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Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)

Page 1352

by Charles Dickens


  These are the minutes of my conversation with His Majesty, as I noted them down shortly afterwards. I am not aware that I have been betrayed into any alteration or suppression. The manner of the King was frank in the extreme; and he seemed to me to avoid, at once that slight tendency to repetition which may have been observed in the conversation of His Majesty King George the Third, and - that slight under-current of egotism which the curious observer may perhaps detect in the conversation of Napoleon Bonaparte.

  I must do the King the justice to say that it was I, and not he, who closed the dialogue. At this juncture, I became the subject of a remarkable optical delusion; the legs of my stool appeared to me to double up; the car to spin round and round with great violence; and a mist to arise between myself and His Majesty. In addition to these sensations, I felt extremely unwell. I refer these unpleasant effects, either to the paste with which the posters were affixed to the van: which may have contained some small portion of arsenic; or, to the printer's ink, which may have contained some equally deleterious ingredient. Of this, I cannot be sure. I am only sure that I was not affected, either by the smoke, or the rum- and-water. I was assisted out of the vehicle, in a state of mind which I have only experienced in two other places - I allude to the Pier at Dover, and to the corresponding portion of the town of Calais - and sat upon a door-step until I recovered. The procession had then disappeared. I have since looked anxiously for the King in several other cars, but I have not yet had the happiness of seeing His Majesty.

  'BIRTHS. MRS. MEEK, OF A SON

  MY name is Meek. I am, in fact, Mr. Meek. That son is mine and Mrs. Meek's. When I saw the announcement in the Times, I dropped the paper. I had put it in, myself, and paid for it, but it looked so noble that it overpowered me.

  As soon as I could compose my feelings, I took the paper up to Mrs. Meek's bedside. 'Maria Jane,' said I (I allude to Mrs. Meek), 'you are now a public character.' We read the review of our child, several times, with feelings of the strongest emotion; and I sent the boy who cleans the boots and shoes, to the office for fifteen copies. No reduction was made on taking that quantity.

  It is scarcely necessary for me to say, that our child had been expected. In fact, it had been expected, with comparative confidence, for some months. Mrs. Meek's mother, who resides with us - of the name of Bigby - had made every preparation for its admission to our circle.

  I hope and believe I am a quiet man. I will go farther. I KNOW I am a quiet man. My constitution is tremulous, my voice was never loud, and, in point of stature, I have been from infancy, small. I have the greatest respect for Maria Jane's Mama. She is a most remarkable woman. I honour Maria Jane's Mama. In my opinion she would storm a town, single-handed, with a hearth-broom, and carry it. I have never known her to yield any point whatever, to mortal man. She is calculated to terrify the stoutest heart.

  Still - but I will not anticipate.

  The first intimation I had, of any preparations being in progress, on the part of Maria Jane's Mama, was one afternoon, several months ago. I came home earlier than usual from the office, and, proceeding into the dining-room, found an obstruction behind the door, which prevented it from opening freely. It was an obstruction of a soft nature. On looking in, I found it to be a female.

  The female in question stood in the corner behind the door, consuming Sherry Wine. From the nutty smell of that beverage pervading the apartment, I have no doubt she was consuming a second glassful. She wore a black bonnet of large dimensions, and was copious in figure. The expression of her countenance was severe and discontented. The words to which she gave utterance on seeing me, were these, 'Oh, git along with you, Sir, if YOU please; me and Mrs. Bigby don't want no male parties here!'

  That female was Mrs. Prodgit.

  I immediately withdrew, of course. I was rather hurt, but I made no remark. Whether it was that I showed a lowness of spirits after dinner, in consequence of feeling that I seemed to intrude, I cannot say. But, Maria Jane's Mama said to me on her retiring for the night: in a low distinct voice, and with a look of reproach that completely subdued me: 'George Meek, Mrs. Prodgit is your wife's nurse!'

  I bear no ill-will towards Mrs. Prodgit. Is it likely that I, writing this with tears in my eyes, should be capable of deliberate animosity towards a female, so essential to the welfare of Maria Jane? I am willing to admit that Fate may have been to blame, and not Mrs. Prodgit; but, it is undeniably true, that the latter female brought desolation and devastation into my lowly dwelling.

  We were happy after her first appearance; we were sometimes exceedingly so. But, whenever the parlour door was opened, and 'Mrs. Prodgit!' announced (and she was very often announced), misery ensued. I could not bear Mrs. Prodgit's look. I felt that I was far from wanted, and had no business to exist in Mrs. Prodgit's presence. Between Maria Jane's Mama, and Mrs. Prodgit, there was a dreadful, secret, understanding - a dark mystery and conspiracy, pointing me out as a being to be shunned. I appeared to have done something that was evil. Whenever Mrs. Prodgit called, after dinner, I retired to my dressing-room - where the temperature is very low indeed, in the wintry time of the year - and sat looking at my frosty breath as it rose before me, and at my rack of boots; a serviceable article of furniture, but never, in my opinion, an exhilarating object. The length of the councils that were held with Mrs. Prodgit, under these circumstances, I will not attempt to describe. I will merely remark, that Mrs. Prodgit always consumed Sherry Wine while the deliberations were in progress; that they always ended in Maria Jane's being in wretched spirits on the sofa; and that Maria Jane's Mama always received me, when I was recalled, with a look of desolate triumph that too plainly said, 'NOW, George Meek! You see my child, Maria Jane, a ruin, and I hope you are satisfied!'

  I pass, generally, over the period that intervened between the day when Mrs. Prodgit entered her protest against male parties, and the ever-memorable midnight when I brought her to my unobtrusive home in a cab, with an extremely large box on the roof, and a bundle, a bandbox, and a basket, between the driver's legs. I have no objection to Mrs. Prodgit (aided and abetted by Mrs. Bigby, who I never can forget is the parent of Maria Jane) taking entire possession of my unassuming establishment. In the recesses of my own breast, the thought may linger that a man in possession cannot be so dreadful as a woman, and that woman Mrs. Prodgit; but, I ought to bear a good deal, and I hope I can, and do. Huffing and snubbing, prey upon my feelings; but, I can bear them without complaint. They may tell in the long run; I may be hustled about, from post to pillar, beyond my strength; nevertheless, I wish to avoid giving rise to words in the family.

  The voice of Nature, however, cries aloud in behalf of Augustus George, my infant son. It is for him that I wish to utter a few plaintive household words. I am not at all angry; I am mild - but miserable.

  I wish to know why, when my child, Augustus George, was expected in our circle, a provision of pins was made, as if the little stranger were a criminal who was to be put to the torture immediately, on his arrival, instead of a holy babe? I wish to know why haste was made to stick those pins all over his innocent form, in every direction? I wish to be informed why light and air are excluded from Augustus George, like poisons? Why, I ask, is my unoffending infant so hedged into a basket-bedstead, with dimity and calico, with miniature sheets and blankets, that I can only hear him snuffle (and no wonder!) deep down under the pink hood of a little bathing-machine, and can never peruse even so much of his lineaments as his nose?

  Was I expected to be the father of a French Roll, that the brushes of All Nations were laid in, to rasp Augustus George? Am I to be told that his sensitive skin was ever intended by Nature to have rashes brought out upon it, by the premature and incessant use of those formidable little instruments?

  Is my son a Nutmeg, that he is to be grated on the stiff edges of sharp frills? Am I the parent of a Muslin boy, that his yielding surface is to be crimped and small plaited? Or is my child composed of Paper or of Linen, that impressions of the finer g
etting-up art, practised by the laundress, are to be printed off, all over his soft arms and legs, as I constantly observe them? The starch enters his soul; who can wonder that he cries?

  Was Augustus George intended to have limbs, or to be born a Torso? I presume that limbs were the intention, as they are the usual practice. Then, why are my poor child's limbs fettered and tied up? Am I to be told that there is any analogy between Augustus George Meek and Jack Sheppard?

  Analyse Castor Oil at any Institution of Chemistry that may be agreed upon, and inform me what resemblance, in taste, it bears to that natural provision which it is at once the pride and duty of Maria Jane to administer to Augustus George! Yet, I charge Mrs. Prodgit (aided and abetted by Mrs. Bigby) with systematically forcing Castor Oil on my innocent son, from the first hour of his birth. When that medicine, in its efficient action, causes internal disturbance to Augustus George, I charge Mrs. Prodgit (aided and abetted by Mrs. Bigby) with insanely and inconsistently administering opium to allay the storm she has raised! What is the meaning of this?

  If the days of Egyptian Mummies are past, how dare Mrs. Prodgit require, for the use of my son, an amount of flannel and linen that would carpet my humble roof? Do I wonder that she requires it? No! This morning, within an hour, I beheld this agonising sight. I beheld my son - Augustus George - in Mrs. Prodgit's hands, and on Mrs. Prodgit's knee, being dressed. He was at the moment, comparatively speaking, in a state of nature; having nothing on, but an extremely short shirt, remarkably disproportionate to the length of his usual outer garments. Trailing from Mrs. Prodgit's lap, on the floor, was a long narrow roller or bandage - I should say of several yards in extent. In this, I SAW Mrs. Prodgit tightly roll the body of my unoffending infant, turning him over and over, now presenting his unconscious face upwards, now the back of his bald head, until the unnatural feat was accomplished, and the bandage secured by a pin, which I have every reason to believe entered the body of my only child. In this tourniquet, he passes the present phase of his existence. Can I know it, and smile!

  I fear I have been betrayed into expressing myself warmly, but I feel deeply. Not for myself; for Augustus George. I dare not interfere. Will any one? Will any publication? Any doctor? Any parent? Any body? I do not complain that Mrs. Prodgit (aided and abetted by Mrs. Bigby) entirely alienates Maria Jane's affections from me, and interposes an impassable barrier between us. I do not complain of being made of no account. I do not want to be of any account. But, Augustus George is a production of Nature (I cannot think otherwise), and I claim that he should be treated with some remote reference to Nature. In my opinion, Mrs. Prodgit is, from first to last, a convention and a superstition. Are all the faculty afraid of Mrs. Prodgit? If not, why don't they take her in hand and improve her?

  P.S. Maria Jane's Mama boasts of her own knowledge of the subject, and says she brought up seven children besides Maria Jane. But how do I know that she might not have brought them up much better? Maria Jane herself is far from strong, and is subject to headaches, and nervous indigestion. Besides which, I learn from the statistical tables that one child in five dies within the first year of its life; and one child in three, within the fifth. That don't look as if we could never improve in these particulars, I think!

  P.P.S. Augustus George is in convulsions.

  LYING AWAKE

  'MY uncle lay with his eyes half closed, and his nightcap drawn almost down to his nose. His fancy was already wandering, and began to mingle up the present scene with the crater of Vesuvius, the French Opera, the Coliseum at Rome, Dolly's Chop-house in London, and all the farrago of noted places with which the brain of a traveller is crammed; in a word, he was just falling asleep.'

  Thus, that delightful writer, WASHINGTON IRVING, in his Tales of a Traveller. But, it happened to me the other night to be lying: not with my eyes half closed, but with my eyes wide open; not with my nightcap drawn almost down to my nose, for on sanitary principles I never wear a nightcap: but with my hair pitchforked and touzled all over the pillow; not just falling asleep by any means, but glaringly, persistently, and obstinately, broad awake. Perhaps, with no scientific intention or invention, I was illustrating the theory of the Duality of the Brain; perhaps one part of my brain, being wakeful, sat up to watch the other part which was sleepy. Be that as it may, something in me was as desirous to go to sleep as it possibly could be, but something else in me WOULD NOT go to sleep, and was as obstinate as George the Third.

  Thinking of George the Third - for I devote this paper to my train of thoughts as I lay awake: most people lying awake sometimes, and having some interest in the subject - put me in mind of BENJAMIN FRANKLIN, and so Benjamin Franklin's paper on the art of procuring pleasant dreams, which would seem necessarily to include the art of going to sleep, came into my head. Now, as I often used to read that paper when I was a very small boy, and as I recollect everything I read then as perfectly as I forget everything I read now, I quoted 'Get out of bed, beat up and turn your pillow, shake the bed-clothes well with at least twenty shakes, then throw the bed open and leave it to cool; in the meanwhile, continuing undrest, walk about your chamber. When you begin to feel the cold air unpleasant, then return to your bed, and you will soon fall asleep, and your sleep will be sweet and pleasant.' Not a bit of it! I performed the whole ceremony, and if it were possible for me to be more saucer-eyed than I was before, that was the only result that came of it.

  Except Niagara. The two quotations from Washington Irving and Benjamin Franklin may have put it in my head by an American association of ideas; but there I was, and the Horse-shoe Fall was thundering and tumbling in my eyes and ears, and the very rainbows that I left upon the spray when I really did last look upon it, were beautiful to see. The night-light being quite as plain, however, and sleep seeming to be many thousand miles further off than Niagara, I made up my mind to think a little about Sleep; which I no sooner did than I whirled off in spite of myself to Drury Lane Theatre, and there saw a great actor and dear friend of mine (whom I had been thinking of in the day) playing Macbeth, and heard him apostrophising 'the death of each day's life,' as I have heard him many a time, in the days that are gone.

  But, Sleep. I WILL think about Sleep. I am determined to think (this is the way I went on) about Sleep. I must hold the word Sleep, tight and fast, or I shall be off at a tangent in half a second. I feel myself unaccountably straying, already, into Clare Market. Sleep. It would be curious, as illustrating the equality of sleep, to inquire how many of its phenomena are common to all classes, to all degrees of wealth and poverty, to every grade of education and ignorance. Here, for example, is her Majesty Queen Victoria in her palace, this present blessed night, and here is Winking Charley, a sturdy vagrant, in one of her Majesty's jails. Her Majesty has fallen, many thousands of times, from that same Tower, which I claim a right to tumble off now and then. So has Winking Charley. Her Majesty in her sleep has opened or prorogued Parliament, or has held a Drawing Room, attired in some very scanty dress, the deficiencies and improprieties of which have caused her great uneasiness. I, in my degree, have suffered unspeakable agitation of mind from taking the chair at a public dinner at the London Tavern in my night-clothes, which not all the courtesy of my kind friend and host MR. BATHE could persuade me were quite adapted to the occasion. Winking Charley has been repeatedly tried in a worse condition. Her Majesty is no stranger to a vault or firmament, of a sort of floorcloth, with an indistinct pattern distantly resembling eyes, which occasionally obtrudes itself on her repose. Neither am I. Neither is Winking Charley. It is quite common to all three of us to skim along with airy strides a little above the ground; also to hold, with the deepest interest, dialogues with various people, all represented by ourselves; and to be at our wit's end to know what they are going to tell us; and to be indescribably astonished by the secrets they disclose. It is probable that we have all three committed murders and hidden bodies. It is pretty certain that we have all desperately wanted to cry out, and have had no voice; that we have all go
ne to the play and not been able to get in; that we have all dreamed much more of our youth than of our later lives; that - I have lost it! The thread's broken.

  And up I go. I, lying here with the night-light before me, up I go, for no reason on earth that I can find out, and drawn by no links that are visible to me, up the Great Saint Bernard! I have lived in Switzerland, and rambled among the mountains; but, why I should go there now, and why up the Great Saint Bernard in preference to any other mountain, I have no idea. As I lie here broad awake, and with every sense so sharpened that I can distinctly hear distant noises inaudible to me at another time, I make that journey, as I really did, on the same summer day, with the same happy party - ah! two since dead, I grieve to think - and there is the same track, with the same black wooden arms to point the way, and there are the same storm-refuges here and there; and there is the same snow falling at the top, and there are the same frosty mists, and there is the same intensely cold convent with its menagerie smell, and the same breed of dogs fast dying out, and the same breed of jolly young monks whom I mourn to know as humbugs, and the same convent parlour with its piano and the sitting round the fire, and the same supper, and the same lone night in a cell, and the same bright fresh morning when going out into the highly rarefied air was like a plunge into an icy bath. Now, see here what comes along; and why does this thing stalk into my mind on the top of a Swiss mountain!

 

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