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THE MIDDLE SIN

Page 16

by Merline Lovelace


  "Why am I not sur­p­ri­sed?"

  "Nor am I, ma­da­me, gi­ven the sud­den flurry of in­te­rest in this man. My pe­op­le are lo­oking for him. As yet, we've had no suc­cess, which is why I sho­uld very much li­ke you to ke­ep me ap­pri­sed of yo­ur fin­dings, if any," he ad­ded on a po­li­te no­te that sug­ges­ted he didn't ex­pect her to do any bet­ter at trac­king down Mr. Mo­ore than his pe­op­le had.

  "Cer­ta­inly," Cleo re­tur­ned. "And ho­pe­ful­ly you'll no­tify me of wha­te­ver in­for­ma­ti­on you turn up. If any."

  The in­s­pec­tor's mo­uth twit­c­hed, but he me­rely no­ted that she was sta­ying at the Auber­ge St. Ge­or­ges and ga­ve her his card for fu­tu­re re­fe­ren­ce.

  Cleo spent the rest of the af­ter­no­on fa­mi­li­ari­zing her­self with Val­let­ta. She had no idea how long she'd re­ma­in in the city, nor did she an­ti­ci­pa­te re­qu­iring an es­ca­pe ro­ute out of it. Old ha­bits di­ed hard, tho­ugh.

  Map in hand, she ro­amed the stre­ets. She so­on dis­co­ve­red no map co­uld cap­tu­re eit­her the cha­rac­ter or the com­p­le­xity of the ca­pi­tal city.

  The la­yo­ut was sim­p­le eno­ugh. Val­let­ta was crow­ded on­to a nar­row spe­ar of land that jut­ted in­to Mal­ta's gre­at na­tu­ral har­bor, di­vi­ding it in­to two de­ep­wa­ter ba­sins. At the tip of the spe­ar sat the me­di­eval for­t­ress bu­ilt by the knights of St. John to pro­tect the en­t­ran­ce to the two har­bors. Be­hind the for­t­ress we­re the auber­ges-or sec­tors- as­sig­ned to the va­ri­o­us Cat­ho­lic na­ti­ons that had res­pon­ded to the po­pe's plea to hold the is­land aga­inst the in­va­ders.

  Knights from each of the­se na­ti­ons had con­s­t­ruc­ted re­si­den­ces-so­me aus­te­re, so­me mag­ni­fi­cent-in the­ir as­sig­ned sec­tors. They'd al­so bu­ilt ho­tels, ar­mo­ri­es, gra­na­ri­es and stab­les for the ar­mi­es they'd bro­ught with them. Many of tho­se me­di­eval struc­tu­res now ho­used go­ver­n­ment of­fi­ces. One con­ta­ined Mal­ta's Ho­use of Par­li­ament and was gu­ar­ded by men in co­lor­ful uni­forms from a bygo­ne era.

  Cleo brus­hed past to­urists snap­ping pic­tu­res of the ri­gid, un­s­mi­ling gu­ards, fi­xed the lo­ca­ti­on of the Ame­ri­can con­su­la­te and wan­de­red thro­ugh an open-air mar­ket cram­med with stalls of­fe­ring ever­y­t­hing from fresh squ­id to Be­yon­ce CDs. No­ting the bul­let ho­les still scar­ring many of the fa­ca­des from the fi­er­ce World War Two stra­fing, she wor­ked her way down to the for­t­ress at the tip of the spe­ar.

  She'd in­ten­ded to walk back via the bat­tle­ments and ma­ke a com­p­le­te cir­cu­it of the old city, but jet lag ca­ught up with her af­ter the first co­up­le of sally ports. Aban­do­ning the wall, she cut thro­ugh cob­bled si­de stre­ets on her way back to the ho­tel.

  "Ma­da­me!"

  The call was low and ur­gent and ca­me at her from a nar­row al­ley a few yards from the en­t­ran­ce to the Auber­ge St. Ge­or­ges. Cleo pe­ered in­to the al­ley, her bre­ath cat­c­hing when she spot­ted the wa­iter from the Ca­fe Co­rin­t­hia.

  He shot a glan­ce in eit­her di­rec­ti­on be­fo­re emer­ging from the sha­dows. "I ha­ve be­en wa­iting for you."

  He star­ted to­ward her, to­ok two steps and stum­b­led. His he­ad jer­ked back. His eyes went wi­de.

  "Ma­da­me!"

  The stran­g­led cry was both a plea and a gro­an. Cur­sing, Cleo sprang for­ward just as the man's kne­es be­gan to buc­k­le. In one flying le­ap, she jer­ked him away from the al­ley and do­ve for co­ver, ta­king him with her.

  She knew be­fo­re they hit the cob­bles­to­nes it was too la­te. Still, she flat­te­ned her­self on top of him, squ­ir­ming fran­ti­cal­ly to get at the ebu strap­ped to her an­k­le, stra­ining to he­ar over the pul­se jac­k­ham­me­ring in her ears.

  The­re we­re no sho­uts, no run­ning fo­ot­s­teps, no soft pops from a si­len­cer. Not­hing but city no­ises and the clip-clop of a car­ri­age co­ming up the hill.

  Her he­art slam­ming aga­inst her ribs, Cleo lo­we­red the ne­ed­le-sharp ebu and wig­gled off the wa­iter. His eyes we­re al­re­ady gla­zed.

  Cur­sing aga­in, she rol­led him over. The bul­let ho­le was small and ne­at and cen­te­red squ­arely bet­we­en his sho­ul­der bla­des.

  15

  A lucky shot, or the work of a true pro­fes­si­onal?" Cleo shrug­ged, re­cog­ni­zing that In­s­pec­tor Aruz­zo's qu­es­ti­on was pu­rely rhe­to­ri­cal. The small, cle­an entry wo­und alig­ned bet­we­en the sho­ul­der bla­des with al­most sur­gi­cal pre­ci­si­on spo­ke for it­self.

  Fol­ding one arm ac­ross his chest, Aruz­zo fin­ge­red his be­ard whi­le his cri­me-sce­ne unit me­asu­red and pho­tog­rap­hed the body. A go­od-si­ze crowd had clus­te­red just out­si­de the ta­ped-off area. Gaw­king to­urists. Cu­ri­o­us lo­cals. Shop ow­ners drawn by the com­mo­ti­on.

  Was the sho­oter the­re, too? Ta­king cle­ver, ma­li­ci­o­us pri­de in his work? Cleo swept the crowd aga­in, se­ar­c­hing fa­ces, scru­ti­ni­zing fe­atu­res. She didn't re­cog­ni­ze any pat­rons from the Ca­fe Co­rin­t­hia.

  "Do you ha­ve an­y­t­hing to add to yo­ur sta­te­ment, Ma­da­me North?"

  The in­s­pec­tor's air of po­li­te co­ur­tesy had worn a lit­tle thin. Cleo co­uld tell he wasn't ple­ased that a mur­der had be­en com­mit­ted in the he­art of Val­let­ta's his­to­ric area. Bad for the to­urist in­dustry.

  "No, not­hing to add."

  "Very well. I will be in to­uch."

  Sum­ma­rily dis­mis­sed, she left him at­ten­ding to his bu­si­ness and he­aded for her ho­tel. Ad­re­na­li­ne still spi­ked thro­ugh her ve­ins. Too antsy for her plan­ned cat­nap, she di­aled the ho­tel res­ta­urant, can­ce­led her din­ner re­ser­va­ti­ons and or­de­red a ro­om ser­vi­ce me­al.

  The wa­iter set the tab­le on the bal­cony of her su­ite. Her mind chur­ning, Cleo for­ked down gar­licky ri­sot­to and squ­id whi­le the sun sank in­to the now-pur­p­le sea and the cru­ise ships pul­led away from the docks be­low.

  She tho­ught abo­ut go­ing back to the Ca­fe Co­rin­t­hia, but ni­xed the idea. Word had got­ten aro­und. They-who­ever they we­re-knew whe­re she was sta­ying. She'd sit tight to­night and see if they ca­me to her. If they did…

  Her te­eth gro­und a rub­bery mor­sel of squ­id to a pulp. Ha­ving a man die in her arms ten­ded to ma­ke Cleo just a tad an­no­yed. An­yo­ne who sho­wed up unin­vi­ted at her ho­tel ro­om in the fo­re­se­e­ab­le fu­tu­re had bet­ter co­me pre­pa­red.

  She might not ha­ve ac­cess to her full bag of tricks, but she hadn't ga­ined a re­pu­ta­ti­on in the se­cu­rity-con­sul­ting bu­si­ness for no re­ason. Al­t­ho­ugh she'd only bro­ught li­mi­ted equ­ip­ment with her, an­yo­ne trying to get in­to her ro­om wo­uld me­et with a sur­p­ri­se or two.

  He'd kill her!

  Jack sto­od at ri­gid at­ten­ti­on be­fo­re his boss's desk, plot­ting the im­mi­nent de­mi­se of one Cle­opat­ra North whi­le Ge­ne­ral Bar­nes pe­eled long strips from his hi­de.

  Bar­nes had both fists plan­ted on his blot­ter. His fa­ce was brick red. The pi­pe that ra­rely left his mo­uth lay aban­do­ned. The ge­ne­ral had tos­sed it asi­de so as not to in­ter­fe­re with the blis­te­ring spe­ech he'd be­en de­li­ve­ring for al­most fif­te­en mi­nu­tes now. Jack had ta­ken the blasts with lit­tle out­ward show of emo­ti­on. That se­emed to set the Old Man off even mo­re.

  "Dam­mit, Do­no­van, I don't li­ke ha­ving my cha­in yan­ked by the CIA."

  "No, sir."

  Bar­nes le­aned for­ward, his bushy eyeb­rows bris­t­ling. "I li­ke even less be­ing in­for­med that the in­tel­li­gen­ce com­mu­nity's most re­li­ab­le so­ur­ce on the is­land of Mal­ta just di­ed in t
he arms of one of my for­mer agents."

  Jack sus­pec­ted that "for­mer" ran­k­led mo­re than an­y­t­hing el­se. Bar­nes still hadn't got­ten past the fact that he'd gi­ven up on Cleo. But this wasn't the ti­me to re­mind him that Li­e­ute­nant North's stub­bor­n­ness had pis­sed him off as of­ten as her per­sis­ten­ce and tho­ro­ug­h­ness in wor­king an in­ves­ti­ga­ti­on had won his grud­ging pra­ise.

  "I've had my exec call Ba­se Ops," Bar­nes huf­fed. "They're di­ver­ting a C-17 in to pick you up. It'll be on the gro­und in an ho­ur. I want you on that pla­ne, I want you in Mal­ta, and…"

  He thrust him­self for­ward so far Jack half ex­pec­ted he wo­uld wind up fa­ce­down on the blot­ter.

  "I want you to get that wo­man on a le­ash”

  He'd do bet­ter than get her on a le­ash, Jack vo­wed as he stal­ked out of OSI he­ad­qu­ar­ters. He'd put her in a per­ma­nent stra­irj­ac­ket.

  Whiz­zing ac­ross the Wo­od­row Wil­son Brid­ge to his Ale­xan­d­ria apar­t­ment, he pic­ked up his pas­sport, a chan­ge of un­der­we­ar and cer­ta­in to­ols of the tra­de he co­uldn't ha­ve car­ri­ed abo­ard a com­mer­ci­al flight. Forty mi­nu­tes la­ter, he bo­ar­ded the C-17 Glo­be­mas­ter that had swo­oped in­to An­d­rews Air For­ce Ba­se to pick him up.

  The tran­s­port was lo­aded with car­go des­ti­ned for Iraq. The C-17's fo­ur Pratt and Whit­ney en­gi­nes rev­ved to a thun­de­ring ro­ar as Jack strap­ped him­self in, his kne­es me­re in­c­hes from the stac­ked car­go pal­lets. The tran­s­port be­gan its ta­ke­off roll, then lif­ted in­to the air. With the me­tal struts rat­tling aga­inst his bac­k­bo­ne, Jack clo­sed eyes that felt as gritty as san­d­pa­per.

  He hadn't slept mo­re than a few ho­urs in the past three days. In that ti­me, he'd bri­efed the Og­den Air Lo­gis­tics Cen­ter com­man­der, del­ved in­to the guts of the Af­lo­at Pre­po­si­ti­oning Prog­ram, go­ne se­ve­ral ro­unds with his co­un­ter­parts in the FBI and CIA, and had the shit sca­red out of him by what he'd be­en ab­le to pi­ece to­get­her so far.

  This was big­ger than he'd fe­ared, much big­ger. What had be­gun as a po­ten­ti­al bre­ach of a clas­si­fi­ed da­ta­ba­se was now star­ting to lo­ok li­ke an in­t­ri­gue of glo­bal pro­por­ti­ons-one that pit­ted bil­li­ons of dol­lars in sto­len ar­ma­ments aga­inst the fra­gi­le world or­der.

  And Cleo had lan­ded smack in the mid­dle of it!

  "Cof­fee, Ma­j­or?"

  The tran­s­port's lo­ad­mas­ter squ­e­ezed bet­we­en the pal­lets, a car­d­bo­ard cup in hand. Jack wrap­ped a fist aro­und it gra­te­ful­ly.

  "Thanks."

  "Sorry we don't ha­ve ro­om to let down anot­her rack so you co­uld un­fold and grab so­me sle­ep," the staff ser­ge­ant apo­lo­gi­zed, pit­c­hing his vo­ice to a ne­ar sho­ut to be he­ard over the ro­ar of the en­gi­nes. "We're ma­xed out on this run."

  "No prob­lem."

  The lo­ad­mas­ter had a se­at up front, just be­hind the two pi­lots, but cu­ri­osity kept him lin­ge­ring in the tran­s­port's ca­ver­no­us belly. Jack gu­es­sed it wasn't of­ten the air for­ce di­ver­ted a pla­ne cram­med with sup­pli­es for the tro­ops to pick up a pla­in­c­lot­hes OSI agent.

  "It'll ta­ke us six ho­urs to ma­ke the Azo­res," the staff ser­ge­ant sa­id. "If yo­ur legs get too cram­ped, you co­uld climb atop one of the pal­lets and stretch out. That's usu­al­ly what I do on the­se long ha­uls."

  "I'll ke­ep that in mind."

  Six ho­urs to the Azo­res. Anot­her three or fo­ur from the­re to Mal­ta abo­ard the navy P-3 he was told wo­uld be wa­iting for him. Wed­ging his sho­ul­ders bet­we­en the C-17's me­tal ribs, Jack did the cal­cu­la­ti­ons. It was only a lit­tle af­ter 7:00 p.m. by his watch, which ma­de it the mid­dle of the night in Mal­ta. Gi­ven the ti­me dif­fe­ren­ce, he sho­uld ar­ri­ve at Cleo's ho­tel by 11:00 a.m. or so.

  And then he'd kill her, he swo­re.

  Assu­ming the con­sor­ti­um of re­ne­ga­de arms de­alers she was snif­fing aro­und hadn't got­ten to her first.

  16

  The pho­ne rang as Cleo stum­b­led to­ward the bat­h­ro­om. Jet lag had ca­ught up to her with a ven­ge­an­ce. Des­pi­te a so­lid night's sle­ep, she was fuzzy he­aded and des­pe­ra­te for her first inj­ec­ti­on of caf­fe­ine. She snat­c­hed up the re­ce­iver, pra­ying it wasn't ro­om ser­vi­ce ad­vi­sing her of a de­lay in the or­der she'd just pla­ced.

  "Yes?"

  "Ten o'clock. The Co-Cat­hed­ral of St. John."

  The li­ne went de­ad be­fo­re she re­gis­te­red much mo­re than the mes­sa­ge and the fact it was de­li­ve­red in a thro­aty fe­ma­le vo­ice. Her bra­in be­la­tedly clic­king in­to ge­ar, Cleo jab­bed the but­ton for the front desk.

  "Yes, ma­da­me?"

  "So­me­one just cal­led my ro­om. Can yo­ur swit­c­h­bo­ard tra­ce the num­ber?"

  The Mid­dle Sin 201 "Unfor­tu­na­tely, we are not so equ­ip­ped. Er, is the­re a prob­lem?"

  The qu­ery con­ta­ined mo­re than a hint of ner­vo­us­ness. Evi­dently yes­ter­day's sho­oting had ma­de ma­na­ge­ment wary of the gu­est pre­sently cam­ped out in the­ir King's Su­ite.

  "No, no prob­lem."

  Cleo shot a glan­ce at her watch. She'd for­got­ten to re­set it to lo­cal ti­me yes­ter­day and she wasn't up to the cal­cu­la­ti­ons re­qu­ired to ma­ke the switch.

  "What's the ti­me?"

  "It is now twenty mi­nu­tes to ten, ma­da­me."

  Crap! Can­ce­ling her ro­om ser­vi­ce or­der, Cleo slam­med down the pho­ne and char­ged for the bat­h­ro­om.

  She hit the lobby ten mi­nu­tes la­ter and snat­c­hed a to-go cup from the ser­vi­ce set out on a tab­le sup­por­ted by ram­pant sto­ne li­ons.

  Gul­ping down the bit­ter Me­di­ter­ra­ne­an brew, Cleo thre­aded thro­ugh stre­ets crow­ded with to­urists fresh off the three gi­ant ships now doc­ked in the har­bor. The ship fun­nels sho­wed dif­fe­rent mar­kings from the ones she'd spi­ed from her bal­cony yes­ter­day. They must ha­ve pul­led in whi­le she was still de­ad to the world. Busy pla­ce, Mal­ta.

  "'Scu­se me. Par­don me."

  The ca­me­ra-snap­ping herds out­si­de the cat­hed­ral par­ted eno­ugh to al­low her up the steps. From the out­si­de, the struc­tu­re lo­oked mo­re li­ke a for­t­ress than a cat­hed­ral. That was pro­bably the ar­c­hi­tect's in­tent, Cleo gu­es­sed, gi­ven Mal­ta's tur­bu­lent past. Ig­no­ring se­ve­ral nasty lo­oks from the crowd li­ned up at the en­t­ran­ce, she wed­ged thro­ugh the nar­row front do­ors and plun­ged in­to a can­yon of glo­om.

  Yes­ter­day's in­ci­dent was still fresh in her mind-so fresh that she plan­ted her sho­ul­der bla­des aga­inst the in­te­ri­or wall and ga­ve a lit­tle flick of her wrist. The fa­mi­li­ar smo­ot­h­ness of the ebu's wo­oden han­d­le slid in­to her palm. She'd strap­ped it to her arm this ti­me for fas­ter ac­cess.

  Just in ca­se…

  Gra­du­al­ly, her pu­pils ma­de the tran­si­ti­on from the daz­zling out­si­de light. The sha­dows in­si­de the church lig­h­te­ned eno­ugh for Cleo to ma­ke out the oce­an of mar­b­le tom­b­s­to­nes un­der her fe­et. La­id out end to end, the em­bel­lis­hed slabs stret­c­hed all the way to the mas­si­ve Ba­ro­que al­tar at le­ast two fo­ot­ball fi­elds away.

  So­me of the slabs we­re in­la­id with gold he­ral­dic de­vi­ces. Ot­hers con­ta­ined re­li­gi­o­us mo­tifs in mo­sa­ics that glo­wed li­ke gem­s­to­nes. All, she he­ard a to­ur gu­ide in­form his gro­up in pre­ci­se En­g­lish, me­mo­ri­ali­zed the aris­toc­ra­tic knights be­lon­ging to the Or­der of St. John.

  "In ad­di­ti­on, each knight was re­qu­ired to gi­ve a gi­o­ja, or gift, upon ad­mis­si­on to the or­der," the gu­ide in­to­ned. "The ma
s­ter­pi­ece you see on the ce­iling, pa­in­ted on sto­ne by Mat­tia Pre­ti bet­we­en 1662 and 1667, was the gift of two such knights.

  The pa­in­ting de­picts the li­fe of John the Bap­tist, pat­ron sa­int of the or­der."

  Cleo dar­ted a qu­ick pe­ek at the ce­iling so­me hun­d­red or so fe­et abo­ve her he­ad. The cat­hed­ral's bar­rel-va­ult de­sign re­qu­ired no in­si­de sup­port pil­lars, so the­re was not­hing to ob­s­t­ruct her vi­ew of the gil­ded pa­nels.

  And not­hing for her myste­ri­o­us cal­ler to hi­de be­hind, eit­her.

  Pul­ling her ga­ze back to the mil­ling crowds, Cleo wat­c­hed for a glan­ce aimed her way, a fa­ce tur­ned in her di­rec­ti­on, a shut­te­red lo­ok. Fi­ve mi­nu­tes slip­ped by. Ten.

  When no one ap­pro­ac­hed or ap­pe­ared to ta­ke any par­ti­cu­lar in­te­rest in her, she ed­ged away from the wall and in­fil­t­ra­ted the to­ur gro­up now tra­iling the­ir gu­ide to­ward one of the si­de al­tars.

  Three si­de cha­pels and se­ve­ral do­zen mas­ter­pi­eces la­ter, Cleo was be­gin­ning to won­der if her cal­ler's in­tent had be­en me­rely to lu­re her out of her ho­tel ro­om so so­me­one co­uld slip in and go thro­ugh her things. If so, that so­me­one was in for a sur­p­ri­se. She'd gi­ve the Co-Cat­hed­ral of St. John ten mo­re mi­nu­tes, she de­ci­ded, then he­ad back to the ho­tel.

  Still min­g­ling with the to­urist gro­up, she du­ti­ful­ly gaw­ked at al­tars in­set with gold and la­pis la­zu­li, ad­mi­red the Grand Mas­ter's thro­ne, and to­uc­hed a fin­ger­tip to one of the ex­qu­isi­te sil­ver ga­tes gu­ar­ding a si­de cha­pel.

  "The­se are the fa­mo­us Na­po­le­on Ga­tes," the gu­ide in­for­med his gro­up. "We­ig­hing clo­se to one ton each and ma­de of so­lid sil­ver, they are among the few mo­vab­le tre­asu­res the em­pe­ror did not send back to Fran­ce af­ter cap­tu­ring Mal­ta in 1798. Do­es an­yo­ne know why he left them?"

 

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