Dust ks-21

by Patricia Cornwell

  “All I can tell you is I got a gut about it, Doc,” his familiar voice says but he sounds different, stronger and more sure of himself. “Some sick fuck out there just getting started. Maybe got the idea from what just happened.”

  “From what happened in Newtown, Connecticut?” I don’t see how he can possibly leap to such a conclusion and he needs to stop bringing it up.

  “That’s the way it works,” he says. “One sick fuck gets the idea from some other sick fuck who shoots up a movie theater or a school for attention.”

  I imagine him driving the dark streets of Cambridge in this weather. No doubt he doesn’t have his seat belt on and it will be a waste of breath for me to tell him now that he’s a cop again. How quickly he returns to his old bad habits.

  “She wasn’t shot, was she?” I ask him pointedly to derail an inappropriate and awful subject. “You’re not even sure she’s a homicide, isn’t that right?”

  “It doesn’t appear she was shot,” Marino verifies.

  “Let’s not confuse things by comparing it to what just happened in Connecticut.”

  “I’m sick and tired of assholes getting rewarded by the media.”

  “Aren’t we all?”

  “It makes it worse and more likely to happen again. We shouldn’t release their names and should bury them in a damn unmarked grave.”

  “Let’s stick with the case at hand. Do we know if she has obvious injuries?”

  “Nothing at a glance,” he says. “But she sure as hell didn’t wrap herself up in a sheet and walk out there on her own two bare feet and lay down and die in the rain and mud.”

  Marino’s bypassing my deputy chief medical examiner, Luke Zenner, or any of my forensic pathologists at the CFC isn’t about my being the most qualified even though I am. It’s about Marino stepping back into his earlier life so he can be who he was when we first met. He no longer works for me. He gets to summon me on command. That’s the way he figures things and he’ll remind me as often as he can.

  “I mean, if you really don’t feel up to it…” he starts to say and it sounds like a challenge or maybe he’s goading me.

  I don’t know. How can I judge anything right now? I’m worn-out and famished. I can’t stop thinking about boiled eggs with butter and coarsely ground peppercorns, and hot fresh baked bread and espresso. I would kill for a chilled glass of freshly squeezed blood orange juice.

  “No, no, the worst is past.” I reach for the bottle of water on the nightstand. “Let me get myself together here.” I don’t move beyond taking a big swallow, the thirst no longer unquenchable, my lips and tongue no longer as dry as paper. “I had cough syrup before I went to bed. Codeine.”

  “Lucky you.”

  “I’m a little groggy but fine. It’s not a good idea for me to drive, certainly not in this weather. Who found her?”

  Maybe he already told me that. I press the back of my hand to my forehead. No fever. I’m sure it really is gone, not just Advil suppressing it.

  “A girl from MIT, a guy from Harvard out on a date and decided to find a little privacy in her dorm room. You know Simmons Hall? That huge building that looks like it was built out of LEGOs on the other side of the MIT baseball and rugby fields,” Marino says.

  I can tell he has a police scanner with the squelch turned up loud. In his element, I’m sure. Armed and dangerous with a detective’s badge on his belt, driving an unmarked police vehicle equipped with lights and a siren and God knows what else. In the old days when he was a cop, he used to trick out his police vehicles like he does his Harleys.

  “They noticed what they thought at first was a manikin in a toga lying in the mud at the far end of the field inside the fence that separates it from a parking lot,” says the Marino from my past, Marino the detective. “So they walked inside an open gate to get a closer look and when they realized it was a female wrapped in a sheet with nothing on under it and that she wasn’t breathing they called nine-one-one.”

  “The body is nude?” What I’m really asking is if it’s been disturbed and by whom.

  “They claim they didn’t touch it. The sheet’s soaking wet and I think it’s pretty obvious she’s naked. Machado talked to them and says he’s confident they’ve got nothing to do with whatever happened to her but we’ll swab them for DNA, do backgrounds, the whole nine yards.”

  He goes on to say that Cambridge detective Sil Machado suspects the woman is a drug overdose. “Which may be related to the weird-ass suicide from the other day,” Marino adds. “As you know there’s some bad stuff on the streets and it’s causing huge problems around here.”

  “Which suicide?” Unfortunately there have been a number of them while I was out of town and ill.

  “The fashion-designer lady who jumped off the roof of her Cambridge apartment building and splattered the plate-glass windows of the first-floor health club while people were inside working out,” he says. “It looked like a spaghetti bomb went off. Anyway, they’re thinking it could be related.”

  “I don’t know why.”

  “They think it could be drugs, some bad shit she got into.”

  “Who’s they?” I didn’t work the suicide of course and I reach down for the stacks of cases on the floor by the bed.

  “Machado. Also his sergeant, his lieutenant,” Marino says. “It’s gone straight up the chain to the superintendents and the commissioner.”

  I set files on the bed, what must be at least a dozen folders, printouts of death reports and photographs my chief of staff Bryce Clark has been leaving on the sunporch for me daily, along with provisions he’s been kind enough to pick up.

  “The concern is it could be the same really bad meth or designer-type shit — in other words, some latest version of bath salts that’s been hitting the streets around here. Maybe what the suicide lady was on,” Marino tells me. “One theory is that Gail Shipton, if it’s her who’s dead, was with someone doing some really bad drugs and she ODed so he dumped her body.”

  “This is your theory?”

  “Hell no. If you’re dumping a body why do it in a damn university playing field like you’re displaying it to shock people? That’s my point, the biggest threat we’ve got to watch for these days. Do something sensational enough and it will be all over the news and get the attention of the president of the United States. I think whoever dumped her body at Briggs Field is a bird of that kind of feather. He’s doing it for attention, to be headline news.”

  “That could be part of it but probably not all of it.”

  “I’m texting you a few photos that Machado texted me.” Marino’s deep voice continues in my ear, a rough voice, a rude, pushy voice.

  “You shouldn’t text while you drive.” I reach for my iPad.

  “Yeah, so I’ll write myself a ticket.”

  “Any drag marks or other indications of how the body ended up where it is?”

  “You can see in the photos it’s real muddy and unfortunately any drag marks or footprints probably got mostly washed out by the rain. But I haven’t been there yet and looked for myself.”

  I open the photographs he just e-mailed and note the soaked grass and red mud inside Briggs Field’s fence, then I zoom in closer on the dead woman wrapped in white. Slender, flat on her back, her long wet brown hair neatly arranged around a young pretty face that is tilted slightly to the left and glazed with rain. The cloth is wound around her upper chest like a bath sheet, like the big towels people wrap up in while they’re lounging at a spa.

  Recognition stirs, and then I’m startled by the similarity to what Benton sent me several weeks ago when he took a considerable risk. Without authorization from the FBI he asked my opinion about the murders he’s working in Washington, D.C. But those women had plastic bags over their heads and this one doesn’t. They had designer duct tape around their necks and a bow attached, and that’s a pattern unique to the killer and it’s absent here.

  We don’t even know that she’s a homicide, I remind myself, and I shouldn�
��t be surprised if she died suddenly and a panicky companion wrapped her in a bedsheet, perhaps one from a dormitory, before leaving her outside, where she’d be found quickly.

  “I suspect someone pulled their car into the parking lot close to the fence, opened the gate, and dragged or carried her in,” Marino continues as I stare at the image on my iPad, disturbed by it on a level that’s out of reach, a deeply intuitive place, and I try to reason away what I’m feeling but I can’t, and I can’t say a word about it to him.

  Benton would be fired if the FBI knew what he’s done, sharing classified information with his wife. It doesn’t matter that I’m an expert whose jurisdiction includes federal cases and it would have made sense for me to be consulted anyway. Usually I am but for some reason I wasn’t. His boss, Ed Granby, has little use for me and would take delight in stripping Benton of his credentials and sending him packing.

  “That one gate wasn’t locked,” Marino says. “The couple that found her said it was shut when they got to it but not locked. The rest of the gates are secured with chains and padlocks so nobody can get in after hours. Whoever’s responsible either knew that one wasn’t locked or used bolt cutters or had a key.”

  “The body’s been deliberately posed.” The phantom pain of a chronic headache makes my head feel heavy. “On her back, legs together and straight, one arm gracefully resting on her belly, the other extended, the wrist bent dramatically like a dancer or as if she passed out on a fainting couch. Nothing is disarrayed, the sheet carefully arranged around her. Actually, I’m not sure it’s a sheet.”

  I zoom in as close as I can before the image begins to deconstruct.

  “It’s a white cloth at any rate. Her positioning is ritualistic, symbolic.” I’m sure of it, and the flutter in my stomach is fear.

  What if it’s the same thing? What if he’s here? I remind myself that the D.C. cases are fresh on my mind because they’re why Benton isn’t home right now and it wasn’t that long ago when I went through the scene photographs and autopsy and lab reports. A body wrapped in a white cloth and positioned modestly and rather languidly by no means suggests this case is connected to the other ones, I tell myself repeatedly.

  “She was left like that on purpose,” Marino is saying, “because it means something to the sick asshole who did it.”

  “How could anyone get the body out there without being seen?” I focus my attention where it belongs. “On a playing field in the heart of MIT apartment buildings and dorms? Start with the idea that we may be dealing with someone familiar with the area, possibly another student, an employee, a person who lives or works around there.”

  “Where she was dumped isn’t lit up at night,” he says. “Behind the indoor tennis courts, you know the big white bubble, then the athletic fields. I’ll pick you up in thirty, forty minutes. Pulling up to the Psi Bar now. Closed of course. No sign of anyone, no lights on. I’ll take a look around outside where she might have been using her phone, then head over to your house.”

  “You’re alone,” I assume.

  “Ten-four.”

  “Be careful, please.”

  I sit up in bed and sort through files inside the master suite of our nineteenth-century home that was built by a well-known transcendentalist.

  I start with the suicide Marino mentioned. Three days ago, on Sunday, December 16, twenty-six-year-old Sakura Yamagata stepped off the roof of her nineteen-story Cambridge apartment building, and her cause of death is what I’d expect in such a violent event. Multiple blunt-force traumatic injuries, her brain avulsed from the cranial cavity. Her heart, liver, spleen, and lungs lacerated. The bones of her face, her ribs, arms, legs, and pelvis extensively fractured.

  I sort through 8-by-10 scene photographs that include shocked people gawking, many of them in gym clothes and hugging themselves against the cold, and a distinguished gray-haired man in a suit and tie who looks defeated and dazed. In one of the photographs he’s next to Marino, who’s pointing and talking, and in another the gray-haired man is crouched by the body, his head bent and tragic and with the same utterly defeated look on his face.

  It’s obvious he had a relationship with Sakura Yamagata, and I imagine the frightened reaction of people using the fitness center on the first floor, looking out at the exact moment her body struck. It thudded hard, like a heavy sandbag, as one witness described it in a news report included in the case file. Tissue and blood spattered the plate-glass windows, teeth and fragmented parts scattered as far as fifty feet from the site of impact. Her head and face were damaged beyond visual recognition.

  I associate such severely mutilating deaths with psychosis or the influence of drugs, and as I skim through the pages of the detailed police report, I’m struck by how strange it feels to see Marino’s name and ID number on it.

  Reporting Officer, Marino, P. R. (D33).

  I haven’t seen a police narrative written by him since he left Richmond PD a decade ago, and I read his description of what occurred this past Sunday afternoon at a Cambridge luxury high-rise on Memorial Drive.

  …I responded to the above address after the incident had occurred, and I interviewed Dr. Franz Schoenberg. He informed me he is a psychiatrist with a practice in Cambridge and that Sakura Yamagata, a fashion designer, was a patient of his. On the day of the incident at 1556 hours, she texted him, indicating her intention to “fly to Paris” from the roof of her apartment building.

  At approximately 1618 hours Dr. Schoenberg arrived at her address and was escorted to the roof area through a rear door. He stated to me that he observed her nude and standing on the other side of a low rail on the ledge, her back to him, her arms spread wide. He called to her once, saying, “Suki, I’m here. Everything is going to be all right.” He stated that she did not answer or make any indication she heard him. She immediately fell forward in what he described as a swan dive that was intentional…

  Luke Zenner performed her autopsy and submitted the appropriate tissues and fluids to the toxicology lab. Heart, lung, liver, pancreas, blood…

  I stroke Sock’s lean brindle body, feeling his ribs gently rise and fall as he breathes, and I’m suddenly exhausted again as if talking to Marino took everything I’ve got. Struggling to stay awake, I skim through the photographs again, looking for ones with the gray-haired man who I suspect is Dr. Franz Schoenberg. That’s why the police allowed him near the body. That’s why he’s next to Marino, and I can’t imagine watching your patient jump off a roof. How does anyone ever get over that? I search my thoughts as they fade in and out, wondering if I might have met the psychiatrist somewhere.

  You don’t get over it, I think. Some things you won’t get over, not ever, you can’t…

  Bad drugs, I recall what Marino just suggested to me. Designer ones, bath salts that have hit Massachusetts hard this past year, and we’ve had a number of bizarre suicides and accidents relating to them. There have been homicides and property crimes, an alarming increase in general, especially in the Boston area where there are Section 8 housing developments or what the police call the projects. People dealing drugs, gang members get a nice roof over their heads for a bargain, and they bring down the neighborhood and cause damage all around them. I go through my mental list of what needs to be done as I log on to my office e-mail. I notify toxicology to put a rush on the analysis in the Sakura Yamagata case and screen for designer stimulants.

  Mephedrone, methylenedioxypyrovalerone or MDPV, and methylone. Luke didn’t think to include hallucinogens and we should test for those, too. LSD, methylergometrine, ergotamine…

  My thoughts drift and focus.

  Ergot alkaloids can cause ergotism also known as ergotoxicosis or Saint Anthony’s Fire, with symptoms resembling bewitchment that some believe may have led to the Salem witchcraft trials. Convulsions, spasms, mania, psychosis…

  My vision blurs and clears, my head nods and jerks up as rain splashes the roof and windows. I should have told Marino to ensure someone makes a tent out of a waterproof tarp
or plasticized sheets to protect the body from the weather, from the eyes of the curious. To protect me, too. I don’t need to be out in the elements, getting soaked, chilled, filmed by the media…

  Television and production trucks were everywhere, and we made sure all of the blinds were drawn. Dark brown carpet. Thick slicks of dark coagulated blood that I could smell as it began to decompose. Sticky on the bottom of my shoes as I moved around inside that room. There was so much blood and I tried so hard not to step in it, to work the crime scene properly. As if it mattered.

  But there is no one to punish and no punishment would be enough. And I sit quietly propped up against pillows, the anger tucked in its dark place, perfectly still, looking out with citrine eyes. I see its mighty shape and feel its weight on the foot of my bed.

  Marino will have made sure the body is protected.

  The anger shifts heavily. The sound and rhythm of the downpour change from fortissimo to pianissimo…

  Marino knows what he’s doing.

  Fugue from adagio to furioso…

  3

  TEN YEARS EARLIER

  RICHMOND, VIRGINIA

  A heavy rain splashes the driveway, flooding granite pavers and thrashing trees, the summer storm beating up an angry sky over a city I’m leaving.

  I cut off a strip of packing tape, sweating inside my garage, slightly disinhibited, a little weird from alcohol. Richmond Police Detective Pete Marino is trying to get me drunk, to defeat me when I’m weak.

  Maybe I should have sex with you and get it over with.

  Marking boxes with a Sharpie, I designate areas of my Richmond home, the one I built of reclaimed wood and stone, what was supposed to be a dream meant to last: “living room, master bath, guestroom, kitchen, pantry, laundry room, office…” Anything to make it easier on the other side, having no idea what the other side will be ultimately.