Dead on the Delta

by Stacey Jay

  “Lights out, that’s a good idea,” a deep voice whispers, so soft beneath Libby’s words I can barely hear him, so close I can feel his breath warming the shell of my ear.

  Focus shattered, I jerk my head in the stranger’s direction, but thick fingers on my cheek urge my attention back to the light. After a second or two, I let him move me. There isn’t anything to see, anyway. It’s the man from last night, the invisible boogeyman come to take his vengeance.

  Tucker’s warning that the Big Man knows who has his “stuff” drifts through my mind. I assumed he was talking about Percy—that she was the “her” I shouldn’t be caught hanging around with—but Tucker must have seen me talking to Libby out in the swamp. Somehow, he must know that she killed Grace and helped her brother steal the drugs from the Breeze house.

  When you’re an invisible person, it’s probably easy to get the inside scoop on the dastardly doo going down in a small town like Donaldsonville, but I have a feeling this goes deeper than a pair of decent drug runner types working vengeance for a murdered child into their own agenda. The way Tucker said Grace’s name … it makes me think he and the man now running a calloused finger along my swollen throat knew the girl personally.

  “Lights out, girl. I know Tucker gave you what you need. Now let’s see if you’ve got what it takes,” the man whispers. “If you do, I’ll see about saving your ass. If not … ”

  The way his words trail off isn’t particularly comforting, but at this point he’s my only shot at getting out of here alive. If he wants the lights out, then I’ll do my damnedest to make it happen. I just have to make the bulb explode, to plunge the room into darkness and then … and then …

  God only knows “what then.” Incestuous relationships, murdered sibling-daughters, and stealing drugs from Breeze houses to finance a flight from the law I can understand. But magic and invisible people are still beyond my comprehension.

  But maybe not beyond my reach …

  Anger is even easier to access the second time around. My face is so swollen my eyes are slitting closed and my tongue fills my mouth to overflowing. I’m pulling air down a pathway smaller than a coffee straw. I’ll stop breathing soon; die to protect a child killer. Unless I do something. Now.

  The bulb twitches again, harder than before, hard enough to make the light flicker and draw the attention of the Beauchamps. Some part of my mind acknowledges that they’ve stopped talking, but the rest of me thinks only of the light and the glass and the swing, swing, swing of the chain, the swinging that will bring the glass in contact with the wooden beam above it in just a few—

  “Freeze! FBI! Put your hands where I can see them!” The woman’s voice cuts through the air seconds before the glass shatters. The cellar is plunged into darkness, but the woman remains silhouetted in the door at the top of the stairs.

  Stephanie. She’s come to save the day. Or get herself killed.

  If I could form words, I would call out a warning, let her know that Libby has a gun and there’s a third man in the basement. But I can’t speak, I can only flinch as one gun fires and then another, and listen in horror as Stephanie’s body tumbles down the stairs.

  Twenty-six

  Libby and James scream, but the two cries couldn’t be more different. Libby’s is a scream of shock and despair, as if she can’t believe she’s shot an FBI agent and sent another innocent human being to their death. James’ is a howl of pain—raw, horrible, skin-peeled-from-your-face-while-you’re-still-alive, you’d-rather-be-dead-than-feel-anything-like-that kind of pain. Simply hearing that scream is its own breed of torture.

  My nerve endings wail along with him, and something primitive in my brain demands I run.

  Run! Run fast! Now! Before the monster in the darkness gets you too, before—

  James’ cry ends in a liquid gurgle, a bone-chilling squish, and the layered karumph of a limp body hitting the floor.

  Run! Now! Run!

  Adrenaline dumps into my bloodstream and rockets through my heart, giving me the strength to shift my weight and roll off the table. I land with a thud—knocking what breath I have left from my body—and writhe on the ground, feeling the fish out of water metaphor with every fiber of my being. Each second that passes without air is an eternity of hyper-aware agony, accompanied by thousands of thoughts jamming into my head, desperate to be thought before I can’t think anymore.

  I’m not sure I’ll ever breathe again, but after a few seconds, I suck in one tiny breath and then another. Bit by bit, oxygen flows in and carbon dioxide out, just enough to keep my soul in my body. I’m on my stomach now, and gravity is helping ease the pressure in my throat enough to keep me alive.

  “James? James?” Libby calls, her voice high and hysterical in the dark.

  “James isn’t here anymore, sugar.” The Big Man’s voice oozes from the shadows, seeps out of the earth, seeming to come from everywhere and nowhere at the same time. “James is dead.”

  “No. No! James!” Libby gasps as she falls to her knees, hands blindly searching the floor where James was standing.

  Or at least I imagine that’s what she’s doing. I imagine it so clearly, that I can almost see the moment she finds what’s left of her brother, can almost feel the hot, sticky mess coating her fingers.

  “James! James! Ja—” Her keening ends in a gag that sends my adrenaline levels spiking once more, reminding me that I have more important things to do than lie here and listen, waiting for my turn to die.

  This time, however, I don’t make any sudden moves. I force myself onto my hands and knees and start crawling—slow and steady, quiet as a cockroach sneaking in to steal the sugar—toward the stairs. If I can get to Stephanie, maybe she’ll have a phone. Or a gun. Or both. Maybe she’ll even be alive and able to help me.

  “It’s done, Libby,” the Big Man says, voice calm and smooth, as if he’s chatting over tea, not strangling a woman with his bare hands. “It was done even before you broke your promise and let your brother take my stuff.”

  “I’m sorry.” Libby chokes on the words and gags again. “Please. Help James. You can help him. You can bring him back. I’ll give you anything you want.”

  “You don’t have anything I want.”

  “I know where he put the drugs. I know—”

  “I found the Breeze in the barn, fourth stall on the left, stashed in the hidey-hole where we used to put Grace’s medicine.” The man sighs, his disappointment thick and heavy, weighing down the air until it’s even harder to breathe. I sway on my hands and knees, dizzy and shaking, but refuse to let myself lie down. If I go down, I won’t be getting up again. “Why did you stop giving Grace her shots, Libby? I thought we had an agreement.”

  Shots. Like the one Tucker gave me? I store the information away, and inch closer to the stairs, willing myself to be as invisible as the man a few feet away.

  “I don’t know.” Libby sobs, the knowledge that she’s run out of bargaining chips clear in the clutching sound. “I don’t know.”

  “You do know. You’re a smart girl.” His tone demands an answer; even I can feel that and I don’t have a hand around my neck.

  “I … I wanted to forget about my mistake. I wanted to finally be happy.” Libby whimpers as the Big Man expresses his lack of satisfaction with her answer. “Fine! I wanted her to die! I did. I thought she’d die without the shots.”

  “But she didn’t, did she?”

  “No.” Soft whisper, so soft I wouldn’t have heard it if I weren’t listening so hard.

  “So you smothered her and put her out for the animals.”

  “James was going to leave. She made him ashamed.” Libby sniffs mightily, covering the shuffle of my hands and knees through the dirt.

  I’m close now, close enough that I’ll have to ease into the light creeping down the stairwell soon. The straining sun barely illuminates the pile of limbs at the bottom of the stairs—not enough for me to make out where Percy’s corpse ends and Stephanie’s body begins—but i
t’s brighter than the darkness. The Big Man will be able to see me if he looks this way. I have to be ready to move quickly, have to save my energy and rush from the shadows to Stephanie’s side at the best possible moment.

  “Once she saw us together. Once she knew …” Libby lets out a shuddering breath that I envy. It’s a miracle I’m still conscious considering the minuscule amount of oxygen my heart and brain are currently receiving. “It changed everything. It wasn’t the same. He was going to leave forever.”

  “I saw her that morning, before the police found her.” The Big Man sounds unimpressed. So am I. I’d seen Grace, too. I’d carried her tragic little body out of the bayou. “Animals had chewed her face off. Did you see that, Libby? What our Grace looked like after you threw her away?”

  Libby sobs again, a cry that turns into a yelp of pain. “Please, please! I’m sorry. I’m so sorry. I thought she was evil! I thought she was possessed!”

  “You’re a good liar, Libby. I always liked that about you … before.”

  Libby gags and the frantic sound of legs churning against the dirt floor fills the air. “Please! Please!” Her words end in a tangled choke as she begins to suffocate in earnest. It’s time. I’m not going to get a better chance.

  I scramble into the light, ignoring the numbness in my hands and the lightness in my head, hustling as quickly as I can to Stephanie’s side. I half fall over Percy’s bulk, but force away the horror of touching a dead woman, and lean over to peer into Stephanie’s face.

  She’s alive. I know it immediately, though her eyes are closed and blood covers her chest. Still, she needs medical attention, the sooner the better. She’s losing a lot of blood and who knows what internal injuries she sustained during her fall down the stairs. I have to get help. I have to save her life, my life, maybe even wretched Libby’s life. I don’t want Libby to die here in the dark; I want her to live to suffer for what she did.

  I fumble in Stephanie’s suit jacket pocket, fingers questing for a phone even as I strain to see where her gun fell when she tumbled down the stairs. Nothing. Nothing! Her pockets are empty and the gun nowhere to be found. What the hell am I going to do? There’s no way I can make it up the stairs. I’m too dizzy, too—

  “My belt,” Stephanie whispers. My eyes fly to her face, relieved to see her conscious. “There’s … another gun … on my belt.”

  I reach for her waist, find the pistol at the small of her back, and work at the heavy snap holding it in place with my thick fingers. My heart races and the room spins. It gets harder to keep my eyes open with every passing second, but still I pull and tug until finally, finally, the snap gives with a pop.

  I cringe—certain the Big Man heard the sound—but after a moment it becomes clear he’s still busy with Libby. She’s weeping hysterically now, babbling about being good or better or best, whatever she thinks it will take to spare her life.

  “Tell your brother I said hi. I’m sure he’s warming up the hot tub in hell for ya,” the Big Man says, not a trace of pity in his tone.

  “I called … for backup,” Stephanie whispers, the effort it takes for her to form words obvious. “Please … don’t let him … hurt me.”

  Good grief. Isn’t she the professional who’s supposed to be protecting my sorry ass? Still, who am I to judge? I’d be peeing myself if I wasn’t fairly certain the Big Man isn’t planning to kill me. He might let me choke to death, but he seems like the type who reserves torture for people who’ve personally offended.

  I pat Stephanie’s hand, assuming she can see well enough to know why I won’t be whispering any words of assurance, and turn back to the weapon, making sure it’s ready to fire.

  “The baby … I don’t … ” She winces and the softest moan slips from her lips. “Lose … the baby.”

  Oh, God. She’s pregnant. With her fiancé’s child. Hitch’s child. The thought would make me physically ill with complicated ex-boyfriend-related emotions at any other time, but we’ve got much bigger things to worry about right now.

  A juicy crunch echoes through the room. Libby stops crying, stops breathing, stops … being. I can feel the moment her soul abandons the playing field, leaving me and Stephanie alone in the dark with the Big Man.

  The Big Man who knows exactly where we are.

  “Annabelle, I’m not real happy right now, as you can probably guess,” he says, footsteps landing heavily on the dirt floor as he crosses the room. “This wasn’t supposed to happen. You weren’t supposed to happen.” He sighs, the effort-filled exhalation of large man who’s exhausted himself with a double murder. “Grace was going to be the last one. She was such a sweet kid, and so … powerful.”

  I fist the gun and sit up, positioning myself between Stephanie and the Big Man, fighting to stay conscious. Stephanie said she called for backup, but until it arrives it’s up to me to protect her and the baby.

  The baby. Hitch’s baby.

  Does he know she’s pregnant? Or will he find out after we’re both dead and the autopsies performed? Will he blame me for taking everything he loves away from him? For ruining his life a second time?

  “But Grace’s sister didn’t keep up her end of the bargain. She stopped giving Gracie her shots, and the kid started to lose her damned mind. Now she’s dead. It’s time to move on. To adapt. That’s the name of the game around here.” The air stirs, knees crack, and I know he’s squatted down to my level. He’s close. Close enough to touch, close enough to be certain I’ll hit some part of him if I aim the gun hidden in my lap in his direction. “So I’m going to give you a unique opportunity. I know Tucker slipped you a dose without my permission, and I saw the work you did on that lightbulb.”

  I flinch as the Big Man’s fingers brush my knee only inches below where Tucker pierced my jeans with his needle. Slowly, carefully, I move my other hand to conceal the gun. Has he seen it? Does he know? Should I shoot him now, or wait for him to prove that I have no other choice? If I wait, will I get another chance?

  “So, there’s no reason a shrimp muffin should be making you look like the goddamned kid from Mask. You ever seen that movie? The one with Cher? Damned fine film, and that woman looks good on a motorcycle.” He laughs, a genuine chuckle, as if he’s truly put the horror of the last few minutes behind him. That laugh scares me. A lot. Enough to edge the gun ever so slowly in his direction. “You ever ridden a motorcycle, Annabelle? I think you’d look good on a chopper. Get people to take you more seriously than that bicycle of yours.”

  The barrel of the gun peeks through my fingers and tilts up, up, toward the sound of his voice, stopping where I guess his torso would be if I could see it. My heart races impossibly faster, until I wonder if it will actually burst from my chest.

  “Let me tell you what,” the Big Man says, shifting his weight, making me second-guess my aim and my sweat-slick finger ease off the trigger. “If you get your act together, take care of yourself and your friend over there, and prove you’re more than one unlucky pichouette, then I’ll buy you a real bike myself.” His knees crack again as he stands. “How’s that sound?”

  It sounds stupid, really stupid. The only good news is that it doesn’t seem like he’s going to kill us himself. He’s going to let us take our chances on whether help will arrive in time.

  The stairs creak as he climbs toward the light. I let the gun fall back into my lap. There’s no reason to shoot him, not if he isn’t posing a direct threat to my or Stephanie’s safety. It isn’t my job to play judge and jury for what he did to the Beauchamp kids, especially not when I had similar impulses myself. Minus the torture.

  “I’ll be locking this door from the inside and arming the plantation security system,” the Big Man says from the top of the stairs. The door swings shut but for a few inches, ensuring it’s too late for me to rethink my decision not to shoot the bastard. “The FBI lady might live long enough for the cavalry to ride in and save the day, but you’re about two minutes from pitching over, Annabelle. Better reach down deep and figu
re this shit out.”

  The door slams, plunging the cellar into complete darkness, leaving me alone with a dying pregnant woman, three dead bodies, and nothing to hold on to except a gun and the age-old question of whether it’s better to die of asphyxiation brought on by anaphylactic shock or a bullet to the brain.

  I throw the gun into the dark, knowing it’s better to be unarmed than in possession of such a tempting out. I have to keep fighting, have to “reach down deep and shit myself,” or whatever it is the crazy man told me to do.

  “Who … who …” Stephanie sucks in a breath that’s too gurgly for my liking. “I … couldn’t … I couldn’t see … ”

  She couldn’t see him, either. So at least I’m not crazy. That’s good to know.

  Not just good. Vital. He really is invisible. Grace really did make things move with her mind. And so did you. Pull your head out of your ass and do it again. Before it’s too late.

  The inner voice … it might have a point for once in its worthless, self-bashing life. I made that light-bulb move. I shifted matter with my mind. And what is my body if not matter? There’s a chance … if I focus … if I “reach down deep.”

  I start with my throat, imagining the walls of tissue receding, the swelling fading away until I can pull in a deep, cleansing breath. I visualize so hard it feels like my skull is turning inside out, but nothing happens. Nothing. Nothing, fucking, nothing.

  And then Stephanie has to go and open her big mouth. “He … still … loves you. He just won’t … admit it. It’s why … I wanted to punish you. For him.”

  Hurt and rage spike inside me. How dare she? How dare she think she has any right to “punish me”? How dare she talk about Hitch and me and what either of us might feel, as if it’s her business? How dare she force me to spend my last few minutes of life listening to her clear her fucking conscience?

  The anger washes through my cells, honing my energy to a knifepoint. A few seconds later, the pressure on my throat abates enough for me to pull in a breath, a real breath, one that washes through me from head to toe. My brain celebrates the influx of oxygen by ordering my mouth to tell Stephanie to “shut up.”