bank none of them had ever seen such a display of wealth. But after he studied the top note, the master of Pirate's Haven laughed thinly.

  "This may be worth ten cents to some collector if we're lucky--"

  "Rupert! That's real money," began Ricky.

  But Val, too, had seen the print. "Confederate money, child. As useless now as our pretty oil stock. I told you that things always turn out wrong in this house. If we do find treasure, it's worthless. How much is there, anyway?"

  Rupert picked up a slip of paper tucked under the tape fastening the first bundle. "This says thirty-five thousand--profit from a blockade runner's trip."

  "Thirty-five thousand! Well, I think that that is just too much," Ricky said defiantly. "Why didn't they get paid in real money?"

  "Being loyal to the South, the Ralestones probably would not take what you call 'real money,'" replied Charity.

  "It's nice to know how wealthy we once were," Val observed. "What are you going to do with that wall-paper, Rupert?"

  "Oh, chuck it in my desk. I'll get someone to look it over; there might be a collector's item among these bills. Now let's have the joker out of _this_ bundle." He plucked at the fastenings of the felt bag.

  When he had pulled off its wrappings, a silver tray with coffee- and chocolate-pot, cream pitcher and sugar bowl stood, tarnished and dingy, on the floor.

  "That's more like it." Ricky picked up the chocolate-pot. "Do you suppose it will ever be possible to get these clean again?"

  "With a lot of will power and some good hard rubbing it can be done," Val assured her.

  "Well, I'll supply the will power and you may do the rubbing," she announced pleasantly.

  Rupert had opened the remaining packages to display a set of twelve silver goblets, one with a dented edge, and a queerly shaped vessel not unlike an old-fashioned gravy-boat. Charity picked this up and examined it gravely.

  "I'm afraid that this is pirate loot." She tapped the lip of the piece she held. The metal gave off a clear ringing sound. "If I'm not mistaken, this was stolen from a church. Yes, I'm right; see this cross under the leaves?" She pointed out the bit of engraving.

  "Black Dick's work," agreed Ricky complacently. "But after almost three hundred years I'm afraid we can't return it. Especially since we don't know where it came from in the first place."

  Val looked about at what they had uncovered. "If you are going to take all of this in to LeFleur, you'll have to get a truck. D'you know, I think this place might turn out to be a gold-mine if one knew just where to dig."

  "We haven't found the Luck yet," reminded Ricky.

  Val got clumsily to his feet and then gave Charity a hand up, beating Rupert to it by about three seconds. "As we don't even know whether it is still in existence, there's no use in hunting for it," Val retorted.

  Ricky smiled, that set little smile which usually meant that she neither agreed with nor approved of the speaker. She got up from the floor and shook out her skirt purposefully.

  "I'll remind you of that some day," she promised.

  "I suppose," Rupert glanced at the silver, "this ought to be taken to town as soon as possible. This house is too isolated to harbor both us and the silverware at the same time. What do you think?" Ignoring both Ricky and Val, he turned to Charity.

  "You are right. But it seems a pity to send it all away before we have a chance to rub it up and see what it really looks like!"

  "By all means, take it at once!" Val urged promptly. "We can always clean it later."

  Rupert grinned. "Now that might be a protest against the suggestion Ricky made a few minutes ago. But I'll save you some honest labor this time, Val; I'll take it to town this afternoon."

  Ricky laughed softly.

  "And why the merriment?" her younger brother inquired suspiciously.

  "I was just thinking what a surprise the visitor who dropped his handkerchief here is going to get when he finds the cupboard bare," she explained.

  Rupert rubbed his palm across his chin. "Of course. I had almost forgotten that."

  "Well, I haven't! And I wonder if we have found what he--or they--were hunting," Val mused as he helped Rupert wrap up the spoil again.

  CHAPTER VIII

  GREAT-UNCLE RICK WALKS THE HALL

  Sam had produced a horse complete with saddle and a reputed skittishness. That horse was the pride of Sam's big heart. It had once won a small purse at some country fair or something of the sort, and since then it had been kept only to wear the saddle at rare intervals. Not that Sam ever rode. He drove a spring-board behind a thin, sorrowful mule called "Suggah." But the saddle horse was rented at times to white folk of whom Sam approved.

  Soon after the arrival of the Ralestones at Pirate's Haven, Sam had brought this four-footed prodigy to their attention. But claiming that the family were his "folks," he indignantly refused to accept hire and was hurt if one of them did not ride at least once a day. Ricky had developed an interest in the garden and had accepted the loan of Sam's eldest son, an earth-brown child about as tall as the spade, to help her mess about. Rupert spent the largest part of his days shut up in Bluebeard's chamber. Which of course left the horse to Val.