Bloody Jack: Being an Account of the Curious Adventures of Mary Jacky Faber, Ship's Boy bj-1

by L. A. Meyer

  Bloody Jack: Being an Account of the Curious Adventures of Mary "Jacky" Faber, Ship's Boy

  ( Bloody Jack - 1 )

  L. A. Meyer

  Life as a ship's boy aboard HMS Dolphin is a dream come true for Jacky Faber. Gone are the days of scavenging for food and fighting for survival on the streets of eighteenth-century London. Instead, Jacky is becoming a skilled and respected sailor as the crew pursues pirates on the high seas.

  There's only one problem: Jacky is a girl. And she will have to use every bit of her spirit, wit, and courage to keep the crew from discovering her secret. This could be the adventure of her life—if only she doesn't get caught. . . .

  Bloody Jack

  Being an Account of the Curious Adventures of Mary "Jacky" Faber, Ship's Boy

  L. A. Meyer

  Harcourt, Inc.

  San Diego New York London

  As always, for Annetje

  Prologue

  My name is Jacky Faber and in London I was born, but, no, I wasn't born with that name. Well, the Faber part, yes, the Jacky part, no, but they call me Jacky now and it's fine with me. They also call me Jack-o and Jock and the Jackeroe, too, and, aye, it's true I've been called Bloody Jack a few times, but that wasn't all my fault. Mostly, though, they just call me Jacky.

  That wasn't my name, though, back on That Dark Day when my poor dad died of the pestilence and the men dragged him out of our rooms and down the stairs, his poor head hanging between his shoulders and his poor feet bouncin' on the stairs, and me all sobbin' and blubberin' and Mum no help, she bein' sick, too, and my little sister, as well.

  Back then my name was Mary.

  London, 1797

  "We'll be back for the rest of the lot in a few days," allows one of the men, and he's right 'cause me mum and me sister both goes off the next day and the men come back and takes me mum and puts her in the cart, her legs all danglin' over the side and not covered up proper, but it's Muck that comes and picks up me poor little sister and throws her all limp over his shoulder. I din't know 'im as Muck then, but I do later, and it's Muck what takes me out all bawlin' to the street and sets me on the curb.

  "There, there, Missy, there, there. Old Muck'll see ye soon," says he, leavin' me in me tears and grief as he puts Penny in his wheelbarrow and heads off down the street. "Inside of a week, I suspects."

  There's the sound of sweepin' behind me and the door slams shut.

  I runs and runs, just out of me head with terror, and I keeps on runnin' till I starts heavin' and gaspin' and chokin' and I can't run no more and I falls down in an alley, the cobblestones all hard against me knees and cold against me face. I crawls on me hands and knees up in a dark doorway, and I puts me thumb in me mouth and I sucks on it real hard, with me tears runnin' down me face and on me thumb and in me mouth all salty and dirty, but I don't care, I just wants to die, just die is all. I curls up huggin' me knees to me chest, hopin' I'll go real fast so's to be in Heaven with Dad and Mum and Penny, and I'm prayin' to God, like I been taught, for Jesus to come take me in his lovin' arms and say that I've been a good girl, there, there, but He don't come, no, He don't. What comes is nighttime and a gang of kids what grabs me and strips off all me clothes.

  "Ain't she the fine one, then—she's got drawers, even!" says the one what pulls me dress off over me head and me underdrawers off over me feet, and who in her mercy throws her filthy old shift at me nakedness and tells me to put it on. Shakin', I does what she says cause I don't know what else to do even though it stinks and it's way too big for me and me clothes is way too small for her but she puts 'em on anyways.

  "Look at me," says the girl what stole me clothes. "I'm ready for the bleedin' Derby, I am!"

  "Let's go," comes a voice from the end of the alley.

  "Stoof it, Charlie," says the girl what stole me clothes. "Oi'm not yet done with me toi-let."

  The others laugh and lark about in the dark and cast wild shadows on the walls about me, and then they heads off down the alley. The girl what stole me clothes looks back at me cowerin' and weepin' in the doorway.

  "Well, come on, then. And quit yer snivelin'. It'll do ye no good."

  I snuffles and gets up.

  PART I

  An Orphan, Cast Out in the Storm,

  Body and Soul Most Lightly Connected,

  Tiny Spark on the Winds of Chance Borne,

  To the Fancies of Fortune Subjected.

  Chapter 1

  Rooster Charlie allows as how today he's goin' to see Dr. Graves himself, the bloke what sends Muck around to pick up dead orphans for the di-seck-shun and for the good of science and all, to see if Charlie his ownself can get paid for his body before he goes croakers so's he can have the pleasure of it himself, like.

  Me and the others laugh and jeer and say, "Charlie, you ain't got the bollocks. He'll prolly open you up right there, without so much as a by-your-leave." But Charlie, he hikes up his pants and gives his vest a pat and off he goes to sell his body. The pat is for his shiv, which he keeps tucked next to his ribs.

  I've been with Charlie and the gang for four, maybe five, years since That Dark Day when me world was changed forever, but I can't be sure, the seasons run into each other so—we shivers and dies of the cold in the winter and sweats and dies of the pestilence in the summer, so it's all one. It's been close a couple of times, but I ain't dead yet.

  We begs mostly, please Mum please Mum please Mum, over and over and we steals a bit and we gets by, just. There's only six of us right now 'cause Emily died last winter. I woke up next to her stiff body in the morning in our kip and I took her shift, which is too big but which I wears over me other shift, that givin' me two things I own besides me immortal soul. We tried takin' poor naked dead Emily down to the river and floatin' her off with the proper words and all, but she's stiff and hard to move and Muck caught us at it and stole her away. He gives us a curse for tryin' to get her away and for takin' her shift, too, that which he could have sold to the ragman.

  Charlie is the leader of our gang and is called the Rooster 'cause his last name is Brewster, and him being such a cocky little banty, it seems natural, like. He's small, but he's smart and quick. Charlie's hair is straight and red and hangs to one side like a cock's comb. He's got britches that were once white and a once-white shirt and a bright blue vest over that, and he looks right fine, he does. A flash cove is our Rooster Charlie.

  Besides him there's Polly and Judy and Nancy, and Hugh the Grand, him what is big and strong like an ox but what is a bit slow in the head. Charlie is fond of pattin' him on his broad back and sayin', "Our Hughie is our muscle and our tower of strength in this world of strife and trouble," and every time he does it, Hughie blushes all red and rocks his head side to side and grins his big dumb grin in his gladness. Charlie takes care of us, and with his cheek and his bravado and his shiv and our Hughie, the other gangs keep their distance.

  Since I'm the smallest, I get called Little Mary, even though I ain't near to bein' the youngest no more.

  The gang is always changin', as we loses some and we brings some in. Like the girl what stole me clothes before, whose name is Betty, was stole herself awhile back as two of the women from Missus Tuttle's lit upon our little band to find a replacement for their servant girl who had died. They picked Betty and allowed as they was gonna make a fine lady out of her, Isn't that right, Bessie, just like us. So they takes our Betty off, and Charlie says that he'll give it two days and then he'd go see her and if she wanted to come back, he'd st
eal her back, but after the two days he goes to see, and, no, she didn't want t' come back, she wanted to stay and be a fine lady. And I din't get me clothes back, either, even though they prolly would still have fit.

  "Whyn't all us girls go off to Missus Tuttle's to be fine ladies," says I, thinkin' maybe there'd be food there and beds and stuff, but then Charlie tells me to shut my silly girly gob, as what do I know about anything in the world. Then he tells us what goes on at Missus Tuttle's, but I don't believe him, not for a minute. Disgustin', it is. "Such a mind you have, Charlie, to be thinkin' of such."

  "Mary, bless you, you'll find out soon enough," says Charlie.

  Our kip is up under the Blackfriars Bridge, just where the bridge meets the road real sharp so there's a cave under there, like. We got some straw from the stables on the sly, a little bit at a time, so at night we all burrows in and sleeps in a pile for warmth and comfort. When it rains, trickles of water come down through the black stones, but we knows where they'll be comin' now, so we keeps away. Can't keep away the damp from the river, though. I think that's what took Emily off, the damp and cold from the river. In the night the lights from the city lamps bounce off the waves, and on foggy nights horns sound low and mournful back and forth. It's ships makin' their way to someplace else, and I want to be going somewheres else, too.

  Other gangs would like to have our kip, but with Hugh the Grand shakin' his big fists and bellowin' and Charlie wavin' his shiv and the rest of us throwin' rocks, we manages to chase them off and keep our home, at least for the time bein'.

  At night, when we're all in a pile, we talks and makes up stories about what we're goin' to be if we grows up. Like Charlie says, he'll be a soldier and all and trade his shiv for a great gleamin' sword and fine red uniform and won't all the fine ladies love him and we girls all says we loves him right now but he says that don't count, us bein' worthless drabs and all and he gets jabbed in the ribs for his cheek.

  Hughie allows as how he'd like to be a horse handler 'cause horse handlers have to be big and strong, which he is, and he likes horses and even likes the smell of 'em. We all hold our noses and say phew, but he don't care, he likes 'em, is all. There's lots of horses here in Cheapside 'cause of all the markets and fairs.

  Judy's of a practical turn of mind, too, as she wants to go into service and be a maid for a fine lady, but first she's got to get big enough to be useful to some such fine lady and not just eat her out of house and home. Polly, she just wants to marry a good man and raise up babies. Nancy says she wants to get married, too, and maybe she and her man would have a tavern where there'd be lots of good things to eat and drink, but they'd keep scum like Muck out, it bein' a respectable place, like.

  I say I want to be the captain of a fine ship and sail around the world and see the Cathay Cat and the Bengal Rat and gaze upon the Kangaroo, which is what I heard some sailors singin' about over at Benbow's Tavern one day and it sounded right fine to me, them all happy and singin' and carefree, it seemed. I'll get rich and famous and spend all me money takin' care of poor miserable orphans, and I get handfuls of straw thrown at me for me sentiments.

  "'Cut out the middleman!' says I to the worthy doctor. 'Pay me now only half what ye'd be payin' Muck for me earthly remains and I promises to come and lie down on yer doorstep every time I feels sick and liable to die. I'd even carry a note to the effect that if I perished somewheres else, my body was to be delivered to the Honorable Doctor without delay!'" says Charlie, having returned from the anatomist's full of gruesome stories of bloody tables and knives and things put up in jars.

  "And Muck himself is there ascowlin' at the notion of his bein' cut out of the bargain, but the doctor says no, it was against his ethics to conduct negotiations with a live body, even though he was sure I was possessed of an admirable spleen."

  We're all gigglin' and snortin', and Charlie goes on with, "I owns I got a right fine spleen and if Your Honor would pay me now, I'd be sure to keep it in special prime condition for his later use and joy. Massage it up twice a week to keep it nice and soft and all." Charlie shakes his head sadly, swinging his red mop.

  "His Honor would have none of it, and he has Muck put his foul hands on me to toss me out, spleen and all."

  "And for that," says Charlie, "I resolves to abuse me spleen most terrible."

  We all gets a howl out of Charlie's prancin' around and telling of the stomachs that are blown up and dried like the blowfish we see in the fish market, and other guts tanned and pickled and preserved. But then he tells of seeing a baby's hand floating in some juice and that shuts up my laughing right quick.

  I knows me sister Penny is put up in jars, and I suspects that someday I will be, too.

  Chapter 2

  I'm thinkin' I'm maybe twelve years old now, but it's hard to tell 'cause time slips by out here on the streets. That would be about right, though, figuring I was about eight when I was turned out an orphan into the storm of life, me bein' so happy with Mum takin' care of Penny and me, and our dad teachin' us to read, him bein' a teacher what had come to London with Mum, who was a deacon's daughter from a poor church in the north country, to take up a teaching post, but the post fell through and he had to fall back on letter writin' for the people what couldn't do it for themselves. It was enough to get along on till somethin' better come along, but what come along was Death and nothin' better.

  Maybe I'm thirteen. I don't know. I'm still so damned small.

  Because I was taught to read by me dad, I do the readin' for the gang. It's me special trick, like, different from the beggin' and the thievin' and the runnin' from the coppers and the throwin' of rocks and such which all of us do. Doin' the readin' keeps me sharp in the practice of it, and by soundin' out the words, I keeps pickin' up new ones. I don't always know what the meanin' is, but I usually gets it worked out.

  When the printers on Fleet Street puts up the news sheets and broadsides on the walls outside their shops, we all goes over and I climbs up on Hugh the Grand's shoulders and I reads what's put up there. The people what gather about can't read for their ownselves and they likes it when I does it for 'em, and when Polly and Nancy and Judy scampers about with their hands out, well, sometimes the people puts in a penny.

  There's wanted posters, too, for bold and darin' highwaymen, and there's news of the brewin' war with Napoleon, who's out kickin' up trouble in the high Germanies, and everyone shakes their heads and says we'll be back in it soon. Charlie 'specially likes the broadsides, which are songs written out making fun of something or somebody or some big thing that happened. He quick learns the words by heart and then goes out on the street and sings 'em, caperin' about, and some people likes it and again we girls pass the cups around and maybe we get a penny or two, and then we can get a meat pie to share, which is a great and rare and wonderful thing.

  There's cartoons what are put up, too. Men and women drawn with big fat eggs for bodies and little sticks for arms and legs, and big awful faces with big lips and noses, and words come out of their mouths in bubbles and I read them, too. "Like, see this cove here is saying the Tory members are nothing but a bunch of baboons, and this here baboon over to the side is saying that he doesn't see the resemblance and his mum is much offended," but the words from the baboon is comin' out of his bum instead of out his mouth, and everyone gets a good laugh and Hugh the Grand shakes with the laughin' even tho' I knows he ain't got no notion of what's funny about it, and for me it's like gettin' a ride on a big old dumb horse when Hughie laughs.

  I says to Charlie a couple of times, "Charlie, how come we don't do the readin's all the time, it's a good trick and there's plenty of different print shops and we always gets some pennies when we does it? We could even set up in letter writin' and make even more and not have to do the beggin'. Why not, Charlie?"

  But Charlie just shakes his head and says, "Mary, we got to have a lot of irons in the fire, not just one thing, 'cause if that one thing plays out, why, where would we be then?"

  I nods me he
ad, but I ain't satisfied with the answer.

  "Please Mum, please Mum, please Mum," says I, stickin' out me hand. I've been put to the beggin' on this corner today and I'm workin' a lady and a little girl what has just come out of a bakery shop and have bags of sweet smellin' stuff. "Please Mum, please Mum, please Mum. Please."

  The girl pipes up with, "Can't we give her a penny, Mother?" The girl is all dressed in white with ribbons and looks like she's been scrubbed pink. "She's awfully dirty and she looks cold."

  "No, dear," says the mother. "Your dear uncle John gave you those pennies to buy yourself something special, and I don't want you to waste them." Evil old sow.

  "I'm going to give one to her, anyhow," says the sainted girl firmly, and she pulls out a purse all covered in bright thread. She reaches in and pulls out a penny and plants it in me outstretched fist, careful not to touch any part of me grimy self. It's all I can do not to snatch the purse and run.

  "Bless you, Miss," says I.

  The lady grabs the girl's arm and starts on up the street. "You are just throwing your pennies away. I'm sure her father is right around the corner waiting to take your penny to drink. I am very displeased with you."

  Somethin' happens in me head and I says, "No, Mum, you've got it all wrong. I ain't got no Dad or no Mum neither and—"

  "Come, Dear," says the woman, nervouslike. I follows 'em down the street and I knows she's lookin' for a constable but I just can't help it and I clutches the penny in me fist as I runs after 'em and I'm chokin' up and the tears are startin' out of me eyes and runnin' down me chin and I shouts, "Me mum was just like you, she just died is all, it warn't her fault, she just died like me dad died and me sister died and Emily died and..."