Makers
Page 41
He fiddled with a couple of overnight shippers’ sites for a while, trying to figure out what it would cost to sell these in the Park and have them waiting on the marks’ doorsteps when they got back home. There were lots of little details like that, but ultimately, this was good and clean—it would extend the Parks’ reach right into the living rooms of their customers, giving them a new reason to think of the Park every day.
Kettlewell and Tjan looked up when Perry banged through the door of the tea-house they’d turned into their de facto headquarters.
Perry had gone through mad and back to calm on the ride home, but as he drew closer to the tea-house, passing the people in the streets, the people living their lives without lawyers or bullshit, his anger came back. He’d even stopped outside the tea-house and breathed deeply, but his heart was pounding and his hands kept balling into fists and sometimes, man, sometimes you’ve just got to go for it.
He got to the table and grabbed the papers there and tossed them over his shoulder.
“You’re fired,” he said. “Pack up and go, I want you out by morning. You’re done here. You don’t represent the ride and you never will. Get lost.” He didn’t know he was going to say it until he said it, but it felt right. This was what he was feeling—his project had been stolen and bad things were being done in his name and it was going to stop, right now.
Tjan and Kettlewell got to their feet and looked at him, faces blank with shock. Kettlewell recovered first. “Perry, let’s sit down and do an exit interview, all right? That’s traditional.”
Perry was shaking with anger now. These two friends of his, they’d fucking screwed him—committed their dirty work in his name. But Kettlewell was holding a chair out to him and the others in the tea-house were staring and he thought about Eva and the kids and the baseball gloves, and he sat down.
He squeezed his thighs hard with his clenching hands, drew in a deep breath, and recited what Death Waits had told him in an even, wooden voice.
“So that’s it. I don’t know if you instructed the lawyers to do this or only just distanced yourself enough from them to let them do this on their own. The point is that the way you’re running this campaign is victimizing people who believe in us, making life worse for people who already got a shitty, shitty deal on our account. I won’t have it.”
Kettlewell and Tjan looked at each other. They’d both stayed poker-faced through Perry’s accusation, and now Kettlewell made a little go-ahead gesture at Tjan.
“There’s no excuse for what that lawyer did. We didn’t authorize it, we didn’t know it had happened, and we wouldn’t have permitted it if we had. In a suit like this, there are a lot of moving parts and there’s no way to keep track of all of them all of the time. You don’t know what every ride operator in the world is up to, you don’t even know where all the rides in the world are. That’s in the nature of a decentralized business.
“But here’s the thing: the lawyer was at least partly right. Everything that kid blogs, emails, and says will potentially end up in the public record. Like it or not, that kid can no longer consider himself to have a private life, not until the court case is up. Neither can you or I, for that matter. That’s in the nature of a lawsuit—and it’s not something any of us can change at this point.”
Perry heard him as from a great distance, through the whooshing of the blood in his ears. He couldn’t think of anything to say to that.
Tjan and Kettlewell looked at each other.
“So even if we’re ’fired’—” Tjan said at last, making sarcastic finger-quotes, “this problem won’t go away. We’ve floated the syndicate and given control of the legal case to them. If you try to ditch it, you’re going to have to contend with their lawsuits, too.”
“I didn’t—” Perry started. But he had, he’d signed all kinds of papers: first, papers that incorporated the ride-runners’ co-op; and, second, papers that gave legal representation over to the syndicate.
“Perry, I’m the chairman of the Boston ride collective. I’m their rep on the co-op’s board. You can’t fire me. You didn’t hire me. They did. So stop breathing through your nose like a locomotive and calm down. None of us wanted that lawyer to go after that kid.”
He knew they were making sense but he didn’t want to care. He’d ended up in this place because these supposed pals of his had screwed up.
He knew that he was going to end up making up with them, going to end up getting deeper into this. He knew that this was how good people did shitty things: one tiny rotten compromise at a time. Well, he wasn’t going to go there.
“Tomorrow morning,” he said. “Gone. We can figure out by email how to have a smooth transition, but no more of this. Not on my head. Not on my account.”
He stalked away, which is what he should have done in the first place. Fuck being reasonable. Reasonable sucked.
Death found out about the Disney-in-a-Box printers seconds after they were announced. He’d been tuning his feed-watchers to give him news about the Disney Parks for nearly a decade, and this little PR item on the Disney Parks newswire rang all the cherries on his filters, flagging the item red and rocketing it to the top of his news playlist, making all the icons in the sides of his screen bounce with delight.
The announcement made him want to throw up. They were totally ripping off the rides, and he knew for a fact that most of the three-d meshes of the old yesterland rides and even the contemporary ones were fan-made, so those’d be ripped off, too.
And the worst part was, he could feel himself getting excited. This was just the kind of thing that would have given him major fanboy drool as recently as a month ago.
He just stared angrily at his screen. Being angry made the painkillers wear off, so the madder he got the more he hurt. He could nail the rocker-switch and dose himself with more of whatever the painkiller plugged into his IV was today, but since Perry and Lester and their girlfriends (had that other one been Suzanne Church? It sure looked like her) had told him he could use his laptop again, he’d stayed off the juice as much as possible. The computer could make him forget he hurt.
He looked at the clock. It was 4AM. The blinds on the ward were shut most of the time, and he kept to his own schedule, napping and then surfing, then nodding off and then surfing some more. The hospital staff just left his food on the table beside him if he was asleep when it arrived, though they woke him for his sponge baths and to stick fresh needles in his arms, which were filled with bruisey collapsed veins.
There was no one he could tell about this. Sure, there were chat-rooms with 24/7 chatter from Disney freaks, but he didn’t much want to chat with them. Some of his friends would still be up and tweaking, but Christ, who wanted to IM with a speed freak at four in the morning? His typing was down to less than 30 wpm, and he couldn’t keep it up for long. What he really wanted was to talk to someone about this.
He really wanted to talk to Perry about this. He should send him an email, but he had the inkling of an idea and he didn’t want to put it in writing, because it was a deliciously naughty idea.
It was dumb to even think about phoning him, he barely knew him, and no one liked to get calls at four am. Besides—he’d checked—Perry’s number was unlisted.
From: deathw@deathwait.er To: pgibbons@hollywood.ride Subject: What’s your phone number?
Perry, I know that it’s presumptuous, but I’d really like to talk to you v2v about something important that I’d prefer not to put in writing. I don’t have any right to impose on you, especially not after you’ve already done me the kindness of coming to see me in the hospital, but I hope you’ll send me your number anyway. Alternatively, please call me on my enum—1800DEATHWAITS-GGFSAH.
Your admirer,
Death Waits
It was five minutes later when his laptop rang. It was unnaturally loud on the ward, and he heard his roommates stir when the tone played. He didn’t have a headset—Christ, he was an idiot. Wait, there was one, dangling from the TV. No mic, but at l
east he could pair it with his laptop for sound. He stabbed at the mute button and reached for the headset and slipped it on. Then he held the computer close to his face and whispered “Hello?” into its little mic. His voice was a croak, his ruined mouth distorting the word. Why had he decided to call this guy? He was such an idiot.
“This is Perry Gibbons. Is that Death Waits?”
“Yes, sorry, I don’t have a mic. Can you hear me OK?”
“If I turn the volume all the way up I can.”
There was an awkward silence. Death tried to think of how to begin.
“What’s on your mind, Death?”
“I didn’t expect you to be awake at this hour.”
“I had a rough night,” Perry said. It occurred to Death that he was talking to one of his heros, a man who had come to visit him in the hospital that day. He grew even more tongue-tied.
“What happened?”
“Nothing important,” Perry said and swallowed, and Death suddenly understood that Perry had had a rough night because of him, because of what he’d told Perry. It made him want to cry.
“I’m sorry,” Death said.
“What’s on your mind, Death?” Perry said again.
Death told him what he’d found, about the Disney printers. He read Perry the URLs so he could look them up.
“OK, that’s interesting,” Perry said. Death could tell he didn’t really think it was that interesting.
“I haven’t told you my idea yet.” He groped for the words. His mouth had gone dry. “OK, so Disney’s going to ship these things to tons of people’s houses, they’ll sell them cheap at the parks and mail them as freebies to Magic Kingdom Club gold-card holders. So in a week or two, there’s going to be just, you know, tons of these across the country.”
“Right.”
“So here’s my idea: what if you could get them to build non-Disney stuff? What if you could send them plans for stuff from the rides? What if you could just download your friends’ designs? What if this was opened wide.”
Perry chuckled on the other end of the line, then laughed, full-throated and full of merriment. “I like the way you think, kid,” he said, once he’d caught his breath.
And then this amazing thing happened. Perry Gibbons brainstormed with him about the kinds of designs they could push out to these things. It was like some kind of awesome dream come true. Perry was treating him like a peer, loving his ideas, keying off of them.
Then a dismal thought struck him. “Wait though, wait. They’re using their own goop for the printers. Every design we print makes them richer.”
Perry laughed again, really merry. “Oh, that kind of thing never works. They’ve been trying to tie feedstock to printers since the inkjet days. We go through that like wet kleenex.”
“Isn’t that illegal?”
“Who the fuck knows? It shouldn’t be. I don’t care about illegal anymore. Legal gets you lawyers. Come on, dude—what’s the point of being all into some anti-authoritarian subculture if you spend all your time sucking up to the authorities?”
Death laughed, which actually hurt quite a bit. It was the first laugh he’d had since he’d ended up in the hospital, maybe the first one since he’d been fired from Disney World, and as much as it hurt, it felt good, too, like a band being loosened from around his broken ribs.
His roommates stirred and one of them must have pushed the nurse call button, because shortly thereafter, the formidable Ukrainian nurse came in and savagely told him off for disturbing the ward at five in the morning. Perry heard and said his goodbyes, like they were old pals who’d chatted too long, and Death Waits rang off and fell into a light doze, grinning like a maniac.
Hilda eyed Perry curiously. “That sounded like an interesting conversation,” she said. She was wearing a long t-shirt of his that didn’t really cover much, and she looked delicious in it. It was all he could do to keep from grabbing her and tossing her on the bed—of course, the cast meant that he couldn’t really do that. And Hilda wasn’t exactly smiling, either.
“Sorry, I didn’t mean to wake you up,” he said.
“It wasn’t the talking that did it, it was you not being there in the first place. Gave me the toss-and-turns.”
She came over to him then, the lean muscles in her legs flexing as she crossed the living room. She took his laptop away and set it down on the coffee-table, then took off his headset. He was wearing nothing but boxers, and she reached down and gave his dick a companionable honk before sitting down next to him and giving him a kiss on the cheek, the throat and the lips.
“So, Perry,” she said, looking into his eyes. “What the fuck are you doing sitting in the living room at 5 am talking to your computer? And why didn’t you come to bed last night? I’m not going to be hanging out in Florida for the rest of my life. I woulda thought you’d want to maximize your Hilda-time while you’ve got the chance.”
She smiled to let him know she was kidding around, but she was right, of course.
“I’m an idiot, Hilda. I fired Tjan and Kettlewell, told them to get lost.”
“I don’t know why you think that’s such a bad idea. You need business-people, probably, but it doesn’t need to be those guys. Sometimes you can have too much history with someone to work with him. Besides, anything can be un-said. You can change your mind in a week or a month. Those guys aren’t doing anything special. They’d come back to you if you asked ’em. You’re Perry motherfuckin’ Gibbons. You rule, dude.”
“You’re a very nice person, Hilda Hammersen. But those guys are running our legal defense, which we’re going to need, because I’m about to do something semi-illegal that’s bound to get us sued again by the same pack of assholes as last time.”
“Disney?” She snorted. “Have you ever read up on the history of the Disney Company? The old one, the one Walt founded? Walt Disney wasn’t just a racist creep, he was also a mad inventor. He kept coming up with these cool high-tech ways of making cartoons—sticking real people in them, putting them in color, adding sync-sound. People loved it all, but it drove him out of business. It was all too expensive.
“So he recruited his brother, Roy Disney, who was just a banker, to run the business. Roy turned the business around, watching the income and the outgo. But all this came at a price: Roy wanted to tell Walt how to run the business. More to the point, he wanted to tell Walt that he couldn’t just spend millions from the company coffers on weird-ass R&D projects, especially not when the company was still figuring out how to exploit the last R&D project Walt had chased. But it was Walt’s company, and he’d overrule Roy, and Roy would promise that it was going to put them in the poorhouse and then he’d figure out how to make another million off of Walt’s vision, because that’s what the money guy is supposed to do.
“Then after the war, Walt went to Roy and said, ’Give me $17 million, I’m going to build a theme-park. And Roy said, ’You can’t have it and what’s a theme-park?’ Walt threatened to fire Roy, the way he always had, and Roy pointed out that Disney was now a public company with shareholders who weren’t going to let Walt cowboy around and piss away their money on his toys.”
“So how’d he get Disneyland built?”
“He quit. He started his own company, WED, for Walter Elias Disney. He poached all the geniuses away from the studios and turned them into his ’Imagineers’ and cashed in his life-insurance policy and raised his own dough and built the park, and then made Roy buy the company back from him. I’m guessing that that felt pretty good.”
“It sounds like it must’ve,” Perry said. He was feeling thoughtful, and buzzed from the sleepless night, and jazzed from his conversation with Death Waits. He had an idea that they could push designs out to the printers that were like the Disney designs, but weird and kinky and subversive and a little disturbing.
“I can understand why you’d be nervous about ditching your suits, but they’re just that, suits. At some level, they’re all interchangeable, mercenary parts. You want someone
to watch the bottom line, but not someone who’ll run the show. If that’s not these guys, hey, that’s cool. Find a couple more suits and run them.”
“Jesus, you really are Yoko, aren’t you?” Lester was wearing his boxers and a bleary grin, standing in the living room’s doorway where Hilda had stood a minute before. It was past 6AM now, and there were waking up sounds through the whole condo, toilets flushing, a car starting down in the parking lot.
“Good morning, Lester,” Hilda said. She smiled when she said it, no offense taken, all good, all good.
“You fired who now, Perry?” Lester dug a pint of chocolate ice-cream out of the freezer and attacked it with a self-heating ceramic spoon that he’d designed specifically for this purpose.
“I got rid of Kettlewell and Tjan,” Perry said. He was blushing. “I would have talked to you about it, but you were with Suzanne. I had to do it, though. I had to.”
“I hate what happened to Death Waits. I hate that we’ve got some of the blame for it. But, Perry, Tjan and Kettlewell are part of our outfit. It’s their show, too. You can’t just go shit-canning them. Not just morally, either. Legally. Those guys own a piece of this thing and they’re keeping the lawyers at bay too. They’re managing all the evil shit so we don’t have to. I don’t want to be in charge of the evil, and neither do you, and hiring a new suit isn’t going to be easy. They’re all predatory, they all have delusions of grandeur.”
“You two have the acumen to hire better representation than those two,” Hilda said. “You’re experienced now, and you’ve founded a movement that plenty of people would kill to be a part of. You just need better management structure: an executive you can overrule whenever you need to. A lackey, not a boss.”
Lester acted as though he hadn’t heard her. “I’m being pretty mellow about this, buddy. I’m not making a big deal out of the fact that you did this without consulting me, because I know how rough it must have been to discover that this wickedness had gone down in our name, and I might have done the same. But it’s the cold light of day now and it’s time to go over there together and have a chat with Tjan and Kettlewell and talk this over and sort it out. We can’t afford to burn all this to the ground and start over now.”