The Best Science Fiction and Fantasy of the Year: Volume Eleven
Page 61
“I don’t anymore,” the witch rasped. The lady grimaced. “I burned it to cinders for him. It hurts to speak.”
“You’ll heal,” the knight said.
“I might, or I might not. The words of power I used were dear, and I am paying.”
“You want me to feel guilty,” the knight said.
“No, I wanted—”
“I don’t want to hear about it.” He folded his arms. “There was never any point in talking to you, anyway.”
The lady laughed and laid her head against his shoulder.
Another evening, as the witch returned with chanterelles and hedgehog mushrooms in her skirt, she heard the knight say, “She’s bewitched me, you know. That’s why I hunt dragons—for her sport. That’s why I kiss her every night—I am forced.”
“Such a glorious knight, under the thumb of a lowly thing like her. How awful,” the lady said.
“It is awful.”
“Why don’t you strike her head off while she sleeps?”
“I’m ensorcelled, remember. I cannot kill her. My father, a lord and a haughty man, would have strangled her for her insolence, but I am nothing like him.”
“Indeed you are not,” the lady said.
“You are kinder than she ever was. I’ve told you more than I’ve ever told her. Can you free me, as I have freed you?”
“Say the word, and I shall prick her with poisoned needles while she rides. She will die of that, slowly, unsuspecting, and then you shall be free.”
“Do, and I shall follow you faithfully.”
“Then pluck the air between the two of you as we go, as if you are pulling petals, and put them in this purse. You’ll not see or feel what you gather, as your senses are not so fine, but I shall decoct what is there to a poison.”
“I knew it,” the knight said. “She has a foul and invisible power over me.”
“A strange influence, certainly.”
The witch stepped into the firelight, balancing their supper in her muddy skirt, and both the knight and the lady fell quiet and averted their eyes.
The moon waxed and waned, and the witch wearied of weeping. She was sick of holding the lady, sick of suffering her pinpricks, sick of watching the knight play with the lady’s russet hair. Her pain had grown tedious and stale, but she was far from home and bewildered, for sometimes, still, the knight smiled at her with swift and sudden fondness, and it was as though he was again the knight she had set forth with, many and many a month ago.
Late one night, as she covered herself with her muddy cloak, she heard a clinking in its folds. In its pocket she found the key to her hut and the tongueless bell, which in her misery she had forgotten about.
The witch put the bell in her mouth, and the world shone.
First she looked upon the sleeping knight. In his place she saw a small boy, much beaten and little loved, his face wet from crying. He writhed in his sleep with fear. Around his limbs wound a silver spell, older than the witch and wrought with greater art than hers, and when the witch strummed the strands of it with a nail, she heard in their hum that they would break and let him grow only when he had slain three dragons by his own hand.
Then the witch saw how she had wronged him by killing the black dragon, the red, and the gold. She would have kissed his forehead and asked forgiveness, but a black asp crept out of his mouth and hissed at her, and she was afraid.
She turned to the lady who slept at his side. A hole gaped in her breast, its torn edges fluttering. The witch stuck her hand in but found nothing: not a bone, not a thread, not corners, nor edges either. It howled with hunger, that hole. The woman who wore it would wander the world, snatching and grasping and thrusting into that aching emptiness everything within reach, forever trying to fill it, and failing.
The witch grieved for her too.
The three of them had camped beside a pool of water, and now the witch knelt on its mossy margin. In the light of the half moon she saw how her limbs were shriveled and starved for love, her bones riddled with cracks from bearing too much too soon. She sat there for hours, until she knew herself, and the fractures and hollow places within her, and the flame that burned, small and silent, at her core.
And when the witch understood that nothing kept her weeping on the black horse but herself, that the sorcery that had imprisoned her and blinded her was her own, she spat out the bell, dashed her reflection into a million bright slivers, and laughed.
With a whistle, the witch rose into the air, and whistling, she flew. When she stopped for breath, her feet sank softly to the earth. In this manner she traveled over the country of dragons, through nameless meadows and woods, and across the Orion Waste.
Once in all that time, when her heart gave a sharp pang, the witch put the bell in her mouth and looked back.
Far away, the knight was unknotting the cord around the lady’s wrists, first with fingers, and then, when it proved stubborn, with teeth. When her arms were free, he clasped her to his breast and buried his face in her hair.
But in the moment of their embrace, the knight began to shrink. The lady’s arms tightened around him. Faster and faster the knight diminished, armor and all, until he was no taller than a chess piece and stiff and still.
The lady caught him between forefinger and thumb. She studied the leaden knight, her expression pleased, then puzzled, then disappointed. At last, shaking her head, she tied him to her girdle between the wooden dog and painted acrobat. Between one knot and the next, she flinched and sucked her finger, as if something had bitten her.
Then she mounted the black horse and rode slowly onward, searching for that which would fill her lack.
After that the witch flew without pause, without eating or drinking, and the wind dried her tears to streaks of salt.
Just as her strength gave out, the hut on Orion Waste rose like a star on the horizon. The witch unlocked the door and collapsed onto her narrow bed. There she remained, shivering with fever, for the better part of a month. One or two people from the village, seeing the light in her window across the scrub, came with eggs and bread and tea, left them silently, and went away again.
One day, in a wave of sweat, the fever broke. The witch crawled to her feet, unlatched the window, and saw the Waste covered in white and yellow wildflowers.
The book of witchcraft lay open on the table, though she was sure no one had touched it. In the margin of the last page, wild roses peppered the tangle of thorns.
A week later, the witch returned to the village, her few belongings in hand, and asked the chandler if he might allow her to mind the shop again. He agreed gladly, for he was old and stiff, and she was quick and could climb the ladder to the highest shelves for him.
There she lived for a year, content, sweeping the floor, mending the shelves, and stirring a little magic into her soaps, so they cleaned better than others, and gave hope besides. She did not speak much, for her voice frightened children, but she listened carefully, and closely, and no one seemed to mind.
And there she would have stayed, growing gray and wise, had not a peddler with a profitable knack for roaming between stories rung the shop bell.
Looking over the wares he had spread on a cloth, all polished and gleaming, the witch and the shopkeeper chose combs, mirrors, scissors, and ribbons to buy. When the silver had been counted out and poured into his hands, and the goods collected, the peddler grinned a gapped grin and dug from his pack a pair of dancing shoes, cut from red leather and pricked all over with an awl.
“For you,” he said to the witch. “Secondhand, and a few bloodstains, but pretty, no? Some angels don’t like to see the poor dance, and the last lass had a heart too clean and Christian to wear them for long, but your heart’s spotted, and these are just your size.”
“Thank you,” the witch said, “but I don’t know how to dance. I know how to fly, and slay dragons, and make good soap, but dancing is a mystery.”
“Then you should learn,” the peddler said.
The s
hopkeeper sighed, because he could guess what was coming. When the witch approached him three days later, with a request, and a promise, he sent her on her way with a bag containing three cakes of soap, three spools of thread, three needles, a mirror, and a comb, cursing the peddler under his breath.
That night, as the stars glistened overhead, and the frogs and crickets sang a joyful Mass from their secret places, the witch locked up the hut, laced on the red shoes, whistled, and flew.
SEVEN BIRTHDAYS
Ken Liu
KEN LIU (http://kenliu.name) is an author and translator of speculative fiction, as well as a lawyer and programmer. A winner of the Nebula, Hugo, and World Fantasy Awards, he has been published in The Magazine of Fantasy & Science Fiction, Asimov’s, Analog, Clarkesworld, Lightspeed, and Strange Horizons, among other places. His debut novel, The Grace of Kings, the first in a silkpunk epic fantasy series was published in 2015, and was followed by sequel The Wall of Storms in late 2016. Debut collection The Paper Menagerie and Other Stories was also published in 2016.
7:
THE WIDE LAWN spreads out before me almost to the golden surf of the sea, separated by the narrow dark tan band of the beach. The setting sun is bright and warm, the breeze a gentle caress against my arms and face.
“I want to wait a little longer,” I say.
“It’s going to get dark soon,” Dad says.
I chew my bottom lip. “Text her again.”
He shakes his head. “We’ve left her enough messages.”
I look around. Most people have already left the park. The first hint of the evening chill is in the air.
“All right.” I try not to sound disappointed. You shouldn’t be disappointed when something happens over and over again, right? “Let’s fly,” I say. Dad holds up the kite, a diamond with a painted fairy and two long ribbon tails. I picked it out this morning from the store at the park gate because the fairy’s face reminded me of Mom.
“Ready?” Dad asks.
I nod.
“Go!”
I run toward the sea, toward the burning sky and the melting, orange sun.
Dad lets go of the kite, and I feel the fwoomp as it lifts into the air, pulling the string in my hand taut.
“Don’t look back! Keep running and let the string out slowly like I taught you.”
I run. Like Snow White through the forest. Like Cinderella as the clock strikes midnight. Like the Monkey King trying to escape the Buddha’s hand.
Like Aeneas pursued by Juno’s stormy rage. I unspool the string as a sudden gust of wind makes me squint, my heart thumping in time with my pumping legs.
“It’s up!”
I slow down, stop, and turn to look. The fairy is in the air, tugging at my hands to let go. I hold on to the handles of the spool, imagining the fairy lifting me into the air so that we can soar together over the Pacific, like Mom and Dad used to dangle me by my arms between them.
“Mia!”
I look over and see Mom striding across the lawn, her long black hair streaming in the breeze like the kite’s tails. She stops before me, kneels on the grass, wraps me in a hug, squeezing my face against hers. She smells like her shampoo, like summer rain and wildflowers, a fragrance that I get to experience only once every few weeks.
“Sorry I’m late,” she says, her voice muffled against my cheek. “Happy birthday!”
I want to give her a kiss, and I don’t want to. The kite line slackens, and I give the line a hard jerk like Dad taught me. It’s very important for me to keep the kite in the air. I don’t know why. Maybe it has to do with the need to kiss her and not kiss her.
Dad jogs up. He doesn’t say anything about the time. He doesn’t mention that we missed our dinner reservation.
Mom gives me a kiss and pulls her face away, but keeps her arms around me. “Something came up,” she says, her voice even, controlled. “Ambassador Chao-Walker’s flight was delayed and she managed to squeeze me in for three hours at the airport. I had to walk her through the details of the solar management plan before the Shanghai Forum next week. It was important.” “It always is,” Dad says.
Mom’s arms tense against me. This has always been their pattern, even when they used to live together. Unasked for explanations. Accusations that don’t sound like accusations.
Gently, I wriggle out of her embrace. “Look.”
This has always been part of the pattern too: my trying to break their pattern. I can’t help but think there’s a simple solution, something I can do to make it all better.
I point up at the kite, hoping she’ll see how I picked out a fairy whose face looks like hers. But the kite is too high up now for her to notice the resemblance. I’ve let out all the string. The long line droops gently like a ladder connecting the Earth to heaven, the highest segment glowing golden in the dying rays of the sun.
“It’s lovely,” she says. “Someday, when things quiet down a little, I’ll take you to see the kite festival back where I grew up, on the other side of the Pacific. You’ll love it.”
“We’ll have to fly then,” I say.
“Yes,” she says. “Don’t be afraid to fly. I fly all the time.”
I’m not afraid, but I nod anyway to show that I’m assured. I don’t ask when “someday” is going to be.
“I wish the kite could fly higher,” I say, desperate to keep the words flowing, as though unspooling more conversation will keep something precious aloft.
“If I cut the line, will it fly across the Pacific?”
After a moment, Mom says, “Not really… The kite stays up only because of the line. A kite is just like a plane, and the pulling force from your line acts like thrust. Did you know that the first airplanes the Wright Brothers made were actually kites? They learned how to make wings that way. Someday I’ll show you how the kite generates lift—”
“Sure it will,” Dad interrupts. “It will fly across the Pacific. It’s your birthday. Anything is possible.”
Neither of them says anything after that.
I don’t tell Dad that I enjoy listening to Mom talk about machines and engineering and history and other things that I don’t fully understand. I don’t tell her that I already know that the kite wouldn’t fly across the ocean—I was just trying to get her to talk to me instead of defending herself. I don’t tell him that I’m too old to believe anything is possible on my birthday—I wished for them not to fight, and look how that has turned out. I don’t tell her that I know she doesn’t mean to break her promises to me, but it still hurts when she does. I don’t tell them that I wish I could cut the line that ties me to their wings—the tugging on my heart from their competing winds is too much.
I know they love me even if they no longer love each other; but knowing doesn’t make it any easier.
Slowly, the sun sinks into the ocean; slowly, the stars wink to life in the sky.
The kite has disappeared among the stars. I imagine the fairy visiting each star to give it a playful kiss.
Mom pulls out her phone and types furiously.
“I’m guessing you haven’t had dinner,” Dad says.
“No. Not lunch either. Been running around all day,” Mom says, not looking up from the screen.
“There is a pretty good vegan place I just discovered a few blocks from the parking lot,” Dad says. “Maybe we can pick up a cake from the sweet shop on the way and ask them to serve it after dinner.”
“Um-hum.”
“Would you put that away?” Dad says. “Please.”
Mom takes a deep breath and puts the phone away. “I’m trying to change my flight to a later one so I can spend more time with Mia.”
“You can’t even stay with us one night?”
“I have to be in D.C. in the morning to meet with Professor Chakrabarti and Senator Frug.”
Dad’s face hardens. “For someone so concerned about the state of our planet, you certainly fly a lot. If you and your clients didn’t always want to move faster and ship more—”
<
br /> “You know perfectly well my clients aren’t the reason I’m doing this—” “I know it’s really easy to deceive yourself. But you’re working for the most colossal corporations and autocratic governments—”
“I’m working on a technical solution instead of empty promises! We have an ethical duty to all of humanity. I’m fighting for the eighty percent of the world’s population living on under ten dollars—”
Unnoticed by the colossi in my life, I let the kite pull me away. Their arguing voices fade in the wind. Step by step, I walk closer to the pounding surf, the line tugging me toward the stars.
49:
THE WHEELCHAIR IS having trouble making Mom comfortable.
First the chair tries to raise the seat so that her eyes are level with the screen of the ancient computer I found for her. But even with her bent back and hunched-over shoulders, she’s having trouble reaching the keyboard on the desk below. As she stretches her trembling fingers toward the keys, the chair descends. She pecks out a few letters and numbers, struggles to look up at the screen, now towering above her. The motors hum as the chair lifts her again. Ad infinitum.
Over three thousand robots work under the supervision of three nurses to take care of the needs of some three hundred residents in Sunset Homes. This is how we die now. Out of sight. Dependent on the wisdom of machines. The pinnacle of Western civilization.
I walk over and prop up the keyboard with a stack of old hardcover books taken from her home before I sold it. The motors stop humming. A simple hack for a complicated problem, the sort of thing she would appreciate.
She looks at me, her clouded eyes devoid of recognition.
“Mom, it’s me,” I say. Then, after a second, I add, “Your daughter, Mia.” She has some good days, I recall the words of the chief nurse. Doing math
seems to calm her down. Thank you for suggesting that.
She examines my face. “No,” she says. She hesitates for a second. “Mia is seven.”
Then she turns back to her computer and continues pecking out numbers on the keyboard. “Need to plot the demographic and conflict curves again,” she mutters. “Gotta show them this is the only way…”