The E. Nesbit Megapack: 26 Classic Novels and Stories

by E. Nesbit

  “I don’t understand,” said Philip; “but it doesn’t matter. Show me the door and I’ll go back and find Lucy.”

  “Build something and go through it,” said Mr. Noah. “That’s all. Your tears are dry on me now. Good-bye.” And he laid down his yellow mat, stepped on to it and was just a little wooden figure again.

  Philip dropped the ear-trumpet and looked at Mr. Noah.

  “I don’t understand,” he said. But this at least he understood. That Helen would come back when she got that telegram, and that before she came he must go into the other world and find the lost Lucy.

  “But oh,” he said, “suppose I don’t find her. I wish I hadn’t built those cities so big! And time will go on. And, perhaps, when Helen comes back she’ll find me lost too—as well as Lucy.”

  But he dried his eyes and told himself that this was not how heroes behaved. He must build again. Whichever way you looked at it there was no time to be lost. And besides the nurse might occur at any moment.

  He looked round for building materials. There was the chess-table. It had long narrow legs set round it, rather like arches. Something might be done with it, with books and candlesticks and Japanese vases.

  Something was done. Philip built with earnest care, but also with considerable speed. If the nurse should come in before he had made a door and got through it—come in and find him building again—she was quite capable of putting him to bed, where, of course, building is impossible. In a very little time there was a building. But how to get in. He was, alas, the wrong size. He stood helpless, and once more tears pricked and swelled behind his eyelids. One tear fell on his hand.

  “Tears are a strong magic,” Mr. Noah had said. And at the thought the tears stopped. Still there was a tear, the one on his hand. He rubbed it on the pillar of the porch.

  And instantly a queer tight thin feeling swept through him. He felt giddy and shut his eyes. His boots, ever sympathetic, shuffled on the carpet. Or was it the carpet? It was very thick and— He opened his eyes. His feet were once more on the long grass of the illimitable prairie. And in front of him towered the gigantic porch of a vast building and a domino path leading up to it.

  “Oh, I am so glad,” cried Philip among the grass. “I couldn’t have borne it if she’d been lost for ever, and all my fault.”

  The gigantic porch lowered frowningly above him. What would he find on the other side of it?

  “I don’t care. I’ve simply got to go,” he said, and stepped out bravely. “If I can’t be a hero I’ll try to behave like one.”

  And with that he stepped out, stumbling a little in the thick grass, and the dark shadow of the porch received him.

  * * * *

  “Bother the child,” said the nurse, coming into the drawing-room a little later; “if he hasn’t been at his precious building game again! I shall have to give him a lesson over this—I can see that. And I will too—a lesson he won’t forget in a hurry.”

  She went through the house, looking for the too bold builder that she might give him that lesson. Then she went through the garden, still on the same errand.

  Half an hour later she burst into the servants’ hall and threw herself into a chair.

  “I don’t care what happens now,” she said. “The house is bewitched, I think. I shall go the very minute I’ve had my dinner.”

  “What’s up now?” the cook came to the door to say.

  “Up?” said the nurse. “Oh, nothing’s up. What should there be? Everything’s all right and beautiful, and just as it should be, of course.”

  “Miss Lucy’s not found yet, of course, but that’s all, isn’t it?”

  “All? And enough too, I should have thought,” said the nurse. “But as it happens it’s not all. The boy’s lost now. Oh, I’m not joking. He’s lost I tell you, the same as the other one—and I’m off out of this by the two thirty-seven train, and I don’t care who knows it.”

  “Lor!” said the cook.

  * * * *

  Before starting for the two thirty-seven train the nurse went back to the drawing-room to destroy Philip’s new building, to restore to their proper places its books, candlesticks, vases, and chessmen.

  There we will leave her.

  CHAPTER IV

  THE DRAGON-SLAYER

  When Philip walked up the domino path and under the vast arch into the darkness beyond, his heart felt strong with high resolve. His legs, however, felt weak; strangely weak, especially about the knees. The doorway was so enormous, that which lay beyond was so dark, and he himself so very, very small. As he passed under the little gateway which he had built of three dominoes with the little silver knight in armour on the top, he noticed that he was only as high as a domino, and you know how very little that is.

  Philip went along the domino path. He had to walk carefully, for to him the spots on the dominoes were quite deep hollows. But as they were black they were easy to see. He had made three arches, one beyond another, of two pairs of silver candlesticks with silver inkstands on the top of them. The third pair of silver candlesticks had a book on the top of them because there were no more inkstands. And when he had passed through the three silver arches, he stopped.

  Beyond lay a sort of velvety darkness with white gleams in it. And as his eyes became accustomed to the darkness, he saw that he was in a great hall of silver pillars, gigantic silver candlesticks they seemed to be, and they went in long vistas this way and that way and every way, like the hop-poles in a hop-field, so that whichever way you turned, a long pillared corridor lay in front of you.

  Philip had no idea which way he ought to go. It seemed most unlikely that he would find Lucy in a dark hall with silver pillars.

  “All the same,” he said, “it’s not so dark as it was, by long chalks.”

  It was not. The silver pillars had begun to give out a faint soft glow like the silver phosphorescence that lies in sea pools in summer time.

  “It’s lucky too,” he said, “because of the holes in the floor.”

  The holes were the spots on the dominoes with which the pillared hall was paved.

  “I wonder what part of the city where Lucy is I shall come out at?” Philip asked himself. But he need not have troubled. He did not come out at all. He walked on and on and on and on and on. He thought he was walking straight, but really he was turning first this way and then that, and then the other way among the avenues of silver pillars which all looked just alike.

  He was getting very tired, and he had been walking a long time, before he came to anything that was not silver pillars and velvet black under invisible roofs, and floor paved with dominoes laid very close together.

  “Oh, I am glad!” he said at last, when he saw the pavement narrow to a single line of dominoes just like the path he had come in by. There was an arch too, like the arch by which he had come in. And then he perceived in a shock of miserable surprise that it was, in fact, the same arch and the same domino path. He had come back, after all that walking, to the point from which he had started. It was most mortifying. So silly! Philip sat down on the edge of the domino path to rest and think.

  “Suppose I just walk out and don’t believe in magic any more?” he said to himself. “Helen says magic can only happen to people who believe in magic. So if I just walked out and didn’t believe as hard as ever I could, I should be my own right size again, and Lucy would be back, and there wouldn’t be any magic.”

  “Yes, but,” said that voice that always would come and join in whenever Philip was talking to himself, “suppose Lucy does believe it? Then it’ll all go on for her, whatever you believe, and she won’t be back. Besides, you know you’ve got to believe it, because it’s true.”

  “Oh, bother!” said Philip; “I’m tired. I don’t want to go on.”

  “You shouldn’t have deserted Lucy,�
� said the tiresome voice, “then you wouldn’t have had to go back to look for her.”

  “But I can’t find my way. How can I find my way?”

  “You know well enough. Fix your eyes on a far-off pillar and walk straight to it, and when you’re nearly there fix your eyes a little farther. You’re bound to come out somewhere.”

  “But I’m tired and it’s so lonely,” said Philip.

  “Lucy’s lonely too,” said the voice.

  “Drop it!” said Philip. And he got up and began to walk again. Also he took the advice of that worrying voice and fixed his eyes on a distant pillar.

  “But why should I bother?” he said; “this is a sort of dream.”

  “Even if it were a dream,” said the voice, “there are adventures in it. So you may as well be adventurous.”

  “Oh, all right,” said Philip, and on he went.

  And by walking very carefully and fixing his eyes a long way off, he did at last come right through the hall of silver pillars, and saw beyond the faint glow of the pillars the blue light of day. It shone very brightly through a very little door, and when Philip came to that door he went through it without hesitation. And there he was in a big field. It was rather like the illimitable prairie, only there were great patches of different-coloured flowers. Also there was a path across it, and he followed the path.

  “Because,” he said, “I’m more likely to meet Lucy. Girls always keep to paths. They never explore.”

  Which just shows how little he knew about girls.

  He looked back after a while, to see what the hall of pillars looked like from outside, but it was already dim in the mists of distance.

  But ahead of him he saw a great rough building, rather like Stonehenge.

  “I wish I’d come into the other city where the people are, and the soldiers, and the greyhounds, and the cocoa-nuts,” he told himself. “There’s nobody here at all, not even Lucy.”

  The loneliness of the place grew more and more unpleasing to Philip. But he went on. It seemed more reasonable than to go back.

  “I ought to be very hungry,” he said; “I must have been walking for hours.” But he wasn’t hungry. It may have been the magic, or it may have been the odd breakfast he had had. I don’t know. He spoke aloud because it was so quiet in that strange open country with no one in it but himself. And no sound but the clump, clump of his boots on the path. And it seemed to him that everything grew quieter and quieter till he could almost hear himself think. Loneliness, real loneliness is a dreadful thing. I hope you will never feel it. Philip looked to right and left, and before him, and on all the wide plain nothing moved. There were the grass and flowers, but no wind stirred them. And there was no sign that any living person had ever trodden that path—except that there was a path to tread, and that the path led to the Stonehenge building, and even that seemed to be only a ruin.

  “I’ll go as far as that anyhow,” said Philip; “perhaps there’ll be a signboard there or something.”

  There was something. Something most unexpected. Philip reached the building; it was really very like Stonehenge, only the pillars were taller and closer together and there was one high solid towering wall; turned the corner of a massive upright and ran almost into the arms, and quite on to the feet of a man in a white apron and a square paper cap, who sat on a fallen column, eating bread and cheese with a clasp-knife.

  “I beg your pardon!” Philip gasped.

  “Granted, I’m sure,” said the man; “but it’s a dangerous thing to do, Master Philip, running sheer on to chaps’ clasp-knives.”

  He set Philip on his feet, and waved the knife, which had been so often sharpened that the blade was half worn away.

  “Set you down and get your breath,” he said kindly.

  “Why, it’s you!” said Philip.

  “Course it is. Who should I be if I wasn’t me? That’s poetry.”

  “But how did you get here?”

  “Ah!” said the man going on with his bread and cheese, while he talked quite in the friendliest way, “that’s telling.”

  “Well, tell then,” said Philip impatiently. But he sat down.

  “Well, you say it’s me. Who be it? Give it a name.”

  “You’re old Perrin,” said Pip; “I mean, of course, I beg your pardon, you’re Mr. Perrin, the carpenter.”

  “And what does carpenters do?”

  “Carp, I suppose,” said Philip. “That means they make things, doesn’t it?”

  “That’s it,” said the man encouragingly; “what sort of things now might old Perrin have made for you?”

  “You made my wheelbarrow, I know,” said Philip, “and my bricks.”

  “Ah!” said Mr. Perrin, “now you’ve got it. I made your bricks, seasoned oak, and true to the thousandth of an inch, they was. And that’s how I got here. So now you know.”

  “But what are you doing here?” said Philip, wriggling restlessly on the fallen column.

  “Waiting for you. Them as knows sent me out to meet you, and give you a hint of what’s expected of you.”

  “Well. What is?” said Philip. “I mean I think it’s very kind of you. What is expected?”

  “Plenty of time,” said the carpenter, “plenty. Nothing ain’t expected of you till towards sundown.”

  “I do think it was most awfully kind of you,” said Philip, who had now thought this over.

  “You was kind to old Perrin once,” said that person.

  “Was I?” said Philip, much surprised.

  “Yes; when my little girl was ailing you brought her a lot of pears off your own tree. Not one of ’em you didn’t ’ave yourself that year, Miss Helen told me. And you brought back our kitten—the sandy and white one with black spots—when it strayed. So I was quite willing to come and meet you when so told. And knowing something of young gentlemen’s peckers, owing to being in business once next door to a boys’ school, I made so bold as to bring you a snack.”

  He reached a hand down behind the fallen pillar on which they sat and brought up a basket.

  “Here,” he said. And Philip, raising the lid, was delighted to find that he was hungry. It was a pleasant basketful. Meat pasties, red hairy gooseberries, a stone bottle of ginger-beer, a blue mug with Philip on it in gold letters, a slice of soda cake and two farthing sugar-sticks.

  “I’m sure I’ve seen that basket before,” said the boy as he ate.

  “Like enough. It’s the one you brought them pears down in.”

  “Now look here,” said Philip, through his seventh bite of pasty, “you must tell me how you got here. And tell me where you’ve got to. You’ve simply no idea how muddling it all is to me. Do tell me everything. Where are we, I mean, and why? And what I’ve got to do. And why? And when? Tell me every single thing.” And he took the eighth bite.

  “You really don’t know, sir?”

  “No,” said Philip, contemplating the ninth or last bite but one. It was a large pasty.

  “Well then. Here goes. But I was always a poor speaker, and so considered even by friends at cricket dinners and what not.”

  “But I don’t want you to speak,” said Philip; “just tell me.”

  “Well, then. How did I get here? I got here through having made them bricks what you built this tumble-down old ancient place with.”

  “I built?”

  “Yes, with them bricks I made you. I understand as this was the first building you ever put up. That’s why it’s first on the road to where you want to get to!”

  Philip looked round at the Stonehenge building and saw that it was indeed built of enormous oak bricks.

  “Of course,” he said, “only I’ve grown smaller.”

  “Or they’ve grown bigger,” said Mr. Perrin; “it’s the same thing. You see it’s like this
. All the cities and things you ever built is in this country. I don’t know how it’s managed, no more’n what you do. But so it is. And as you made ’em, you’ve the right to come to them—if you can get there. And you have got there. It isn’t every one has the luck, I’m told. Well, then, you made the cities, but you made ’em out of what other folks had made, things like bricks and chessmen and books and candlesticks and dominoes and brass basins and every sort of kind of thing. An’ all the people who helped to make all them things you used to build with, they’re all here too. D’you see? Making’s the thing. If it was no more than the lad that turned the handle of the grindstone to sharp the knife that carved a bit of a cabinet or what not, or a child that picked a teazle to finish a bit of the cloth that’s glued on to the bottom of a chessman—they’re all here. They’re what’s called the population of your cities.”

  “I see. They’ve got small, like I have,” said Philip.

  “Or the cities has got big,” said the carpenter; “it comes to the same thing. I wish you wouldn’t interrupt, Master Philip. You put me out.”

  “I won’t again,” said Philip. “Only do tell me just one thing. How can you be here and at Amblehurst too?”

  “We come here,” said the carpenter slowly, “when we’re asleep.”

  “Oh!” said Philip, deeply disappointed; “it’s just a dream then?”

  “Not it. We come here when we’re too sound asleep to dream. You go through the dreams and come out on the other side where everything’s real. That’s here.”

  “Go on,” said Philip.

  “I dunno where I was. You do put me out so.”

  “Pop you something or other,” said Philip.

  “Population. Yes. Well, all those people as made the things you made the cities of, they live in the cities and they’ve made the insides to the houses.”

  “What do they do?”