Jump

by Terra Little

  Jump

  Terra Little

  www.urbanbooks.net

  All copyrighted material within is Attributor Protected.

  Table of Contents

  Title Page

  Acknowledgments

  Dedication

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-one

  Chapter Twenty-two

  Chapter Twenty-three

  Chapter Twenty-four

  Chapter Twenty-five

  Notes

  Copyright Page

  Acknowledgments

  As always, I thank God for allowing the characters in this book to come to me, confide in me, and trust me with their lives. I’d also like to thank my family for their support and encouragement as I make my way along this literary journey; my friends (you know who you are) for always being just a phone call or IM away; and my muse for refusing to go away. A very special thank you goes to my agent, Pam Strickler, for always having my back and for “getting” me, and also to all of the literary venues who shine their lights on me and my work. I appreciate you more than you know.

  Last but never least, I’d like to thank all the wonderful people who turn my pages. I read your emails and smile. I receive your posts to my websites and send you cyber hugs. I feel the impact of all that you have done to help bring me to this point and my heart sings a song of many thanks. I hope this one does you proud.

  Dedication

  This one is for Robert and Lavelma Little—my mommy and daddy—and for my daughter, Sierra G. Hughes. Love you guys to pieces.

  This one is also for the women who have been or are incarcerated. Bars may keep you away from your families and loved ones . . . from your life, but they can never confine your mind. Be strong, be reflective and be blessed. Too, be prepared.

  Two men look out through the same bars:

  One sees the mud, and one the stars.

  Frederick Langbridge,

  “A Cluster of Quiet Thoughts”

  Chapter One

  I was standing over the body with the gun still smoking in the palm of my hand when the police finally arrived to secure the scene. I hadn’t come to kill her and I didn’t really mean to end her life the way I did, but that was the result. What should have been a rational discussion quickly turned into a shouting match and then a crime scene.

  I don’t really remember putting the gun in my purse before I left my apartment. I don’t remember consciously digging it out in the heat of the moment, aiming it and pulling the trigger. All I know is that I did.

  I do remember watching her body fall to the floor and take its last breath. I remember those eyes, focused on my face in a way they never had before, silently accusing me of losing my mind. And maybe I did lose it for a moment. At least that’s what my public defender told the jury. That I had been temporarily unstable, incapable of making rational decisions at the time of the murder. He came up with that brilliant defense after I told him I had been tripping out on Ecstasy and tripping bad. It was ultimately what kept me from earning myself a murder one charge, and for that I guess I should consider myself grateful.

  One after another, people who thought they knew me took the stand and testified that I had not been a drug user before—not to discredit me, though the prosecutor worked that angle, but to help me prove that I was a neophyte, ill-equipped to handle the side effects of a sneaky drug like Ecstasy. Supposedly, I didn’t know what I was getting into when I took the pill and I didn’t know what I was really doing when I pulled the trigger. It was my first time experimenting with drugs, and now I was a poster child for just saying no.

  But the thing is this: I knew.

  Is there a drug in existence, in the entire world, that can numb the mind and the heart so much that you don’t realize you’re aiming the barrel of a pistol at your grandmother’s heart?

  I don’t think so, and the jury didn’t either.

  A female voice accepts the collect call that I tell the operator to put through to Vicky’s residence. I wait as the phone rings and then I catch my breath when I hear a voice on the other end. It’s not my sister’s and I know whose it is, but I say nothing about who I am. I ask for my sister and wait for her to come on the line, listening to the sounds of her house in the background and wondering what it’s like where she lives. I used to know, but I don’t anymore.

  There is a loud television blaring in the background as she puts the receiver to her ear. “Bey, turn that thing down, okay? I can hear it all the way in the basement,” Vicky takes a moment to call out. Then, “Hello?”

  “Vicky, it’s me, ” I say.

  Her voice sounds strange to me, like I’ve forgotten the way she talks, the way she ends every sentence on a high note and sounds like she is asking a question instead of making a statement.

  “Oh.” She sucks in air through her mouth and I can almost see her bottom lip dragging the floor. She is surprised I’m calling. I know because the air she releases hits my eardrum like a hundred stomping feet in a hurry to reach their destination. “Lena. Hi.”

  “The parole office called you, right? You know I’m getting out tomorrow?” I’m curled around the pay phone, trying to talk low so my conversation is semi-private because completely private is out of the question. You hear everything, one way or another, in prison. Behind me, another inmate pushes up close to me and slips her arms around my waist, and I know semi-private is out of the question too. She presses a soft kiss to the side of my neck and then her lips drift behind my ear. She wants my attention, and I do my best to ignore her.

  “She said to tell you that you have to report to her first thing. Soon as you get here,” Vicky informs me, talking just as low. “She came by here a while ago and left her card.”

  I listed Vicky’s address as the place where I will live after my release. I didn’t think she’d actually agree to have me living in her house, but it was worth a shot. Now that I know that’s where I’ll be going, I don’t know how I feel about actually living there. “You told the parole officer it was okay,” I remind her because she isn’t sounding too sure and now is not the time for her to pull some bullshit. If she changes her mind, I’m going to a halfway house, which is just like being in prison—which kind of defeats the purpose of getting out.

  “Yes. I did tell her that.”

  I push at the arms gripping my waist, shoot an irritated look over my shoulder and feel them loosen slightly. I was curled around the phone like a parenthesis a few minutes ago, but now I’m looking more like an interrobang, a question mark and exclamation point combination. “Did you change your mind?”

  “No, Lena, I didn’t change my mind. What time will you be released?”

  She wants to cry. I can hear it in her voice and I hate the sound of it. I haven’t had much use for tears in a long, long time. “Ten o’clock,” I tell her, harsher than I really mean to be, so she’ll know to swallow the lump in her throat. “More like eleven by the time I get myself together. The bus doesn’t get there until sometime after five though.”

  “They’ll put you on a bus?”

  “Roadway Bus Lines.” I pause as an automated voice tells her that the call originates from the Dwyer Correctional Facility for Women. “Should be there by five-
thirty. I can take a cab from the bus station.”

  “No!” Vicky damn near shouts in my ear.

  “No, don’t take a cab or no, don’t come?”

  “Don’t take the bus. Don’t let them put you on a bus, Lena. I . . . we . . . we want to come and get you. Do they allow that?”

  “I’m three hours away.” I haven’t had a visitor, live and in the flesh, in over five years.

  After the novelty wore off, they stopped coming. And I haven’t seen my daughter, Beige, in over eight years. She is the we Vicky mentions, and the we knocks me in my face and sends me back a step.

  “We can leave early in the morning and be there by ten.”

  “We can save some gas and pick me up at the bus station.”

  “You act like you don’t want to see us.”

  I start to tell her that she has a lot of nerve saying that to me, but I don’t. I catch myself just before I remind her that she hasn’t visited me once in all the years I’ve been here. Not once. I guess she had her reasons for not coming, just like I have mine for not wanting her to come now. “I don’t,” I admit softly. “Not like this. Not . . . Look, if you have to come, don’t bring her. She doesn’t need to see this place and me in it. This is no place for a kid, so leave her, okay?”

  “It’s not like she doesn’t know where you are. Plus, she’s fourteen, Lena. Almost fifteen.”

  Like I don’t know. “She’s a kid and kids don’t belong here.” Vicky doesn’t know what I know and she never will. If she brings my daughter to this place, the stink of it will seep into her skin and leak out of her pores for the rest of her life. No soap in the world can wash it off. “If you come, don’t bring her.”

  “I’m coming, Lena. I just—”

  “Don’t bring her,” I cut her off. “Eleven o’clock.”

  Then I hang up.

  Family portrait:

  Lou is over six feet tall and solid as a rock. She has skin the color of tree bark and none of us is exactly sure how old she is. She has told us all different ages on purpose, to keep us guessing and in our places. Children don’t question their parents about things that are none of their business, so be seen and not heard, Lou likes to say. With my eyes wide open and clearly focused on her round face, I still manage to see with my heart. I don’t see what is obviously a woman. I see Lou, who is the head of our family. Our father.

  Denny is mama. Denny, with her gentle hands and long, silky hair. There is a wide streak of gray that snakes through it, like the bride of Frankenstein, and it is that streak that mesmerizes me when I am fortunate enough to have the pleasure of taking a comb to her scalp and scratching it for her. Unlike Lou, the years she has spent in captivity are etched on her caramel-brown face. Twenty-six so far and still so many to go. She pretends to be happy that I’m leaving, but in her eyes I see what she won’t allow her lips to say. Denny’s children were still babies when she did what she did to bring herself here, and they are all grown now. They don’t come to visit and only one of them takes the time to write. In her mind, she is losing another child.

  There are three of us children who belong to Lou and Denny; I am the youngest, though not in age. I was the last to join the circle, like a change of life baby, and after me, Lou and Denny decided they are done having kids. They had probably decided this before I came along, but after Lou found me in the shower room, abandoned with a symbolic note pinned to my ass and no one to claim me, she brought me home anyway.

  On my last night here, I divide the few things I have accumulated in eight years’ time between the women who are like my sisters. I give them the books that have kept me sane through the years, read cover to cover so many times that tape keeps the covers attached, and the few luxuries I have allowed myself. A small boom box and cassette tapes that I’m not supposed to have in my possession. I give one of them a sweater that she always coveted, and I spend hours braiding the other one’s hair. She wants it this way and that way, parted here and there. I listen carefully and style it exactly the way she tells me to because I will miss her the most.

  We cry. Even though Lou is dad and Denny has been through enough that her tears should have long been exhausted, we cry. Here in this place where none of us are really considered women, we cry like women. We are numbers with two-letter suffixes, and we are called animals and treated as such because we have done things to bring that label on ourselves, but we still cry. We sit up late into the night, passing a bottle of whiskey around, sipping slowly, passing our memories around even more slowly, and continue soaking each other in—for the last time. I am the one who is leaving the fold, so I cry the hardest.

  I have to, because in the morning things will be different. They will have shut me out. I know it and I accept it, and I don’t admit to myself just yet that I welcome it. It’s hard to be happy about leaving my family behind.

  The guards see what they want to see and pretend not to see what they don’t. They don’t see that none of us is where we are supposed to be after lights out. They don’t see the contraband we pass around and they don’t hear the sound of our voices as we talk and laugh and cry.

  They don’t see me in the middle of the night, holding still another woman as she cries as if the world is coming to an end. There are two others who belong to Lou and Denny, and both of them I will miss, but there is another woman I will miss too. As I hold her, we don’t talk, and I don’t let myself think about what I will miss the most. I wonder who she will love after I am gone and who will love her. I wait for jealousy and possessiveness to come, but they don’t, and I know I am slowly wrapping myself around the idea of freedom.

  Though we roam around the quads like unrestrained animals in a petting zoo much of the time, there are protocols to follow and rules to obey, when the people who matter are watching. The guards who pretend to be blind suddenly have sight. They remember that we are just numbers and that they have families of their own, families who count on their steady paychecks. Those of us who have learned this lesson early on know what is what and when is when.

  As the sun comes up, I fall back into the role of inmate number 1250TN. I keep my eyes on the floor, I take the manila envelope containing the property I don’t remember owning when I came here like I am grateful to have it, and I let myself be led meekly to the last stop. Jackie, a night shift guard, doesn’t wish me luck, even though I kick her ass in Gin Rummy regularly and she has shown me pictures of her kids. I tell myself that I’m not offended by the fact that Tony, a swing shift guard, doesn’t meet my eyes, even though I have stayed awake more than a few nights reading passages from what he hopes will become a best-selling novel. It’s like they don’t know me, like they don’t give a damn that I’m leaving, and it hurts.

  I want them to tell me they will miss me, that I have meant something to them, but they don’t. I wait for them to impart last words of encouragement before the door, separating me from freedom, is opened and I am shoved out of it, but no words come. It’s like I have never existed, like they want to forget they knew me.

  I am so lost in my feelings of rejection that Tony’s hand on my back doesn’t register until he uses it to push me forward. I trip over my own feet, grab a chair in the waiting area to steady myself, and look back at him with fifty questions in my eyes.

  Then I see it. A hint of a smile and traces of humanity in his eyes. He tells me, “And stay out,” and then I get it. They don’t want to remember that they knew me. They don’t want me to miss them so much that I want to visit them here again. They don’t want me to come back.

  Something tickles my memory and I feel like giggling. Me and Vicky are kids again, partners in crime like only sisters can be, and we have devised the perfect plan. Mama is working and we are stuck in the house waiting for time to pass. For us, summertime doesn’t officially begin until Mama comes home from work and we can escape to the outdoors with all the other kids. Mama leaves us by ourselves in the daytime, which is illegal, so we have to stay indoors until she comes home. We don’t t
ouch the stove, we don’t answer the phone, and we don’t open the door, no matter who it is.

  I think the sun rises and sets on Vicky. She is the oldest and, therefore, smarter than I can ever hope to be. She convinces me that we can go outside to play with our friends and then come back inside long before Mama comes home from work. She’ll never know we were outside, Vicky says, and I believe her. She pushes the house key deep in her pocket, takes me by my hand and off we go. I don’t stop to remind her that she doesn’t use the key to lock the door behind us. I see my best friend farther down the street and I am anxious to be down there with her. She has a Farrah Fawcett hairstyling head that I love to play with, and that is all I can think about at the moment.

  Vicky is seven and I am five when Mama comes home and finds out that we no longer have a television or a hi-fi. Some of her clothes are stolen too, and she curses for hours about that. She says words I have never heard before when she sees that her record albums are gone. She beats the shit out of me and Vicky for leaving the house in the first place. She cries the longest over her photo albums, and finally drags herself off to bed, mumbling under her breath about our baby pictures being gone. “Who would steal pictures of my babies?” she wants to know.

  The police aren’t called, and I know it’s because Mama would have to explain why we were left alone in the house to begin with. Someone might start asking questions that she can’t answer, and she is too angry and disappointed to think up plausible lies.

  We did it to ourselves. If we had just waited a few more hours, until Mama came home, she wouldn’t have had to pick up the phone and call my grandmother on the scene. We go from the comfort of our own home to my grandmother’s house, which smells like old lady and something else that I can’t quite name. We get dropped off every morning and picked up every evening, and I hate it like I hate the homemade caramel and brownies my grandmother always bakes and makes us eat.