The View From the Train
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9 Artists and Sound, Tate Gallery, 23 August–19 September 1982.
10 Raoul Vaneigem, ‘Self-Realisation, Communication and Participation’ (Chapter 23 of The Revolution of Everyday Life) in Leaving the Twentieth Century: The Incomplete Work of the Situationist International, ed. and transl. Christopher Gray (London: Free Fall Publications, 1974), pp. 131–51.
11 Raoul Vaneigem, The Revolution of Everyday Life, transl. Donald Nicholson-Smith (Rebel Press/Left Bank Books, 1983, revised 1994), pp. 236–66.
12 Lefebvre, Production of Space, pp. 189–90. See also p. 142.
13 Henri Lefebvre, Critique of Everyday Life, Volume 3, transl. Gregory Elliott (London/New York: Verso, 1991), p. 57.
14 Lefebvre, Critique of Everyday Life, Volume 1, pp. 228–52, at p. 250.
15 Lefebvre, Production of Space, p. 25
16 Guillaume Apollinaire, The False Amphion, or The Stories and Adventures of Baron d’Ormesan in The Heresiarch & Co., transl. Rémy Inglis Hall (Boston: Exact Change, 1991).
17 Roger Luckhurst, ‘The Contemporary London Gothic and the Limits of the “Spectral Turn” ’, Textual Practice 16: 3 (2002), pp. 527–46.