Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)

by Charles Dickens

  'You have not told me what you were up to, you sir,' said Fledgeby, scratching his head with the brim of his hat.

  'Sir, I was breathing the air.'

  'In the cellar, that you didn't hear?'

  'On the house-top.'

  'Upon my soul! That's a way of doing business.'

  'Sir,' the old man represented with a grave and patient air, 'there must be two parties to the transaction of business, and the holiday has left me alone.'

  'Ah! Can't be buyer and seller too. That's what the Jews say; ain't it?'

  'At least we say truly, if we say so,' answered the old man with a smile.

  'Your people need speak the truth sometimes, for they lie enough,' remarked Fascination Fledgeby.

  'Sir, there is,' returned the old man with quiet emphasis, 'too much untruth among all denominations of men.'

  Rather dashed, Fascination Fledgeby took another scratch at his intellectual head with his hat, to gain time for rallying.

  'For instance,' he resumed, as though it were he who had spoken last, 'who but you and I ever heard of a poor Jew?'

  'The Jews,' said the old man, raising his eyes from the ground with his former smile. 'They hear of poor Jews often, and are very good to them.'

  'Bother that!' returned Fledgeby. 'You know what I mean. You'd persuade me if you could, that you are a poor Jew. I wish you'd confess how much you really did make out of my late governor. I should have a better opinion of you.'

  The old man only bent his head, and stretched out his hands as before.

  'Don't go on posturing like a Deaf and Dumb School,' said the ingenious Fledgeby, 'but express yourself like a Christian--or as nearly as you can.'

  'I had had sickness and misfortunes, and was so poor,' said the old man, 'as hopelessly to owe the father, principal and interest. The son inheriting, was so merciful as to forgive me both, and place me here.'

  He made a little gesture as though he kissed the hem of an imaginary garment worn by the noble youth before him. It was humbly done, but picturesquely, and was not abasing to the doer.

  'You won't say more, I see,' said Fledgeby, looking at him as if he would like to try the effect of extracting a double-tooth or two, 'and so it's of no use my putting it to you. But confess this, Riah; who believes you to be poor now?'

  'No one,' said the old man.

  'There you're right,' assented Fledgeby.

  'No one,' repeated the old man with a grave slow wave of his head. 'All scout it as a fable. Were I to say "This little fancy business is not mine";' with a lithe sweep of his easily-turning hand around him, to comprehend the various objects on the shelves; '"it is the little business of a Christian young gentleman who places me, his servant, in trust and charge here, and to whom I am accountable for every single bead," they would laugh. When, in the larger money-business, I tell the borrowers--'

  'I say, old chap!' interposed Fledgeby, 'I hope you mind what you DO tell 'em?'

  'Sir, I tell them no more than I am about to repeat. When I tell them, "I cannot promise this, I cannot answer for the other, I must see my principal, I have not the money, I am a poor man and it does not rest with me," they are so unbelieving and so impatient, that they sometimes curse me in Jehovah's name.'

  'That's deuced good, that is!' said Fascination Fledgeby.

  'And at other times they say, "Can it never be done without these tricks, Mr Riah? Come, come, Mr Riah, we know the arts of your people"--my people!--"If the money is to be lent, fetch it, fetch it; if it is not to be lent, keep it and say so." They never believe me.'

  'THAT'S all right,' said Fascination Fledgeby.

  'They say, "We know, Mr Riah, we know. We have but to look at you, and we know."'

  'Oh, a good 'un are you for the post,' thought Fledgeby, 'and a good 'un was I to mark you out for it! I may be slow, but I am precious sure.'

  Not a syllable of this reflection shaped itself in any scrap of Mr Fledgeby's breath, lest it should tend to put his servant's price up. But looking at the old man as he stood quiet with his head bowed and his eyes cast down, he felt that to relinquish an inch of his baldness, an inch of his grey hair, an inch of his coat-skirt, an inch of his hat-brim, an inch of his walking-staff, would be to relinquish hundreds of pounds.

  'Look here, Riah,' said Fledgeby, mollified by these self-approving considerations. 'I want to go a little more into buying-up queer bills. Look out in that direction.'

  'Sir, it shall be done.'

  'Casting my eye over the accounts, I find that branch of business pays pretty fairly, and I am game for extending it. I like to know people's affairs likewise. So look out.'

  'Sir, I will, promptly.'

  'Put it about in the right quarters, that you'll buy queer bills by the lump--by the pound weight if that's all--supposing you see your way to a fair chance on looking over the parcel. And there's one thing more. Come to me with the books for periodical inspection as usual, at eight on Monday morning.'

  Riah drew some folding tablets from his breast and noted it down.

  'That's all I wanted to say at the present time,' continued Fledgeby in a grudging vein, as he got off the stool, 'except that I wish you'd take the air where you can hear the bell, or the knocker, either one of the two or both. By-the-by how DO you take the air at the top of the house? Do you stick your head out of a chimney-pot?'

  'Sir, there are leads there, and I have made a little garden there.'

  'To bury your money in, you old dodger?'

  'A thumbnail's space of garden would hold the treasure I bury, master,' said Riah. 'Twelve shillings a week, even when they are an old man's wages, bury themselves.'

  'I should like to know what you really are worth,' returned Fledgeby, with whom his growing rich on that stipend and gratitude was a very convenient fiction. 'But come! Let's have a look at your garden on the tiles, before I go!'

  The old man took a step back, and hesitated.

  'Truly, sir, I have company there.'

  'Have you, by George!' said Fledgeby; 'I suppose you happen to know whose premises these are?'

  'Sir, they are yours, and I am your servant in them.'

  'Oh! I thought you might have overlooked that,' retorted Fledgeby, with his eyes on Riah's beard as he felt for his own; 'having company on my premises, you know!'

  'Come up and see the guests, sir. I hope for your admission that they can do no harm.'

  Passing him with a courteous reverence, specially unlike any action that Mr Fledgeby could for his life have imparted to his own head and hands, the old man began to ascend the stairs. As he toiled on before, with his palm upon the stair-rail, and his long black skirt, a very gaberdine, overhanging each successive step, he might have been the leader in some pilgrimage of devotional ascent to a prophet's tomb. Not troubled by any such weak imagining, Fascination Fledgeby merely speculated on the time of life at which his beard had begun, and thought once more what a good 'un he was for the part.

  Some final wooden steps conducted them, stooping under a low penthouse roof, to the house-top. Riah stood still, and, turning to his master, pointed out his guests.

  Lizzie Hexam and Jenny Wren. For whom, perhaps with some old instinct of his race, the gentle Jew had spread a carpet. Seated on it, against no more romantic object than a blackened chimney-stack over which some bumble creeper had been trained, they both pored over one book; both with attentive faces; Jenny with the sharper; Lizzie with the more perplexed. Another little book or two were lying near, and a common basket of common fruit, and another basket full of strings of beads and tinsel scraps. A few boxes of humble flowers and evergreens completed the garden; and the encompassing wilderness of dowager old chimneys twirled their cowls and fluttered their smoke, rather as if they were bridling, and fanning themselves, and looking on in a state of airy surprise.

  Taking her eyes off the book, to test her memory of something in it, Lizzie was the first to see herself observed. As she rose, Miss Wren likewise became conscious, and said, irreverently
addressing the great chief of the premises: 'Whoever you are, I can't get up, because my back's bad and my legs are queer.'

  'This is my master,' said Riah, stepping forward.

  ('Don't look like anybody's master,' observed Miss Wren to herself, with a hitch of her chin and eyes.)

  'This, sir,' pursued the old man, 'is a little dressmaker for little people. Explain to the master, Jenny.'

  'Dolls; that's all,' said Jenny, shortly. 'Very difficult to fit too, because their figures are so uncertain. You never know where to expect their waists.'

  'Her friend,' resumed the old man, motioning towards Lizzie; 'and as industrious as virtuous. But that they both are. They are busy early and late, sir, early and late; and in bye-times, as on this holiday, they go to book-learning.'

  'Not much good to be got out of that,' remarked Fledgeby.

  'Depends upon the person!' quoth Miss Wren, snapping him up.

  'I made acquaintance with my guests, sir,' pursued the Jew, with an evident purpose of drawing out the dressmaker, 'through their coming here to buy of our damage and waste for Miss Jenny's millinery. Our waste goes into the best of company, sir, on her rosy-cheeked little customers. They wear it in their hair, and on their ball-dresses, and even (so she tells me) are presented at Court with it.'

  'Ah!' said Fledgeby, on whose intelligence this doll-fancy made rather strong demands; 'she's been buying that basketful to-day, I suppose?'

  'I suppose she has,' Miss Jenny interposed; 'and paying for it too, most likely!'

  'Let's have a look at it,' said the suspicious chief. Riah handed it to him. 'How much for this now?'

  'Two precious silver shillings,' said Miss Wren.

  Riah confirmed her with two nods, as Fledgeby looked to him. A nod for each shilling.

  'Well,' said Fledgeby, poking into the contents of the basket with his forefinger, 'the price is not so bad. You have got good measure, Miss What-is-it.'

  'Try Jenny,' suggested that young lady with great calmness.

  'You have got good measure, Miss Jenny; but the price is not so bad.--And you,' said Fledgeby, turning to the other visitor, 'do you buy anything here, miss?'

  'No, sir.'

  'Nor sell anything neither, miss?'

  'No, sir.'

  Looking askew at the questioner, Jenny stole her hand up to her friend's, and drew her friend down, so that she bent beside her on her knee.

  'We are thankful to come here for rest, sir,' said Jenny. 'You see, you don't know what the rest of this place is to us; does he, Lizzie? It's the quiet, and the air.'

  'The quiet!' repeated Fledgeby, with a contemptuous turn of his head towards the City's roar. 'And the air!' with a 'Poof!' at the smoke.

  'Ah!' said Jenny. 'But it's so high. And you see the clouds rushing on above the narrow streets, not minding them, and you see the golden arrows pointing at the mountains in the sky from which the wind comes, and you feel as if you were dead.'

  The little creature looked above her, holding up her slight transparent hand.

  'How do you feel when you are dead?' asked Fledgeby, much perplexed.

  'Oh, so tranquil!' cried the little creature, smiling. 'Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!'

  Her eyes fell on the old man, who, with his hands folded, quietly looked on.

  'Why it was only just now,' said the little creature, pointing at him, 'that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!--Till he was called back to life,' she added, looking round at Fledgeby with that lower look of sharpness. 'Why did you call him back?'

  'He was long enough coming, anyhow,' grumbled Fledgeby.

  'But you are not dead, you know,' said Jenny Wren. 'Get down to life!'

  Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, 'Don't be long gone. Come back, and be dead!' And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, 'Come back and be dead, Come back and be dead!'

  When they got down into the entry, Fledgeby, pausing under the shadow of the broad old hat, and mechanically poising the staff, said to the old man:

  'That's a handsome girl, that one in her senses.'

  'And as good as handsome,' answered Riah.

  'At all events,' observed Fledgeby, with a dry whistle, 'I hope she ain't bad enough to put any chap up to the fastenings, and get the premises broken open. You look out. Keep your weather eye awake and don't make any more acquaintances, however handsome. Of course you always keep my name to yourself?'

  'Sir, assuredly I do.'

  'If they ask it, say it's Pubsey, or say it's Co, or say it's anything you like, but what it is.'

  His grateful servant--in whose race gratitude is deep, strong, and enduring--bowed his head, and actually did now put the hem of his coat to his lips: though so lightly that the wearer knew nothing of it.

  Thus, Fascination Fledgeby went his way, exulting in the artful cleverness with which he had turned his thumb down on a Jew, and the old man went his different way up-stairs. As he mounted, the call or song began to sound in his ears again, and, looking above, he saw the face of the little creature looking down out of a Glory of her long bright radiant hair, and musically repeating to him, like a vision:

  'Come up and be dead! Come up and be dead!'

  Chapter 6

  A RIDDLE WITHOUT AN ANSWER

  Again Mr Mortimer Lightwood and Mr Eugene Wrayburn sat together in the Temple. This evening, however, they were not together in the place of business of the eminent solicitor, but in another dismal set of chambers facing it on the same second-floor; on whose dungeon-like black outer-door appeared the legend:

  PRIVATE

  MR EUGENE WRAYBURN

  MR MORTIMER LIGHTWOOD

  (Mr Lightwood's Offices opposite.)

  Appearances indicated that this establishment was a very recent institution. The white letters of the inscription were extremely white and extremely strong to the sense of smell, the complexion of the tables and chairs was (like Lady Tippins's) a little too blooming to be believed in, and the carpets and floorcloth seemed to rush at the beholder's face in the unusual prominency of their patterns. But the Temple, accustomed to tone down both the still life and the human life that has much to do with it, would soon get the better of all that.

  'Well!' said Eugene, on one side of the fire, 'I feel tolerably comfortable. I hope the upholsterer may do the same.'

  'Why shouldn't he?' asked Lightwood, from the other side of the fire.

  'To be sure,' pursued Eugene, reflecting, 'he is not in the secret of our pecuniary affairs, so perhaps he may be in an easy frame of mind.'

  'We shall pay him,' said Mortimer.

  'Shall we, really?' returned Eugene, indolently surprised. 'You don't say so!'

  'I mean to pay him, Eugene, for my part,' said Mortimer, in a slightly injured tone.

  'Ah! I mean to pay him too,' retorted Eugene. 'But then I mean so much that I--that I don't mean.'

  'Don't mean?'

  'So much that I only mean and shall always only mean and nothing more, my dear Mortimer. It's the same thing.'

  His friend, lying back in his easy chair, watched him lying back in his easy chair, as he stretched out his legs on the hearth-rug, and said, with the amused look that Eugene Wrayburn could always awaken in him without seeming to try or care:

  'Anyhow, your vagaries have increased the bill.'

  'Calls the domestic virtues vagaries!' exclaimed Eugene, raising his eyes to the ceilin
g.

  'This very complete little kitchen of ours,' said Mortimer, 'in which nothing will ever be cooked--'

  'My dear, dear Mortimer,' returned his friend, lazily lifting his head a little to look at him, 'how often have I pointed out to you that its moral influence is the important thing?'

  'Its moral influence on this fellow!' exclaimed Lightwood, laughing.

  'Do me the favour,' said Eugene, getting out of his chair with much gravity, 'to come and inspect that feature of our establishment which you rashly disparage.' With that, taking up a candle, he conducted his chum into the fourth room of the set of chambers--a little narrow room--which was very completely and neatly fitted as a kitchen. 'See!' said Eugene, 'miniature flour-barrel, rolling-pin, spice-box, shelf of brown jars, chopping-board, coffee-mill, dresser elegantly furnished with crockery, saucepans and pans, roasting jack, a charming kettle, an armoury of dish-covers. The moral influence of these objects, in forming the domestic virtues, may have an immense influence upon me; not upon you, for you are a hopeless case, but upon me. In fact, I have an idea that I feel the domestic virtues already forming. Do me the favour to step into my bedroom. Secretaire, you see, and abstruse set of solid mahogany pigeon-holes, one for every letter of the alphabet. To what use do I devote them? I receive a bill--say from Jones. I docket it neatly at the secretaire, JONES, and I put it into pigeonhole J. It's the next thing to a receipt and is quite as satisfactory to ME. And I very much wish, Mortimer,' sitting on his bed, with the air of a philosopher lecturing a disciple, 'that my example might induce YOU to cultivate habits of punctuality and method; and, by means of the moral influences with which I have surrounded you, to encourage the formation of the domestic virtues.'

  Mortimer laughed again, with his usual commentaries of 'How CAN you be so ridiculous, Eugene!' and 'What an absurd fellow you are!' but when his laugh was out, there was something serious, if not anxious, in his face. Despite that pernicious assumption of lassitude and indifference, which had become his second nature, he was strongly attached to his friend. He had founded himself upon Eugene when they were yet boys at school; and at this hour imitated him no less, admired him no less, loved him no less, than in those departed days.